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It took 10 years for the photographer to capture these 48 colors of the Moon 🌕Photographer Marcella Pace

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Getting started

5-6 different mark making tools

make as many different shapes you can in 1 min

write your name for 1 min with the non dominant hand

make different lines

draw numbers 1-20 witj the non dominant hand

do writing

etc. you get the point

then gesso the thing and you have something to start with

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Practice the visual awareness.

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Mix the colors I want

Learn to use colors so that the main color looks breathtaking

Try new ways of starting a painting

Everyday practice, 15 min a day

Embrace mistakes and trials

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Leave space for air

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Remember the breakthrough moments (exercise in color that went well harmony wise).

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15 minutes of painting every day.

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Take pictures of stuff that will be painted over. Might like some of it later...

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Remember some ideas although the first trial was not a success.

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Getting the first 10 000 ugly paintings out of my system.

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six media, six movements -practice by Henry Moore

limited palette exercise (a variation of the on by HM

sensorimotor painting with dry and wet media

play with a new painting

take on old painting that is not finished and do something bold and unexpected - force yourself to react

draw shapes you like

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Take pictures to remember where you came from.

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Express the light and beauty I see around and experience inside me.

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Lines and drips create somewhat japanese feeling.

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Beauty of drips and loose depiction. Botticelliesque leaves against the light source.

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Sense of space highlighted by the human figure.

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Pattern formed by repetitive leaf form. Delicious contrast.

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Rothko. Color as language to make people see themselves. Transparent layers give depth and blur edges.

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Beauty is accentuated by the grey and foggy background.

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Random beauty of a palette. Panel as a palette?

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Simple botanical shapes created a sense of abundance.

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11th hour by Osmo Rauhala. Beautiful repetitive shape, elegance of reduced use of color. Presence of science and consciousness, history and future create a sens

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Delicate form as negative painting. ref. Osmo Rauhala

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Enso type of meditative painting & monoprinting. Clear contrast..

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Sense of linen. Shadows forming lines and quiet conversation.

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Miracle of Saxa-Rubra. Connecting actual historical event and abstract expression.

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Marks you do naturally become your signature.

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Lines and texture as quiet conversation.

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Stencil, botanical shape and etheric feeling. Transparency by scarcity of paint.

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Fresh contrast next to dark grey. Stripe as a shape.

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One pattern, three colors, endless feelings.