# data[].attributes.body
In terms of tickets, the venue allowed us to sell tickets from their website which was very helpful and allowed us to sell more tickets as majority of the people bought their tickets online because it was cheaper than buying them at the door.

# data[].attributes.body
Overall I think all of the sources are very helpful depending on your point of view.
Source 1 explained in detail how to organise a gig from a perspective of a professional. It discusses tips on what to do before hand like relax and meditate and not to get drunk before a show. I think the band members are speaking from personal experiences which is very effective if the readers need advice on how to perform. On the other hand, because it was written by the band members it's quite biased because it was based on their previous experiences rather than how to physically organise a gig. It didn't include aspects like promotion and marketing, it mostly consist of how to collect your nerves and to always warm up before a show.
Source 2 focuses on the physical rather than mental side of organising a gig - renting a venue, promoting the show, hiring staff and bands, marketing techniques, etc. It describes the work and hassle behind organising a live event in 8 steps each with around 4/5 bulletpoints of different ideas you can apply to yourself and your future works. On the contrary, it doesn't touch up on what to do before a show other than soundcheck; it doesn't discuss things like warming up your voice and doesn't give advise on things you can do to calm your nerves and that is because it is from a general, non-biased, perspective.
Source 3 was the one that stood out the most to me. The research helped me out the most when it came to organising our gig because it was based on the venue we were playing at so all of the information I gather came in handy. The website was designed to have all the information you need right in front of you including floorplans and selling tickets. The event we attended allowed us to analyse the space so we know how we're going to decorate it and where we're going to set up all of the gear. It also inspired our theme of laid back and relaxed songs.

# data[].attributes.body
In terms of technical information about hiring the venue including risk assessments, the website has been designed to provide everything including price ranges, stage layout and floorplans including measurement. This makes it easier for the public to access those files online instead of having to go all the way to the venue.
Moreover there's a clear map of where the venue is and different ways to get there.

# data[].attributes.attachment_link.description
Here are some plans and other documents that you may find useful:

# data[].attributes.body
In terms of artistic ideas, I liked how the lighting in the room reflected the mood of the pieces the artists were performing.
For example the first band played an upbeat and happy piece that was introduced as Afro-Jazz and they used bright lights in order to emphasise that cheerfulness in the piece.
On the other hand, the second performance was much more dull and dark which created a gloomier atmosphere and was also reflected in the darker choice of lights.
Overall the light engineers did an amazing job on representing both piece through the use of colours and lights; it was made clear that a lot of thought and preparation had gone into it beforehand.

# data[].attributes.body
The overall stage layout was very innovative and unique. It was unlike anything I had seen before and that's what made an impression. It is called theatre-in-round and it is when the stage is in the middle and the audience and seat are surrounding it; instead of facing the audience, the artists are facing each other which made the show much more intimate and personal but also, as an audience member, I didn't feel neglected just because they weren't facing me and this is all down to their impeccable stage presence.
As an artist it made me realise how much good stage presence can affect your performance - if I was to just stand there and sing it wouldn't be as enjoyable, however if I was to move around, take the microphone in my hand rather that leave it on the stand or wave my hands around it would look like I was genuinely enjoying myself; enjoying performing and this energy would be reflected onto the audience so they'll find my performance far more interesting and entertaining.

# data[].attributes.body
The event I attended was called 'Jazz In The Round' and it consisted of different musicians performing their original pieces or interpretations of pieces in the style of Jazz. The event is what inspired us, as a class, to base the theme of our gig on the hall and the atmosphere it created rather than just make up a name like we've done for past showcases, eg 'Diversity'.
I particularly enjoyed how everyone decided to step outside their comfort zone and perform pieces that they originally composed - in terms of performing your own compositions in front of a massive audience can be very intimidating especially because, once you're on that stage everyone is focusing on you and what you're about to present.

# data[].attributes.body
1. Pay the staff you've hired - Paying the bands and and professionals you've hired promptly will let them know of your generosity and keep your friendship on a positive side.
2. Celebrate the success of your show afterwards with the staff and bands if they're available
3. Accept constructive criticism - Take any criticism from the audience into account so you can improve your next gigs.

# data[].attributes.body
1. Make sure everyone is there early - Having a sound check before hand guarantees you everyone will be there on time for the start - make sure the headline act gets to soundcheck because they'll be the main attraction. Your first band should go on about half an hour after the doors open
2. Set up a green room - Have a room backstage where the bands can relax before going on stage; make sure theres food and refreshments.
3. Check in with the sound engineer and the audience - Make sure everything is going smoothly with the sound and gear as well as greet the audience at the doors and ask people if they're enjoying themselves.

# data[].attributes.body
1. Add up all your costs and create a budget - in order to find out how much you should charge for tickets, divide the number of tickets you have for sale by the budget.
2. Get the venue to print your tickets - Most of the time printing tickets is included in the renting fee of the venue however you can choose to print them yourself elsewhere.
3. Avoid assigning seats - First come first served basis appeal much more to the audience because everyone has an equal chance of sitting at the from row.

# data[].attributes.body
1. Posters - Design and print poster that include all the needed details about the event, eg. time and date, bands names, social media, ticket prices, etc. Put the posters up at popular places that are frequently visited
2. Publicity via social media and radio - You can always ring up your local radio station and newspaper and ask if you can advertise the show on there. Another way of free publicity is to simply ask all the band members to promote it on their social media

# data[].attributes.body
1. Headline times and smaller bands - Make sure to put the band with the largest fan base last. The opening acts should get equal time whereas headliners and support should get a bit extra time.
2. Be prepared for different timings - Make sure all bands prepare for and earlier or a later finish. A good idea is to tell all bands to rehears 5 minutes shorter sets as well as a 5 minutes longer set.
3. Organising usage of gear and sound checks - Start by checking what the headlining act needs and what gear they're bringing and then go down from there. Once you have all the gear sorted, you won't need to ask smaller, unknown bands to bring theirs in. Moreover make sure everyone has equally enough time to sound check beforehand.
4. Merchandise - Bands should be allowed to sell their CDs and merchandise during breaks
5.Time restraints - You should always stay within the venue's time restraints and allow at leats 15 minutes breaks in-between sets during which you can play regular music from the radio.

# data[].attributes.body
1. Determine which bands will be playing - Usually you would need three to six acts. In order to attract a larger audience you should find a band with a larger fan base to headline the show. The rest of the bands, like the support, should also have a solid fanbase because that way more people will be a attracted to come. On the other hand getting one band that is somewhat unheard of will earn you a new contact and will promote their music. It is recommended that you let the new band open the show.
2.Calculate the costs of getting bands - Bands with larger fan bases might charge a certain fee but majority of local/unsigned bands don't charge because they need the publicity.
3. Getting a sound engineer and an MC - Most venue that frequently throw live events would already have a sound engineer and a PA but if not you will have to consider adding those costs into your budget. Lastly hiring an MC that entertains the crowd, introduces the acts and closes off the night is another cost that you will need to add to your budget unless you're comfortable enough to present the show yourself.

# data[].attributes.body
1. Rent a venue for your gig and book it on time - the website recommends avenues like local theatres, cinemas, schools and function rooms as they're often open to be rented. Once you've found a suitable venue you have to make sure it is within their rules to hold a live event. They recommend taking in account pubs that are dedicated to live music (open mic nights, karaoke nights, etc) because not only their capacity is 100-300 people but they should also have sound engineers and and in house PA.
Booking your venue at least a month in advance so you have plenty of time to find bands, promote the show and sell tickets to fill up the capacity.
2. Consider the cost of the venue - Make sure that renting the venue is included in your budget.
3. Standing or seated audience? General admission or reserved seats? - A standing audience would allow more people to fit in the venue and it allows them to dance and have fun. In addition, majority of people prefer general admission tickets because it's on a 'first come first serve' basis so everyone has an equal shot at sitting in the from row.
6. Security and age limit - Some venues already have appointed staff at the doors but you could also ask more confident friends to do security however laws usually require professionals. Deciding on an age limit depends on whether or not the venue will be selling alcohol (alcohol increases the cost of your insurance).
7. Insurance - You should always check if Public Liability Insurance (PLI), is included in the venue and if not you would have to pay for it: ' 200 bucks for insurance for the night is better than a million dollars lawsuit'.

# data[].attributes.body
1. Talk to bands/organisers at local gigs and stay in contact with them - keeping in touch with people who work in the music industry is vary important because you never know when it can come in handy, e.g. you might need a band to play on a short notice or you might need a marketing team to promote the show
2. Offer to help others when they're organising gigs - volunteering to set up equipment, promote the show or sell tickets wil get you access to the show and they will owe you a favour.
3. Once you've attended a couple of gigs, you would've met a couple of bands - keeping a good/positive relationship with them can go a long way when you need to book a band to perform.

# data[].attributes.headline
3.Cockpit theatre Jazz in the round trip

# data[].attributes.subject
3.Cockpit theatre Jazz in the round trip

# data[].attributes.body
This source has come from a personal experience where we went to the actual hall to see for ourselves aspects like what type of music suits the atmosphere, stage layout and the general environment around it.

# data[].attributes.attachment_link.description
The Cockpit is a theatre in Marylebone, London. We present and produce shows, events and knees-ups of every stripe. We also host classes, training days, industry events and have spaces available for rehearsals, meetings, auditions, film and photo shoots, and much more.

# data[].attributes.body
This source is talking from a general point of view and it discusses tips on organising a successful live performance: It includes aspects like different types of venues you can hire, different costs and insurance.

# data[].attributes.attachment_link.description
Ever been to a local gig and had a good time? Well, here's your chance to run your own gig, make some cash and have fun! All it takes is a little determination and some confidence. Organising a live music event isn't nearly as hard as you...

# data[].attributes.body
A frequent mistake made by performers is to immediately stop when they make a minor mistake. The band advises to be professional and keep going. "Make it your number one priority to be interesting" - as an artist your job is to make people stop talking over you by performing. What better way to do that than to be interesting and entertain the audience.

# data[].attributes.body
According to Frida, writing your setlist and/or writing down anything you're going to say to the audience is better done before hand instead of last minute or not doing it at all. This prevents from getting into and sharing embarrassing stories and miscommunications. In addition they advise not to crack inside jokes with audience members during performances as it 'alienates those who don't know you'

# data[].attributes.body
The band are encouraging their readers to not be embarrassed to do their weird vocal warm ups because they can go a long way and so can straining your vocal chords if you're singing without warming up: "It is way more embarrassing to sound rusty on stage than to be caught singing “Bella Signora” by the bar staff."

# data[].attributes.body
Frida takes their job very seriously especially when it comes to performing live in front of an audience so getting drunk before or during a performance is not an option: "It's not funny or cool".
Although having one glass of wine might help take the edge off and relieve some stress, it's unprofessional: "..the one thought that keeps coming back is: I do not drink at my office job. Why should I drink at my music-job?"

# data[].attributes.attachment_link.title
~ FRIDA ~ THE FAULT IN OUR STARS ~ LIVE ~

# data[].attributes.body
The band recommends always personally checking out the venue before booking: "We are pretty open to performing anywhere, however – the venue will become blacklisted if we have a bad experience, ie. bad sound, rude staff etc."

# data[].attributes.body
The band lets the readers know that nerves are normal and happen to everyone and then continue on to saying that it happens to them as well - this allows them to connect to their audience and takes some of the pressure off.
Moving on they then recommend different methods to 'shake off the nerves' before a big show: one way is through meditation; "there are heaps of apps for meditation but I use Headspace, it’s awesome – but if you’re not into meditating or find it difficult in a noisy gig situation, I’d just recommend taking some time out by yourself to relax pre-gig for a little bit."

# data[].attributes.body
According to this source, an important aspect of organising a successful gig is rehearsing as much as possible. They recommend 'heavy-duty practice' once a week and additional practices up until the gig to take the pressure off: "We’ve had our weekly practice times pretty much set in stone for years now, so we just know that on Monday nights, we do Frida". As well as group rehearsal, the band is very keen on doing individual practice - this way they can each focus on themselves without having to stress about everyone else around them. Individual practice allows you to discover your strengths as well as weaknesses and work towards improving

# data[].attributes.body
This source is based on the topic of organising a gig from a professional, personal point of view. It is by the Melbourne Indie rock band called 'Frida' and it discusses simple tips and tricks for a successful live performance from choosing a venue to frequent mistakes.

# data[].attributes.attachment_link.readable_text
Whether you're an established artist with hundred of gigs under your belt, or a new band looking for your first gig, perfecting a live music performance can be nerve-racking and challenging. Melbourne indie rock band Frida share their essential tips and tricks to make sure that you get the best out of all your live shows.
Want to apply to play gigs and festivals near you? Take a look at the latest music opportunities.

Check out Frida's tips for performing music live on stage...
1. Practice Makes Perfect.

Heavy-duty practice once a week and additional practices leading up to special gigs or recordings are really important. We've had our weekly practice times pretty much set in stone for years now, so we just know that on Monday nights, we do Frida. Individual practice is required too - I think an important thing about being in a band is understanding that just playing the songs at band practice won't cut it. All the members of Frida are invested and in love with the project - we're going to do the work at home by ourselves, and during group practices, to ensure that we're not just fumbling through.

2. Shake off the nerves.

Nerves are normal. I definitely get nervous before performing. Performing is a big deal! I like to meditate before going on stage - there are heaps of apps for meditation but I use Headspace, it's awesome - but if you're not into meditating or find it difficult in a noisy gig situation, I'd just recommend taking some time out by yourself to relax pre-gig for a little bit.
3. Choose a well respected venue.
Always check out the venue before hand. We are pretty open to performing anywhere, however - the venue will become blacklisted if we have a bad experience, ie. bad sound, rude staff etc.

4. Don't get drunk
Absolutely do not get drunk before or while playing. It's not funny or cool. This is a huge and difficult one, seeing as alcohol and gigs are so intertwined. I have never been drunk while performing, but when I was younger I didn't see having a glass of wine on stage with me as such a big deal - heaps of well-respected and wonderful people do it and are not drunk or rowdy or anything. Very recently, though, I've been speaking to a few other professional musicians and also my Dad (who has lots of things to say on the matter), and the one thought that keeps coming back is: I do not drink at my office job. Why should I drink at my music-job?
5. Always warm up
Warm up!!! If you're a singer like me don't be embarrassed to go into the bandroom and do your funny vocal warm-ups. It is way more embarrassing to sound rusty on stage than to be caught singing "Bella Signora" by the bar staff.
6. Plan on your setlist carefully
Write setlists, and write when you're going to speak to the audience and even write down exactly what you're going to say, too. This prevents embarrassing anecdote sharing and other various miscommunications. A good friend of mine also shared a great piece of advice with me once, which was: don't crack inside jokes while performing with audience members that you know personally, because it alienates those who don't know you.
7. Never stop in the middle of your show
If you make a mistake, keep going. If you forget the lyrics, make them up. Also, make it your number one priority to be interesting. Your job is to make people stop talking over you so they can listen with their jaws on the ground.
A big thank you to Frida for sharing their tips and tricks for putting on a great live performance. The band has just released their brand new EP 'I Want In Your Head' and you can expect to hear more moving, complex and soaring pop music that shrieks and sweeps you up and swallows you whole from the bands live shows. You can listen to Frida's brand new EP on iTunes and Spotify now.
Do you agree with Frida's advice? Do you have any tips and tricks when it comes to putting on an unforgettable live show? Let us know in the comments below and don't forget to share!

# data[].attributes.attachment_link.title
Live Performance Tips To Help You Put On a Great Show

# data[].attributes.attachment_link.description
Whether you're an established artist with hundred of gigs under your belt, or a new band looking for your first gig, perfecting a live music performance can be nerve-racking and challenging. Melbourne indie rock band Frida share their essential tips and tricks to make sure that you get the best out of all your live shows.