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I love the idea of mixing my imagination with reality my idea sparked from the cartoon "Who framed Roger rabbit"

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https://www.adobe.com/uk/products/illustrator.html#hero-featured-video
Adobe Illustrator know for being one of the most recommended and best programs for graphic designers due to its convenient mechanics and its trusted reputation for graphic designers.

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http://www.remkoheemskerk.com/about-me/
Heemskerk was born in 1976 in De Zilk, the Netherlands and he lived in New York City in 2012 to 2013 which seems to had a huge impact on his work due to alot of them being based in New York City. Studied at the School of Graphic Design in Amsterdam and the School of Visual Arts in NYC, and he stated that his favorite tool to use is Adobe Illustrator, which is well know to be one of the best graphic designer tools out there at the moment.

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Manhattan Bridge 2012-2013, Remko Heemskerk

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Manhattan Bridge 2012-2013, Remko Heemskerk

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Remko Heemskerk is very clever with how he creates his graphics work, the colours are very simple but smartly selected, for example on the bridge in this image shown below he has probably used about 4 different sades of cyan at max, but its the difference between the sades that makes the image look so detailed and seem to have so much depth.

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Mulbury Street Nyc 2012-2013, Remko Heemskerk

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Mulbury Street Nyc 2012-2013, Remko Heemskerk

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Another thing that I find cleaver about Remko Heemskerk is his selections of Pastel colours, for this image hes gone with light blue buildings as the background of sort, and the closer buildings three main different colours, Red, Mergenta, and a light pale Orange so it doesn't clash with the Mergenta as much in my opinion.

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Remko Heemskerk

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http://www.artnet.com/artists/william-eggleston/
William Eggleston was concidered one of the most influential photographers of the late 20th century, its said that his portraits and landscapes of the American South "reframed the history of the medium and its relationship to color photography" stated by artnet.com; during the time period Eggleston created his photographs he wasn't considered a "serious photograhper" due to his work with colour photography, by Eggleston doing this he challenged peoples perspective on colour photography in the 1960s.

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https://www.youtube.com/watch?v=g9S76vtk4Ro
https://www.britannica.com/technology/dye-transfer-process
Dye-transfer process is a photography technique where three colours are separated from one image, and then put through a process which end with them creating a final image that results with a higher contrast then other photographs from the time period.

Dye-transfer process creates amazing looking high contrast images with rich colours, and unfortunately isn't something that can recreated without investing alot of time, effort and money into making its near to extinct in the modern world of photography.
For my personal work Dye-transfer process is something that caches my eye but isn't something I can do myself so what I plan on doing is trying to recreate the same or look of the Dye-transfer process through photoshop.

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William Eggleston

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William Eggleston's work is very visually appealing to me, I love how the purple and pink sky in the distant back ground compliments the dark almost emerald green from the light that Illuminates over the car.

This photograph also reminds me of Philip-Lorca diCorcia  photograph "Brent Booth; 21 years old; Des Moines, Iowa; $30 , 1990–1992" becasue of the lighting looking very similar.

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http://shirleybakerphotography.com/bio/
Shirley Baker a British photographer that focused on working-class inner-city areas from 1960-1981, she was considered one of Britain's most "compelling yet underrated social documentary photographers" stated by shirleybakerphotography.com. Baker started her journey of photography when she was only the age of eight when her uncle gifted her a Brownie camera where she later went on to develop her very first black and white film in a dark coal shed when she was still only a child, in later years Baker went on to study at the Manchester college of technology and said to be "one of few women in post-war Britain to receive formal photographic training."

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The main reasons I gravitated towards Shirley Bakers work while at the Photographer's Gallery isn't just becasue of how she tells a story through the people with in the photographs but also how she tells a story through the buildings in her photographs too such as, where the working-class children live and play, what life is like for the working class families and what the environment is like in general, I believe this photograph by Baker is a perfect representation.

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https://www.itsnicethat.com/features/alex-prager-silver-lake-drive-the-photographers-gallery-photography-190618
Alex Prager worked three jobs and even when she worked her hardest she was paid the same, Prager always felt like she had more of a creative purpose in life so she went out and searched for it, until Prager stumbled across photographers she said she "obsessed over" also stating that she "never really saw photography as art" only as fashion or Advertising; this is where her interest for photography stemmed from, she wanted to know more it was like "magic" to her.

Lucy Bourton from It'sNiceThat.com describes Alex Prager's work as "able to make the viewers see the world in its bust but dressed-up glory" which I agree with something about Alex Prager's work catches my attention she shows "normal peoples" day to day life's but makes it "eerily similar" meaning it has a sense of a creepy dole like feeling to it.

Further more Lucy Bourton also describes Alex Prager's work as "a mix of the real and the staged" which is quite similar to Philip-Lorca diCorcia another photographer who is also well know for mixing reality and staged, he pays real drug dealers and hustlers to be in his photographs where he stages lighting and props; Where they both differ is in execution of real and staged, Alex Prager takes the concept of a real scenario but stages it, but Philip-Lorca diCorcia takes a real situation but stages the scenario.

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I think what makes Alex Prager's Photography so eerie feeling and looking is that shes stages the photo in away where she leaves you with more questions then answers, this photograph of hers is a perfect example of that; further more to why I think Prager's images feel so eerie is becasue of the contrast she uses, she brightens the images to the point where the colours really stand out and makes it feel very unnatural.
I've also noticed within her photographs when it comes to colours she typically likes to use primary colours, and if she doesn't use primary colours its usually a lighter version of the colour, like a mint green or a baby blue; this is to possibly help the colours be boulder when making the contrast higher.

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Alex Prager

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http://www.davidgaberle.com/about
David Gaberle described as "one of the most successful Instagram take overs for the photographer's gallery in London" is an amazing street photographer with great talent. Gaberle started his journey of photography in 2012 and brought a Fujifilm X100 along with his very first photobook. Gaberle moved to London in 2013 and used photography as an outlet to "ease the experience" of the city, he also stated "it gives me the illusion that I'm in control" which means to me when looking at his work it's as if I'm see a glimpse into his personal life, like the cameras lenses is his perspective it's self. 2015 is the year Daivd Gaberle became an official Fujifilm X-Photographer he also travailed the world taking picture for example of the countries hes been to Greece, Georgia and Japan.

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David Gaberle
Image From: https://www.amazon.co.uk/Fujifilm-FinePix-X100-Digital-Camera/dp/B004LWZ88W
David Gaberle
focal length of 23mm
135 equivalent: 35mm
idest aperture of F2
capture 720p video

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http://www.bjp-online.com/2017/04/photobook-metropolight-by-david-gaberle/
David Gaberle
Camera used: Fujifilm X100
The name of the photograph "Tokyo" is to show where about in the world David Gaberle has taken this picture, my perspective on why he has done this is to show and to give a taste of what Japan's capital city Tokyo is like. Gaberle has taken this picture at a certain angle to get the reflection of the street lights from the ground and the rails on the stairs, with a night time setting only using the street lights as the main light sorce of the picture while it is raining, he has possibly done this to give the viewer of the photograph a nostalgic feeling of going home after along day of work with the calming rain hitting the umbrella to make the viewer feel some sort of connection to the photograph. Japan is a country well known for their respective behavior towards work and organisation, I believe this is what David Gaberle has aimed for within his photograph to give the viewer a view on what Japan, Tokyo is like, the people within this photo have all come prepared for the rain showing they thought ahead of time, also in the background is a constructing site on the road where cones have been equally distributed along the road, I believe David Gaberle has taken this picture the way he has to show his admiration for Japan's organisation through his lenses.

How the lighting of this picture is used is amazing and something I would like to add my own twist to in my own photography.

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http://www.bjp-online.com/2017/04/photobook-metropolight-by-david-gaberle/
David Gaberle
Camera used: Fujifilm X100
I believe Gaberle names his pictures after the city they have been taken in to summarize what he see the city to be like, for example this picture beautifully shows the common anti social behavior normally found on trains in Seoul, in my opinion this tells me that Gaberle wishes for more of a social environment through this picture; This to me is what makes the picture, everyone who is on their phone, looking away from one and another, and not making eye contact with anyone else are blurred out and all look quite similar due to their clothing being boring and grey, to show as if they are all the same not willing to make convocation or too self involved with their technology; The main part of the image that is not blurred is an elderly women with a bright yellow jacket, not following the crowd of people in their dull work clothes, she clearly stands out from the rest of the people on the train and seems to be the only one making eye contact with the camera acknowledge someone else's presence on the train as if she wants to engage in convocation.

Gaberle's work with the camera's blur to make the viewer of the photo focus on certain aspects of the photograph to tell a story of sort is clever and interesting way to give the photo context this is something I am very much interested in implementing in my own work with photography.

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Philip-Lorca diCorcia is best known for his photographs of figures and street scenes, which both has a mix of documentary and conceptual elements of photography, coming from artnet.com. diCorcia when studying at Yale University took photos of his friends and family that seemed spontaneous and unplanned, but in fact took hours of planning and lighting techniques to get a photograph diCordia was happy with which later influenced his work with cities in later life; After Yale diCordia did multiple spreads for Esquire, The New York Times magazine, and Harper's Bazaar. Philip-Lorca diCorcia started working on his Hollywood series between 1990 and 1992 where he paid prostitutes, hustlers, and drug addicts to pose in an environment where he thought they best suited for his photograph, he titled each picture with the name of his subject, as well as how much he paid them to sit for the photograph.
diCoria has used two types of cameras through out being a photographer a Linhof Technika 23 and a Mamiya RZ.

http://www.artnet.com/artists/philip-lorca-dicorcia/biography
http://www.artnet.com/artists/philip-lorca-dicorcia/tokyo-LPGywhyMfdoIqM1yv-ublg2
http://www.artnet.com/artists/philip-lorca-dicorcia/michael-jenson-19-years-old-dallas-texas-20-and-a-Zu-ECqnqMp1D8RmeN-pN-Q2
https://runway.blogs.nytimes.com/2011/02/11/q-a-philip-lorca-di-corcia/

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Philip-Lorca diCorcia

ephemeral lighting
flashbulbs

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Philip-Lorca diCorcia

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Philip-Lorca diCorcia
http://www.artnet.com/artists/philip-lorca-dicorcia/tokyo-LPGywhyMfdoIqM1yv-ublg2
Looking at the photograph it seems that Philip-Lorca diCorcia has taken this photo either in the morning or early afternoon, further viewing the photograph it seems diCorcia has lowered the satiation of the photograph as nice effect to possibly imply the atmosphere of the environment in the picture is dull.

Philip-Lorca diCorcia took this photograph in Japan, Tokyo. diCorcia when taking this photo waited for the perfect moment in the city to capture his ideal photograph, in the picture it shows many people dressed smart and ready for work but it has been taken to seem as if it is focusing the viewers attention to a man and a women dressed very casually, with the mans shirt being unbuttoned and the women wearing a baby blue vest shirt with a mini skirt; Their body langue is also very casual as the man has is hand in his pocket, with the women very lightly holding onto his wrist, they also seem to be walking in the opposite direction from the crowd as if to show they are different from everyone else like the path they walk in life is very different from the average person.

I take a liking to how Philip-Lorca diCorcia has played with the satiation to set a mood for the photograph, if I apply this to my work I can increase the satiation to make the photo have more of a vibrant feeling to it or lower it to give more of a dull feeling.

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Brent Booth; 21 years old; Des Moines, Iowa; $30 , 1990–1992

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Brent Booth; 21 years old; Des Moines, Iowa; $30 , 1990–1992

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Philip-Lorca diCorcia
http://www.museoreinasofia.es/en/collection/artwork/brent-booth-21-years-old-des-moines-iowa-30

Philip-Lorca diCorcia took this photograph when doing his Hollywood series; diCorcia named this picture about where and when it was taken, who was in the picture, along with how old they were and how much they was paid to be in the photograph.

Philip-Lorca diCoria has taken an incredible picture and I especially like how he mixes reality and stages parts of it to give a surprisingly "spontaneous looking" photograph; diCoria has has mixed artificial lighting in certain areas such as the drink in front of the man has a flashbulb either inside or behind it to give a glowing like effect; also by taking a closer look at the photograph the man seems to have a light in his hand to seem has if the lighting around him is illuminating off of him.

I'm fascinated with how Philip-Lorca diCorcia has chosen where to put his artificial lighting to make if look natural enough where the average viewer wouldn't be able to tell if its purposefully there or not.

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ent Booth; 21 years old; Des Moines, Iowa; $30 , 1990–1992.jpg

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"Michael Jenson; 19 years old; Dallas, Texas; $20; and Jerry Imel; 18 years old; Wichita, Kansas; $20, 1990–1992"

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"Michael Jenson; 19 years old; Dallas, Texas; $20; and Jerry Imel; 18 years old; Wichita, Kansas; $20, 1990–1992"

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Philip-Lorca diCorcia.
http://www.artnet.com/artists/philip-lorca-dicorcia/michael-jenson-19-years-old-dallas-texas-20-and-a-Zu-ECqnqMp1D8RmeN-pN-Q2
The photograph seems to be showing two men in a bus stop waiting but the photo mainly seems to be focusing on one man facing in the direction the photo was taken from, by diCorcia using a slower shutter speed so the cars are blurred in the back ground, it gives a sense of motion to the picture as if time is moving forward still with the man just sitting there; personally what comes to mind when looking at diCoria's photograph is that the man is pondering about something, becasue he is looking off into the distance forgetting about his surroundings with cars passing by.

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Michael Jenson; 19 years old; Dallas, Texas; $20; and Jerry Imel; 18 years old; Wichita, Kansas; $20, 1990–1992.jpg

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https://www.angeloaccardi.com/about/
https://www.angeloaccardi.com/artworks/
Angelo Accardi is an Italian artist who's focus is the study of man and the spaces he inhabits, I interpret this as Accardi showing how Humans make them self's comfortable with their creations around them, Accardi does this by implementing pop culture like clothing and cartoons into his pieces.

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While at the Eden Gallery in London I saw a few different pieces of work that didn't patriotically relate to my work but I thought I could draw certain elements from them to possibly influence my Graphics work.

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Monopoly Running & UK Flag, Alec Monopoly  

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Monopoly Running & UK Flag, Alec Monopoly  

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Alec Monopoly is another artist I found at the Eden Gallery who also didn't necessarily relate to my work but I did think I could draw certain elements from his work also to add to my graphic ideas and concepts, so Alec Monopoly has a very similar style to Angelo Accardi with the blogges of paint running down the canvas and the very strong bold colours in their work.