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Many artworks during the modernism movement were inspired by artworks and artifacts from non-western culture. However, western artists used the artwork for their own personal gain without giving attention to the artists from those cultures. 

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Many artworks during the modernism movement were inspired by artworks and artifacts from non-western culture. However, western artists used the artwork for their own personal gain without giving attention to the artists from those cultures. 

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Manao tupapau (Spirit of the Dead Watching)

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Manao tupapau (Spirit of the Dead Watching)

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1892
Oil on Canvas

Artist information:
Paul Gauguin
French Artist
June 7, 1848 to May 8, 1903

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1899
Oil on Canvas

Artist information:
James Ensor
Belgian Artist
April 13, 1860 to November 19, 1949

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1910
Oil on Canvas

Artist information:
Emil Nolde
German-Danish Artist
August 7, 1867 to April 13, 1956

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Many artists favors incorporating imaginary elements and symbols in their artworks over direct representation of reality in order to depict their unconscious and emotion. 

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Many artists favors incorporating imaginary elements and symbols in their artworks over direct representation of reality in order to depict their unconscious and emotion. 

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1893
Oil on Canvas

Artist information:
Edvard Munch
Norwegian Artist
December 12, 1863 to January 23, 1944

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1923-1924
Gouache, watercolor, and graphite on paper

Artist information:
Marc Chagall
Russian-French artist
July 7, 1887 to March 28, 1985

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1931
Oil on Canvas

Artist information:
Salvador Dalí
Spanish Artist
May 11, 1904 to January 23, 1989

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During the modernism movement, artists express their own stances and opinions regarding social and political issues, such as war and industrialization, in their artworks. 

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During the modernism movement, artists express their own stances and opinions regarding social and political issues, such as war and industrialization, in their artworks. 

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1912
Oil on Canvas

Artist information:
Ernst Ludwig Kirchner
German Artist
May 6, 1880 to June 15, 1938

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Make sure you are always sure of your terms. Be clear what you think is "traditional." Think more widely about what kinds of subjects, styles, mediums etc. challenge those traditions.

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Excellent bibliography. These are fine resources that can help you in many ways.

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The visual culture during the modernism movement is closely connected to the social  conditions and the technological advancement of the time, reflected through the subject matter and the exploration of a variety of medium in the artworks. 

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The visual culture during the modernism movement is closely connected to the social  conditions and the technological advancement of the time, reflected through the subject matter and the exploration of a variety of medium in the artworks. 

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Compagnie Française des Chocolate et des Thés

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Compagnie Française des Chocolate et des Thés

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1895
Lithograph

Artist information:
Théophile Alexandre Steinlen
Swiss Artist
November 10, 1859 to December 13, 1923

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During the modernism movement, many artists chose to repudiate the conventional and classical approach to art by reimagining ways of representing nature with their own artistic styles. 

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During the modernism movement, many artists chose to repudiate the conventional and classical approach to art by reimagining ways of representing nature with their own artistic styles. 

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1907
Oil, silver, gold on canvas

Artist information:
Gustav Klimt

Austrian Artist
July 14, 1862 to February 6, 1918

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Principle #1 -- The Objection to Traditional Art

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Principle #1 -- The Objection to Traditional Art

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1915
Tempera & Collage on Paper

Artist information:
Umberto Boccioni
Italian Artist
October 19, 1882 to August 17, 1916

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1. Padlet wall set up: 10/10
2. Professor/TA are able to post comments on wall: 5/5
3. 3 printed books or journals, Decker Library in bibliography: 30/30
4. 1 article from Oxford Art Online in bibliography: 10/10
5. 1 appropriate resource of choice in bibliography: 10/10
6. 5 well-written, helpful, brief annotations: 25/25
Total points: 100/100

Unexcused lateness: 2 per day (24 hrs from time due), no maximum, until assignment is complete
Failure to use correct Chicago Manual Style format in bibliography: 2 per incorrect entry
Total deductions: 0
Total points for assignment: 100/100

Comments:
Good job with the first assignment, cheers!

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Principle #2 -- The Exploration of Medium 

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Principle #2 -- The Exploration of Medium 

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Priciple #3 -- Diversified Interpretations and Positions Toward Current Events

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Priciple #3 -- Diversified Interpretations and Positions Toward Current Events

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Huyssen, Andreas. After The Great Divide: Modernism, Mass Culture, Postmodernism. Bloomington, IN: Indiana University Press, 1986. https://monoskop.org/images/d/df/Huyssen_Andreas_After_the_Great_Divide_Modernism_Mass_Culture%2C_Postmodernism_Theories_of_Representation_and_Difference.pdf.

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Early 1909
Oil on canvas

Artist information:
Henri-Émile-Benoît Matisse
French Artist
December 31, 1869 to November 3, 1954

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Drucker, Johanna, et al. "Modernism." Encyclopedia of Aesthetics. Oxford Art Online. Oxford University Press, accessed September 4, 2017, http://ezproxy.mica.edu:2066/subscriber/article/opr/t234/e0358.

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Crouch, Christopher. Modernism in art, design and architecture. New York: Palgrave, 2005.

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Scholes, Robert. Paradoxy of Modernism. New Haven: Yale University Press, 2006.

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Kramer, Hilton. Triumph of modernism: The Art World, 1987-2005. Lanham, MD: Rowman & Littlefield, 2013.

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Principle #4 -- The Exploration of Inner Vision and Spiritual Reality 

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Principle #4 -- The Exploration of Inner Vision and Spiritual Reality 

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And funny title. It will certainly be a GREAT Wall!

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Cut With the Kitchen Knife Through the Last Weimar Belly Cultural Epoch

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Cut With the Kitchen Knife Through the Last Weimar Belly Cultural Epoch

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1919
Collage, newsprint

Artist information:
Hannah Hoch
German Artist
November 1, 1889 to May 31, 1978

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1914
Oil on canvas

Artist information:
Gino Severini
Italian Artist
April 7, 1883 to February 26, 1966

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1886
Oil on canvas

Artist information:
Henri Julien Félix Rousseau
French Artist
May 21, 1844 to September 2, 1910

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Admiration of the orchestrelle for the cinematograph

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Admiration of the orchestrelle for the cinematograph

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1919
Airbrushed gouache, colored ink, and pencil on paperboard

Artist information:
Man Ray
American Artist
August 27, 1890 to November 18, 1976