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Maybe have blinds on the window like these.

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I think a going from a yellow tint in the kitchen showing the joy & Angela’s naïveté when they are joking about each other’s cooking, to a red, sunsety, lighting scheme for the fight between Angela and Cherry showing Angela’s anger would be a good juxtaposition to show the change in mood between the sisters

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Transition from flashback to present day

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Transition from flashback to present day

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To transition between the childhood scene and present day, a simple cut on Angela performing a mirrored action would clue the audience in that time has passed. For example, in Pirates of the Caribbean, young Elizabeth shuts her eyes and opens them as older Elizabeth.

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A shot of Angela watching her subscriber count plummet and her online presence begin to fall apart can be displayed with a macro shot of her eye with reflection off her glasses if she potentially has some.

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I think this would be an awesome way to shoot the scene when Angela and cherry get into It about cherry keeping their mothers past a secret. high intensity and quick camera movements along with strong acting can make this the most impactful scene of the film as well as adding in a few tighter shots.

Skip to 2:19 revolutionary road
https://www.youtube.com/watch?v=n5_TB2fS94w

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Alot of really good inspiration from this scene. particularly the lighting and the extended take being mostly one shot. could be useful for a scene when they are at home making dinner before cherry is sold off for the night leading into the push in to make It feel seamless. https://www.youtube.com/watch?v=kr6aYjtT288

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When Angela finds out about her mother or when cherry is being sold off for the night a simple push in like from the movie prisoners may be an effective shot to use

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I think a gods eye shot of the two girls over their mother would be really powerful for this moment

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I would love for Angela and Cherry to share this moment at the end of the movie. Perhaps when visiting their mother's grave.

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I think if we did this kind of shot in the beginning when young cherry is being sent off, it would be cool to have her standing shyly behind her mother as the camera moves in towards her back. Then we can cut to black and then our movie title will appear like in the gif below!

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For Shawn, maybe we can do mustard yellows, navy blues and greens for her color pallet. I for the short time she's in the film, I want her appearance to be maternal, yet youthful because she is a young mom!

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For Angela, I want something that contrasts with her sister's wardrobe. Much softer color pallet (I'm thinking pastels and violets) with a "girl-next door" appearance to show that she's trying to appear as authentic!

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I think that something like this for cherry is a great combination of grunge and feminimity. Just add in some hoop earrings and maybe some maroon and burgundy shades to play off of her nickname would be clever, yet not too obvious!

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https://youtu.be/aY0jFLLw198 I think For a lot of our film, we can find great inspiration from Euphoria! Especially with the scene I included here. I think we can use this clip as a guide for the scenes when Angela is spiraling and obsessing! (Starting at 0:43 seconds)

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I mentioned this before, but we could intercut Angela’s last VO with B-roll footage from previous scenes, to show that Angela is thinking about the past events in the film as she’s typing out what she’s learned from them. In regards to cinematography, we could film the B-roll in a similar way to how the movie “Arrival” did with the flashforwards - people in-focus, everything else not, to show the amorphous yet personal character of memories
before

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I think it's a good idea to paint Angela as the "good girl" through her colors, but maybe we could change her palette to yellow tones. She could start with a brighter yellow (to symbolize her youthful innocence) that gradually dulls to a mustard as she spirals. In the last VO, she could have a mix of the two yellows(?) Also, red and yellow go well together, so it would go well with Cherry's color palette

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Whenever the mom, Shawn, is in a scene, we could try to shoot her profile with a telephoto lens. Doing this in profile hides something, which could reflect how Shawn is hiding something from Angela (and the audience). I'm literally copping this idea from Bong Joon-ho's film Mother