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Very clear and composed storyboard mapping exploring different mediums of presentation, with proposed models showing a variety of scales - macro to micro.

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Well composed panel layout that suits the tone and language of the design and showcases macro to micro project scales.

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Evocation of mood and linking to narrative of project, Country and experience 

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Linking graphics to elements of site

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Alternating from close up perspective to interior room perspective to exterior elevation allows us to understand how detail relates within the overall scheme and approach.

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Dynamic presentation style - the smaller perspectives enhance the overall mood and atmosphere of each stage of the journey.

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Beautifully laid out panels which step us through from architectural, to room, to detail scale.

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Great continuity of narrative through crafting of material artefacts

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Model making for storytelling, detail experimentation, idea testing, and documentation of design process. Look forward to seeing more!

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Narrative shows initial inspiration,  abstraction and  development/ translation into bespoke ceiling/ lighting detail.

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Design narrative expanded through exploration of Country storytelling, universal wayfinding and resolution of the multi-sensorial experiences.

Details also reflect and support the personal design narrative and values of the designer.

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Detail developed by thinking about the 1:1 scale of the human hand - the touch - and its interaction with the object.

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What alternative methods can you use to generate detail? Combining hand sketched observations on site with found materials (focused on reusing waste); playing with interweaving and imprinting forms.

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Narrative through detail of material, surface, texture: Experimentations in creating new materials using found 'materials' from specific sites in Sydney's colonial history.

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Exploring how design can respond to the different movements of the body through the idea of accommodation of natural variance between bodies.

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Narrative developed through form and symbol (top)and colour (below).

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Narrative developed through user experience process in detail

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Exploration of experience / narrative and detail

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A fantastic series of sketches which explore how detail at the object scale can greatly reflect and enhance the overall spatial experience.

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Testing the development of surface details across the room scale through quick black & white imagery.

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Quick sketches allow for quick exploration of different aspects of the joinery pieces.

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Clear design strategies / diagrams translated into bespoke, resolved objects, and supported by considered specification of off-the-shelf items.

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Great exploration of how a design strategy/narrative of 'past, present, future' can be expressed through object scale, and how object can be used to enhance and extend overall design narrative.

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Diagrams convey main concept and purpose of custom joinery piece, while sketches below shows initial thoughts on how they are to be made

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Clear linking of strategy/protocols to object development

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Strong sense of 'object'

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Good evidence of iterative processes

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Good exploration of detail

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WK08: Testing and iteration at the object scale

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WK08: Testing and iteration at the object scale

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WK08: Testing and iteration at the object scale

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WK08: Testing and iteration at the object scale

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WK08: Testing and iteration at the object scale

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WK08: Testing and iteration at the object scale

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WK08: Testing and iteration at the object scale

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WK08: Testing and iteration at the object scale

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WK08: Testing and iteration at the object scale

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WK08: Testing and iteration at the object scale

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Clear communication of room-scale elements, overall mood of space, colours furniture and interior-exterior connections.

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Well-composed image with resolved room-scale elements clearly in context with typology. Indication of artificial lighting strategy.

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Resolution of room-scale elements. Clear communication of materiality and lighting

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Great storyboarding and evocative picture - book quality to visuals

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The idea of resonance is evidently explored and translated in the spatial design of the auditorium. Its perspective captures the feel and atmosphere intended, conveying form, materiality, and lighting.

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The dialogue between the exg. and proposed is clearly shown. There is an exchange, a play of contrast between solid and light, but there is also coherence. The internal arrangement and materiality are well-suited to the linearity of the existing space with its strong industrial character.

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Storytelling effectively communicated through collaging to indicate resolution of form and function. Collage leans into whimsical and playful storytelling. Across key spaces, there is repetition of details, forms, patterns and visual languages to present cohesion in the storytelling.

Further to this, the use of colour enhances the playfulness and helps to establish highly evocative perspectives.

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Resolution of the conceptual strategy through an evocative and moody render; showing how the proposed and existing fabric coexist

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Diagrams which explore the conceptual approach, linking the histories of the place to reinterpret the site

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Clear indication of major spatial features, joinery, level changes and transition between finishes. Good understanding of scale and connection to the wider proposal

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Clear and neatly drawn plan and section, giving a sense of the intended function, scale, and some materiality

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Clear distinction of lineweights, section markers and floor finishes indicated in plan.

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Good use of drawing conventions including levels and sections markers; doors show appropriately; drawings show some detail in terms of handrails, etc.

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Developed representation of room-scale interior intent. Clear indication of structure of space and interior elements - seating , baffles, etc.

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Clear distinction between existing and proposed. Clear representation of section. Clear representation of design intent of interior architecture.

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Relationship between plan and section clear. Seating depicted. Room-scale design decisions represented. 

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Good understanding and use of drawing conventions to communicate design proposal effectively in plan and section.

There is a strong understand of scale and resolution of program and user evident in these drawings.

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1:100 Plan Drawing of same space.

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Section drawing demonstrates good sense of control over volume/form and scale, and there is a good sense of resolution in the room scale through program/user.

Additionally, we can start to see exploration of format in materiality and with this, the dialogue between new brickwork and the existing.

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Tucker Club detail section 1:50

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Tucker Club Plan 1:100 & section showing how the new rooftop addition pulls through the natural elements of the sky into the proposal.

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Clear plans and sections, showing room-scale.

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Clear plans and sections, showing room-scale.

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Clear plans and sections, showing room-scale.

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Clear plans and sections, showing room-scale.

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Clear plans and sections, showing room-scale.

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Clear plans and sections, showing room-scale.

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Clear plans and sections, showing room-scale.

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Clear plans and sections, showing room-scale.

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Clear plans and sections, showing room-scale.

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Clear plans and sections, showing room-scale.

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Thinking of material as translucency, form and lighting - reminiscent of the flames of the fire in the smoking ceremony through an abstract form... interpreting and honoring cultural traditions without appropriation.

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An interesting relationship is forming between the existing site conditions of both earth and brick. Ideas of what was once before, in many different times, and what still is and will always be.

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Layering natural building materials, with non-materials found in the FFE palette that mimic natural forms, reflections found in nature.

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Working with modern means of production to process, sculpt and mould natural, earthy materials from Country

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Looking at patterns and textures that exist in nature and also in non-natural materials

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Sophisticated use of colour, texture and materials based on ideas of connecting to and caring for Country.

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Colours and materials inspired by colours / light conditions found on Country. Use of sustainable bio-materials, earth-based materials. 

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Observation of Sydney santstone and its colours/patterns and textures as design inspiration. Other earth-based and local materials such as clay served as inspiration.

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Materials and colour choices derived from observations of Country: sandstone and its forms and colours paired with the green of vegetation. Bio-materials to reduce impact of material choices.

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Great process of diagrams which clearly shows the initial intent (community building through connection) translated into an abstract form, which is then translated onto the site/building conditions - clearly showing how an abstract idea can be applied into a 3D spatial-social experience.

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The diagrams show strategies clearly regarding circulation and experiential elements - especially form and the sensory experiences.