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Los espacios abiertos siempre me permiten reflexionar y los disfruto mucho.

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Los espacios abiertos siempre me permiten reflexionar y los disfruto mucho.

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Alejandro.

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Me identifico con esta imagen porque el bosque de neblina me encanta y me recuerda cuando estudie biología y salía de práctica de campo a esos lugares. Soy Araceli VC

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Me identifico con esta imagen porque el bosque de neblina me encanta y me recuerda cuando estudie biología y salía de práctica de campo a esos lugares. Soy Araceli VC

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A mi me gusta también bastante el mar y su inmensidad es relajante y siempre aleccionador. 

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A mi me gusta también bastante el mar y su inmensidad es relajante y siempre aleccionador. 

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Alejandro.

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https://artsandculture.google.com/story/HgVxEd1gFTUBjA

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8 Facts About Hokusai - Google Arts & Culture

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Throughout Japan and around the world, everyone knows the delicate art of Hokusai

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La lluvia también me gusta mucho por razones similares.

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La lluvia también me gusta mucho por razones similares.

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Me identifico con esta imagen por el bello color azul que me parece muy nostálgico y por la actitud de la pintora que se muestra "en acción". Siempre es emocionante el inicio del semestre pero no puedo evitar sentir nostalgia al mismo tiempo.

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Among the series of self-portraits that Amrita Sher-Gil had done during her student days in Paris in the early '30s of the Twentieth century, this one is the fifth. She has often portrayed herself in the act of painting and this work is one such.

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Self Portrait (5) - Amrita Sher-Gil - Google Arts & Culture

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Among the series of self-portraits that Amrita Sher-Gil had done during her student days in Paris in the early '30s of the Twentieth century, this one is the fifth. She has often portrayed herself in the act of painting and this work is one such.

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elegí esta pintura por me representa mucha tranquilidad, ver el mar, me imagino que sopla el aire, y yo sentada viendo la inmensidad del mar, para mi es algo muy relajante, ademas con los colores me siento identificada en tonos pastel que me hacen sentir neutral

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Paul Victor Jules Signac was a French Neo-Impressionist painter who, working with Georges Seurat, helped develop the Pointillist style.

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Hay alegría, hay movimiento, hay naturaleza, hay abundancia, todos los personajes están identificados, militares, artistas, amigos. Es una obra que refleja los diferentes rostros encuadrados en un mismo momento. Me representa por esa diversidad y esa vitalidad.

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Shortly after confirming his purchase of The luncheon of the Boating Party, Duncan Phillips wrote an enthusiastic letter from Paris informing his treasurer of the acquisition: "The Phillips Memorial Gallery is to be the possessor of one of the greatest paintings in the world... It will do more good in arousing interest and support for (the Phillips Memorial Gallery) than all the rest of our collection put together. Such a picture creates a sensation wherever it goes." In an affirmation of Phillips's foresight, these statements have proved themselves correct. The Luncheon of the Boating Party is undoubtedly among the most visited, commented upon, and memorable paintings in The Phillips Collection. Most of the models, all friends of the artist, have been identified. In the right foreground, Angèle, one of Renoir's frequent models, turns her head toward the standing Maggiolo, a journalist. The painter Gustave Caillebotte sits backward in his chair and stares across the table at Aline Charigot, Renoir's future wife, who coos at her terrier, while the burly Alphonse Fournaise Jr., son of the restaurant's owner, leans against the balcony's railing surveying the scene. In the center, Baron Raoul Barbier, a former cavalry officer, is seated with his back to the viewer speaking to the woman resting on her elbows on the railing, who is thought to be Alphonsine Fournaise, the daughter of the proprietor. Across the table from Barbier is the actress Ellen Andrée, drinking from a glass. Behind her, the top-hatted Charles Ephrussi, a banker and editor of Gazette des beaux-arts, chats with Jules Laforgue, poet, critic, and Ephrussi's personal secretary. In the upper right, Eugène Pierre Lestringuez, an official in the Ministry of the Interior, laughs with Jeanne Samary, a famous actress with the Comédie Française, while the artist Paul Lhote, a close friend of Renoir 's, cocks his head. Renoir has immortalized his friends to such a degree that the image is "not anectdotal but monumental." Marjorie Phillips was inspired to write: "In the light of time it does not matter much who the figures are. They are every man, all people." The masterpiece is a very tightly composed work, uniting within one image the time-honored compositional traditions of figure painting, still life and landscape. Hailed as "one of the most famous French paintings of modern times" when it was first exhibited, The Luncheon of the Boating Party was flanked by Alfred Sisley's Snow at Louveciennes and Banks of the Seine at the Phillips Memorial Gallery in December 1923. At the time, Phillips had intentions of forming a unit of Renoir's works; however, as the painting came to serve its purpose as a magnet attracting to the museum "pilgrims to pay homage from all over the civilized world," Phillips realized that The Luncheon of the Boating Party was the only major work by the artist that he would need.

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Luncheon of the Boating Party - Pierre-Auguste Renoir - Google Arts & Culture

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Shortly after confirming his purchase of The luncheon of the Boating Party, Duncan Phillips wrote an enthusiastic letter from Paris informing his treasurer of the acquisition: "The Phillips Memorial Gallery is to be the possessor of one of the greatest paintings in the world...

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Lo que busqué fue "neblina".

Me identifico con eso porque me recuerda a Orizaba, Veracruz de donde soy y suele haber mucha neblina.
Además con ese clima puedes estar a gusto con un cafecito y relajarte con un libro o una película.

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Rain forest, vegetation of the Atlantic Forest - Cristian Dimitrius - Google Arts & Culture

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Rain forest, vegetation of the Atlantic Forest

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Elegí esta pintura porque me gusta el color verde, las plantas y los espacios abiertos. También me gustan los animales y escuchar los sonidos de la naturaleza.

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Eugene von Guérard was the leading painter in the first century of European settlement in Australia. Born in Vienna and trained in the German Romantic tradition, he was one of a number of artists who came to Australia from continental Europe, attracted by the discovery of gold. He arrived in Australia in 1852 and spent about two years prospecting near Ballarat before moving to Melbourne, where he established himself as an artist. He gained a reputation for his landscapes and homestead portraits, and also for his wilderness subjects of waterfalls and mountains.

Purrumbete from across the lake is one of a pair commissioned by Peter and John Manifold, the pioneer settlers of Purrumbete cattle station near Camperdown, in the Western District of Victoria. Von Guérard visited Purrumbete in 1857 where he made several drawings and preparatory sketches. A year later he painted two views, this one from the steep bank near the woolshed, looking back to the homestead with Mount Leura and Mount Sugarloaf behind, and another from the veranda of the homestead across the lake. In this painting, von Guérard expressed his interest in nature and the taming of the land, as well as his talent for close observation.

Text © National Gallery of Australia, Canberra 2010

From: Ron Radford (ed), Collection highlights: National Gallery of Australia, National Gallery of Australia, Canberra, 2008

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Purrumbete from across the lake - Eugene VON GUÉRARD - Google Arts & Culture

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Eugene von Guérard was the leading painter in the first century of European settlement in Australia. Born in Vienna and trained in the German Romantic tradition, he was one of a number of artists who came to Australia from continental Europe, attracted by the discovery of gold.

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Esta imagen me representa por las diversas emociones que pasamos a lo largo de la vida, desde las más intensas, felices, tristes o desesperantes, pueden ser transformadas con arte.
La lluvia me gusta por que me invita la la introspección y paz

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Seleccione esta obra por la magia del universo y la bóveda celeste, disfruto mucho contemplar este tipo de paisajes al aire libre. Me encanta viajar y conocer nuevos lugares y personas.

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Van Gogh's night sky is a field of roiling energy. Below the exploding stars, the village is a place of quiet order. Connecting earth and sky is the flamelike cypress, a tree traditionally associated with graveyards and mourning. But death was not ominous for van Gogh. "Looking at the stars always makes me dream," he said, "Why, I ask myself, shouldn't the shining dots of the sky be as accessible as the black dots on the map of France? Just as we take the train to get to Tarascon or Rouen, we take death to reach a star."

The artist wrote of his experience to his brother Theo: "This morning I saw the country from my window a long time before sunrise, with nothing but the morning star, which looked very big." This morning star, or Venus, may be the large white star just left of center in The Starry Night. The hamlet, on the other hand, is invented, and the church spire evokes van Gogh's native land, the Netherlands. The painting, like its daytime companion, The Olive Trees, is rooted in imagination and memory. Leaving behind the Impressionist doctrine of truth to nature in favor of restless feeling and intense color, as in this highly charged picture, van Gogh made his work a touchstone for all subsequent Expressionist painting.

The Museum of Modern Art, MoMA Highlights, New York: The Museum of Modern Art, revised 2004, originally published 1999, p. 35

Find out more about The Starry Night at:
mo.ma/starrynight

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The Starry Night - Vincent van Gogh - Google Arts & Culture

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Van Gogh's night sky is a field of roiling energy. Below the exploding stars, the village is a place of quiet order. Connecting earth and sky is the flamel...

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1. Reflexiona unos minutos e imagina qué objeto, paisaje, aroma, color o textura te representa.
2. Ingresa al sitio de Google Arts and Culture y busca una obra de arte u objeto que se parezca a esa representación mental de ti.
3. Selecciona la obra que consideras que se asemeja a eso que has pensado y guarda el enlace de la imagen.
4. En la columna con tu nombre coloca el enlace de esa obra de arte u objeto, con una breve explicación de la razón (o razones) por la(s) que te representa.
5. Cuando termines, busca en el muro en Padlet dos publicaciones con las que te identifiques.
6. Realiza un comentario en esas columnas dando respuesta a ¿por qué te identificas?