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From all of Bourgeois works it becomes very apparent that memory was a key factor in her works.

I enjoy the concept of directly using memory in her works and I applied that to my linear sculpture task, I was inspired by Bourgeois spiders as well as my memory of the spider mother from Coraline.

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Chema Michels is a spanish photographer best known for his black and white surrealist photography

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Placing tape on the hinge to hold it together.

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Here is me putting rope on a hinge to make it strong. I placed tape over this to make sure it didn't break.

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I added pins to my structure so I could place wool on it.

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The wool hanging from the pins and arm.

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My wooden knives on the sculpture.

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Me wearing my finished sculpture for the first time

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Me wearing my finished sculpture for the first time

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This is my first time trying out my sculpture and testing the walk on it.

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Here is me roaming around campus as the mantis mutation creature.

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I chose the work Beyond Time by Chiharu Shiota. This is an instalation sculpture. I think this is a sculpture because it is a 3D form that takes up space. The materials used are metal and whool as well as pages. This sculpture is displayed in a hall and it uses the means of space to be a sculpture. I think a sculpture is anything that occupies space in a visual way, the sculpture does not have to articulate anything, it must just take up space and survive there. This sculpture fits that definition and I think that is why this is a sculpture.

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This artwork consists of a steel piano with what appears to be notes flying out of it.This piece is with the 18th-century chapel at yorkshire sculpture park. The notes flying out of the steel piano, caught in the thread is meant to represent the history of the chapel. This was put together by a big team as they intertwined thread and paper caefully within the chapel.

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While making my linear sculpture I was highly inspired by the ideaofusing myself in the works much like Helena Almeida did.

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Desenho Habitado [Inhabited Drawing], 1975

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Desenho Habitado [Inhabited Drawing], 1975

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Almeida uses herself as a model often but does not that her works are self portraits, rather she uses herself as an object as seen below in 'Inhabited Drawing'.

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This is a chromogenic print with red paint on it. I took inspiration from this because of the suble use of colour. I enjoy the playfulness of the image as well as the comentary on female beauty standards. The red substance which I assume is supposed to mimic blood leaks out of a shoe, this articulates not only the pain of high heals but the pain of being beautiful andfollwoing beauty standards for society.

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Untitled from Inhabited Painting Series, 1967

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Untitled from Inhabited Painting Series, 1967

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Almeida created a series in 1967 of various shots of herself with blue paint painted on. This is meant to be a metaphor for how female artist were treated within artist communities. They were painted over, erased. The paint is a metaphor, blue is a masculine colour, the blue representing the maleness of the art community.

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Mona Hantoum is a Palestinian artist who is located in London. Her work talks about the hypocriscy of the world. She often talks about race, gender and politics.

Mona uses metaphor in her sculpture and takes into account enviroment and lighting.

I find her work interesting because of how she articulates her ideas. I enjoy the idea of light affecting how we percieve the sculptures. This also takes into account the idea of how lighting within our everyday lifes affects our perception of the world. Night and day are very different and our perceptions of them are different.

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Hot Spot is a stainless steel and neon tube piece about how the world is constandly in conflict. The sculpture is a globe with geometric shapes and highlighted red neon tubes. The red neon tubes convey the conflict in the world.

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This installation piece consists of 36 wire mesh compartmenmts, an electric motor and a lightbulb. Here we can see Hantoum explore space and light. She uses light to create shadow and geometric shapes. This work has a confined feeling and a lot of people believed it was a comment on Palestinian refugee camps. This work was just meant to make a beautiful visual display of ambiguity.

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Me posing in my sculpture

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Me walking in my sculpture

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Here it talksabout Bourgeois' lesser known form of works, printmaking. It talks about how Bourgeois used human experiene, especially human pain in her work.

Her work reflects on her trauma, realtionship with parents and her art career.

We can see her development as an artist through this printwork. We see her starting prints and her development to the where her work is completed.

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Louise Bourgeois | HOW TO SEE the artist with Sewon Kang

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This video gives us an insight into the mind of Louise Bourgeois. It talks about how her trauma and wrath came out through her works.

It talks about the introduction of the spider in her works. How she sketched them in 1947 but didn't bring themto life untilthe 1990s.

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Louise Bourgeois – 'I Transform Hate Into Love' | TateShots

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Graham uses architecture as a means of articulatung his ideas. In Graham's show pavillions he explores gemetric shapes as well as triangular ones.

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Carl Andre is an minimalist artist American Artist.

Carle Andre opened up my mind to sculpture. None of his sculptures have structure and it made me question what is the concept of sculpture itself? Does a sculpture have to stay in one piece? Is a sculpure affected by the enviroment it is placed in? These are the questions Carle Andre left me with. His sculptures lack meaning and are playful which drags me to wonder does sculpture have to have a meaning or a use?

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The first thing you do when casting an object is place it in clay. You place the clay around the object like so, you flatten the clay equally with a knife so it is a nice flat surface. Then create divits and a spout. Divits so you can help open and close the mold and a spout so you can pore into the cast when making an object.

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Giacometti made this suclpture the night before an exhibition he had planned. The plaster mould was even still wet when making this. Here is an example of bronze casted work. This was his fiest ever thin spooky figure and it became iconic withing his works. The thin man is a strong powerful image.

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Giacometti casted fragile figures of women in bronze. This was made during his 1950s works where he made fragmented figures with parts of their arms missing or their whole arms missing. This was thought to represent an inner diagolue of lonliness.

Giacometti uses sculpture as a metaphor for inner turmoil.

Writer Jean Genet commented 'The resemblance of his figures to each other seems to me to represent that precious point at which human beings are confronted with the most irreducible fact: the loneliness of being exactly equivalent to all others.'

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I found Graham's work interesting since he is installing items into space. We see lots of his models when he is exhibiting as well as his pieces installed. It is interesting to look at his process as an artist and how he decides how hispieces flow within space.

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When making plaster you don't pour it all into one place. You sprinkle it into the water.

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You keep adding plaster into your water until you get islands, the you mix with your hands until all the lumps are gone.

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Mix until all the lumps are gone. Make sure you have a non stick agent on your object so the plaster will not stick to it and then begin putting your plaster onto the object. You should start by carfully place the plaster with your hands on top of your object and then work off from centre. Work fast though because Plaster hardens quickly!!!

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When your first side is dry you can caerfully take off your clay and then quickly put a clay slip onto the plaster.

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Here is my object with the clay slip

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After you then build walls around your object. Make sure they have no holes and hold up well.

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Then you make more plaster mix and pour from the corner gently.

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2-Way Mirror Cylinder Bisected By Perforated Stainless Steel, 2011-12

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2-Way Mirror Cylinder Bisected By Perforated Stainless Steel, 2011-12

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The Sky Looks Down on Almost as Many Things as the Ceiling, 2013

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The Sky Looks Down on Almost as Many Things as the Ceiling, 2013

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Egan creates work based off architecture and the material world. She explores ideas through these  materials and is heavily inspired by language and literature. The sphere ofhuman interaction is a massive inspiration and her sculptures are supposed to embody an emotionalreaction to the material world.
Here we see her sculpture 'The Sky Looks Down on Almost as Many Things as the Ceiling'. This sculpture is made out of card, tape, filler, varnish, steel. The title makes us think about how material objects view us especially ceilings and maybe the items portrayed articulate forms in which only the sky and ceilings see.

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Here Andre talks about his relationship with space. Andre prefers to go to his instalation space and use the space and materials he has ro construct his artworks.
Andre lacks structures inhis artworks to hold them together.This plays with the idea that things do not need to be fixed and sculpture does not have to be a fixed structure.

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Carl Andre – 'Works of Art Don't Mean Anything' | TateShots

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This sculpture made by Carle Andre is made out of 120 firebricks of the same size. They are arranged in a line and stacked upon each other. This mimisc the assembly of things through industrial methods. Andre likes to play with the viewers relationship with space, how does this object on the ground change how we view thespace andhowI cat in the space? This sculpture reffrences the idea of the grid.

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Cathy Wilkes makes installations, sculpture and paintings. She is best known for her imaginary environments which recall inchoate visions of interiors, the sickroom, the deathbed, places of loss and catastrophe. Wilkes experiments with all kinds of media and materials, and collects treasures and ingredients which together have made a body of work spanning 25 years.

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Chiharu Shiota was born in Osaka, Japan in 1972. Chiharu Shiota is most well known for her yarn installations. Shiota studied in Canberra School of Art in Australia as well as Kyoto Seika university in Japan. Shiota started to become noticed when in 2002 she won the Philip Morris K.K Art Award. Chiharu explores the ideas of memory in her works.

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Sophie is an interdisiplinary artist who is currently studying studio art and anthropology at Vanderbilt University. Inspired by horror films, scientific specimens, and bioarchaeology, she create fleshy silicone sculptures of fabricated creatures and humanized objects. Through their anatomy and context, these abject sculptures of imagined creatures question the relationships and transactions between the archetypes of the “giver” and taker.” In this way, the abject creatures become visceral visual representations of the archetypes they represent.

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Francisco De Pájaro is a colourful urban artist born in 1970. After being brushed off by galleries for years, De Pájaro decided to hit the streets. He creates these antromophic pieces. Brings beauty to the ugliness to the trash on the city of Barcelona. I found his work particularily interesting and how he breaks boundaries within art is fascinating. Turing things he sees into beautiful creatures.

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I like Madoz' work because it envokes physical discomfort. I found a lot of inspiration fromhis photography because I enjoy the idea of making things that make others uncomfortable.

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Chema Michels is a spanish photographer best known for his black and white surrealist photography

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I saw his image of the shoes with laces and loved the uncomfrotable feeling it gave me.

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Here we see a horse being held by a shoe. This image also creates discomfort and reminds us of restriction. The horse tightening our shoes and squeezing our feet.

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Madoz again provokes us with uncomfortable imagery. The eiffeil tower stands so delicately on the shoe. Applying pressure will make it break. The idea of contrast is used in this, shoes are supposed to support our feet but this would simply just smash.

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Coraline is a live animation made by Laika studio. Here is a subject from my childhood nighmares. The idea of creatures and huhman form is intergrated into this piece. The idea of this creepy crawly huam form really inspired my sculpture piece.

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I really enjoyed the performace involved in this sculpture. The sculpture cannot survive by itself, it needs a person to articulate the full potential of the sculpture. The sculpture is a completely different object on its own. There is a performance involved

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I find Giacometti's work facsinating as it functions souly as a metaphore. He explores emotions through sculpture and the fact that they are made in casts and can be reprouduced makes you ponder about an extended metaphor on how everyone experieces these emotions.

His forms are loose resembleses of humanity. For my first sculpture piece I loosely based my casting around anatomy and found his creations odd and fitting for my piece.

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“I am for the dead being companions to the living. Not for separation.
I see them standing there. They’re so forceful, they don’t leave, they never leave.
There’s no end to them, how can they ever be repaid
They have a shop but it has hardly anything in it.”
(Cathy Wilkes, 2011)

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This is my favourite place to walk within my 5km. I thought it would be the perfect place to install a sculpture.

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My first attempt at my installation sculpture. Unfortunately cows took over my space so I had to abandon this sculpture attemp but it made for interesting pictures.

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Progress photos of my sculpture

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After developing this sculpture, it ended up being about how our presence online can affect how we see the world in our everyday life. The words stuck on the sculpture remind us what words we are exposed to online and the world that we are surrounded by online. Bringing an awareness to how we spend our time online and what content we ingest is super important. This sculpture is meant to envoke thought in the viewer. How does our time online affect our physical real lives? How does it effect how we see the world?

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Phone placed in Iris. The viewer places their phone in the iris.

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Here are the mot used words online, it is divided by gender.

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Viewing from behind makes you become the eye and seeing the world through the string sculpture is an interesting shot.

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My plaster block broken up and used on my sculpture

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Lacewing Complex acts as a sculptural representation of a complex invented based Stark's own personal experiences and recurring dream symbols. The piece references visual elements of body horror in addition to the biological basis for an organism’s behavior and instincts. In Lacewing Complex, she attempt to illustrate the visceral melodrama of her novel psychological complex, the Lacewing Complex. Lacewing Complex is an installation piece featuring a bedroom scene, which depicts the parasitic draining of a young woman by an abject creature.