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Holt put these tunnels outside as a canvas and let nature do the "painting". Both artists use light as a focal point to influence their work and to charge it with life.

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The stillness and the idea that everyday the sun will come up is something Teresita Fernández implemented. She reinforces the idea of nature being ever present and also ever changing. This video shows one hour of sunsets around the world: a beautiful force of nature that is always unique but still happens everyday and continues to stun whoever is watching it.

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Finding the beautiful in the imperfect is something Teresita Fernández did seamlessly.This can be seen with her exposure of the back of waterfall.

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This is a perfect example of Fernández's innovative use of materials and installation space. She turns the room into a 3 dimensional drawing. she alludes to this with her use of charcoal.

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The sublime qualities of this peice are absolutely breathtaking. Fernández seeks to capture the unfathomable qualities of nature in her artwork as well as the beautiful wonders of our world.

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This captures how powerful Mother Nature is and how small we humans are. Fernández was always incredibly inspired by Japanese art and their inspiration of nature.

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This stunning installation changes everyday because of the clear roof. The colors become dark and moody on rainy days and light and happy on sunny days. This change charges the piece with life and makes it so each viewer has a different experience every time they visit. The design is supposed to mimic being submerged in a pool.

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Waterfall points to the importance of the viewer's role and vantage point in defining nature. Natural elements do not have parameters such as front, back, east and west. Instead, they are constructed in relation to the presence of a human whose physical position determines the ways natural wonders are experienced and seen. While Waterfall appears seamless from one side, Fernández has left the work's aluminum structure and fabrication to be seen. Throughout her career, she has consistently balanced the beauty of her works with aspects of their structure, revealing them as constructions of nature rather than illusions.

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Although this image is supposed to depict  a place of strife, it is also made from ceramic which is literally charred clay/earth/ground.... something that unifies all of us; something that we all share.

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this series depicts a growth and fall of an imaginary city. Some critics believe that “this is meant to contrast the immutability of the earth with the transience of man"

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Frederic Edwin Church Heart: of the Andes

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Frederic Edwin Church Heart: of the Andes

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During a time of industrialization, people looked to nature to find raw beauty in the world. Church painted his idea of an ideal untouched landscape. This piece was capturing a natural oasis of the time. (1859)