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I changed the left hand drastically and the right hand a little.
It adds an inquisitive feel while also being a little dark.
Next I want to work on adding more keys for both hands.
It needs to have much more parts in order to be complete.

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A ranger mid-hunt. She's alert and pensive. She sees something in the distance, like an animal.
The mood is dark, quiet, and alert. The colors in the picture show this. And the expression on her face as well.
The piece would sound dark, minor key, quiet expect for a specific part closer to the end where it gets loud. That would be when she strikes.

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I've begun to think about how the composition should sound. These are notes I may include in my piece.

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By Matt Dixon

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The piece has some repetitive sections but could be described as starting quiet, then growing in crescendo. It peaks and goes back down. Towards the end it has a big, grand, booming section, and then fades away and into the next piece.

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The time signature of the piece is 6/8 throughout the entire piece.

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The piece has a wide range and it is mostly conjunct, or stepwise.

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Vecchio Castello is in the minor key for most if not all of the piece.

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The sound varies from piano to forte. Sometimes it's a gradual change and sometimes it's very sudden, especially towards the end of the piece.

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Mussorgsky represents the painting through the mysterious vibe that both the piece and the castle in the painting give off. The minor key of the piece gives off an ominous feel, representing the ominous feeling of the castle being far off in the distance. It also has a bit of a magical feeling to it. Imagine you were walking through a magical castle such as Hogwarts from Harry Potter. Think of the moving staircases, and the secret doors and rooms. This is represented through the minor key yet bouncy tune.

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The feeling that Vecchio Castello gives off is mysterious, a little ominous, and magical.

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Vecchio Castello