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LAST CLASS OF THE YEAR. BUT NOT IN YOUR LIFE i HOPE YOU WILL CONTINUE TO LEARN MUSIC AND SHARE YOUR TALENT WITH OTHERS

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Happy June

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1 file for Sclaes
4 octaves major, minor harmonic, melodic and natural

according to the pieces with the name of the piece

2 file
Chord.Cadences
Chords:  inversions
_ Dimished, Augmented, Dominant 7

Cadences 3 inversions
Major,
Diminished and Dominant 4 octaves

Arpeggios:

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Fugue:
- Careful not to rush with your runs, metronome!
- Dynamics
- Practice at home slowly and then at regular tempo to make sure all our notes are correct!

Pathetique Movement 1:
- Do not rush in the third page
- Half notes in the second page
- Whole notes in the left hand, staccatos careful with the right hand they are not always that.
- Careful with rushing

Pathetique Movement 2:
- A flat major careful with cadence
- Careful notes!

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Happy Saturday!
All recordings are expected by June 3

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Fugue - also complete, kind of memorized. work with metronome for runs, and add dynamics.
Pathetique -

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Happy May!
We have to concentrate on Sonata 1 2 3 movement!
Fuge review. It is recorded but could be improved

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Keep practicing for recording
Bach Fugue (c minor)
Bach Preludio II (c minor)
Malaguena
Beethoven Pathetuques

ALREADY RECORDED
Military Polonaise
Fantasia Impromptu

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Happy Saturaday! work on recordings:
Back Fuge
Beethoven Pathetique 1,2,3, movements

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Keep practicing for recording
Bach Fugue (c minor)
Bach Preludio II (c minor)
Malaguena
Beethoven Pathetuques

ALREADY RECORDED
Military Polonaise
Fantasia Impromptu

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Please get ready to record 2 pieces by the end of this month

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.1. Bach Prelude c min
2. Bach Fugue c min April re-record by memory on April 27
3. Beethoven Pathetuques record for May
4. II
5. III
6. Liszt Hungarian Rhapsody
7. Chopin Fantasia- Impromptu in c# minor
8.  Chopin Military Polonaise
9. Malaguena record on April 27
10 Cat and a Mouse - have last two pages for next week
11. Scales
12. chords/cadences
13. Arpeggios
14. Sight-reading
15. Ear-training

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https://www.musictheory.net/verify/#A4G8DKNN791Z2ZV46BMJGYJS01EGRNRFQ2GKGRTG38YPNS2F0EGNG4F4Z

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FEBRUARY RECORDINGS ARE DUE:
Prelude - memory pretty good. last page a lot better. introduction a little messy still. try playing e & a of every beat SOFTLY! pretend you are petting a baby kitten
Fugue -

MARCH RECORDINGS
Mvmt 1 - we need contrast in dynamics! focus on pianos. focus also on phrase starting at 150. RH

-----------------------For competition-----------------------------------------
Malaguena - quintuplets are in time with the transitions, practice landing on beat one. for octave melodies in RH, practice just thumb and just pinky

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FEBRUARY RECORDINGS DUE
POLONAISE
PRELUDE - is memorized basically
FUGUE need to work on memory. work up to tempo

MARCH RECORDINGS
Pathetique Mvmt 1
Mvmt 2

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YOU NEED TO RECORD FEBRUARY THIS WEEK
Prelude - the first page of this... ~was~ better last week ..... but ....
we need to work on making beats 1 and 3 louder than the "filler" notes. listen to the melody in the RH.
Practice doing each phrase 1) just melody, ACCENTED. then 2) x e + a 2 e + a, SOFTLY. It seems you loose control when you play softly - it's a technique you need to build

Fugue - needs love still

Military Polonaise - focus on phrasing! <> <> <> <> <>

March Recordings
Pathetique Mvmt 1- there are so many pianos in this piece and you play the whole thing at a mf / f / ff

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Prelude - First page is much more put together. Focus on practice on the second page. Listen to left hand, sometimes they still do not play together. Also, take your time at the Adagio.
Fugue - needs love

Military Polonaise - Memory getting better. Keep practicing with the music. Focus on pedal markings. Occasionally a little blurry.

Movement 1 - Work on getting your pianos softer. We need contrast! Those sections should be mysterious & sneaky! Less angry thoughts.
Movement 2 - You kinda slow down at the triplet part? Same tempo, but it should feel faster because of the subdivision. First page, third page (where right hand has melody and also chords) the melody is lost a bit.

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Military Polonaise - we got through it, memorized! focus on pedaling. good work with memory and dynamics and articulations

Fantaisie Impromptu - NICE DYNAMICS. NICE ACCENTS. NICE MEMORY. NICE MIDDLE SECTION.

Prelude - focus on the presto on the second page. listen to left hand. hands sometimes do not play together

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You need to re-record Malaguena and Fantaisie today!!

Military Polonaise - We talked about correct pedal timing & hearing the RH melody. work with metronome to make page 5 up to tempo. work on memory!

Liszt Rhapsody - practice transitions. mostly memorized!

Fantasie Impromptu - play the middle section with more rubato!

Prelude - accents much better. listen to left hand - often your hands aren't playing together
Fugue - dynamics!!

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RECORD THIS WEEK
Malaguena
Fantasie Impromptu - focus on getting the accents in the sixteenth note runs. practice with trills in the middle section.

RECORD FEBRUARY
Military Polonaise -
Prelude
Fugue

Prelude in Cm should have been memorized for this week :( we got through it somewhat memorized but with a lot of pausing. listen to the left hand
*** hold weight in shoulder

Fugue in Cm - much better than what it was. happy with this. work on memory & dynamics

Pathetique Sonata Mvmt 2 - focus on using correct fingering to execute good articulation

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1. Bach Prelude c min - memorized for next week
2. Bach Fugue c min
3. Beethoven Pathetuques
4. II
5. III
6. Liszt Hungarian Rhapsody
7. Chopin Fantasia- Impromptu in c# minor
8.  Chopin Military Polonaise
9. Malaguena
10 Cat and a Mouse - have last two pages for next week
11. Scales
12. chords/cadences
13. Arpeggios
14. Sight-reading
15. Ear-training

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BACH & SONATA NEEDS TO BE MEMORIZED IN ORDER TO START MENDELLSON CONCERTO. IF NOT, HAYDN CONCERTO

Bach Prelude - phrasing is much better. should be a little faster. we worked on memory, first eight measures. Get memorized!!! Find patterns in the intervals. The piece is very repetitive if you find the patterns.

Bach Fugue - focus on articulations in the left hand. clean up last two lines or so. PLEASE PRINT OUT THIS COPY FOR ARTICULATIONS!!!!

Pathetique Mvmt 1 - this needs to be memorized. you kind of have memorized the first section of the grave. last two pages need a bit of review too.

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Merry Christmas and happy holidays! Enjoy your break but make sure to practice and memorize your program!

Cat and Mouse - Continue getting the feel of this piece. Begin to add more tempo markings once you have gotten a better sense and command.

Preludio II and Fuga II - Memorize the preludio in good amount. Continue working on Fuga on second page with the notes on the treble clef. Hands separate then hands together.

Pathetique Sonata Movement 1 - begin to memorize
Movement 2 - continue practicing, look for  dynamics
Movement 3 - look into more dynamics of this piece.

Memorize Bach Preludio II and Fuga II and Beethoven Sonata Pathetique

Pieces to continue next time
Hungarian Rhapsody Dance
Fantasie-Impromptu
Felix Mendelson Concerto
Malageuna
Prelude I and II - George Gershwin
Military Polanaise

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Cat and Mouse - we worked on this in sections. Please make sure you are bringing out the melody in the left hand during the crazy sixteenth note passage. On pg 5 where quarter = 66 be sure to have a steady tempo, which also means to have the grace notes lighter.

At least one movement of pathetique memorized. we need to start concerto next week

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13th Days Before Christmas!! Ho-Ho-Ho

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We tried to work on memory for the first three pages of Pathetique

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Let's celebrate December with kindness

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We worked on all of the cat and mouse today

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1. Prelude - differentiate the sound
2. Fugue - work on theames and voicing
3. Sonata please work on tempo and memory

]Review the rest of your program

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Prelude - practice with metronome to hear the accented beat

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Happy Saturday!

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Work on our program.
Memorize your pieces completely.

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Happy Halloween!!!

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Josh copy

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Hungarian Rhapsody Liszt _Joshua Sumague (1)

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Here we are

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Connect here for your make up lesson

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NEEDED IN DROPBOX:
Heroic Polonaise
Hungarian Rhapsody - full music

Pathetique
Prelude II (Gershwin)

Overall, start memorizing these pieces. Work on phrasing and posture. Make sure you start and end professionally. Great use of dynamics and articulation

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Prelude Cm
Fugue Cm

Pathetique Sonata Mvmt 1
Mvmt 2
Mvmt 3

Polonaise Ab Major Chopin
Fantasie Impromptu Chopin
Hungarian Rhapsody Liszt

Prelude No 1 or No 2 Gershwin
Copeland / Tcherepnin (Contemporary)

First or Third Movement of Concerto - needs a second piano recording

Etude

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Hungarian Dance - memorize
Fantasie-Impromptu - memorize
Pathetique - memorize all 3 movements

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Requirements for  Freshman Collegiate Diploma

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Requirements for  Freshman Collegiate Diploma

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1. 1. Bach Prelude and Fugue
2. 1 Complete Sonata
3. The first or third movement of a concerto
4. 2-3 romantic selections
5. 2-3 contemporary composition (one by USA composer Copland or Gershwin??)
6. 5 Musicianship phases

1. All scales 4 octaves mm 112 + scales in 3rd 4 octaves mm 100
-Scales with LH starting on root and RH starting on third
2. Chords cadences all inversions + modulations
3. Arpeggios: Tonic Major and minor three positions
D7 dim & all positions 4 octaves
4. Ear Training: All PD + able to sing chromatic and diatonic intervals from any given note
+ Rhythmic dictation 8 measures to write
5. Transpose piece in any 2 keys
6. Improvisation 5 min in length with providing the judge with a brief written outline Free form jazz
7. Sight Reading

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connect here after long break

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Back Prelude: Accents. Notes and fingerings in the second page
Fugue: Take it hands separate to hear the voices between the left hand and right hand. Then put it hands together!

Prelude I: Crispy piece, has to be sounding a bit fun. Add those dynamics!

You can find the pieces in the drop box. You have to scroll down look for Music Score Folder.

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Prelude & Fugue -

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Scales

E Major
Ab Major
B natural minor [F# C#] // B C# D E F# G A B
B harmonic minor // B C# D E F# G A# B (the "usual" one)
B melodic minor // B C# D E F# G# A# B (raised 6th & 7th going up only)
G natural minor [Bb Eb] // G A Bb C D Eb F G
G harmonic minor // G A Bb C D Eb F# G
G melodic minor // G A Bb C D E F# G
ALL FOUR OCTAVES

Chord / Cadences

EM chord in three inversions / EM cadences in three inversions
AbM chord in three inversions / AbM Cadences in three inversions
Bm chord in three inversions / Bm Cadences in three inversions
Gm chord in three inversions / Gm cadences in three inversions

Edim triad in three inversions
Abdim triad in three inversions
Bdim triad in three inversions
Gdim triad in three inversions

E aug triad in three inversions
Ab aug triad in three inversions
B aug triad in three inversions
G aug triad in three inversions

E dom7 in four inversions
Ab dom7 in four inversions
B dom7 in four inversions
G dom7 in four inversions

E dim7 in four inversions
Ab dim7 in four inversions
B dim7 in four inversions
G dim7 in four inversions

Arpeggios

EM in three inversions
AbM in three inversions
Bm in three inversions
Gm in three inversions

Edim triad in three inversions
Abdim triad in three inversions
Bdim triad in three inversions
Gdim triad in three inversions

E aug triad in three inversions
Ab aug triad in three inversions
B aug triad in three inversions
G aug triad in three inversions

E dom7 in four inversions
Ab dom7 in four inversions
B dom7 in four inversions
G dom7 in four inversions

E dim7 in four inversions
Ab dim7 in four inversions
B dim7 in four inversions
G dim7 in four inversions

Ear Training

Plagal Cadence - IV I
Authentic Cadence - V I
Whole Tone Scale
Major Scale
Natural Minor
Harmonic Minor Scale
Melodic Minor Scale
Dominant seventh chord
Diminished seventh

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Connect herC

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Bach Prelude in C Minor: Balance and melody is getting better. Have the cadences at the end strong. Start memorizing!
Bach Fugue: Start memorizing! Hard to memorize
Sonata Mvmt1: Runs. Keep consistent tempo.
Sonata Mvmt 2: Needs the most work on. Notes. Hear the melody line more legato. Has to sound clear!
Sonata Mvmt 3: Keep practicing at that slow tempo.

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Connect with smile

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I IV V - cadences
Major Keys are three half steps above their relative minor / Minors are three half steps below their relative

B minor
C minor
F# Major
Eb Major
Use correct fingering.

Gershwin Prelude I - exaggerate dynamics. good tempo!
Prelude II -

Prelude in Cm
Fugue in Cm - METRONOME!!!

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connect with smile and energy LOL

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join here with the smile

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Pls stop neglecting the Bach Prelude & Fugue :( maybe try listening to recordings??

Gershwin Prelude I - we got in the groove today (a tempo). Work on clarity on the runs, and on dynamics.

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Prelude & Fugue - these guys need a little bit of love. they are not incredibly difficult, but need to be a bit more even and played with confidence. Try practicing with a metronome, phrase by phrase, until each phrase is consistent and coherent.

Prelude I - you are at about eighth = 70 bpm, but you need to be at QUARTER = 100 (or eighth = 200 bpm)

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I

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While there is only one major scale, three different variations of the minor scale exist.

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Scales: all major, all harmonic, melodic and natural minors
Chords/Cadences; Dominant, diminished 7th  chord. all positions;
Cadences:I-IV-V(7)-I  tree positions major and minors
plus PLAGAL Cadences 3 positions I-IV-I
Arpeggios: Tonic Major and Tonic minor arpeggios 3 positions, 4 octaves
Dominant and diminished 7th arpeggio  root position 4 octaves
Ear Training: Recognition of Plagal I-IV-I and Authentic I-V7_I Cadences
Dominant and diminished 7th chord

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Sumague Joshua
1 Scales PC and PD
2 Chords & Cadences PC and PD
3 Arpeggios PC and PD
4 II Fuga - Bach
5 II Preludium - Bach
6 Fantaisie Impromptu op. 66 - Frederic Chopin
7 Hungarian Rhapsody No. 2 - Franz List
8 Malaguena - Ernesto Lecuona
9 Pathetique Sonate - 1st movement - Beethoven
10 Pathetique Sonate - 2nd movement - Beethoven
11 Pathetique Sonate - 3rd movement - Beethoven
12 Prelude I - George Gershwin
13 Prelude II - George Gershwin
14 Sight-Reading
15. Ear Training

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Military
Prelude
Fugue

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Practice every day

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C major Piano Scales- Piano Scales Chart - 8notes.com

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C major Piano Scales - Piano Scales Chart - 8notes.com

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1. Scales PD
2. Chords/Cadences/ Modulations??
3. Arpegggios
4. Signt Reading
5. Ear Training
6.Bach Prelude
7. Bach Fuge
Sonata Pathetiques
8. mov 1 - look more into the patterns.
9. mov 2 - complete, make sure to have a continuous flow.
10. mov 3
11 Fantasie
12Hungarian Rhapsody
13.Lechona Malaguenia
14. Gerwin Prelude 1
15. Gershwin Prelude 2

Pieces that we are missing

Malaguena
Hungarian Rhapsody
Bach Fugue
Fantasie Imrpomptu
Bach Prelude and Fugue C minor

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3 movement

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About '﻿Sonata Op. 13, No. 8 "Pathétique" 3rd mvt'

Artist:
Beethoven, Ludwig van ( biography) ( sheet music)

Born:
15/16 December 1770 , Bonn

Died:
26 March 1827 , Vienna

The Artist:
One of the greatest and most radical composers of all time. A tormented genius, who went deaf in later life and never heard his final works. His nine symphones are probably his greatest achievement, each one an unrivalved masterpiece, but he also wrote 5 piano concertos, piano sonatas, string quartets and one opera, Fidelio.

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Beethoven - ﻿Sonata Op. 13, No. 8 "Pathétique" 3rd mvt sheet music for Piano

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About '﻿Sonata Op. 13, No. 8 "Pathétique" 3rd mvt' Artist: Beethoven, Ludwig van ( biography) ( sheet music) Born: 15/16 December 1770 , Bonn Died: 26 March 1827 , Vienna The Artist: One of the greatest and most radical composers of all time.

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Please practice slow

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﻿Chopin - Fantaisie Impromptu Op.66 in C-sharp minor sheet music for Piano

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﻿Chopin, Frédéric Fantaisie Impromptu Op.66 in C-sharp minor sheet music for Piano - 8notes.com

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This will help you with 2nd movement of Sonata

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Artist:
Beethoven, Ludwig van ( biography) ( sheet music)

The Artist:
One of the greatest and most radical composers of all time. A tormented genius, who went deaf in later life and never heard his final works. His nine symphones are probably his greatest achievement, each one an unrivalved masterpiece, but he also wrote 5 piano concertos, piano sonatas, string quartets and one opera, Fidelio.

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Beethoven - Pathetique Sonata 2nd Mvt (Adagio) sheet music for Piano

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Artist: Beethoven, Ludwig van ( biography) ( sheet music) The Artist: One of the greatest and most radical composers of all time. A tormented genius, who went deaf in later life and never heard his final works.

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1. Scales PD
2. Chords/Cadences/ Modulations??
3. Arpegggios
4. Signt Reading
5. Ear Training
6.
Bach Prelude
7. Bach Fuge
Sonata Pathetiques
8. mov 1
9. mov 2
10. mov 3
11 Fantasie
12Hungarian Rhapsody
13.Lechona Malaguenia
14. Gerwin Prelude 1
15. Gershwin Prelude 2

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Military - focus on counting correctly this week. very nice work and improvement. maybe it's better to think about this piece in 6?

Hungarian - we're almost through stitching this together! focus on pages 239 - 243. Practice when you''re switching hands

Paper clip trick ... work on less shaking and relaxing your hands

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Military - focus on counting correctly this week. very nice work and improvement. maybe it's better to think about this piece in 6?

Hungarian - we're almost through stitching this together! focus on pages 239 - 243.

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tiHungarian complete
Fantasie always review in slow tempo
Military complete in slow tempo
Bach Prelude and Fuge start learning
You have to estimate your time to complete the program

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Hungarian-complete with the book and start memorization
Fantasie - review
start back Prelude and Fuge
Military Polonaise new piece

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Hungarian Rhapsody - continue to work

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Good luck with Fantaisie Impromptu tomorrow!

We worked through the first page of the Prelude in Cm.
review program

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Bach Prelude in Cm BWV 847
Bach Fugue
Bach Invention #15
Beethoven Pathetique Op 13
Mvmt 2
Mvmt 3
Chopin Fantasy Impromptu op 66
Liszt Hungarian Rhapsody #2
Lechona Malaguena
Gershwin Prelude #2

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Start to work on your program

Chopin Military Polonaise (or heroic polonaise)
-Beethoven Sonata No. 8 Pathetique
-Chopin Fantasie Impromptu Op 66
-3/4 pages in the middle of Liszt Hungarian Rhapsody #2
Bach prelude and fugue Cm first book BWV 847
Lechona Malgauena
Gershwin Prelude 2
PD SCCA
PD Sight reading
PD Ear training

New Pieces
Prelude and Fugue
Chopin Military Polonaise Op. 40 No. 1

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1. Poem and speech completely powerful memorize and practice in front of the mirror
2. Fantasy: work on climax, study in slow tempo. Check your memory by playing slow with triple your dynamics.
Stretching climax and clear pedaling. Pay attention to rests in the left.

3. Hungarian: complete
Scales
1. Chords/Cadences
2. Arpeggios check level PA on main page
3. Bach 3 part 15
4. Schubert Sonata CM
5.  Chopin Fantasie - Imp
6. Schubert Waltz 1
7. Schubert Waltz 2
8. Lechona Malaguena
10. Gershwin Prelude 2

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Fantasy - work on memory for the middle section. very nice otherwise.

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Fantasie: Work on the last page, remember you have to be able to hear the notes and not make them smushed.

Hungarian : Work on the last few lines on page 240 with the interchange of left and right hand and that line on page 241. Keep working, try to finish the piece.

Memorize the poem

There is a place where one can go
To laugh, to hope, to always know
There's nothing too hard for you to stand
When you dare to come to Fantasy Land
Come soar with me to heights unknown
To ecstasies not yet full blown
To dreams, and schemes, and wondrous plans,
They're right here in Fantasy Land.

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Hungarian Rhapsody

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1. Hungarian Rhapsody
study by the sections,
clear all voices and work on layers of music.
Emphasis on the melodic line
2. DIPLOMA?

Program
1. Scales
2. Chords/Cadences
3. Arpeggios
4. Sight reading
5.

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Your class schedule on Saturday at 11:00 AM

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Schubert I: Memorize
Schubert II: Memorize
Gershwin: Memorize
Bach: Bring out the main melody each time you hear it.
Schubert Sonata: Memorize
Chopin: Less pedal. Make it cleaner.