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I think if done correctly, this could look really good and as long as it pans out as it does in my head, it should work. Although, I need to really make sure the character's reaction is obvious and clear.

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If I colour grade this well and use the right music and cuts etc, it could look really good. I think the choice to create a short thriller clip is good because when directing a thriller, the sound, acting, cinematography are all very important.

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With the right music and shots, this could look really nice. I like the idea as you could imagine it at the end of a full-length film. Music choice will be very important as it needs to be uplifting and/or romantic. It will also help to hint at what the text message said. I think this is my favourite of the three different contexts.

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A man is seen sat at his desk with a look of defeat, a look of sadness. His eyes seem to dart around to show that he's deep in thought. He then stands up to leave the room, however, he stops as he hears that he has a text message. As he reads the message his face turns from sadness to a look of overwhelming happiness and relief. He then starts to get ready for something; he grabs a coat brushes his teeth etc. Whilst he does so, shots from inside the bedroom intertwine with the ones of him getting ready. The bedroom shot slowly zooms on the phone until we see the message from a girl, we then see his hand grab the phone and out of shot. Screen cuts to black.

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My aim will be to create tension through a mysterious text that a man receives. He then rushes out to his car and we see him sigh heavily as he starts it up. The last shot is of the car pulling out and driving away. All whilst the music builds and begins to swell.

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Although creating the same feeling or showing that the short clip would be from a coming-of-age film will be difficult; I want to give it a go. I really want to try and create a feeling of enlightenment and new beginnings, almost as if the character is moving on, or has come to a grand realization.

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Camera angles and shot choices will vary, depending on the context, the same goes for any music that I use.

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The audience don't see the text message, we only see the man's reaction.

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Romance

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Thriller

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Coming-of-age

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A man receives a text message on his phone, leaves his house, and we see him leave in a car.

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Directing