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오르세 미술관 감상하기

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오르세 미술관 감상하기

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1. 미술관을 천천히 둘러본다.
2. 가장 마음에 드는 작품 하나를 찾는다.
3. 작품 왼쪽 아래 정보를 누른다.
4. 클립 모양 단추를 눌러 링크를 복사한다.
5. 패들렛으로 돌아와 링크를 붙여넣기 한다.
6. 그 작품에 대한 생각과 느낌을 글로 남긴다. (두 문장 이상)
- 작품 제목은 몰라도 괜찮아요!

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Google Arts & Culture features content from over 2000 leading museums and archives who have partnered with the Google Cultural Institute to bring the world's treasures online.

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느낀점은 피부빼고 모두 검정색인게 인상깊어고 검정색은 마음을 나타낸것 같았다. 이사람은 자신의 얼굴을 그리고 있는것같다. 집은 성같은 느낌이다

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Portrait of a Woman, called of Mme Georges Hartmann - Auguste Renoir - Google Arts & Culture

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Google Arts & Culture features content from over 2000 leading museums and archives who have partnered with the Google Cultural Institute to bring the world's treasures online.

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발레하는 모습이 뭔가 평화로워 보이고 발레대회를 하는 모습 인것 같다 그리고 발레연습을 하고 옷을 갈아입고 화장하는 모습인 것 같았다

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Degas regularly went to the Paris opera house, not only as a member of the audience, but as a visitor backstage and in the dance studio, where he introduced by a friend who played in the orchestra. At that time, the opera was still housed in the rue Le Peletier and had not yet moved to the building designed by Garnier which was soon to replace it. From the 1870s until his death, Degas's favourite subjects were ballerinas at work, in rehearsal or at rest, and he tirelessly explored the theme with many variations in posture and gesture.

More than the stage performance and the limelight, it was the training and rehearsals that interested him. Here the class is coming to an end - the pupils are exhausted, they are stretching, twisting to scratch their backs, adjusting their hair or clothes, an earring, or a ribbon, paying little heed to the inflexible teacher, a portrait of Jules Perrot, a real-life ballet master.

Degas closely observed the most spontaneous, natural, ordinary gestures, the pauses when concentration is relaxed and the body slumps after the exhausting effort of practising and the implacable rigour of the class.

The slightly raised viewpoint looking diagonally across the studio accentuates the vanishing perspective of floor boards. Paul Valéry wrote: "Degas is one of the very few painters who gave the ground its true importance. He has some admirable floors". This is all the more appropriate for dancers in that the parquet, which was moistened to prevent slipping, is their main work tool. And the ballet master beats time on the floor with his baton.

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The Ballet Class - Edgar Degas - Google Arts & Culture

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Degas regularly went to the Paris opera house, not only as a member of the audience, but as a visitor backstage and in the dance studio, where he introduced by a friend who played in the orchestra.

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시큰둥하게 있으니까 뭔가 따분한것 같고,배경 색이 조화를 잘이루면서 마음이 좋다.

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Inseparably entwined with the last period of Vincent van Gogh's life in Auvers, Dr Gachet was an original character. He was a homoeopathic doctor interested in chiromancy but his real passion lay with the arts. An accomplished engraver himself, he kept in touch with many different artists including Manet, Monet, Renoir and Cézanne. It was therefore logical for Van Gogh to go to him, on the advice of his brother Theo, when he was discharged from hospital in Saint-Rémy-de-Provence.

Specialised in psychiatry, the doctor did his best to help Vincent overcome his anguish while affording him the material comfort conducive to his well-being.

The portrait of the doctor was painted during this particularly intense creative phase. He was no ordinary model and is portrayed in a melancholy pose reflecting "the desolate expression of our time," as Van Gogh wrote. The only touch of hope in this severe portrait brushed in cold colours is the foxglove which brings a little comfort and relief through its curative properties.

Despite his devotion, Dr Gachet was unable to prevent Van Gogh's irremediable gesture; the artist committed suicide shortly afterwards.

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Dr Paul Gachet - Vincent van Gogh - Google Arts & Culture

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Inseparably entwined with the last period of Vincent van Gogh's life in Auvers, Dr Gachet was an original character. He was a homoeopathic doctor interested in chiromancy but his real passion lay with the arts. An accomplished engraver himself, he kept in touch with many different artists including Manet, Monet, Renoir and Cézanne.

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이유:발래을 열심히 배우고 마지막으로 발래연습을 하고 발래공연준비 하는 장면인거 같고. 그림을보면 어른이되면 발래니나가 될거같기도하고다들기쁘다는 표정이다.라고생각했습니다.

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Degas regularly went to the Paris opera house, not only as a member of the audience, but as a visitor backstage and in the dance studio, where he introduced by a friend who played in the orchestra. At that time, the opera was still housed in the rue Le Peletier and had not yet moved to the building designed by Garnier which was soon to replace it. From the 1870s until his death, Degas's favourite subjects were ballerinas at work, in rehearsal or at rest, and he tirelessly explored the theme with many variations in posture and gesture.

More than the stage performance and the limelight, it was the training and rehearsals that interested him. Here the class is coming to an end - the pupils are exhausted, they are stretching, twisting to scratch their backs, adjusting their hair or clothes, an earring, or a ribbon, paying little heed to the inflexible teacher, a portrait of Jules Perrot, a real-life ballet master.

Degas closely observed the most spontaneous, natural, ordinary gestures, the pauses when concentration is relaxed and the body slumps after the exhausting effort of practising and the implacable rigour of the class.

The slightly raised viewpoint looking diagonally across the studio accentuates the vanishing perspective of floor boards. Paul Valéry wrote: "Degas is one of the very few painters who gave the ground its true importance. He has some admirable floors". This is all the more appropriate for dancers in that the parquet, which was moistened to prevent slipping, is their main work tool. And the ballet master beats time on the floor with his baton.

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The Ballet Class - Edgar Degas - Google Arts & Culture

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Degas regularly went to the Paris opera house, not only as a member of the audience, but as a visitor backstage and in the dance studio, where he introduced by a friend who played in the orchestra.

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It is dancing.
I feel excited.
I like black and white color.
Then i like this painting.

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Renoir liked dance scenes. These two paintings were designed as a pair: the format is identical and the almost life-size figures represent two different even opposite aspects of dancing. The elegant restraint of the city dancers and the cool ballroom around them contrasts with the gaiety of the country dance in the open air.

The couple swept away by the music seems to have left a disorderly table, a carelessness accentuated by the hat dropped in the foreground. There are many contrasts between the two panels, even in the colours, cool for Suzanne Valadon's dress in City Dance, warm for Aline Charigot, Renoir's future wife, who lends her laughing features to the country dancer. But apart from their differences, the two couples seem to be linked by the same movement, as if they incarnated a sequence from the same dance.

Exhibited by Durand-Ruel, who owned them for many years, the two paintings mark a change in Renoir's technique in the early 1880s. The drawing is more precise and the simplification of the palette contrasts sharply with the vibrant brushstrokes of his earlier works. Renoir himself admitted that a keener attention to drawing was the result of a need for change he felt after seeing Raphael's works in Italy.

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Country Dance - Pierre Auguste Renoir - Google Arts & Culture

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Renoir liked dance scenes. These two paintings were designed as a pair: the format is identical and the almost life-size figures represent two different even opposite aspects of dancing. The elegant restraint of the city dancers and the cool ballroom around them contrasts with the gaiety of the country dance in the open air.

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나는 이작품이 성이라서 예븐것같다. 왜냐하면 성은색이있어서 예쁘다. 하지만  색이 없어도 예뻐보이기 때문이다.

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The Cathedral in Rouen. The portal, Grey Weather - Claude Monet - Google Arts & Culture

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Google Arts & Culture features content from over 2000 leading museums and archives who have partnered with the Google Cultural Institute to bring the world's treasures online.

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알록달록 다양한 색이 사용되어 마음에 들어요. 선생님은 한 가지 색깔보다 여러 가지 색이 함께 사용된 작품을 좋아한답니다. 이 작품을 보니 왠지 제주도가 떠올라요. (고갱은 제주도에 와 본 적 없겠죠?)

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In April 1891, Gauguin set off for his first visit to Tahiti, in search of traces of a primitive way of life. He took his inspiration for imaginary scenes in his paintings from what he saw around him, as well as from local stories and ancient religious traditions. Arearea is representative of these works where dream and reality coexist.

In the foreground, there are several motifs, which he had no doubt observed, as they recur throughout the paintings of this period. There are two women seated in the centre of the picture, a tree cutting across the canvas, and a red dog. The sky has disappeared; a succession of coloured planes - green, yellow, red - forms the structure of the composition.

In the imaginary scene in the background, there are several women worshipping a statue. Gauguin has enlarged a small Maori statue to the size of a great Buddha, and has invented a sacred rite. All these elements create an enchanted world, full of both harmony and melancholy, where man lives under the protection of the gods, in a luxuriant natural environment, in an archaic, idealised Polynesia.

Arearea is one of a collection of Tahitian paintings exhibited in Paris in November 1893. Gauguin wanted to justify his exotic trip. However, this exhibition did not receive the enthusiastic response the artist had hoped for. The titles in Tahitian irritated many of his friends, and the red dog provoked much sarcasm. Nonetheless, Gauguin considered Arearea to be one of his best paintings, and in 1895, he went so far as to buy it back for himself before leaving Europe for good.

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Arearea - Paul Gauguin - Google Arts & Culture

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In April 1891, Gauguin set off for his first visit to Tahiti, in search of traces of a primitive way of life. He took his inspiration for imaginary scenes in his paintings from what he saw around him, as well as from local stories and ancient religious traditions.

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어두운 색이 많이 들어 있고
여러가지 색도 많고
이 그림이 가장 나의 색과 비슷 하다고 생각을 해서 이 그림을 고름
그리고 악기를 다루거나 가르치는 장면이 정말정말 인상 깊어서
골랐다^^
그리고 바탕 배경 색이 아름다워서 골랐다^^^^^

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Google Arts & Culture features content from over 2000 leading museums and archives who have partnered with the Google Cultural Institute to bring the world's treasures online.

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이 그림을 보고 있으면 마음이 은은해져.

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Google Arts & Culture features content from over 2000 leading museums and archives who have partnered with the Google Cultural Institute to bring the world's treasures online.

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물이 시원해 보이고 곷들이 마음을 편안하게 만들어주니까 평온함과 시원함이 그림에 어우러져 있다.
그리고 그림의 색이 조화가 잘 어우러져 있다.그래서 골랐다.

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"Nymphaea" is the botanical name for a water lily. Monet grew white water lilies in the water garden he had installed in his property at Giverny in 1893. From the 1910s until he died in 1926, the garden and its pond in particular, became the artist's sole source of inspiration. He said: "I have come back to things that are impossible to do: water with weeds waving in the depths. Apart from painting and gardening, I am good for nothing. My greatest masterpiece is my garden".

Eliminating the horizon and the sky, Monet focused on a small area of the pond, seen as a piece of nature, almost a close-up. No details stand out and the overall impression is one of a shapeless surface. The square format reinforces the neutrality of the composition. The lack of a frame of reference gives the fragment an infinite, limitless feeling.

Never was the artist's brushstroke so free, so detached from the description of forms. A close-up view of the canvas gives a feeling of total abstraction, because the brushstrokes are stronger than the identification of the plants or their reflections. The viewer has to make a constant visual and mental effort to piece together the landscape suggested in the painting. The unfinished borders accentuate this insistence on painting as a surface covered with paint, which was not lost on artists after the Second World War, particularly American painters exploring "abstract landscapes" and "lyrical abstraction."

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Blue Water Lilies - Claude Monet - Google Arts & Culture

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"Nymphaea" is the botanical name for a water lily. Monet grew white water lilies in the water garden he had installed in his property at Giverny in 1893. From the 1910s until he died in 1926, the garden and its pond in particular, became the artist's sole source of inspiration.

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이 그림은 보라색 호수인데 이호수를 보면 뭔가 신비롭고 늪지대 같이 보인다. 초록색과 보라색이어우러저 신비로운 느낌과 색감이 잘 어우러져 이 그림을 골랐다.

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"Nymphaea" is the botanical name for a water lily. Monet grew white water lilies in the water garden he had installed in his property at Giverny in 1893. From the 1910s until he died in 1926, the garden and its pond in particular, became the artist's sole source of inspiration. He said: "I have come back to things that are impossible to do: water with weeds waving in the depths. Apart from painting and gardening, I am good for nothing. My greatest masterpiece is my garden".

Eliminating the horizon and the sky, Monet focused on a small area of the pond, seen as a piece of nature, almost a close-up. No details stand out and the overall impression is one of a shapeless surface. The square format reinforces the neutrality of the composition. The lack of a frame of reference gives the fragment an infinite, limitless feeling.

Never was the artist's brushstroke so free, so detached from the description of forms. A close-up view of the canvas gives a feeling of total abstraction, because the brushstrokes are stronger than the identification of the plants or their reflections. The viewer has to make a constant visual and mental effort to piece together the landscape suggested in the painting. The unfinished borders accentuate this insistence on painting as a surface covered with paint, which was not lost on artists after the Second World War, particularly American painters exploring "abstract landscapes" and "lyrical abstraction."

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Blue Water Lilies - Claude Monet - Google Arts & Culture

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"Nymphaea" is the botanical name for a water lily. Monet grew white water lilies in the water garden he had installed in his property at Giverny in 1893. From the 1910s until he died in 1926, the garden and its pond in particular, became the artist's sole source of inspiration.

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이 그림을 고른 이유는 따뜻한 느낌이 들어서 입니다.그리고 하늘이 푸르고, 그림이 진짜 같아 보이기 때문에 이 그림을 골랐습니다

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Poppy Field - Claude Monet - Google Arts & Culture

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When he returned from England in 1871, Monet settled in Argenteuil and lived there until 1878. These years were a time of fulfilment for him. Supported by ...

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이 그림을 보면 뭔가 기분이 좋았고 마음이 편해지면서 부드러운 구름 위에 누워있는 것 같았다 그냥 걱정이나 고민을 다 날려버리고 나만의 세계에서 뛰노는 느낌이었다

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When he returned from England in 1871, Monet settled in Argenteuil and lived there until 1878. These years were a time of fulfilment for him. Supported by his dealer, Paul Durand-Ruel, Monet found in the region around his home the bright landscapes which enabled him to explore the potential of plein-air painting.

He showed Poppy Field to the public at the first Impressionist exhibition held in the photographer Nadar's disused studio in 1874. Now one of the world's most famous paintings, it conjures up the vibrant atmosphere of a stroll through the fields on a summer's day.

Monet diluted the contours and constructed a colourful rhythm with blobs of paint starting from a sprinkling of poppies; the disproportionately large patches in the foreground indicate the primacy he put on visual impression. A step towards abstraction had been taken.

In the landscape, a mother and child pair in the foreground and another in the background are merely a pretext for drawing the diagonal line that structures the painting. Two separate colour zones are established, one dominated by red, the other by a bluish green. The young woman with the sunshade and the child in the foreground are probably the artist's wife, Camille, and their son Jean.

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Poppy Field - Claude Monet - Google Arts & Culture

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When he returned from England in 1871, Monet settled in Argenteuil and lived there until 1878. These years were a time of fulfilment for him. Supported by his dealer, Paul Durand-Ruel, Monet found in the region around his home the bright landscapes which enabled him to explore the potential of plein-air painting.

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그림이 자유로워 보이고 분위기도 평화로워 보여서 이 작품을 골랐다

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Poppy Field - Claude Monet - Google Arts & Culture

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When he returned from England in 1871, Monet settled in Argenteuil and lived there until 1878. These years were a time of fulfilment for him. Supported by ...

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색깔이 너무나 예쁘고 저기 있는 초원에서 뛰어놀고싶다.그리고 내 방에 딱! 걸어 놓고 싶은 작품이다.

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When he returned from England in 1871, Monet settled in Argenteuil and lived there until 1878. These years were a time of fulfilment for him. Supported by his dealer, Paul Durand-Ruel, Monet found in the region around his home the bright landscapes which enabled him to explore the potential of plein-air painting.

He showed Poppy Field to the public at the first Impressionist exhibition held in the photographer Nadar's disused studio in 1874. Now one of the world's most famous paintings, it conjures up the vibrant atmosphere of a stroll through the fields on a summer's day.

Monet diluted the contours and constructed a colourful rhythm with blobs of paint starting from a sprinkling of poppies; the disproportionately large patches in the foreground indicate the primacy he put on visual impression. A step towards abstraction had been taken.

In the landscape, a mother and child pair in the foreground and another in the background are merely a pretext for drawing the diagonal line that structures the painting. Two separate colour zones are established, one dominated by red, the other by a bluish green. The young woman with the sunshade and the child in the foreground are probably the artist's wife, Camille, and their son Jean.

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Poppy Field - Claude Monet - Google Arts & Culture

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When he returned from England in 1871, Monet settled in Argenteuil and lived there until 1878. These years were a time of fulfilment for him. Supported by his dealer, Paul Durand-Ruel, Monet found in the region around his home the bright landscapes which enabled him to explore the potential of plein-air painting.

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따뜻한 느낌과 마음이 편안해
지며 배경이 아름답다.

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Poppy Field - Claude Monet - Google Arts & Culture

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When he returned from England in 1871, Monet settled in Argenteuil and lived there until 1878. These years were a time of fulfilment for him. Supported by ...

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드넓은 산과 나무가 푸르른 조화를 이루고 있어 마음이 편안해지고 기분이 좋고 좋은 공기를 마시고 있는 느낌이 든다.
앞에 큰 나무는 그림의 중심이 되는 것같다.그림의 색깔도 자연스럽게 어우러져 잘표현했다.
그리고 뒤에 있는 산이 배경이랑 너무 찰떡같이 어울린다.
내 생각: 편안한 느낌과 기분이 좋고 산골마을의 산과 나무를 잘 표현했고 색깔도 자연스럽다.

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Montagne Saint-victoire - Paul Cézanne - Google Arts & Culture

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The Sainte-Victoire peak, near Aix en Provence, is one of Cézanne's favourite motifs

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나는 뭔가 이작품에 있는 산이
제주도 한라산같아서 좋았고
나무와 집들 산들이 있어서 예쁘기도 했다. 그리고 코로나가 끝나면 저런곳에 한번 가보고싶어서      정했다

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Montagne Saint-victoire - Paul Cézanne - Google Arts & Culture

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The Sainte-Victoire peak, near Aix en Provence, is one of Cézanne's favourite motifs

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산에 둘러쌓인 시골마을의 풍경이 마음을 편안하게 해주고 힐링을 주는것 같아서 좋은것 같다.코로나가 없어지면 가족들이랑 여행을 가보고 싶은 곳이라서 입니다

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Montagne Saint-victoire - Paul Cézanne - Google Arts & Culture

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The Sainte-Victoire peak, near Aix en Provence, is one of Cézanne's favourite motifs

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서원빈이유:코로나로 인해 집안

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서원빈
이유:코로나로 인해 집안에만 있다보니 산과 나무
그림이 마음을 편안하게 해주고 빨리 가족들과 함께
산으로 등산을 가고 싶다는 생각이 듭니다

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Montagne Saint-victoire - Paul Cézanne - Google Arts & Culture

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The Sainte-Victoire peak, near Aix en Provence, is one of Cézanne's favourite motifs

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내 방이랑 바슷하고 침대위에서 쉬고싶다.
그리고 내가 가장 좋아하는 화가이기도 해서 마음에 든다.

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Van Gogh’s Bedroom in Arles - Vincent van Gogh - Google Arts & Culture

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Van Gogh produced three, almost identical paintings on the theme of his bedroom. The first, in the Van Gogh Museum in Amsterdam, was executed in October 18…

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방이 꼭 초딩들 방같아서 좋았다
그리고 아늑할것 같은 분위기이다 한번 이쪽에서 자고 싶기는
하다.내가 반고흐님한테 자도 되냐고 물어 봐야지 되지만 돌아가셨기 때문에 될것같다.

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Van Gogh’s Bedroom in Arles - Vincent van Gogh - Google Arts & Culture

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Van Gogh produced three, almost identical paintings on the theme of his bedroom. The first, in the Van Gogh Museum in Amsterdam, was executed in October 18…

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이 그림을 고른이유는
쉬고싶어서 입니다
침대가 보이시죠?
저는 침대에 누어 놀고싶어
이 그림을 골랐습니다 색깔도 다양하고
눈에 확 보이는것 같습니다

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Van Gogh’s Bedroom in Arles - Vincent van Gogh - Google Arts & Culture

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Van Gogh produced three, almost identical paintings on the theme of his bedroom. The first, in the Van Gogh Museum in Amsterdam, was executed in October 18…

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색깔이 시원한 색깔이여서 여름에 시원 할겄갔다.
그리고 침대에 누우면 잠이 바로 올 것 같다.

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Van Gogh’s Bedroom in Arles - Vincent van Gogh - Google Arts & Culture

# data[].attributes.attachment_link.description
Van Gogh produced three, almost identical paintings on the theme of his bedroom. The first, in the Van Gogh Museum in Amsterdam, was executed in October 18…