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아니 파일 왜 안 올라가

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아니 파일 왜 안 올라가

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https://www.canva.com/design/DAGelvmAe2c/IQaL0PeaDetq6VwKat_jiQ/view?utm_content=DAGelvmAe2c&utm_campaign=designshare&utm_medium=link2&utm_source=uniquelinks&utlId=h3455e67da4

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와2

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https://aschool.arte.or.kr/survey.do?bsns_code=E202400001&schul_code=SE10018169&schul_rcept_no=1&instrctr_regist_no=44755

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앞장

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먹이

3모둠

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임우진 멸종위기동물 백호

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임우진 멸종위기동물 백호

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멸종위기 동물  레서판다

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멸종위기 동물  레서판다

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https://artsandculture.google.com/asset/wheatfield-under-thunderclouds-0054/kAErTfh0dORNwQ?hl=ko

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In Auvers, Vincent van Gogh painted a large number of landscapes with wheatfields, all on unusual, elongated canvases (50 x 100 cm). He wrote to his brother Theo about two of these works: "They depict vast, distended wheatfields under angry skies, and I deliberately tried to express sadness and extreme loneliness in them." But these pictures also had a positive side: "I am almost certain that these canvases illustrate what I cannot express in words, that is, how healthy and reassuring I find the countryside."

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Wheatfield under Thunderclouds - Vincent van Gogh - Google Arts & Culture

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In Auvers, Vincent van Gogh painted a large number of landscapes with wheatfields, all on unusual, elongated canvases (50 x 100 cm). He wrote to his brother Theo about two of these works: "They depict vast, distended wheatfields under angry skies, and I deliberately tried to express sadness and extreme loneliness in them."

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https://artsandculture.google.com/asset/marinha-guaruj%C3%A1-seascape-guaruj%C3%A1-0019/ZwF4JBII7C89Lw?hl=ko

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Marinha, Guarujá [Seascape, Guarujá] - Almeida Júnior - Google Arts & Culture

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Originally from Itu, in São Paulo, he enrolled at the Imperial Academy of Fine Arts in Rio de Janeiro in 1869, and received his highest award (gold medal) from that institution five years later. He returned to his native city in 1875, where he stayed for only one year thanks to a scholarship granted by Emperor Dom Pedro II to study in Europe. During his stay in the old continent, Almeida Júnior produced several iconic works of his career - as “Descanso do modelo” (1882) - and participates in various exhibitions in France and Italy. Back in Brazil in 1882, he set up his studio in São Paulo in the following year, where he portrayed various personalities of Brazilian society - such as Princess Isabel and, on another occasion, the Emperor D. Pedro II. The publication “Imprensa Ytuana”, on April 27, 1884, describes how his work environment was: “His atelier -- if this little square room can be called that --, with low light and full of reflections -- it is equipped with a large number of studies, sketches and paintings, if each of them can’t be considered a complete work of art (and some are) -- represents at least one stage of the artist’s life, a moment of inspiration, an hour of joy, or one of profound study [...]. Today the artist paints the graceful, petulant, soft and rosy profile of a feminine head, tomorrow the angular forms -- so fond of Miguel Angelo -- of an old nude, almost an anatomical piece, covered in wrinkled yellowish parchment, with quick contrasts of light and shadow.” He died, on account of a passion crime, on November 13, 1899, and is considered one of the most admired artists of São Paulo in the nineteenth century.

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Composition with red, yellow and blue - Piet Mondriaan - Google Arts & Culture

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Balance
After the First World War, Mondriaan was convinced that an important role was reserved for art in the modern age. With his paintings, he aims to express a universal harmony through a balance between lines, colours and surfaces. Primary colours
According to him, this balance can be visualized ‘in the clearest, most powerful way’ with expressive means that do not evoke a depiction. For that reason, in his work he uses only straight horizontal and vertical lines, the three primary colours red, yellow and blue and the non-colours white, black and grey. Point of rest
In this Composition with red, yellow and blue, Mondriaan again seeks a balance. The large, white area in this canvas creates a point of rest. However, because it is not centrally placed and is surrounded by the three coloured areas, the composition appears anything but static. It is not limited by the size of the canvas, whereby the painting seems to continue beyond its boundaries.

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Still Life by Michelangelo Meucci - Michelangelo Meucci - Google Arts & Culture

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Michaelangelo Meucci was an Italian artist in 1840-1890. Known for his paintings of birds including dead game birds he also painted still-life pictures. He was active in Florence.

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https://artsandculture.google.com/asset/untitled-0005/0wEFu7k_mdTKyA?hl=ko

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untitled - Tomie Ohtake - Google Arts & Culture

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Vincent van Gogh (1853-1890) is one of the most popular and universally recognized artists of all time. A remarkably prolific artist, he produced approximately 900 paintings and 1,100 drawings during a brief career spanning a mere decade. Following a succession of jobs, including a position as an art dealer, he moved in 1880 to the Borinage region of Belgium to work as a lay missionary among the miners. It was there that he decided to become an artist. Largely self-trained, in 1886 he moved to Paris, where he spent three months in the studio of the painter Fernand Cormon. He also made the acquaintance of a number of avant-garde artists including Paul Gauguin. Following two fruitful but emotionally draining years, he left Paris and moved to Arles, a town in southern France. Deeply inspired by the sun-drenched landscape and the picturesque character of the region and its inhabitants, Van Gogh developed what would become his signature style, marked by lush impasto, energetic brushwork, and vibrant color. In May 1889, the emotionally troubled artist voluntarily admitted himself as a patient at the asylum of Saint-Paul-de-Mausole in nearby Saint-Rémy, where he remained for a year. In May 1890, he moved to Auvers-sur-Oise, where he stayed until he took his own life two months later.

_Green Wheat Fields, Auvers_ was painted during these final months in Auvers. In this village just north of Paris, Van Gogh painted the Romanesque church, the town hall, and some of the picturesque thatched-roof houses. As he did in the countryside surrounding Arles and Saint-Rémy, he also painted more or less "pure" landscapes. This work is indeed singular in that there is no legible motif beyond the grassy field, road, and sky; no farmers or horse-driven carts; no rural structures. Instead, pure flora is whipped up by the wind. Two-thirds of the composition consists of the field in a rich range of greens and blues, punctuated by outbursts of yellow flowers. As in the paintings he completed in the countryside surrounding Arles and Saint- Rémy, here Van Gogh painted a "pure" landscape.

The artist wrote of his return to northern France as a kind of homecoming, a peaceful restoration of his mental state in which the vibrant, hot colors of the south were replaced by cool, gentle hues in green and blue. In _Green Wheat Fields, Auvers_, Van Gogh's energetic strokes describe the movement of grassy stalks in the breeze, their patterned undulations creating a woven integral form anchored at the right by a juncture of field, road, and sky. There, the turbulent vibrations are held in place, just barely. Overhead, clouds spin. Van Gogh's long calligraphic brushstrokes applied in thick impasto, creating a textured surface like that in his best-loved paintings. Through his dynamic touch and vivid, rich color, Van Gogh expresses the intense freshness of the countryside.

The ninth oil painting by the artist to come to the collection, _Green Wheat Fields, Auvers_ represents Van Gogh's wildly prolific Auvers period, along with the _Girl in White_. It hangs in the Gallery's West Building with several works from Arles, including _La Mousmé_ and _Farmhouse in Provence_, as well as from his stay at Saint-Rémy, where he painted Roses and his blazing Self-Portrait. This powerful painting relates perhaps even more strongly to three of the Gallery's pen and ink drawings by Van Gogh, all from 1888 (_The Harvest, Harvest-The Plain of La Crau_, and _Ploughman in the Fields near Arles_), in the rhythmic marks used to represent nature's unifying energy.

_Green Wheat Fields, Auvers_ spent its early life in Germany, represented as early as 1905 by modern art dealer Paul Cassirer. F. H. Herrmann took it from Berlin to London before eventually selling it in December 1955 to Paul Mellon through the Carstairs Gallery in New York. With the exception of an exhibition at the Gallery in 1966, the painting remained in Mellon's home in Virginia until Mrs. Mellon donated the painting to the Gallery in 2013.

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Green Wheat Fields, Auvers - Vincent van Gogh - Google Arts & Culture

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Vincent van Gogh (1853-1890) is one of the most popular and universally recognized artists of all time. A remarkably prolific artist, he produced approximately 900 paintings and 1,100 drawings during a brief career spanning a mere decade.

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Winter Night in the Mountains - Harald Sohlberg - Google Arts & Culture

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Google 아트 앤 컬처는 Google Cultural Institute와 제휴한 주요 박물관과 자료실 2,000여 곳의 콘텐츠 등 전 세계의 소중한 자료를 온라인으로 제공합니다.

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https://artsandculture.google.com/asset/kaglo-ii-0021/dgH4yDV16EQP-Q?hl=ko

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Kaglo II - Victor Vasarely - Google Arts & Culture

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While still a high school student, Victor Vasarely became fascinated by patterns in nature and architectural structures. His early works encompassed formal investigations of distinct visual effects and environments, anticipating his concept of universal structures that bridged micro- and macro-cosmic scales. The Hungarian painter was inspired by the movement of waves, the pebbles and shells found in southern France, and the architectural structures carved out of the rocky hillside of Gordes, a small town in the countryside. Vasarely later translated these forms into geometric shapes, investigating the relationship between linear and color patterns in nature and in architecture. “Kaglo II” evokes both the upward view of a dome, an architectural structure, and the elliptical shape of a shell. The octagon’s internal geometry suggests recession and expansion, spatial depth and entropic force, while its contrasting colors—blue and orange—produce an optical vibration that makes the whole image appear to be in motion. This text was created in collaboration with the University of Maryland Department of Art History & Archaeology and written by Patricia Ortega-Miranda.

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On January 31, 1890, Theo van Gogh announced the birth of his son in a letter to Vincent van Gogh. The little boy was named Vincent Willem, after Vincent. Van Gogh, who was extremely close to his younger brother, immediately set about making a painting of his favorite subject: blossoming branches against a blue sky. The painting was meant as a gift for the newborn. Van Gogh choose the almond tree as a symbol of new life as the tree blooms as early as February, announcing the coming spring. Vincent Willem later founded the Van Gogh Museum.

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Almond Blossom - Vincent van Gogh - Google Arts & Culture

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On January 31, 1890, Theo van Gogh announced the birth of his son in a letter to Vincent van Gogh. The little boy was named Vincent Willem, after Vincent. Van Gogh, who was extremely close to his younger brother, immediately set about making a painting of his favorite subject: blossoming branches against a blue sky.

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점

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Study for ‘Le Chahut’ - Georges Seurat - Google Arts & Culture

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A troupe of dancers perform the chahut, a high-kicking dance popular in Parisian nightclubs in the late 19th century. Georges Seurat was drawn to scenes of…

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https://artsandculture.google.com/asset/my-last-door-0003/7QEcKjDABvXG5g?hl=ko

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Large canvas of mostly white with an abstracted reference to the black door from the adobe wall of her Abiquiu home. The door is represented by a large black rectangle in the center, with line of grey-blue squares suggesting the stepping stones along the path. Along the top and bottom edges of the canvas are lines of a darker blue grey, thin on top, thicker along the bottom.

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My Last Door - Georgia O'Keeffe - Google Arts & Culture

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Large canvas of mostly white with an abstracted reference to the black door from the adobe wall of her Abiquiu home. The door is represented by a large black rectangle in the center, with line of grey-blue squares suggesting the stepping stones along the path.

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Shadows on the Sea. The Cliffs at Pourville - Claude Monet - Google Arts & Culture

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In his treatment of the sea surface Monet’s Impressionist technique can be seen fully developed. Shadows, reflections and movements are depicted in a series of short, curved brushstrokes in pure, unmixed pigments. If one examines the painting from a distance while peering with half-open eyes, the elements flow together into an optic unity and the painting’s surface seems almost to vibrate – precisely as on a hot summer day by the sea, where the surface of the water is broken by the wind to become a million small, flashing mirrors. It is this impression Monet wishes to convey, just as he experienced it that day on the cliffs at Pourville in 1882.

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https://artsandculture.google.com/entity/%EB%AF%B8%EB%8B%88%EB%A9%80%EB%A6%AC%EC%A6%98/m057k3?categoryId=art-movement&hl=ko

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최소주의 또는 미니멀리즘은 단순함을 추구하는 예술 및 문화 사조이다. 1960-70년대 미국의 시각예술과 음악을 중심으로 일어났으며, 모든 기교를 지양하고 근본적인 것을 표현하려 한다.

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https://artsandculture.google.com/asset/%EC%88%9C%EC%88%98%ED%98%95%ED%83%9C-%EA%B0%95%EC%9A%B4/3gGz6FtHwaZZ7Q?hl=ko

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Google 아트 앤 컬처는 Google Cultural Institute와 제휴한 주요 박물관과 자료실 2,000여 곳의 콘텐츠 등 전 세계의 소중한 자료를 온라인으로 제공합니다.

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https://artsandculture.google.com/asset/untitled/uQFhjiewS-nI7w?hl=ko

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Untitled - Tomie Ohtake - Google Arts & Culture

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Google 아트 앤 컬처는 Google Cultural Institute와 제휴한 주요 박물관과 자료실 2,000여 곳의 콘텐츠 등 전 세계의 소중한 자료를 온라인으로 제공합니다.

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Mina de ferro, Itabira, MG - Djanira - Google Arts & Culture

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Google 아트 앤 컬처는 Google Cultural Institute와 제휴한 주요 박물관과 자료실 2,000여 곳의 콘텐츠 등 전 세계의 소중한 자료를 온라인으로 제공합니다.

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Rogers is an American musician and singer-songwriter hailing from Maryland, USA. She rose to fame in 2016 after her song Alaska was played to Pharrell Williams during a masterclass at New York University's Clive Davis Institute of Recorded Music. Since then, Rogers has played Coachella, appeared on SNL and in 2019, dropped her major debut album Heard It In A Past Life.

Here Rogers talks about the dramatic contrasts in Van Gogh's Starry Night, the way his painted stars look like eyes when you zoom in close, and why this particular artwork makes her think of David Bowie's music.

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Maggie Rogers Describes the Magic of Van Gogh's Starry Night - Google Arts & Culture

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Rogers is an American musician and singer-songwriter hailing from Maryland, USA. She rose to fame in 2016 after her song Alaska was played to Pharrell Williams during a masterclass at New York University's Clive Davis Institute of Recorded Music.

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The Starry Night - Vincent van Gogh - Google Arts & Culture

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Van Gogh’s night sky is a field of roiling energy. Below the exploding stars, the village is a place of quiet order. Connecting earth and sky is the flamel…

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https://artsandculture.google.com/story/AgVhxXy4xyfhIA?hl=ko

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Above the Clouds I - Georgia O’Keeffe - Google Arts & Culture

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Large canvas of aerial view of the sky from above the cloud level. To the point of the horizon at 2/3 of the canvas the sky is vibrant blue dotted with isl…

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방학숙제:여러 가지 재미있는 과학실험 해보고 작성하기(실험 고정)

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방학숙제:여러 가지 재미있는 과학실험 해보고 작성하기(실험 고정)

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방학숙제:악기 1가지 연습해서 동영상 찍기

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방학숙제:악기 1가지 연습해서 동영상 찍기

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방학숙제:가족과 노래 부르기

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방학숙제:가족과 노래 부르기

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여름방학숙제 악기 한가지 연습해서 동영상 찍기

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여름방학숙제 악기 한가지 연습해서 동영상 찍기

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방학숙제 과학 동영상 내용 글쓰기

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방학숙제 과학 동영상 내용 글쓰기

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수학 개념 요약

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역사 관련 영화감상문(영웅)

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역사 관련 영화감상문(영웅)

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영화감상문(나홀로 집에)

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영화감상문(나홀로 집에)

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방학숙제 미술(친구들과의 캠핑)

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방학숙제 미술(친구들과의 캠핑)

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소리를 줄익 보세요 왜내하면 마이크로 녹음 해서 입니다.

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방학숙제 부산의 역사 유적지 견학

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방학숙제 부산의 역사 유적지 견학

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방학숙제 지구촌 문제와 해결방안

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방학숙제 지구촌 문제와 해결방안