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2000 BCE Before the Ancient Greeks- Minoan and Cretan Civilization was flourishing  in the Mediterranean 

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2000 BCE Before the Ancient Greeks- Minoan and Cretan Civilization was flourishing  in the Mediterranean 

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The foundations of a highly civilized culture were established by this fascinating civilization; from architecture, art, entertainment to writing and trade, a rich and complex way of life was ripe for the picking when the Ancient Greeks found their way there centuries later

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The Minoan civilization flourished in the Middle Bronze Age on the island of Crete located in the eastern Mediterranean from c. 2000 BCE until c. 1500 BCE. With their unique art and architecture, and the spread of their ideas through contact with other cultures across the Aegean, the Minoans made a significant contribution to the development of Western European civilization as it is known today. Labyrinth-like palace complexes, vivid frescoes depicting scenes such as bull-leaping and processions, fine gold jewellery, elegant stone vases, and pottery with vibrant decorations of marine life are all particular features of Minoan Crete.

Arthur Evans & Discovery

The archaeologist Sir Arthur Evans was first alerted to the possible presence of an ancient civilization on Crete by surviving carved seal stones worn as charms by native Cretans in the early 20th century CE. Excavating at Knossos from 1900 to 1905 CE, Evans discovered extensive ruins which confirmed the ancient accounts, both literary and mythological, of a sophisticated Cretan culture and possible site of the legendary labyrinth and palace of King Minos. It was Evans who coined the term Minoan in reference to this legendary Bronze Age king. Evans, seeing what he believed to be the growth and decline of a unified culture on Crete, divided the island's Bronze Age into three distinct phases largely based on different pottery styles:

Early Bronze Age or Early Minoan (EM): 3000-2100 BCE

Middle Bronze Age or Middle Minoan (MM): 2100-1600 BCE

Late Bronze Age or Late Minoan (LM): 1600-1100 BCE

The above divisions were subsequently refined by adding numbered subphases to each group (e.g. MM II). Radio-carbon dating and tree-ring calibration techniques have helped to further refine the dates so that the Early Bronze Age now begins c. 3500 BCE and the Late Bronze Age c. 1700 BCE. An alternative to this series of divisions, created by Platon, instead focuses on the events occurring in and around the major Minoan "palaces". This scheme has four periods:

Prepalatial: 3000 - 2000/1900 BCE

Protopalatial: 2000/1900 - 1700 BCE

Neopalatial: 1700 - 1470/1450 BCE

Postpalatial: 1470/1450 - 1100 BCE

Both of these schemes have since been challenged by more modern archaeology and approaches to history and anthropology in general which prefer a more multilinear development of culture on Crete with a more complex scenario involving conflicts and inequalities between settlements and which also considers their cultural differences as well as their obvious similarities.

Minoan Palace Settlements

Minoan settlements, tombs, and cemeteries have been found all over Crete but the four principal palace sites (in order of size) were:

Minoan palaces exerted some kind of localised control, in particular, in the gathering & storage of surplus materials.

At each of these sites, large, complex palace structures seem to have acted as local administrative, trade, religious, and possibly political centres. The relationship between the palaces and the power structure within them or over the island as a whole is not clear due to a lack of archaeological and literary evidence. It is clear, however, that the palaces exerted some kind of localised control, in particular, in the gathering and storage of surplus materials - wine, oil, grain, precious metals and ceramics. Small towns, villages, and farms were spread around the territory seemingly controlled by a single palace. Roads connected these isolated settlements to each other and the main centre. There is a general agreement among historians that the palaces were independent from each other up to 1700 BCE, and thereafter they came under the sway of Knossos, as evidenced by a greater uniformity in architecture and the use of Linear A writing across various palace sites.

The absence of fortifications in the settlements suggests a relatively peaceful co-existence between the different communities. However, the presence of weapons such as swords, daggers, and arrowheads, and defensive equipment such as armour and helmets would also suggest that peace may not always have been enjoyed. Minoan roads, too, have evidence of regular guardhouses and watchtowers suggesting that banditry, at least, troubled the unprotected traveller.

The palaces themselves covered two periods. The first palaces were constructed around 2000 BCE and, following destructive earthquakes and fires, rebuilt again c. 1700 BCE. These second palaces survived until their final destruction between 1500 BCE and 1450 BCE, once again by either earthquake, fire, or possibly invasion (or a combination of all three). The palaces were well-appointed, monumental structures with large courts, colonnades, ceilings supported by tapered wooden columns, staircases, religious crypts, light-wells, extensive drainage systems, large storage magazines and even ' theatre ' areas for public spectacles or religious processions.

Depictions of double axes (or labrys) & the complex palaces may have combined to give birth to the legend of Theseus & the labyrinth-dwelling Minotaur.

Reaching up to four stories high and spreading over several thousand square metres, the complexity of these palaces, the sport of bull-leaping, the worship of bulls as indicated by the presence throughout of sacred bulls' horns and depictions of double axes (or labrys) in stone and fresco may all have combined to give birth to the legend of Theseus and the labyrinth-dwelling Minotaur so popular in later classical Greek mythology.

The religion of the Minoans remains sketchy, but details are revealed through art, architecture, and artefacts. These include depictions of religious ceremonies and rituals such as the pouring of libations, making food offerings, processions, feasts, and sporting events like bull-leaping. Natural forces and nature in general, manifested in such artworks as a voluptuous female mother-earth goddess figure and male figure holding several animals, seem to have been revered. Palaces contain open courtyards for mass gatherings and rooms often have wells and channels for the pouring of libations, as previously noted. As already mentioned, too, bulls are prominent in Minoan art, and their horns are an architectural feature of palace walls and a general decorative element in jewellery, frescoes, and pottery decoration. Dramatic rural sites such as hilltops and caves often show evidence of cult rituals being performed there.

Material Culture

The sophistication of the Minoan culture and its trading capacity is evidenced by the presence of writing, firstly Cretan Hieroglyphic (c. 2000-1700 BCE) and then Linear A scripts (both, as yet, undeciphered), predominantly found on various types of administrative clay tablets. Seal impressions on clay were another important form of record keeping.

A further example of the culture's high degree of development is the variety and quality of the art forms practised by the Minoans. Pottery finds reveal a wide range of vessels from wafer-thin cups to large storage jars ( pithoi). Ceramics were initially hand-turned but then increasingly made on the potter's wheel. In decoration, there was a progression from flowing geometric designs in Kamares ware to vibrant naturalistic depictions of flowers, plants, and sea life in the later Floral and Marine styles. Common pottery shapes include three-handled amphorae, tall beaked-jugs, squat round vessels with a false spout, beakers, small lidded boxes, and ritual vessels with figure-of-eight-shaped handles. Stone was also used to produce similar vessel types and rhyta (ritual vessels for pouring libations, often in the shape of animal heads).

Large-scale figure sculpture has not survived but there are many figurines in bronze and other materials. Early types in clay show the dress of the time with men (coloured red) wearing belted loincloths and women (coloured white) in long flowing dresses and open-fronted jackets. A leaping acrobat in ivory and the faience snake goddess already mentioned are notable works which reveal the Minoan love of capturing figures in active striking poses.

Magnificent frescoes from the walls, ceilings, and floors of the palaces also reveal the Minoans' love of the sea and nature and give insights into religious, communal, and funeral practices. Subjects range in scale from miniature to larger-than-life size. The Minoans were one of the earliest cultures to paint natural landscapes without any humans present in the scene; such was their admiration of nature. Animals, too, were often depicted in their natural habitat, for example, monkeys, birds, dolphins, and fish. Although Minoan frescoes were often framed with decorative borders of geometric designs, the principal fresco itself, on occasion, went beyond conventional boundaries such as corners and covered several walls of a single room, surrounding the viewer.

Minoan artists, especially fresco painters, took their skills to the royal palaces of Egypt & the Levant.

Aegean Contacts

The Minoans, as a seafaring culture, were also in contact with foreign peoples throughout the Aegean, as evidenced by the Near Eastern and Egyptian influences in their early art but also in the later export trade, notably the exchange of pottery and foodstuffs such as oil and wine in return for precious objects and materials such as copper from Cyprus and Attica and ivory from Egypt. Several Aegean islands, especially in the Cyclades, display the characteristics of a palace-centred economy and political structure as seen on Crete while Minoan artists, especially fresco painters, took their skills to the royal palaces of Egypt and the Levant.

Decline

The reasons for the demise of the Minoan civilization continue to be debated. Palaces and settlements show evidence of fire and destruction c. 1450 BCE, but not at Knossos (which was destroyed perhaps a century later). The rise of the Mycenaean civilization in the mid-2nd millennium BCE on the Greek mainland and the evidence of their cultural influence on later Minoan art and trade make them the most likely cause. However, other suggestions include earthquakes and volcanic activity with a consequent tsunami. The eruption of Thera (the present-day island of Santorini) may have been particularly significant, although, the exact date of this cataclysmic eruption is disputed and therefore its connection with the end of the Minoan period remains unclear. The most likely scenario was probably a fatal mix of natural environmental damage and competition for wealth weakening the structure of society, which was then exploited by invading Mycenaeans. Whatever the cause, most of the Minoan sites were abandoned by 1200 BCE and Crete would not return to the Mediterranean stage of history until the 8th century BCE when it was colonised by Archaic Greeks.

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The Minoan civilization flourished in the Middle Bronze Age on the island of Crete located in the eastern Mediterranean from c. 2000 BCE until c. 1500 BCE. With their unique art and architecture, and the spread of their ideas through contact with other cultures across the Aegean, the Minoans made a significant contribution to the development of Western European civilization as it is known today.

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1600 BCE Largest Volcanic Eruption in European History in Thera- Beginning of Cretan Cultural Destruction

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1600 BCE Largest Volcanic Eruption in European History in Thera- Beginning of Cretan Cultural Destruction

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This natural disaster wiped out most of the Cretans and their Minoan civilizations, leaving opportunity for new conquerors from the north to invade; yet, the backbones of the vulnerable cultures remained, ruins and remnants, fragments and pieces of their way of life were preserved.

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1601 BCE The Achaeans, Dorians,  Danaans,  Argives, Hellenes-collectively the first "Ancient Greeks"- arrive in the Mediterranean, replacing the Minoans

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1601 BCE The Achaeans, Dorians,  Danaans,  Argives, Hellenes-collectively the first "Ancient Greeks"- arrive in the Mediterranean, replacing the Minoans

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These tribal invasive groups were not peaceful, but did utilize the cultural foundations and structures of the Minoan culture they found in the territories they invaded. . . smart indeed.

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The Achaean League was a Hellenistic period confederation of Greek city states on the northern and central Peloponnese between 280 BCE and 146 BCE.

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@1400 BCE "First Cities" of "Ancient Greece" appear:  Thebes, Athens, Mycenae, Pylos, civilizations that had fully "appropriated" or absorbed the Minoan Culture

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@1400 BCE "First Cities" of "Ancient Greece" appear:  Thebes, Athens, Mycenae, Pylos, civilizations that had fully "appropriated" or absorbed the Minoan Culture

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After a few hundred years, the "Ancient Greeks" who invaded the Minoan territories forgot the Cretan culture ever pre-dated them, completely absorbing their ways of life; their once tribal, loose territories became more formalized as they developed powerful, denser city-states

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The ancient Greeks were aggressively seeking new lands and trade; they owned the sea trade; they were conquerors- and this war in modern day Turkey would be one of their last, great victories before the dark ages. Of course, this is the famous battle that Homer recalls in famous epic The Iliad.

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Trojan War - Definition, Summary & Hero | HISTORY

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Watch a brief video summarizing the Trojan War, the conflict recounted in Greek mythology between the kingdoms of Troy and Mycenaean Greece.

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1100- 800 BC-Homer and Practice of Oral Storytelling Tradition

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1100- 800 BC-Homer and Practice of Oral Storytelling Tradition

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During the dark ages, Homer and other "bards" kept the ancient Greek's cultural story and identity alive through the oral tradition of the great epics- these poetic, stories embodied and preserved their life style, religion, ethics, values, dreams, and fears

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@700 B.C. The Ancient Greeks adopted the Phoenican alphabet

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@700 B.C. The Ancient Greeks adopted the Phoenican alphabet

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Eventually the  "fog" lifted and ancient Greeks started writing again after "borrowing" fundamentals of the Phoenician alphabet; this innovation triggered profound recovery and development of ancient Greek Culture and civilization

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700 B.C.E. The fullest and most important source of Greek myths and the origins of the gods found in Theogony of Hesiod

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700 B.C.E. The fullest and most important source of Greek myths and the origins of the gods found in Theogony of Hesiod

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With the ability to write, came the ability to record their belief systems and religions in great detail- Hesiod's poem contain the greatest details about mythology; transcripts added great authority over cultural practices and social identities- what it meant to be Greek was stabilizing and flourishing

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Who are some of the major figures of Greek mythology?

What are some major works in Greek mythology?

When did Greek mythology start?

Greek mythology, body of stories concerning the gods, heroes, and rituals of the ancient Greeks. That the myths contained a considerable element of fiction was recognized by the more critical Greeks, such as the philosopher Plato in the 5th-4th century bce. In general, however, in the popular piety of the Greeks, the myths were viewed as true accounts. Greek mythology has subsequently had extensive influence on the arts and literature of Western civilization, which fell heir to much of Greek culture.

Although people of all countries, eras, and stages of civilization have developed myths that explain the existence and workings of natural phenomena, recount the deeds of gods or heroes, or seek to justify social or political institutions, the myths of the Greeks have remained unrivaled in the Western world as sources of imaginative and appealing ideas. Poets and artists from ancient times to the present have derived inspiration from Greek mythology and have discovered contemporary significance and relevance in Classical mythological themes.

Sources of myths: literary and archaeological

The 5th-century-bce Greek historian Herodotus remarked that Homer and Hesiod gave to the Olympian gods their familiar characteristics. Few today would accept this literally. In the first book of the Iliad, the son of Zeus and Leto ( Apollo, line 9) is as instantly identifiable to the Greek reader by his patronymic as are the sons of Atreus ( Agamemnon and Menelaus, line 16). In both cases, the audience is expected to have knowledge of the myths that preceded their literary rendering. Little is known to suggest that the Greeks treated Homer, or any other source of Greek myths, as mere entertainment, whereas there are prominent Greeks from Pindar to the later Stoa for whom myths, and those from Homer in particular, are so serious as to warrant bowdlerization or allegorization.

The fullest and most important source of myths about the origin of the gods is the Theogony of Hesiod (c. 700 bce). The elaborate genealogies mentioned above are accompanied by folktales and etiological myths. The Works and Days shares some of these in the context of a farmer's calendar and an extensive harangue on the subject of justice addressed to Hesiod's possibly fictitious brother Perses. The orthodox view treats the two poems as quite different in theme and treats the Works and Days as a theodicy (a natural theology). It is possible, however, to treat the two poems as a diptych, each part dependent on the other. The Theogony declares the identities and alliances of the gods, while the Works and Days gives advice on the best way to succeed in a dangerous world, and Hesiod urges that the most reliable-though by no means certain-way is to be just.

Other literary works

Fragmentary post-Homeric epics of varying date and authorship filled the gaps in the accounts of the Trojan War recorded in the Iliad and Odyssey; the so-called Homeric Hymns (shorter surviving poems) are the source of several important religious myths. Many of the lyric poets preserved various myths, but the odes of Pindar of Thebes (flourished 6th-5th century bce) are particularly rich in myth and legend. The works of the three tragedians- Aeschylus, Sophocles, and Euripides, all of the 5th century bce-are remarkable for the variety of the traditions they preserve.

In Hellenistic times (323-30 bce) Callimachus, a 3rd-century-bce poet and scholar in Alexandria, recorded many obscure myths; his contemporary, the mythographer Euhemerus, suggested that the gods were originally human, a view known as Euhemerism. Apollonius of Rhodes, another scholar of the 3rd century bce, preserved the fullest account of the Argonauts in search of the Golden Fleece.

In the period of the Roman Empire, the Geography of Strabo (1st century bce), the Library of the pseudo- Apollodorus (attributed to a 2nd-century-ce scholar), the antiquarian writings of the Greek biographer Plutarch, and the works of Pausanias, a 2nd-century-ce historian, as well as the Latin Genealogies of Hyginus, a 2nd-century-ce mythographer, have provided valuable sources in Latin of later Greek mythology.

Archaeological discoveries

The discovery of the Mycenaean civilization by Heinrich Schliemann, a 19th-century German amateur archaeologist, and the discovery of the Minoan civilization in Crete (from which the Mycenaean ultimately derived) by Sir Arthur Evans, a 20th-century English archaeologist, are essential to the 21st-century understanding of the development of myth and ritual in the Greek world. Such discoveries illuminated aspects of Minoan culture from about 2200 to 1450 bce and Mycenaean culture from about 1600 to 1200 bce; those eras were followed by a Dark Age that lasted until about 800 bce. Unfortunately, the evidence about myth and ritual at Mycenaean and Minoan sites is entirely monumental, because the Linear B script (an ancient form of Greek found in both Crete and Greece) was mainly used to record inventories.

Geometric designs on pottery of the 8th century bce depict scenes from the Trojan cycle, as well as the adventures of Heracles. The extreme formality of the style, however, renders much of the identification difficult, and there is no inscriptional evidence accompanying the designs to assist scholars in identification and interpretation. In the succeeding Archaic (c. 750-c. 500 bce), Classical (c. 480-323 bce), and Hellenistic periods, Homeric and various other mythological scenes appear to supplement the existing literary evidence.

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Greek mythology | Gods, Stories, & History

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Greek mythology, oral and literary traditions of the ancient Greeks concerning their gods and heroes and the nature of the cosmos. The narratives influenced the arts of later centuries so that such stories as the abduction of Persephone and those from Homer's Iliad and Odyssey remained popular in the 21st century.

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One example of the creative life of the ancient Greeks was the organization of the elaborate "games." The competitions and games introduced by the Cretans would now be formalized into a sacred ancient Greek celebration and tradition that the world still honors today.

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The Olympic Games, which originated in ancient Greece as many as 3,000 years ago, were revived in the late 19th century and have become the world's preeminent sporting competition. From the 8th century B.C. to the 4th century A.D., the Games were held every four years in Olympia, located in the western Peloponnese peninsula, in honor of the god Zeus. The first modern Olympics took place in 1896 in Athens, and featured 280 participants from 13 nations, competing in 43 events. Since 1994, the Summer and Winter Olympic Games have been held separately and have alternated every two years.

The Olympics in Ancient Greece

The first written records of the ancient Olympic Games date to 776 B.C., when a cook named Coroebus won the only event-a 192-meter footrace called the stade (the origin of the modern "stadium")-to become the first Olympic champion. However, it is generally believed that the Games had been going on for many years by that time. Legend has it that Heracles (the Roman Hercules), son of Zeus and the mortal woman Alcmene, founded the Games, which by the end of the 6th century B.C had become the most famous of all Greek sporting festivals. The ancient Olympics were held every four years between August 6 and September 19 during a religious festival honoring Zeus. The Games were named for their location at Olympia, a sacred site located near the western coast of the Peloponnese peninsula in southern Greece. Their influence was so great that ancient historians began to measure time by the four-year increments in between Olympic Games, which were known as Olympiads.

Did you know? The 1896 Games featured the first Olympic marathon, which followed the 25-mile route run by the Greek soldier who brought news of a victory over the Persians from Marathon to Athens in 490 B.C. Fittingly, Greece's Spyridon Louis won the first gold medal in the event. In 1924, the distance would be standardized to 26 miles and 385 yards.

After 13 Olympiads, two more races joined the stade as Olympic events: the diaulos (roughly equal to today's 400-meter race), and the dolichos (a longer-distance race, possibly comparable to the 1,500-meter or 5,000-meter event). The pentathlon (consisting of five events: a foot race, a long jump, discus and javelin throws and a wrestling match) was introduced in 708 B.C., boxing in 688 B.C. and chariot racing in 680 B.C. In 648 B.C., pankration, a combination of boxing and wrestling with virtually no rules, debuted as an Olympic event. Participation in the ancient Olympic Games was initially limited to freeborn male citizens of Greece; there were no women's events, and married women were prohibited from attending the competition.

Decline and Revival of the Olympic Tradition

After the Roman Empire conquered Greece in the mid-2nd century B.C., the Games continued, but their standards and quality declined. In one notorious example from A.D. 67, the decadent Emperor Nero entered an Olympic chariot race, only to disgrace himself by declaring himself the winner even after he fell off his chariot during the event. In A.D. 393, Emperor Theodosius I, a Christian, called for a ban on all "pagan" festivals, ending the ancient Olympic tradition after nearly 12 centuries.

It would be another 1,500 years before the Games would rise again, largely thanks to the efforts of Baron Pierre de Coubertin (1863-1937) of France. Dedicated to the promotion of physical education, the young baron became inspired by the idea of creating a modern Olympic Games after visiting the ancient Olympic site. In November 1892, at a meeting of the Union des Sports Athlétiques in Paris, Coubertin proposed the idea of reviving the Olympics as an international athletic competition held every four years. Two years later, he got the approval he needed to found the International Olympic Committee (IOC), which would become the governing body of the modern Olympic Games.

The Olympics Through the Years

The first modern Olympics were held in Athens, Greece, in 1896. In the opening ceremony, King Georgios I and a crowd of 60,000 spectators welcomed 280 participants from 13 nations (all male), who would compete in 43 events, including track and field, gymnastics, swimming, wrestling, cycling, tennis, weightlifting, shooting and fencing. All subsequent Olympiads have been numbered even when no Games take place (as in 1916, during World War I, and in 1940 and 1944, during World War II). The official symbol of the modern Games is five interlocking colored rings, representing the continents of North and South America, Asia, Africa, Europe and Australia. The Olympic flag, featuring this symbol on a white background, flew for the first time at the Antwerp Games in 1920.

The Olympics truly took off as an international sporting event after 1924, when the VIII Games were held in Paris. Some 3,000 athletes (with more than 100 women among them) from 44 nations competed that year, and for the first time the Games featured a closing ceremony. The Winter Olympics debuted that year, including such events as figure skating, ice hockey, bobsledding and the biathlon. Eighty years later, when the 2004 Summer Olympics returned to Athens for the first time in more than a century, nearly 11,000 athletes from a record 201 countries competed. In a gesture that joined both ancient and modern Olympic traditions, the shotput competition that year was held at the site of the classical Games in Olympia.

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The Olympic Games, which originated in ancient Greece as many as 3,000 years ago, were revived in the late 19th century and have become the world's preeminent sporting competition. From the 8th century B.C. to the 4th century A.D., the Games were held every four years in Olympia, located in the western Peloponnese peninsula, in honor of the god Zeus.

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600 BCE trade was greatly facilitated by the construction of specialised merchant ships 

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600 BCE trade was greatly facilitated by the construction of specialised merchant ships 

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These ships would help bring the blighted former Greek cultures back to life again

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Trade was a fundamental aspect of the ancient Greek world and following territorial expansion, an increase in population movements, and innovations in transport, goods could be bought, sold, and exchanged in one part of the Mediterranean which had their origin in a completely different and far distant region. Food, raw materials, and manufactured goods were not only made available to Greeks for the first time but the export of such classics as wine, olives, and pottery helped to spread Greek culture to the wider world.

From Local to International Trade

In Greece and the wider Aegean, local, regional, and international trade exchange existed from Minoan and Mycenaean times in the Bronze Age. The presence, in particular, of pottery and precious goods such as gold, copper, and ivory, found far from their place of production, attests to the exchange network which existed between Egypt, Asia Minor, the Greek mainland, and islands such as Crete, Cyprus, and the Cyclades. Trade lessened and perhaps almost disappeared when these civilizations declined, and during the so-called Dark Ages from the 11th to 8th centuries BCE international trade in the Mediterranean was principally carried out by the Phoenicians.

The earliest written sources of Homer and Hesiod attest to the existence of trade ( emporia) and merchants ( emporoi) from the 8th century BCE, although they often present the activity as unsuitable for the ruling and landed aristocracy. Nevertheless, international trade grew from 750 BCE, and contacts spread across the Mediterranean driven by social and political factors such as population movements, colonisation (especially in Magna Graecia), inter-state alliances, the spread of coinage, the gradual standardisation of measurements, warfare, and safer seas following the determination to eradicate piracy.

From 600 BCE trade was greatly facilitated by the construction of specialised merchant ships and the diolkos haulway across the isthmus of Corinth. Special permanent trading places ( emporia), where merchants of different nationalities met to trade, sprang up, for example, at Al Mina on the Orontes river (modern Turkey), Ischia-Pithekoussai (off the coast of modern Naples), Naucratis in Egypt, and Gravisca in Etruria. From the 5th century BCE, Athens' port of Piraeus became the most important trading centre in the Mediterranean and gained a reputation as the place to find any type of goods on the market.

Traded Goods

Goods which were traded within Greece between different city-states included:

cereals

wine

olives

figs

pulses

eels

cheese

honey

meat (especially from sheep and goats)

tools (e.g.: knives)

perfumes

fine pottery, especially Attic and Corinthian wares.

The most important trade exports were wine and olives, while cereals, spices, & precious metals Were Imported.

Fine Greek pottery was also in great demand abroad and examples have been found as far afield as the Atlantic coast of Africa. Other Greek exports included wine, especially from Aegean islands like Mende and Kos, bronze work, olives and olive oil (transported, like wine, in amphorae), emery from Delos, hides from Euboea, marble from Athens and Naxos, and ruddle (a type of waterproofing material for ships) from Keos.

The goods available at the market places ( agorai) of major urban centres which were imported from outside Greece included:

wheat

slaves from Egypt

grain from the Black Sea (especially via Byzantium)

salt fish from the Black Sea

wood (especially for shipbuilding) from Macedonia and Thrace

papyrus

textiles

luxury food such as spices (e.g.: pepper)

glass

metals such as iron, copper, tin, gold and silver.

Trade Incentives & Protection

Maritime loans enabled traders to pay for their cargoes and the loan did not have to be repaid if the ship failed to reach safely its port of destination. To compensate the lender for this risk, interest rates ( nautikos tokos) could be from 12.5 to 30% and the ship was often the security on the loan.

The involvement of the state in trade was relatively limited; however, a notable exception was grain. For example, so vital was it to feed Athens' large population and especially valuable in times of drought, trade in wheat was controlled and purchased by a special 'grain buyer' ( sitones). From c. 470 BCE the obstruction of the import of grain was prohibited, as was the re-exportation of it; for offenders the punishment was the death penalty. Market officials ( agoranomoi) ensured the quality of goods on sale in the markets and grain had its own supervisors, the sitophylakes, who regulated that prices and quantities were correct.

Besides taxes on the movement of goods (e.g.: road taxes or, at Chalkedon, a 10% transit charge on Black Sea traffic payable to Athens) and levies on imports and exports at ports, there were also measures taken to protect trade. For example, Athens taxed those citizens who contracted loans on grain cargo which did not deliver to Piraeus or those merchants who failed to unload a certain percentage of their cargo. Special maritime courts were established to tempt traders to choose Athens as their trading partner, and private banks could facilitate currency exchange and safeguard deposits. Similar trading incentives existed on Thasos, a major trading-centre and large exporter of high quality wine.

With the decline of the Greek city-states in the late Classical period, international trade moved elsewhere; nevertheless, many Greek cities would continue to be important trading centres in Hellenistic and Roman times, especially Athens and the free-trade ports of Delos and Rhodes.

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Trade was a fundamental aspect of the ancient Greek world and following territorial expansion, an increase in population movements, and innovations in transport, goods could be bought, sold, and exchanged in one part of the Mediterranean which had their origin in a completely different and far distant region.

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534 B.C. First Dionysian Drama/Theatre Festival Held in Ancient Greece

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534 B.C. First Dionysian Drama/Theatre Festival Held in Ancient Greece

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461 - 404 BC Peloponnesian War, or the Civil War between Sparta and Athens 

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461 - 404 BC Peloponnesian War, or the Civil War between Sparta and Athens 

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The two most powerful city-states in ancient Greece, Athens and Sparta, went to war with each other from 431 to 405 B.C. The Peloponnesian War marked a significant power shift in ancient Greece, favoring Sparta, and also ushered in a period of regional decline that signaled the end of what is considered the Golden Age of Ancient Greece.

The Cause of the Peloponnesian War

The formation of the Delian League, or Athenian League, in 478 B.C. united several Greek city-states in a military alliance under Athens, ostensibly to guard against revenge attacks from the Persian Empire. In reality, the league also granted increased power and prestige to Athens. The Spartans, meanwhile, were part of the Peloponnesian League (550 BC- 366 B.C.) of city-states. It was only a matter of time before the two powerful leagues collided.

The Great Peloponnesian War, also called the First Peloponnesian War, was the first major scuffle between them. It became a 15-year conflict between Athens and Sparta and their allies. Peace was decreed by the signing of the Thirty Years Treaty in 445 B.C., effective until 437 B.C., when the Peloponnesian War began.

A civil war in the obscure country of Epidamnus led to the involvement of Sparta's ally, Corinth. When Sparta was brought in to be part of conflict negotiations, Corinth's longtime enemy Corcyra targeted Epidamnus and seized it in a naval battle. Corinth retreated to rebuild its fleet and plan retaliation.

Did you know? The Athenians experienced a major setback when a plague broke out in 430 B.C. Between one-third and two-thirds of the Athenian population died, including the prominent general Pericles.

The Peloponnesian War Begins

In 433 B.C. the tension continued to build and Corcyra officially sought Athens' support by arguing that conflict with Sparta was inevitable and Athens required an alliance with Corcyra to defend itself. The Athenian government debated the suggestion, but its leader Pericles suggested a defensive alliance with Corcya, sending a small number of ships to protect it against Corinthian forces.

All forces met at the Battle of Sybota, in which Corinth, with no support from Sparta, attacked and then retreated at the sight of Athenian ships. Athens, convinced it was about to enter war with Corinth, strengthened its military hold on its various territories in the region to prepare.

Sparta was hesitant to enter the war directly, but was eventually convinced by Corinth to do so, though this was not a popular decision among Sparta's other allies. A year passed before Sparta took aggressive action. During that time, Sparta sent three delegations to Athens to avoid war, offering proposals that could be viewed as a betrayal of Corinth. These efforts conflicted with Pericles' agenda and the Athenians rejected peace.

Athens vs. Sparta

The first 10 years of the conflict are known as "Archidamian War," after Spartan King Archidamus. The Spartan slogan for that period was "Freedom for the Greeks," and its stated aim was to liberate the states under Athenian rule by destroying its defenses and dismantling its structure.

As Spartan forces surrounded Athens in a siege, decimating the countryside and farmland, Pericles declined to engage against them near the city's walls, instead leading naval campaigns elsewhere. He returned to Athens in 430 B.C. as a plague ravaged the city, killing nearly two-thirds of the population. Pericles, following a political uprising that led to his censure, succumbed to the plague in 429 B.C., fracturing the Athenian leadership. Despite this major setback for the Athenians, the Spartans saw only mixed success in their war efforts, and some major losses in western Greece and at sea.

The Peace of Nicias

In 423 B.C., both sides signed a treaty known as the Peace of Nicias, named for the Athenian general who engineered it. Meant to last 50 years, it barely survived eight, undermined by conflict and rebellion brought on by various allies.

Second Phase of War

War reignited decisively around 415 B.C. when Athens received a call to help allies in Sicily against invaders from Syracuse, where an Athenian official defected to Sparta, convincing them that Athens was planning to conquer Italy. Sparta sided with Syracuse and defeated the Athenians in a major sea battle.

Who Won the Peloponnesian War?

Athens did not crumble as expected, winning a string of naval victories against Sparta, which sought monetary and weapons support from the Persian Empire. Under the Spartan general Lysander, the war raged for another decade. By in 405 B.C. Lysander decimated the Athenian fleet in battle and then held Athens under siege, forcing it to surrender to Sparta in 404 B.C.

Impact of the Peloponnesian War

The Peloponnesian War marked the end of the Golden Age of Greece, a change in styles of warfare and the fall of Athens, once the strongest city-state in Greece. The balance in power in Greece was shifted when Athens was absorbed into the Spartan Empire. It continued to exist under a series of tyrants and then a democracy. Athens lost its dominance in the region to Sparta until both were conquered less than a century later and made part of the kingdom of Macedon.

Sources

The Peloponnesian War by Nigel Bagnall, published by St Martins Press, 2004.

The Peloponnesian War by Donald Kagan, published by Viking Penguin, 2003.

Ancient Greece: From Prehistoric to Hellenistic Times by Thomas R. Martin, published by Yale University Press, 1996.

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The two most powerful city-states in ancient Greece, Athens and Sparta, went to war with each other from 431 to 405 B.C. The Peloponnesian War marked a significant power shift in ancient Greece, favoring Sparta, and also ushered in a period of regional decline that signaled the end of what is considered the Golden Age of Ancient Greece.

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447 BC Construction of Parthenon, the largest and most lavish temple the Greek mainland had ever seen

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447 BC Construction of Parthenon, the largest and most lavish temple the Greek mainland had ever seen

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Delian League

The Parthenon was the center of religious life in the powerful Greek city-state of Athens, the head of the Delian League. Developed to thwart the possibility of an attack by the Persian Empire or other foes, the Delian League was a cooperative alliance of Greek city-states founded in 478 B.C. during the invasions of the Persian Wars.

The celebrated Greek statesman Pericles is credited with ordering the design and construction of the Parthenon as a temple for Athena-the goddess of wisdom, arts, literature and war-but it may not have been the first attempt to house the deity.

An earlier structure known as the Older Parthenon or Pre-Parthenon once existed on the site of the current Parthenon. Many historians believe the Older Parthenon was under construction in 480 B.C. when the Persian Empire attacked Athens and destroyed the Acropolis, although some experts dispute this theory.

When Was the Parthenon Built?

In 447 B.C., some 33 years after the Persian invasion, Pericles commenced building the Parthenon to replace the earlier temple. The massive structure was dedicated in 438 B.C.

Sculpting and decorative work at the Parthenon continued until 432 B.C. It's estimated that 13,400 stones were used to build the temple, at a total cost of around 470 silver talents (roughly $7 million U.S. dollars today).

Doric Columns

Pericles commissioned the renowned Greek architects Ictinus and Callicrates and the sculptor Phidias to design the Parthenon, which became the largest Doric-style temple of its time.

The structure has a rectangular floor plan and is built on a 23,000-square foot base, part of which was the limestone foundation of the Old Parthenon.

Low steps surrounded each side of the building, and a portico of Doric columns standing on a platform create a border around it. There are 46 outer columns and 19 inner columns.

The columns are slightly tapered to give the temple a symmetrical appearance. The corner columns are larger in diameter than the other columns. Incredibly, the Parthenon contains no straight lines and no right angles, a true feat of Greek architecture.

Amazon Warriors

Many of the Parthenon's features depict scenes from Greek mythology. Ninety-two carved metopes (square blocks placed between three-channeled triglyph blocks) adorn the exterior walls of the Parthenon. The metopes on the West side depict Amazonomachy, a mythical battle between Amazon warriors and the ancient Greeks, and were thought to be designed by the sculptor Kalamis.

The metopes on the East side show Gigantomachy, mythical battles between gods and giants. Most metopes on the South side show Centauromachy, the battle of mythical centaurs with the Lapiths, and the metopes on the North side portray the Trojan War.

Parthenon Frieze

A broad, decorated horizontal band called a frieze runs along the entire length of the walls of the Parthenon's inner chamber (the cella). The frieze was carved using the bas-relief technique, which means the sculpted figures are raised slightly from the background.

Historians believe the frieze depicted either the Panathenaic procession to the Acropolis or the sacrifice of Pandora to Athena.

There are two sculpted, triangular-shaped gables known as pediments on each end of the Parthenon. The East pediment depicted Athena's birth from the head of her father, Zeus. The West pediment showed the conflict between Athena and Poseidon to claim Attica, an ancient region of Greece which included the city of Athens.

Athena Parthenos

A shrine within the Parthenon housed an extraordinary statue of Athena, known as Athena Parthenos, which was sculpted by Phidias. The statue no longer exists but is thought to have stood about 12 meters high (39 feet).

It was carved of wood and covered in ivory and gold. Historians know what the statue looked like thanks to surviving Roman reproductions.

The Athena statue depicted a fully-armed woman wearing a goatskin shield known as an aegis. She held a six-foot tall statue of the Greek goddess Nike in her right hand and a shield in her left hand that illustrated various battle scenes. Two griffins and a sphinx stood on her helmet and a large snake behind her shield.

It's unclear if the Parthenon served solely as a home for Athena or also as a treasury. It was undoubtedly an awe-inspiring sight for anyone who gazed upon it. Ancient spectators weren't allowed inside the structure but viewed its splendor from the outside.

Parthenon Changes Hands

In the sixth century A.D., the Christian Byzantines conquered Greece. They outlawed pagan worship of the ancient Greek gods and converted the Parthenon to a Christian church. They blocked the East side entrance and, following the custom of Christianity, forced worshipers to enter the church on the West side.

The massive statue of Athena was gone before the Byzantines arrived. In her place, they put a pulpit and marble bishop's chair.

The Parthenon remained a Christian church until 1458 A.D., when the Muslim Ottoman Empire seized Athens. The Ottoman Turks converted the Parthenon into a mosque, yet kept many Christian paintings and artifacts intact.

In 1687, facing attack from the Christian Holy League (an alliance of European powers against the Ottoman Empire), the Ottomans converted the Parthenon into an ammunitions depot and shelter, but it was anything but safe. The structure was bombarded with cannonballs and its ammunition stores exploded causing hundreds of deaths and massive structural damage.

After centuries of being ruled by the Turks, the Greeks fought for independence in the 1820s. The Acropolis became a combat zone and the Turkish Army removed hundreds of marble blocks from Parthenon ruins. They also used the lead-coated iron clamps which held the blocks together to make bullets.

Elgin Marbles

After the Holy League's assault and numerous military campaigns, by the 1800s the Parthenon sat in ruins and was at the mercy of looters and the elements.

In the early 19th century, Thomas Bruce, the 7th Earl of Elgin, removed the marble friezes and several other sculptures and shipped them to London, England, where they remain on public display in the British Museum today.

It's unclear if Elgin had permission to remove the sculptures, and the Greek government has requested they be returned.

Time, weathering and cleaning has caused the Elgin Marbles and other Parthenon sculptures to look white, but they and other parts of the structure were once painted with vivid colors.

Did you know? A full-scale replica of The Parthenon was built in Centennial Park, Nashville in 1897 for the Tennessee Centennial Exposition.

Parthenon Restoration

In the 1970s, the Greek government got serious about restoring the rapidly-deteriorating Acropolis and the Parthenon, which had become one of the country's national treasures. They appointed an archaeological committee called the Acropolis Restoration Project.

With Greek architect Manolis Korres at its helm, the committee painstakingly charted every relic in the ruins and used computer technology to identify their original location.

The restoration team plans to supplement original Parthenon artifacts with modern materials that are weather-resistant, corrosion-resistant and will help support the integrity of the structure. Where needed, new marble from the quarry where the original marble was obtained will be used.

Still, the Parthenon will not be restored to its original glory. Instead, it will stay a partial ruin and will feature design elements and artifacts that reflect its rich, diverse history.

Acropolis Museum

Renovations are ongoing at the Parthenon and the entire Acropolis; however, tourists can still visit the historical site. Areas undergoing a makeover may be off-limits.

Some important artifacts and remaining Parthenon sculptures were moved to the nearby Acropolis Museum. To see many of the Parthenon's original marble sculptures and other Acropolis artifacts, visitors are encouraged to tour the museum.

Sources

Secrets of the Parthenon. PBS NOVA.
The Glorious Parthenon. PBS NOVA.
The Parthenon. Ancient-Greece.org.
The Parthenon. Oxford Bibliographies.
The Parthenon. Reed College.
The Parthenon: Religion, Art and Politics. The State University of New York.

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Parthenon: Definition, Facts, Athens & Greece - HISTORY

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The Parthenon is a marble temple built atop the Acropolis in Athens during the classical age of ancient Greece. It was the largest and most lavish temple the Greek mainland had ever seen.

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300 AD Oldest Written Record of Homer's Epics

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300 AD Oldest Written Record of Homer's Epics

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Earliest Known Written Record of Homer's Odyssey Found in Greece

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The Greek Ministry of Culture reports archaeologists have found the oldest written record of Homer's Odyssey. Considered to be one of the all-time greatest works of literature, the engraved clay slab contains 13 verses from the 12,109-line poem, with preliminary estimates dating it to Roman times, likely before the third century.

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All great things must come to an end. The Romans, much like the Greeks, were conquerors and absorbed vast amounts of Greek culture

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Oxford Academic (Oxford University Press)

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How did the Romans conquer classical Greece?

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Ancient History Encyclopedia. Ancient History Encyclopedia Foundation, 2020.
https://www.ancient.eu/.

Biography. A&E Television Networks, 2020. https://www.biography.com/.

Britannica. Encyclopedia Britannica, 2020. https://www.britannica.com/.

History. A&E Television Networks, 2020. https://www.history.com/.

Wikimedia Commons. Wikimedia, 2020. https://commons.wikimedia.org/wiki/Main_Page.

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See all the wonderful things Jennifer Wood has made