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Viewing and documenting work that resonates with me.

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Showing work publicly is a way of presenting my findings in an accessible way

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I write for specialist, academic audiences and present my findings at conferences. This helps me refine my ideas and make sure they are relevant across fine art research.

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I run public workshops and learn from other people - this can help me find new information about a material I wouldn't have found on my own and exercies my belief that sculpture has an important social role.

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My blog is a space where I translate my research into accessible writing and produce resources.

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I organise my ideas by regularly writing essays and making resources. I try to make sure my research is as accessible as possible.

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I visit places which link to the materials I use to find out about their social and historic uses outside of art.

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Testing out different materials, and finding new technical processes.

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I experiment with different materials to discover different qualities and see what I can make with them.

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I work closely with artist Kerry Tenbey, sharing our research in detail to allow us to make new discoveries. We share images, theories and activities and build resources to make our research accessible.

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I interview sculptors at a similar career level to me about their experiences and approaches to working with different materials.

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I interview and work collaboratively with other artists to advance my own understanding and with other's experiences

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Texts which offer an alternative view to texts written by theorists and critics.

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Ideas in philosophy, sociology and anthropology about material's social and political roles, mostly from feminist perspectives. Texts by Katherine Behar, Jane Bennett, Diana Coole and Samantha Frost, Ann-Sophie Lehmann etc.

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I want to understand how sculpture has been analysed in recent history. Texts by Rosalind Krauss, Michael Fried, Hope Mauzerall, Joshua Shannon, Nicolas Bourriard, etc.

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I identify texts (internal and external to art), get to know them and analyse them.

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I am interested in what "sculpture" means and how materials are used to impact critical meaning in historic and contemporary practice.