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Movimento Renascentista
Homem Vitruviano (1490)

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Edvard Munch - Kiss by the window / Beijo na Janela (1892).
Movimento: Expressionismo

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Saturno devorando um filho de Francisco de Goya  1819-1823

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Movimento: Romantismo

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The girl with a pearl earring - Johannes Vermeer (1632 - 1675)

Movimento barroco

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cavalo azul.  Franz Marc.  1911. Grupo Der blaue reiter.
Movimento: Expressionismo

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Fränzi perante uma cadeira talhada (1910) de Ernest Ludwig kirchner

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Movimento: expressionismo

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Self-Portrait. Between the Clock and the Bed-1940/1943 - Artista: Edvard Munch

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Movimento: Expressionismo

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Movimento:expressionismo

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Movimento: barroco
Titulo da obra:
Meisje met de parel

Obra de Johannes Vermeer
produzida em 1665

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A liberdade guiando o povo - Eugène Delacroix 1830 

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Movimento: Romantismo

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movimento: Surrealismo

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Colloquialisms

Surrealism isn't all that weird after all.

Headless people occur not only in surreal paintings, but also in colloquial language, as do pig-headed ones and those who have a screw loose or bats in the belfry.

The ancient Egyptians, among others, represented their gods as animals. A modified version of this time-honoured custom has survived until the present time, and so there is always one or the other contemporary to be found whom we call an ass, chicken, a bitch, or the like, in order to designate their spiritual and physical condition, let alone such quirky manifestions as snotty brats, old farts, pains in the ass, and hot babes.

And then, when a half-formed wish becomes a half-warmed fish, and ground beef turns into bound grief and the military, though anchored in reality, forms bridgeheads and does battle in cauldrons until all that's left is crater fields, and lettuce shoots, it can all drive you up the wall.

"Holy mackerel," says someone, and the surrealist's heart jumps for joy: What a wonderful combination!

(Text: Wolfgang Lettl)

* Translator's Note: crater fields are called funnel fields in German

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Funnel Field - Wolfgang Lettl - Google Arts & Culture

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Colloquialisms Surrealism isn't all that weird after all. Headless people occur not only in surreal paintings, but also in colloquial language, as do pig-headed ones and those who have a screw loose or bats in the belfry. The ancient Egyptians, among others, represented their gods as animals.

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Movimento:Barroco

Título: Wooded Landscape with Shepherds
Criador: Swanevelt, Herman van
Data de criação: c. 1630 - 1640

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Santa Ana e a Virgem, artista: Claude Joseph Laprade (c.1732) 

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Movimento: Barroco

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Obra "Les Demoiselles d'Avignon", de Pablo Picasso (1907).

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Movimento: Cubismo

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Palazzo Caprini (1510), de Donato Bramante
Movimento: Renascimento

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Movimento: Romantismo
Obra: The Ninth Wave
Artista: Hovhannes Aivazovsky
Data: 1850

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Movimento: Expressionismo

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Agesandro, Atenodoro e Polidoro: Grupo de Laocoonte, século I a.C.

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Movimento: Helenístico

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Allegory of the Catholic Faith  (1670-1672) - Artista: Johannes Vermeerca

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Movimento: Barroco

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Movimento: Cubismo

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Hermes e Dionísio (350-330 a.C), de Praxíteles Museu Arqueológico de Olímpia

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Movimento: Classicismo

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Mosaico de Alexandre- Philoxenus of Eretria (a. 150 a.C.)
Movimento: Arte Helenística

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Movimento: Expressionismo

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Movimento - Romantismo
Criação - 1916
Artista - John William Waterhouse

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O pintor pós-impressionista holandês Vincent van Gogh pintou um autorretrato a óleo sobre tela em setembro de 1889. 

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movimento: Pós-impressionistas

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Movimento :Surrealismo

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Movimento: Romantismo
Criação: 1908
Artista: John William Waterhouse

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O Nascimento de Vênus (1485-1486), por Sandro Botticelli. 

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Movimento: Classicismo

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O Nascimento de Vênus (1484-1486), de Sandro Botticelli é umas das obras mais emblemáticas do Renascimento italiano

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Movimento: Classicismo

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As Meninas (1656)- Artista: Diego Velázquez

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Movimento:Classicismo

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The Triumph of Venice (1737)  Autor: Pompeo Batoni

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Movimento: Classicismo

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Noite Estrelada (1889) ultilização da técnica de óleo sobre tela- Obra: Van Gogh

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Movimento:Pós-impressionista \ Arte Moderna

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Meisje met de parel,de Johannes Vermeer,1665

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Movimento: Barroco

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Criador: Vasco Fernandes, Francisco HenriquesData de criação: 1501-1506Localização física: Museu Nacional Grão Vasco, Viseu.

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Movimento: Realismo

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pintor, gravador em placa de cobre, iluminador, escultor, desenhista e gravador italiano

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Andrea Mantegna  (1431–1506 /Movimento: Renascimento

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Death of Sappho por Miguel Carbonell Selva, 1881

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movimento: realismo

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"A Balsa da Medusa" produzida entre 1818 até 1819 pelo pintor Théodore Géricault. Faz parte do movimento "Romantismo".

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Meisje met de parel - Johannes Vermeer (1665) movimento artístico:  Barroco

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Lady with an Ermine (circa. 1489) Artista : Leonardo da Vinci 

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Movimento: Renascimento

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The painting was purchased ca. 1800 in Italy, by Adam Jerzy, the son of Princess Izabela Czartoryska, and donated to the Museum in Puławy where it was exhibited in the 'Gothic House' from 1809-1830.

In Puławy, it was erroneously considered to be a portrait alluding to the beloved mistress of King Francis I of France, referred to as the 'Belle Ferronière'. We now know that the subject of the portrait is Cecilia Gallerani (ca. 1473-1536), a reputed mistress of Lodovico Sforza, Duke of Milan, also known as 'il Moro' (the Moor). The ermine in the portrait commissioned by him is an allusion to Duke Sforza himself, who was also referred to as the White Ermine (Ermellino Bianco). The portrait embodies the Renaissance idea of an image as an illusion of natural vitality. The artist managed to achieve this thanks to his knowledge of anatomy and his lighting skills, which enabled him to create a three-dimensional human figure on the image plane. The original background, which was overpainted with black in the 19th century, was also modelled with light just like the figure, which must have given the impression of the model emerging from the shadows. The portrait became the property of the Republic of Poland in 2016.

Explore museums and play with Art Transfer, Pocket Galleries, Art Selfie, and more

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Lady with an Ermine - Leonardo da Vinci - Google Arts & Culture

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The painting was purchased ca. 1800 in Italy, by Adam Jerzy, the son of Princess Izabela Czartoryska, and donated to the Museum in Puławy where it was exhi...

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Movimento: Renascimento

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Rinaldo and Armida annibale Carracci Ac.1601

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Movimento:classicismo

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Romeu e Julieta, obra de Frank Dicksee (1884)

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Movimento: Romantismo

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O Nascimento de Vênus (1484-1486), de Sandro Botticelli é umas das obras mais emblemáticas do Renascimento italiano

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Ryan Henrique de Oliveira da Silva AI1-A

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Ryan Henrique de Oliveira da Silva AI1-A

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Movimento Artístico: Classicismo

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Paisagem brasileira de Lasar Segallc. 1925

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Movimento: Modernismo

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 Der Blaue Reiter  Criador: Wassily Kandinsky,1912

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Movimento: Expressionismo

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Der Blaue Reiter - Wassily Kandinsky - Google Arts & Culture

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Google Arts & Culture features content from over 2000 leading museums and archives who have partnered with the Google Cultural Institute to bring the world’s treasures online.

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Homem Vitruviano (1590) de Leonardo da Vinci — Símbolo do antropocentrismo humanista

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Movimento: Classicismo

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The Glass of wine, Johannes Vermeer 1661

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Movimento: barroco

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Templo de Atenas, construído entre 432 e 420 a.C. segundo a tradição, o arquiteto responsável foi Calícrates.

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Beatriz Herla Stana R. S. F. de Santana/ Ai1-A

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Beatriz Herla Stana R. S. F. de Santana/ Ai1-A

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Movimento arcaico.

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Escola de Atena (1509–1511) - artista: Rafael, Palácio Apostólico, Vaticano 

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Movimento: Renascimento

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Saint Cecilia (1627) Artista: Simon Vouet

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Movimento: Barroco

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Movimento: Renascimento

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A janela aberta- Henry Matisso-1905- pintura a óleo sobre tela.

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Movimento: Fauvismo

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Thetis dá a Aquiles a carga de Quíron artista:Pompeo Batoni (1759-1761)

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Movimento:Classicismo

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The Slaughter of the Innocents (Século XVII) - Artista: Nicolas Poussin

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Movimento: Classicismo

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Dinamismo de um cão na coleira (1912), de Giacomo Balla, destaca o movimento das patas de um cão.

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Movimento: Futurismo

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Paul Klee – Castle and Sun, 1928 – óleo sobre tela – 50 x 59 cm - coleção particular

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Movimento: expressionismo

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Jogos Infantis (1560) Artista: Pieter Bruegel, o Velho

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Movimento: Renascimento

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A ronda noturna (1639-1642) - artista: Rembrandt

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Kayane Emanuelle do Nascimento Silva-  AI1-A

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Kayane Emanuelle do Nascimento Silva-  AI1-A

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Movimento: barroco

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Moses Presenting the Tablets of the Law, ca. 1648 - Philippe de Champaigne 

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Movimento: classicismo

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Obra: The Triumph of Venice (1737)
Artista: Pompeo Girolamo Batoni

Movimento: classicismo

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The Triumph of Venice - Pompeo Girolamo Batoni - Google Arts & Culture

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Google Arts & Culture features content from over 2000 leading museums and archives who have partnered with the Google Cultural Institute to bring the world's treasures online.

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"A Criação de Adão" de Michelangelo Buonarotti, pintada em 1511.

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Movimento: Renascimento.

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Menina com Bandolim, 1910, é um bom exemplo da fase analítica do Cubismo. Pablo picasso

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Movimento: Cubismo

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“O nascimento de Vênus”, de Sandro Botticelli,1484 e 1486

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Movimento:Renascentista

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Obra: O Nascimento de Vênus
Ano: (1484-1486)
Artista: Sandro Botticelli
Movimento artístico: Classicismo

Fonte:https://www.todamateria.com.br/classicismo/

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O Cavaleiro Vermelho (1913), de Carlo Carrà

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Movimento: Futurismo

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O Partenon (447 - 438 a.C), de Ictinos e Calícratres

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Movimento: Ateniense

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Een vrolijke vioolspeler, 1623 -  Honthorst, Gerard van.

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Movimento: Classicismo

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A Escola de Atenas (1509 – 1511), de Rafael

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Movimento: classicismo

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Altar de Pérgamo (c.180 – 150 a.C.)- Eumenes II

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Movimento: Arte Helenística

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Movimento: Arte helenística

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Hellenistic sculpture - Otto Ast - Google Arts & Culture

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Plaster reproduction of a hellenistic tanagra. Original from the 3rd Century BC.

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The Dancing Couple-

Jan Steen (1663)

Movimento:Barroco

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The mood and subject matter in Steen's paintings range enormously, from intimate moments when a family says grace before a meal to festive celebrations of Twelfth Night. But to all of his paintings we respond in a warm and compassionate way to the ordinary figures he represents.

The Dancing Couple is characteristic of many of Steen's paintings in that it shows people celebrating a festive occasion; here, judging from the tents in the background, the scene might be a village kermis, or fair and market celebrating a local saint's day. Two figures dance while musicians play, people eat, drink or smoke, couples flirt, and children play. Steen included himself in the activities; he is the grinning figure on the left touching the chin of the woman who drinks from a wine glass.

Despite the apparent frivolity of the scene, the painting has a more sobering message. Steen was a moralist who often used emblematic references in his paintings to express the transience of human life. The cut flowers and broken eggshells on the floor, and the young boy blowing bubbles on the right are symbolic. Steen seems to suggest that earthly pleasures are short-lived and we should contemplate more lasting values, symbolized here by the church tower in the background.

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The Dancing Couple - Jan Steen - Google Arts & Culture

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The mood and subject matter in Steen's paintings range enormously, from intimate moments when a family says grace before a meal to festive celebrations of Twelfth Night. But to all of his paintings we respond in a warm and compassionate way to the ordinary figures he represents.

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The Triumph of Venice - Pompeo Girolamo Batoni, 1737

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Movimento: classicismo

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The Triumph of Venice - Pompeo Girolamo Batoni - Google Arts & Culture

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Google Arts & Culture features content from over 2000 leading museums and archives who have partnered with the Google Cultural Institute to bring the world's treasures online.

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Saints Peter and John Healing the Lame ManCriador: Nicolas Poussin 1655

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Movimento:Classicismo

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Feast of Rose Garlands (1506) Artista: Albrecht Dürer

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Movimento: Renascimento

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Saints Peter and John Healing the Lame ManNicolas Poussin 1655 

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Movimento: classicismo

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Grupo de Laocoonte (século I a.C). - Artista: Agesandro, Atenodoro e Polidoro

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Movimento: Arte Helenística

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Rinaldo and Armida (c.1630) - Artista: Nicolas Poussin

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Movimento: Classicismo

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Term referring to a web of ideas, attitudes and traditions derived from but not wholly dependent on a respect for and a close study of the literary and/or artistic activities of the ancient Greeks and Romans. The aim of classicism, in all media, has been to construct an ideal vision and version of human experience that should inspire and instruct by its nobility, authority, rationality and truth (of which beauty may be considered a visible manifestation), and to provide convincing models for imitation. The process started within the ancient Greek and Roman civilizations themselves, but the term classicism refers to the activity of generations succeeding the Greeks and Romans, who admired and sometimes imitated or reused antique works-plays, statues, temples, vases and the rest. These admirers of antiquity studied what the ancients wrote about their own art and literature and the purposes these should serve in society. Convinced that art is governed by reason, they sought to discover in the antique systems of measurement and proportion the means by which to attain beauty. Finally, later generations attempted to rebuild a complete image of the antique past from the evidence of surviving works that offered a far from complete picture of what the Greeks and Romans produced.

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Term referring to a web of ideas, attitudes and traditions derived from but not wholly dependent on a respect for and a close study of the literary and/or artistic activities of the ancient Greeks and Romans.

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Judith Beheading Holofernes (1620-1621) - Artista:   Artemisia Gentileschi (título da obra / data / artista)

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Maria Vitória - MA1 (nome e turma do aluno)

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Maria Vitória - MA1 (nome e turma do aluno)

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Movimento: Barroco

(POSTAGEM EXEMPLO)