# data[].attributes.body
- 4 voices
-homophony and counterpoint
- motet or chorals
- Latin
-it was sung in cathedrals. For rich people and the clergyment.

# data[].attributes.headline
MAIN DIFFERENCES BETWEEN RENAISSANCE'S THOUGHTS AND M.AGES' ONES 

# data[].attributes.subject
MAIN DIFFERENCES BETWEEN RENAISSANCE'S THOUGHTS AND M.AGES' ONES 

# data[].attributes.body
- More interest in comoning
- Improvement of interest and technques.
-Specific compositions appeared.
-Not allowed in Churchs.
-Use for accompaniment.
-Music began to be written down.
-Improvisation continued.
-Tablature: it shows the composer by means of numbers, letters or note values how to make the sound.
-Borrowed melodies: use of pre-existing melodies taken from popular sphere. It served as a base for the composition.

# data[].attributes.attachment_link.title
Ave Maria - Tomás Luis de Victoria directo coro 4 voces.wmv

# data[].attributes.headline
                       *Characteristics of SACRED MUSIC 

# data[].attributes.subject
                       *Characteristics of SACRED MUSIC 

# data[].attributes.body
-> Soloist
-> Monophony texture
-> Adagio (tempo)
->Madrigals (form)

# data[].attributes.body
-> 4 voices and 1 or 2 instruments
-> Homophony texture
->  tripla (metre)
Andante (tempo)
-> Villancico (form)

# data[].attributes.headline
                                    *Characteristics of SECULAR MUSIC

# data[].attributes.subject
                                    *Characteristics of SECULAR MUSIC

# data[].attributes.headline
"Ay triste que vengo" by Juan del Encina 

# data[].attributes.subject
"Ay triste que vengo" by Juan del Encina 