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Does the meaning of virtual structure rewrite or replace the meaning of real things and occupy our real-time thinking, perception, and memory？For example, virtual locations or virtual events. What does our living space, perception and memory represent at this time, what kind of changes have taken place, and what could be the connections between these?  In this project, we will explore objects such as sound, language, light, and images, and whether they are natural, symbolic, virtual, or artificial,  and looking for the poetic relationship between these mediums.

In the book A Thousand Plateaus, music can be regarded as transforming musical points into lines. A tree has its own rhizome, but at the same time, there is also an exterior, and through this exterior and other things form the rhizome, wind, animals, or humans. This may help us explore the network's existence as a generated space, the external connection with rhizome, and the relationship between the subject and the object. In this project, we will combine modeling and programming techniques to create a series of fictional maps and landmarks,  thus add elements such as sculpture, picture, video, and sound representing different meanings or events to these fictitious landmarks. The story will be created by joining the context of virtual and reality. While creating a virtual space on the Internet, in this space, audiences are welcomed to explore the space freely to make discoveries，and to experience what virtual space means to us.

Start from dialogue of divergent association from an object and dreams, we mention topics among personal narratives, rhizomes, shadows, mirroring, symbol, maps, and time and space，and use collage, collection, or decoding and encoding to explore the possibilities between these themes.

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in progress

Could be sound, language, light, and images, and whether they are natural, symbolic, virtual, or artificial,  and looking for the poetic relationship between these mediums.

How they work and link to each other？

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in progress

1. Link to The Event

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1. In 3D or 2D？

2. In progress

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Webpage structure and elements（In progress)

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Webpage structure and elements（In progress)

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The current arrangement of the website.

Features and content, features, to-do items

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PDF 1

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Arrangement of discussions on themes, forms and contents 28/3/2021:

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Arrangement of discussions on themes, forms and contents 28/3/2021:

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Ken: Actually, I have an idea that our current behavior is alluding to such a phenomenon. It means that we are facing a thing, or a says something, and then B expands him or has a different understanding of him. The feedback we get after receiving the same information or what we make is not the same. That is, we may expand our understanding and think of a thing in different aspects, but at the same time, we may be at a certain point. Blending in again, I think this is an exciting place.

Dino: (From the binary algorithm to the gay example): We can always diverge in, that is, get gay, then attach another one, and then zoom in infinitely. You can signify several other links in the form of a web page—the more nonsensical, the better.

Miao: After reading what you said, the form I thought of was similar to a chat. It is a process of continuous extension and extension. It is similar to a chat. What I think is a form. I think it is an exploration of language, and The boundary behind language is because contemporary art essentially has a set of verbal techniques, but we have to question whether this verbal technique chat is something similar to the topic or can take other forms.

Ken: I have an association. We may be discussing some of the limitations of this coding system, which is very similar to the divergent hyperlink we have submitted before. I want to have some forms of expression of such a stream of consciousness. That is, I want to express such a form and a state through this uncertainty. I think we can talk about this tomorrow and put in the discussion of this topic itself. I think it is similar to performance chat and includes communication. There are different forms, that is, what kind of form is chatting. I think he can be content like this.

Ken: This set of words is actually undeniable. It is a series of codes belonging to contemporary art. For example, we can use these codes to play with the codes themselves. I don't know. Maybe we can open up something. Regarding the content of the performance, I think of chat and communication. These different forms, that is, what kind of form is chatting, I think they can all be the content.

Dino: I do think that Google Translate 20 times. In fact, it can also be introduced. That is a process of coding, but translation is not available. I think the performance is pretty good. For example, one person reads a person's translation.

Ken: I think this is also very fun. We can also add some chatting clips in the middle while doing this. Maybe you can record these things and edit them later?

Ken: At the same time, regarding the boundaries and doubts mentioned by Miao. I think that when we explore boundaries and doubts or explore these themes, perhaps it is a process of exploring boundaries and doubts, trying to break these boundaries, and the final presentation of this form also contains these doubts. At the same time, our work may eventually become a collection of such discussion, questioning, divergence (domain and dedomain?), presentation form (performance, etc.), sorting, etc.