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An Infinity of Traces

Most of the works of the artists participating in this exhibition are video and sound art. This exhibition should be my first time to visit the video oriented exhibition. I was very surprised and enjoyed the exhibition. I think the video is a record and attitude of the author towards life. Bring the headset with me and match the music. Can guide me to a space in the video, a safe space. The space created by the author also guides my mood well.

https://www.lissongallery.com/online-exhibitions/an-infinity-of-traces

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Reflections on Alberta Whittle's Between a whisper and a cry, 2019 by Amie Soudien

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Reflections on Alberta Whittle's Between a whisper and a cry, 2019 by Amie Soudien

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The film has several different storylines. A storm on an island. Working life in the middle ages. Coconut trees in bad weather. I think the author may be expressing the harm of environmental pollution and some resistance to oppression.

Among the film, there is a dance I like very much. The performer's spirit is focused, but there is no emotion in her eyes. Music echoed with rhythm. When I watch it, I feel happy and a little excited. I always feel that the dancers are celebrating something, and something that is very difficult to succeed has been achieved. Freedom, a calm harvest, a yearning for a free and equal life. Dancing and exploring self-awareness.

https://youtu.be/vHdPG0GWxcc

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Read the monologue in Ayo Akingbade's Tower XYZ, 2016

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Read the monologue in Ayo Akingbade's Tower XYZ, 2016

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When I saw the film, I didn't understand the title

Many scenes in the film are elements from life, which I like very much. The rhythm of the film is very unique and reflects the real life. There is no cover up, calm and beautiful. It's like at the end of the movie ‘ALL IS WELL’.

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When I watch this movie, I can also feel the attitude of the author very strongly. Rhythmic music, casual dance. Strong appeal.

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Gallery Research：Stephen Fredman Gallery at the London  House Modernity  

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Gallery Research：Stephen Fredman Gallery at the London  House Modernity  

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The exhibition is in a big house. To be honest, compared with the furniture, the house itself attracts me more. The house has a sense of history and disrepair. Put some to a certain extent exquisite furniture in the house, give me a decadent feeling.

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I found two hooks on the wall and hung myself up.

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The form of this exhibition uses the whole space. I'm interested in this window. The whole exhibition hall can be said to be closed, except for the entrance, the only window left is the connection with the outside world. Soft ground, sitting on the ground facing the window. It's a great place to meditate.

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Vincent created an open space and some differents from traditional architecture. The arch has no highest point.

Vincent's sculpture divides the space of the exhibition area, or his sculpture supports the space of the exhibition area. It's like a maze, which makes me want to walk on it, although it's not safe.

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Otto's works look like some lines walking around at will, but they are full of emotion. Most of his works are in an indoor space. In such a space, you can feel Otto's emotion. This is not inside or outside the space, but a framework between the two.

Most of Otto's painting materials are paints and acrylic pigments. If other materials are used, there may be other more interesting things.

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I would feel that Otto's works are not subject to the control of space. As long as the space is large enough, Otto's paintings will be full of all the space and extend infinitely. This combination of painting and space makes Otto express himself well.

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If there is an infinite space, will Otto think about how to break through it?

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Amazing works!!!

I can only say that Henrique's works shocked me! I'll be curious how he made these sculptures? His sculpture installation is winding, vivid and natural. Is it possible to cultivate its growth form from the seed? Wait a few decades or a few hundred years? Let it grow naturally?

Nature, architecture, life. Henrique's sculpture and space have nothing to do with each other. I think they are one. It's like space itself. This idea helps me better explore the relationship between space. The life of space. Although these intertwined roots are a symbol of nature, they are more natural like the product of space in Henrique's creation.

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I am very interested in using the space of the whole exhibition area. This is a starting point for me to set up the exhibition.

Next, I'm thinking about the form of the exhibition. The art works of this exhibition are some sculptures, some sculptures that look irregular.

I will arrange my exhibition in many different places, in some houses with different architectural styles, in some open places.

About the works of art to be exhibited during the exhibition. The idea came from a practice I did.The material is wire, which will wrap around the whole space.

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About the exhibition space,

can be closed in a house.

- In palaces of ancient Roman        architectural style.

- An old wooden house.

- An empty place like Stonehenge.

- A place where the stairs rotate.

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Drowning

Lvan's sculpture is very interesting. He sinks everything into the liquid. It's like sinking into milk. In fact, it's a space with solid texture.

Does the part that sinks into the liquid really exist? Or is there only exist in a concept? In this way, will people pay more attention to the part that has disappeared or to the part that only floats on the liquid?

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A huge red ball should be the symbol of the artist Kurt. It's a device that can move around freely and exists between two buildings.

The red and bright color of the ball is extremely conspicuous in the natural environment. This independent individual, let think of the clown's nose (not the terrible kind), so think it will feel that it is conveying happy mood.

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Sometimes, the red ball maybe will block the road, which may cause traffic jams.

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Doris used a lot of chairs to fill a huge space. A seemingly unusual move, even between rows of houses, should be connected by the house. Doris chose the chair. The chair is stacked over the chair. There's a feeling of suffocation.

Such a sculpture installation will remind me of the rational use of space and violent extrusion.

I didn't think in a bad direction, and I didn't want to think in a bad direction. After in-depth investigation, it is found that this is the work of Doris in the 8th Istanbul Biennale. War, people in war. Doris used 1550 chairs to depict a war landscape. Who has used these chairs? Anonymous victims? The squeeze of violence. This device is also very silent, the life of people marginalized under the war.

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A dead body, dead bodys that have been suspended. The starting point of Doris' creation is very heavy. She protested against all injustice, unprovoked violence and abuse.

https://sculpturemagazine.art/life-might-prevail-doris-salcedos-plegaria-muda/

‘Salcedo explains how, for months, she “accompanied a group of mothers who were searching for their disappeared sons and identifying them in the graves revealed by the murderers.” Her hope is that “this work can, to some degree, evoke each death and restore its true dimension, thus allowing these profaned lives to be returned to the sphere of the human.”’

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What's going on here? Where do these cracks lead?

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This group of installation art makes me feel a little strange. I don't know whose shoes are.

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Forbidden thoughts

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Chiharu's installation art may exist in various spaces. The common point of these different spaces is that there are some linear fabrics intertwined and fixed. These linear objects may not fix space, but lock space on the level of time. Everything is forbidden. Space seems to be able to move, but time is not.

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Space may not be a whole. We feel space, but is space what we usually look like?