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William Shakespeare: A biography

Since William Shakespeare lived more than 400 years ago, and many records from that time are lost or never existed in the first place, we don't know everything about Shakespeare's life. For example, we know that he was baptized in Stratford-upon-Avon, 100 miles northwest of London, on April 26, 1564. But we don't know his exact birthdate, which must have been a few days earlier.

We do know that Shakespeare's life revolved around two locations: Stratford and London. He grew up, had a family, and bought property in Stratford, but he worked in London, the center of English theater. As an actor, a playwright, and a partner in a leading acting company, he became both prosperous and well-known. Even without knowing everything about his life, fans of Shakespeare have imagined and reimagined him according to their own tastes.

Looking for more in-depth information? Need something you can cite? Read an essay about Shakespeare's life from the Folger Shakespeare Editions. Read essay

Early life: Birth and childhood

William Shakespeare was probably born on about April 23, 1564, the date that is traditionally given for his birth. He was John and Mary Shakespeare's oldest surviving child; their first two children, both girls, did not live beyond infancy. Growing up as the big brother of the family, William had three younger brothers, Gilbert, Richard, and Edmund, and two younger sisters: Anne, who died at seven, and Joan.

Their father, John Shakespeare, was a leatherworker who specialized in the soft white leather used for gloves and similar items. A prosperous businessman, he married Mary Arden, of the prominent Arden family. John rose through local offices in Stratford, becoming an alderman and eventually, when William was five, the town bailiff-much like a mayor. Not long after that, however, John Shakespeare stepped back from public life; we don't know why.

Shakespeare, as the son of a leading Stratford citizen, almost certainly attended Stratford's grammar school. Like all such schools, its curriculum consisted of an intense emphasis on the Latin classics, including memorization, writing, and acting classic Latin plays. Shakespeare most likely attended until about age 15.

A horn book in the Folger collection, similar to one that Shakespeare might have learned to read from

Marriage (to Anne Hathaway) and children

A few years after he left school, in late 1582, William Shakespeare married Anne Hathaway. She was already expecting their first-born child, Susanna, which was a fairly common situation at the time. When they married, Anne was 26 and William was 18. Anne grew up just outside Stratford in the village of Shottery. After marrying, she spent the rest of her life in Stratford.

In early 1585, the couple had twins, Judith and Hamnet, completing the family. In the years ahead, Anne and the children lived in Stratford while Shakespeare worked in London, although we don't know when he moved there. Some later observers have suggested that this separation, and the couple's relatively few children, were signs of a strained marriage, but we do not know that, either. Someone pursuing a theater career had no choice but to work in London, and many branches of the Shakespeares had small families.

Shakespeare's only son, Hamnet, died in 1596 at the age of 11. His older daughter Susanna later married a well-to-do Stratford doctor, John Hall. Their daughter Elizabeth, Shakespeare's first grandchild, was born in 1608. In 1616, just months before his death, Shakespeare's daughter Judith married Thomas Quiney, a Stratford vintner. The family subsequently died out, leaving no direct descendants of Shakespeare.

London theater

For several years after the birth of Judith and Hamnet in 1585, nothing is known for certain of Shakespeare's activities: how he earned a living, when he moved from Stratford, or how he got his start in the theater.

Following this gap in the record, the first definite mention of Shakespeare is in 1592 as an established London actor and playwright, mocked by a contemporary as a "Shake-scene." The same writer alludes to one of Shakespeare's earliest history plays, Henry VI, Part 3, which must already have been performed. The next year, in 1593, Shakespeare published a long poem, Venus and Adonis. The first quarto editions of his early plays appeared in 1594.

For more than two decades, Shakespeare had multiple roles in the London theater as an actor, playwright, and, in time, a business partner in a major acting company, the Lord Chamberlain's Men (renamed the King's Men in 1603). Over the years, he became steadily more famous in the London theater world; his name, which was not even listed on the first quartos of his plays, became a regular feature-clearly a selling point-on later title pages.

Final years and death

Shakespeare prospered financially from his partnership in the Lord Chamberlain's Men (later the King's Men), as well as from his writing and acting. He invested much of his wealth in real-estate purchases in Stratford and bought the second-largest house in town, New Place, in 1597.

Among the last plays that Shakespeare worked on was The Two Noble Kinsmen, which he wrote with a frequent collaborator, John Fletcher, most likely in 1613. He died on April 23, 1616-the traditional date of his birthday, though his precise birthdate is unknown. We also do not know the cause of his death. His brother-in-law had died a week earlier, which could imply infectious disease, but Shakespeare's health may have had a longer decline.

The memorial bust of Shakespeare at Holy Trinity Church in Stratford is considered one of two authentic likenesses, because it was approved by people who knew him. The other such likeness is the engraving by Martin Droeshout in the 1623 First Folio edition of Shakespeare's plays, produced seven years after his death by his friends and colleagues from the King's Men.

Timeline

View a timeline of Shakespeare's life with links to key supporting documents on Shakespeare Documented.
View timeline

The bust of Shakespeare in the Folger Reading Room is a copy of the statue at Holy Trinity Church in Stratford.

Frequently asked questions

Why did Shakespeare leave his wife his "second best bed"?

William Shakespeare wrote in his last will and testament, dated March 25, 1616, "Item I gyve unto my wife my second best bed with the furniture" (furniture is used to refer to the curtains and bedcover which formed part of the complete bed).

This was not an unusual bequest, nor was it likely to have been intended as a snub. The best bed was usually regarded as an heirloom piece, to be passed to the heir rather than the spouse. It is also probable that the best bed would have been reserved for guests, meaning the "second best" was the bed that William and Anne shared.

What did Shakespeare's son die of?

We don't really know how Shakespeare's young son Hamnet died. He had a twin sister named Judith, who lived to adulthood and married, but Hamnet died at the age of 11 and a half. Child mortality was high in the 16th century; there were no antibiotics and many childhood diseases might therefore prove fatal, such as scarlet fever, whooping cough, diphtheria, and even measles. He was buried on August 11, 1596.

What is the inscription on Shakespeare's grave?

GOOD FREND FOR JESUS SAKE FORBEARE,
TO DIGG THE DUST ENCLOASED HEARE:
BLESTE BE Ye [the] MAN Yt [that] SPARES THES STONES,
AND CURST BE HE Yt [that] MOVES MY BONES.

Did Shakespeare have a coat of arms?

Yes, William's father, John Shakespeare, was granted a coat of arms in 1596. It was disputed in 1602 by York Herald, Ralph Brooke, saying that the arms were too similar to existing coats of arms, and that the family was unworthy. However, the challenge was unsuccessful, as the Shakespeare coat of arms appears in later heraldic collections and on William Shakespeare's funeral monument in Holy Trinity Church, Stratford-upon-Avon.

Does Shakespeare have descendants?

William Shakespeare and Anne Hathaway had three children. The eldest, Susanna, was baptized on May 26, 1583, and married John Hall in 1607. They had one child, Elizabeth, in 1608. Elizabeth was married twice, to Thomas Nash in 1626, and to John Bernard in 1649. However, she had no children by either husband.

William and Anne also had twins, Judith and Hamnet, who were baptized on February 2, 1585. Hamnet died at age 11 and a half. Judith married Thomas Quiney in 1616, and the couple had three sons: Shakespeare Quiney, who died in infancy, and Richard and Thomas, who both died in 1639 within a month of each other. Since neither of the boys married, there is no possibility of any legitimate descendants from Shakespeare's line.

It is possible, however, to claim a relationship to Shakespeare through his sister, Joan. She married William Hart some time before 1600, and there are many descendants of this marriage alive today, in both the male and female lines.

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Shakespeare's life | Folger Shakespeare Library

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Learn about Shakespeare's life and family: birth in Stratford-upon-Avon, marriage to Anne Hathaway and their children, work in London theaters, and death.

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Elizabethan Clothing
The section and era covering Elizabethan Clothing and Fashion includes extensive information regarding all elements of clothing and fashion during the Elizabethan era. The subjects range from the type of clothing regarded as Upper Class Fashion - rich, sumptuous materials and elegant styles to clothes worn by the lower classes using basic materials. Each item of Elizabethan clothing has been designed.

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Elizabethan Women's Clothing - gowns, hats, corsets, underwear, collars, ruffs and shoes. Elizabethan Men's Clothing - doublets, breeches, underwear, collars, ruffs, hats and shoes. For additional information of the period please click the following link to Tudor Clothes.

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The Hair styles, Make-up, Jewelry and even suitable Wedding Dress has also been included. But the most alien concepts of the Elizabethan era was that, regardless of their wealth, Elizabethans were not allowed to wear what clothes they liked. Their clothing and items of apparel were dictated by the Elizabethan Sumptuary Laws which governed the style and materials worn.

The Sumptuary Laws - Enforcing statutes of Apparel - Governing Elizabethan Clothing.
The Elizabethan Sumptuary Clothing Laws were used to control behaviour and to ensure that a specific class structure was maintained. English Sumptuary Laws governing the clothing that Elizabethans wore were well known by all of the English people. The penalties for violating Sumptuary Laws could be harsh - fines, the loss of property, title and even life.

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Elizabethan Clothing The section and era covering Elizabethan Clothing and Fashion includes extensive information regarding all elements of clothing and fashion during the Elizabethan era. The subjects range from the type of clothing regarded as Upper Class Fashion - rich, sumptuous materials and elegant styles to clothes worn by the lower classes using basic materials.

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Liza Picard describes how, between the Queen at the top and the beggars at the bottom, there was jockeying for position in the different levels of Elizabethan society.

There were the very rich, and the very poor. Little has changed? - Except perhaps, that the rich people were so oblivious to the poor, and the poor had so few prospects of ever being rich.

The Queen

Queen Elizabeth was at the top of the social pyramid. When she chose to show herself to her subjects she glittered with jewels and gold like an icon. There could be no mistaking who she was. She rode on horseback, or on a litter, carried above the eye-level of the crowd. They were not to know that the glamour of her richly embroidered and bejewelled clothes was frugally maintained by constant refurbishing and altering - she even wore refurbished robes that had belonged to the previous queen, Mary Tudor.

Sieve Portrait of Queen Elizabeth I, c. 1583

As ruler of the country, iconography, glamour and displays of wealth were important tools of propaganda for Queen Elizabeth.

The court

The Queen was 'the fount of honour'. The quickest route to such honour, and influence, and power, and wealth, was via the court, and the best way of succeeding there was to attract the Queen's attention. Many an aspiring young man mortgaged his family estates in the country, spent the proceeds on ultra-fashionable garments, and set out for London. He might not succeed, in which case he slunk back to the country hoping to retrieve his shattered fortune. But for those that did, including Christopher Hatton, Francis Drake and Elizabeth's godson John Harrington, royal favour could provide a good, if precarious, living.

Another possibility was to stay in your family mansion and invite the Queen to visit you there. If she accepted, an immense expenditure on house and grounds would be needed, which would be wasted, if in the end the royal visit never happened.

Portrait of Henry Wriothesley, 3rd Earl of Southampton, c. 1600

Southampton was well-known at Elizabeth's court for his flamboyant looks and clothing. But he was disgraced after marrying Elizabeth Vernon, one of the Queen's maids of honour.

Usage terms NPG L114
Private collection; on loan to the National Portrait Gallery, London

Merchants

Outside the glittering court circles, the merchants led comparatively quiet lives. Most lived in London. The focus of their ambition was to be the lord mayor of London, elected by the aldermen. The mayor was powerful enough, on occasion, to oppose the monarch, for example, when the City insisted that theatres should be closed during an epidemic of plague in London, although Elizabeth would have preferred them to continue since she enjoyed a good play.

The livery companies

The sinews of the merchants' community were the livery companies. (They still flourish, and still wield enormous influence in the City.) There were nearly a hundred companies in London, of which 12 were 'Great companies', controlling between them almost everything that was bought and sold in London, from pins - the Haberdashers - to wine - the Vintners. The Clothworkers controlled the finishing processes of cloth, the Ironworkers supplied iron bars for the building trade, and iron rims for wheels. The Carpenters regulated the building trade as all new buildings used timber. The Goldsmiths supervised the quality of gold and silver articles, which had to be marked in their Company's hall ('hall-marked') before they could be sold. The livery companies, in short, had Elizabethan trade sewn up.

Apprentices

A young man would be apprenticed to a master belonging to a livery company, to learn the trade. Some companies, such as the Goldsmiths' Company, could charge a considerable premium for an apprenticeship indenture. As he progressed, the young man changed from a liability needing to be shown every detail, to a trusted employee who could negotiate on behalf of his master, handling significant sums of money. The life of an apprentice was not always enjoyable. He had no right to pay, although his master might voluntarily recognise his usefulness if he stayed the course and proved his worth. The apprenticeship lasted at least seven years, sometimes longer, during which the young man was bound to 'serve his master faithfully and keep his (trade) secrets'. He could not hope to be released until he was at least 24. During this hormone-driven period of his life 'he shall not commit fornication nor contract matrimony ... he shall not play at cards ... or any other lawful game. He shall not haunt playhouses nor absent himself from the master's service day or night unlawfully ...' The master's obligations were only to keep his apprentice in food and lodging, and clothe him in the plain blue clothes appropriate to his standing, and teach him his trade. No wonder that the drop-out rate was so high, often around 50 per cent. Some who had learned enough marketable skills decided to try their luck in the provinces, after several years of near-servitude in London. From the frequent references to apprentices brawling and rioting and attending playhouses, one suspects that the strict rules preventing them from almost any normal enjoyment were often flouted.

Once the apprentice had completed his term, he became a freeman of London. He could either become a journeyman - paid by the day, or, in French the journée - or set up on his own account. If so, he would rise through the ranks of his company until he became entitled to wear its distinctive uniform, or 'livery'.

Other employments

For those who had not managed to climb on to the livery company ladder, finding a job was more complicated. There were places in educated families for 'governors' - tutors - but not for governesses: daughters were taught by their mothers. Rich men maintained huge households. The Earl of Oxford came on a social visit to London in 1562 with 140 mounted retainers, all wearing his livery to show their allegiance. Small families employed one or two serving men and servant maids. Ships' captains would sign on almost anyone; there might be a chance of prize money, but a greater chance of death by shipwreck or disease. In the countryside, there was usually seasonal work to be had. But there was no security, no pension, let alone any right to sick pay.

Usage terms The British Library has decided to make the images of pre-1800 collection items available on this website. For more information please refer to the following guidance.

The poor

What happened to the poor, the people who could find no work, or were too disabled to work? The monasteries used to look after them, but no longer. It finally dawned on the government that the poor could not just be left to die; something had to be done for them by the state. It came, at first, and cynically, in the shape of begging licences, limited to an area, such as a parish, and a period, between six months and two years. Since it was made so difficult to obtain them, many were forged.

The welfare system

By 1569 some sort of welfare system was in place in the City of London, an example followed nationally by a general Act of 1572 which formed the basis of the national Poor Law until 1834. Its aim was to separate the 'poor, aged and impotent [i.e. disabled]' people, whom the state could and should help, from the thriftless and work-shy, whom the state would not help. The system became more and more complicated, but it functioned, in its own way. The poor were not, in theory at least, left to starve.

Liza Picard researches and writes about the history of London. She spent many years working in the office of the Solicitor of the Inland Revenue and lived in Gray's Inn and Hackney, before retiring to live in Oxford.

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The social structure in Elizabethan England

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Liza Picard describes how, between the Queen at the top and the beggars at the bottom, there was jockeying for position in the different levels of Elizabethan society. There were the very rich, and the very poor. Little has changed?

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According to Aristotle, a tragedy is a drama that shows us a realistic story about something. The hero of a tragedy has hamartia or commits hamartia (an error, a flaw). This leads to peripeteia, a reversal of fortune, in which everything goes wrong for him.

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Who Was William Shakespeare?

William Shakespeare was an English poet, playwright and actor of the Renaissance era. He was an important member of the King's Men company of theatrical players from roughly 1594 onward.

Known throughout the world, Shakespeare's writings capture the range of human emotion and conflict and have been celebrated for more than 400 years. And yet, the personal life of William Shakespeare is somewhat a mystery.

There are two primary sources that provide historians with an outline of his life. One is his work - the plays, poems and sonnets - and the other is official documentation such as church and court records. However, these provide only brief sketches of specific events in his life and yield little insight into the man himself.

When Was Shakespeare Born?

No birth records exist, but an old church record indicates that a William Shakespeare was baptized at Holy Trinity Church in Stratford-upon-Avon on April 26, 1564. From this, it is believed he was born on or near April 23, 1564, and this is the date scholars acknowledge as Shakespeare's birthday.

Located about 100 miles northwest of London, during Shakespeare's time Stratford-upon-Avon was a bustling market town along the River Avon and bisected by a country road.

Family

Shakespeare was the third child of John Shakespeare, a leather merchant, and Mary Arden, a local landed heiress. Shakespeare had two older sisters, Joan and Judith, and three younger brothers, Gilbert, Richard and Edmund.

Before Shakespeare's birth, his father became a successful merchant and held official positions as alderman and bailiff, an office resembling a mayor. However, records indicate John's fortunes declined sometime in the late 1570s.

Childhood and Education

Scant records exist of Shakespeare's childhood and virtually none regarding his education. Scholars have surmised that he most likely attended the King's New School, in Stratford, which taught reading, writing and the classics.

Being a public official's child, Shakespeare would have undoubtedly qualified for free tuition. But this uncertainty regarding his education has led some to raise questions about the authorship of his work (and even about whether or not Shakespeare really existed).

Wife and Children

Shakespeare married Anne Hathaway on November 28, 1582, in Worcester, in Canterbury Province. Hathaway was from Shottery, a small village a mile west of Stratford. Shakespeare was 18 and Anne was 26, and, as it turns out, pregnant.

Their first child, a daughter they named Susanna, was born on May 26, 1583. Two years later, on February 2, 1585, twins Hamnet and Judith were born. Hamnet later died of unknown causes at age 11.

Shakespeare's Lost Years

There are seven years of Shakespeare's life where no records exist after the birth of his twins in 1585. Scholars call this period the "lost years," and there is wide speculation on what he was doing during this period.

One theory is that he might have gone into hiding for poaching game from the local landlord, Sir Thomas Lucy. Another possibility is that he might have been working as an assistant schoolmaster in Lancashire.

It's generally believed he arrived in London in the mid- to late 1580s and may have found work as a horse attendant at some of London's finer theaters, a scenario updated centuries later by the countless aspiring actors and playwrights in Hollywood and Broadway.

The King's Men

By the early 1590s, documents show Shakespeare was a managing partner in the Lord Chamberlain's Men, an acting company in London with which he was connected for most of his career.

Considered the most important troupe of its time, the company changed its name to the King's Men following the crowning of King James I in 1603. From all accounts, the King's Men company was very popular. Records show that Shakespeare had works published and sold as popular literature.

Although the theater culture in 16th century England was not highly admired by people of high rank, some of the nobility were good patrons of the performing arts and friends of the actors.

DOWNLOAD BIOGRAPHY'S WILLIAM SHAKESPEARE FACT CARD

Actor and Playwright

By 1592, there is evidence Shakespeare earned a living as an actor and a playwright in London and possibly had several plays produced.

The September 20, 1592 edition of the Stationers' Register (a guild publication) includes an article by London playwright Robert Greene that takes a few jabs at Shakespeare: "...There is an upstart Crow, beautified with our feathers, that with his Tiger's heart wrapped in a Player's hide, supposes he is as well able to bombast out a blank verse as the best of you: and being an absolute Johannes factotum, is in his own conceit the only Shake-scene in a country," Greene wrote of Shakespeare.

Scholars differ on the interpretation of this criticism, but most agree that it was Greene's way of saying Shakespeare was reaching above his rank, trying to match better known and educated playwrights like Christopher Marlowe, Thomas Nashe or Greene himself.

Early in his career, Shakespeare was able to attract the attention of Henry Wriothesley, the Earl of Southampton, to whom he dedicated his first and second published poems: "Venus and Adonis" (1593) and "The Rape of Lucrece" (1594).

By 1597, Shakespeare had already written and published 15 of his 37 plays. Civil records show that at this time he purchased the second-largest house in Stratford, called New House, for his family.

It was a four-day ride by horse from Stratford to London, so it's believed that Shakespeare spent most of his time in the city writing and acting and came home once a year during the 40-day Lenten period, when the theaters were closed.

Globe Theater

By 1599, Shakespeare and his business partners built their own theater on the south bank of the Thames River, which they called the Globe Theater.

In 1605, Shakespeare purchased leases of real estate near Stratford for 440 pounds, which doubled in value and earned him 60 pounds a year. This made him an entrepreneur as well as an artist, and scholars believe these investments gave him the time to write his plays uninterrupted.

Shakespeare's Writing Style

Shakespeare's early plays were written in the conventional style of the day, with elaborate metaphors and rhetorical phrases that didn't always align naturally with the story's plot or characters.

However, Shakespeare was very innovative, adapting the traditional style to his own purposes and creating a freer flow of words.

With only small degrees of variation, Shakespeare primarily used a metrical pattern consisting of lines of unrhymed iambic pentameter, or blank verse, to compose his plays. At the same time, there are passages in all the plays that deviate from this and use forms of poetry or simple prose.

William Shakespeare's Plays

While it's difficult to determine the exact chronology of Shakespeare's plays, over the course of two decades, from about 1590 to 1613, he wrote a total of 37 plays revolving around several main themes: histories, tragedies, comedies and tragicomedies.

Early Works: Histories and Comedies

With the exception of the tragic love story Romeo and Juliet, Shakespeare's first plays were mostly histories. Henry VI (Parts I, II and III), Richard II and Henry V dramatize the destructive results of weak or corrupt rulers and have been interpreted by drama historians as Shakespeare's way of justifying the origins of the Tudor Dynasty.

Julius Caesar portrays upheaval in Roman politics that may have resonated with viewers at a time when England's aging monarch, Queen Elizabeth I, had no legitimate heir, thus creating the potential for future power struggles.

Shakespeare also wrote several comedies during his early period: the whimsical A Midsummer Night's Dream, the romantic Merchant of Venice, the wit and wordplay of Much Ado About Nothing and the charming As You Like It and Twelfth Night.

Other plays written before 1600 include Titus Andronicus, The Comedy of Errors, The Two Gentlemen of Verona, The Taming of the Shrew, Love's Labour's Lost, King John, The Merry Wives of Windsor and Henry V.

Works after 1600: Tragedies and Tragicomedies

It was in Shakespeare's later period, after 1600, that he wrote the tragedies Hamlet, Othello, King Lear and Macbeth. In these, Shakespeare's characters present vivid impressions of human temperament that are timeless and universal.

Possibly the best known of these plays is Hamlet, which explores betrayal, retribution, incest and moral failure. These moral failures often drive the twists and turns of Shakespeare's plots, destroying the hero and those he loves.

In Shakespeare's final period, he wrote several tragicomedies. Among these are Cymbeline, The Winter's Tale and The Tempest. Though graver in tone than the comedies, they are not the dark tragedies of King Lear or Macbeth because they end with reconciliation and forgiveness.

Other plays written during this period include All's Well That Ends Well, Measure for Measure, Timon of Athens, Coriolanus, Pericles and Henry VIII.

When Did Shakespeare Die?

Tradition holds that Shakespeare died on his 52nd birthday, April 23, 1616, but some scholars believe this is a myth. Church records show he was interred at Trinity Church on April 25, 1616.

The exact cause of Shakespeare's death is unknown, though many believe he died following a brief illness.

In his will, he left the bulk of his possessions to his eldest daughter, Susanna. Though entitled to a third of his estate, little seems to have gone to his wife, Anne, whom he bequeathed his "second-best bed." This has drawn speculation that she had fallen out of favor, or that the couple was not close.

However, there is very little evidence the two had a difficult marriage. Other scholars note that the term "second-best bed" often refers to the bed belonging to the household's master and mistress - the marital bed - and the "first-best bed" was reserved for guests.

Did Shakespeare Write His Own Plays?

About 150 years after his death, questions arose about the authorship of Shakespeare's plays. Scholars and literary critics began to float names like Christopher Marlowe, Edward de Vere and Francis Bacon - men of more known backgrounds, literary accreditation, or inspiration - as the true authors of the plays.

Much of this stemmed from the sketchy details of Shakespeare's life and the dearth of contemporary primary sources. Official records from the Holy Trinity Church and the Stratford government record the existence of a Shakespeare, but none of these attest to him being an actor or playwright.

Skeptics also questioned how anyone of such modest education could write with the intellectual perceptiveness and poetic power that is displayed in Shakespeare's works. Over the centuries, several groups have emerged that question the authorship of Shakespeare's plays.

The most serious and intense skepticism began in the 19th century when adoration for Shakespeare was at its highest. The detractors believed that the only hard evidence surrounding Shakespeare from Stratford-upon-Avon described a man from modest beginnings who married young and became successful in real estate.

Members of the Shakespeare Oxford Society (founded in 1957) put forth arguments that English aristocrat and poet Edward de Vere, the 17th Earl of Oxford, was the true author of the poems and plays of "William Shakespeare."

The Oxfordians cite de Vere's extensive knowledge of aristocratic society, his education, and the structural similarities between his poetry and that found in the works attributed to Shakespeare. They contend that Shakespeare had neither the education nor the literary training to write such eloquent prose and create such rich characters.

However, the vast majority of Shakespearean scholars contend that Shakespeare wrote all his own plays. They point out that other playwrights of the time also had sketchy histories and came from modest backgrounds.

They contend that Stratford's New Grammar School curriculum of Latin and the classics could have provided a good foundation for literary writers. Supporters of Shakespeare's authorship argue that the lack of evidence about Shakespeare's life doesn't mean his life didn't exist. They point to evidence that displays his name on the title pages of published poems and plays.

Examples exist of authors and critics of the time acknowledging Shakespeare as the author of plays such as The Two Gentlemen of Verona, The Comedy of Errors and King John.

Royal records from 1601 show that Shakespeare was recognized as a member of the King's Men theater company and a Groom of the Chamber by the court of King James I, where the company performed seven of Shakespeare's plays.

There is also strong circumstantial evidence of personal relationships by contemporaries who interacted with Shakespeare as an actor and a playwright.

Literary Legacy

What seems to be true is that Shakespeare was a respected man of the dramatic arts who wrote plays and acted in some in the late 16th and early 17th centuries. But his reputation as a dramatic genius wasn't recognized until the 19th century.

Beginning with the Romantic period of the early 1800s and continuing through the Victorian period, acclaim and reverence for Shakespeare and his work reached its height. In the 20th century, new movements in scholarship and performance have rediscovered and adopted his works.

Today, his plays are highly popular and constantly studied and reinterpreted in performances with diverse cultural and political contexts. The genius of Shakespeare's characters and plots are that they present real human beings in a wide range of emotions and conflicts that transcend their origins in Elizabethan England.

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William Shakespeare was an English poet, playwright and actor of the Renaissance era. He was an important member of the King's Men company of theatrical players from roughly 1594 onward. Known throughout the world, Shakespeare's writings capture the range of human emotion and conflict and have been celebrated for more than 400 years.

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Queen Elizabeth's Influence on Theatre Playwrights Playwrights like Shakespeare, Marlow, Fletcher, Middleton, and Johnson got their start under Queen Elizabeth's reign. sometimes, she even was willing to try out their new works in her private theatre. Playhouses Secular Drama At