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The Production managers job is to oversee all production progress, activities and operations. To do this they will need to make a production schedule and make sure that they have everything that they will need when it comes to rehearsals and performances.

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A production team is a group of technical staff who produce the play, which usually includes not only the running crew, but also the theatrical producer, designers and theatre direction. They would help the directorial concept by doing regular quality checks and monitor the production process.

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The stage manager's role during the production and rehearsal period of the play is to communicate to all creative and technical aspects and to oversee the production of the sets, props, light and sound. They also call out the technical cues during performances to the sound desk, light control panel, and the get in and get out crew for set changes. They can add to the directorial concepts

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The Front of house staff also have to contribute to the directorial concept, by creating a feeling of either safety and comfort, or unease and tension, depending on the genre and style of the play they are working for, whilst still helping those who may need some assistance physically, mentally or verbally. All this, whilst they still have to make sure that the audience is comfortable and ready.

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The marketing Team ensures that they follow the directorial concept by designing their ad campaigns in according to the style, genre and themes that the director has set out to accomplish in his their play, if its posters, leaflets, or trailers on social media.

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The producer is the one who looks over what the play will need in terms of money, then compares it to the budget. With that in mind, they must follow the directorial concept, but also manage it, as it may go over budget and the director will have to compromise for something that is similar to what they had intended for the play, or something that is different in every way.

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The Artistic Director will have a lot of responsibility when it comes to following the directorial concepts, as they oversee everything and are in control of the theatres production and directorial choices. This means that they will view what the director would like to have in the play, and they discuss with their artistic team what they can do to be able to replicate the concept, or debunk what they know to be to difficult or a health and safety hazard.

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Costume designers can follow the directorial concepts by adhering to the vision that the director has for the play, whilst also adding in extra details with their more detailed knowledge of costumes that they have over the director, with the complications/restrictions and also the enhancements that come with costume design

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The set designer has a very important role to play when following the directorial concept, as they have to create the set that the audience will look at for the entirety for the play, especially when it comes to A Doll's House, as it has to be not only era appropriate, but appropriate for the social status of the family, the time of year that it is set in, and the genre of the play aswell. They can contribute to the performance aswell by adding in some extra technical ideas. For example, in A Dolls House, the set designer would have come up with the idea to add in the rotating stage, which adds a feeling of connectivity for the set

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The sound designer follows the directorial concept by adhering to the lighting and sounds, and empowers it by adding in musical cues to be combined with set to show the time is christmas with distant jingle bells, and ominous tingling when Nora is about to reveal her secret. They can tell a story with sfx, that can be just as informative as spoken dialogue

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The lighting designer helps contribute to the directorial concept, by lighting the play in certain ways, colors and angles. For example, in A Doll's House, the lighting designer helps show us the time period is Christmas, by lighting the set with warm whites and some greens and reds. It also helps to show the passage of time, slightly fading to black to show that an unknown amount of time has just passed.

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Artistes contribute to the directorial concept by performing in a certain way that is faithful to what the director has envisioned for the play. They can also enhance the directorial concept by adding in extra details that will either contribute to fleshing out the character, but also with the rest of the play and add some informative details

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The historical and social context helps the audience understand the century in which the production takes place and what people lives were like in that time.
Historical Context of A Dolls House is, that the play is set in 19th century Norway (which was adapted into English) following a period of great economic growth for the country and prosperity for upper middle class people such as how Ibsen wrote the characters Nora and Torvald.
Social Context of A Dolls House, is the treatment of women in society.

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Gender issues are very important for a director to consider, especially in A Doll's House, because it shows the advantages and disadvantages of each gender. We can see the director considered this for A Doll's House, by emphasising the negative stereotypes that come with being a woman, such as having to tidy the house, spending all of the money, and doing stereotypical female things such as crochet and embroidery, and playing the "stay-at-home spouse". They also included these with the men, with Torvald earning all of the money, slaving away in his office, and calling his wife Nora cute pet names, but never her real name.

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Contemporary relevance if fundamentally important because many ideas, themes, issues and events may not be relevant to modern day, especially if the play was made, or is set before the 21st century. The main point of contemporary relevance ties in with gender issues, as nowadays it is uncommon for the women is to just do the tidying job, and the man to produce the income. This is highlighted Torvalds backstory. A couple of years ago, Torvald worked himself so much that he became ill with an unknown disease. During this time, no one knew what depression was, so they just chalked it up to a mysterious infection, that could only be cured with a vacation. We are not told this, but as the audience, we must piece together what was really happening to Torvald with the way Nora describes his "illness"

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The location helps the audience understand the environment they are in, as well as let them know what is acceptable in the location. The location for A Doll's House is Norway. Even though it's set in Ibsen's native Norway, the characters spend little to no time discussing this, so it is unclear to the audience. There is also no visual clues, as the Helmers apartment is a very typically 'respectable' middle-class house-hold.

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It is imperative that the director considers themes and issues, because they must be adhered to so that the specific topics and events that take place in the play are considered and expressed with on point accuracy, otherwise the production will not make sense.
A major issue in A Doll's House is feminism. Feminism is about social and economical equality, which, for a lack of better words, is not seen in A Doll's House, as the women must look after the children, the house, the gift buying, and the food, whereas the men must work and provide, they are the breadwinners. For total equality, both genders should share these responsibilities.
A major theme is deceit. Nowhere is this more apparent with Nora, who continuously keeps secrets from her husband. From the chocolate she sneaks, to the truth of where she got the money for their trip to Italy. Not only do we see this with dialogue, but also visually, with a dark shadow over Nora's eyes when she tells Kristine how she got the money, mixed with the shadow across a part of her body, showing how the truth is slowly eating her up inside with the guilt of it.

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The period is important, as it shows what time of year, or year, it takes place, this means that the director must fill the stage with historical accuracy, which will impact costume, set and sound design, but also how the actors interact with each other, further impacting the directorial concept. The props of presents and a christmas tree tell us that the time of year is around Christmas, mixed with the sound design of jingle bells, and the dialogue, as the main characters talk of saving money for presents, and their christmas party.

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The director must follow the original playwrights intentions, because it will have a specific vision regarding the design and direction that the story goes in, and that they are accurately interpreted and not misconstructed. The original playwrights intentions were not just to promote women's rights, but of all humans. It was also to encourage the reader to question on the cultural norms and values. however, the director maybe be able to tweak some non-essential details of the story, characters or technicalities. For example, with a story that is older, like A Doll's House, they may have to subtract outdated views of certain topics (unless they are imperative to the story, like how inequality between genders is a major theme for the story, but racism isn't, and that might have to be taken out to be able to be shown)

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The message is the moral of the story (The underlined reason of what the story is about), and must be contemplated by the director, to ensure that the commentary and impact of the play is not lost. The message of A Doll's House is "marriage is a joining of equals", with the couple in A Doll's House not being able to meet these standards, like what has been said for gender issues. Both members of the marriage are expected to do the roles that come with their gender, when they should have equal responsibility with any and all aspects of their marriage.

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The difference between genre and style, is that genre is that format the play is in, and style is the way it is presented to the audience. The director would have to consider how to show these with clarity, and meet all of the key elements for genre and style. The genre for A Doll's House is a tragedy, which is told in a contemporary drama style.
Genre: Tragedy because of its lack of poetic justice, its bad ending, and other factors such as  external conflicts, with Krogstad threatening Nora with revealing what she did, and the Internal conflict, which is Nora's need to spend money to not feel empty inside.
Style: Contemporary drama, because of the drama between most characters, it is text driven, and there is a domestic setting.

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A Dolls House by Young Vic, 2012