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Photographic manipulation: Lake applied cosmetics directly onto the portraits, turning her face into a canvas for experimental art.

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Suzy Lake, A Genuine Simulation Of… No. 2, 1974, 6 gelatin silver prints and commercial makeup mounted on fibre-based print, 70 x 82.5 cm, Montreal Museum of Fine Arts.

aci-iac.ca/art-books/suzy-lake/biography/

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By replacing one facial feature after another, Lake morphed her photograph into that of another person; questioning the representation of women resulting from social change.

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Suzy Lake, Suzy Lake as Gilles Gheerbrant, 1973–75, 4 gelatin silver fiber-based prints, 91.4 x 76.2 cm, National Gallery of Canada, Ottawa. https://www.gallery.ca/collection/artwork/suzy-lake-as-gilles-gheerbrant-2

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Lake conveys an effort to embody feminine beauty while representing her own aging body, betraying conventional, idealistic standards for women.

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Suzy Lake, Beauty at a Proper Distance / In Song, 2001–2 3 colour transparencies and lightboxes, 134 x 99.4 cm; 134 x 115.2 cm; 134 x 99.4 cm Art Gallery of Ontario, Toronto. https://www.suzylake.ca/beauty-at-a-proper-distance#4

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Lake, Suzy. “Suzy Lake - Background.” Suzy Lake, 2021, www.suzylake.ca/3059275-background. Accessed 1 May 2024.

White, Karen. “Suzy Lake.” Edited by Daniel Baird, The Canadian Encyclopedia, 4 Feb. 2009, www.thecanadianencyclopedia.ca/en/article/suzy-lake. Accessed 1 May 2024.

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Bonus! Check out an interview with her here:

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Bonus! Check out an interview with her here:

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Rencontre #6. Suzy Lake. Jeux de rôles et de genres. Série 50/50