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colour correction is used to make colours in a film more natural and accurate. colour grading is used to enhance what the film wants to convey. it helps create the artistic vision of the film.

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I learnt about the different colour palettes and that saving certain colours for certain moments and characters lends those colours more power in the scene/story.

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Colour grading and correction can be done to curate specific colour palettes to evoke certain emotions and moods in addition to helping the viewer experience the story more deeply.

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Colour correction is done to ensure shot-by-shot consistency. The black and whites, gamma and saturation levels are adjusted to make sure that colour is consistent throughout the film. Colour grading is done to stylise the shot based on the atmosphere and ambience of the film. There are different ways to use colour in films. One of the most common ways is to use complimentary colours. For example, teal and orange are complimentary colours and this is commonly used to highlight human skin tone.

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Colour correction helps to tell a story and make the image very interesting.

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Colour correction is used to change the colour of the environment to match the mood of the storyline and plot, or make certain colours stand out to emphasise the mood of certain scenes. Colour grading is used to show contrast between characters and environments, making characters stand out.

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Colour grading and colour correction are important processes in post-production. Through colour correction, the footage can be edited to be more consistent and maintain the same colouring and mood through clips, making it consistent. It involves adjusting aspects like white balance, exposure, saturation, contrast and the like to get the desired colour tone.

For colour grading on the other hand, the colours are creatively tweaked and modified as per the editor's vision in order to create specific effects in the film with the colouring , such as pastel, oversaturated or monochrome colouring effects.

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Colour correction is to make a film look more true-to-life. Colour grading on the other hand can be used to tell and enhance the story that they are in, with concepts such as complementary colours, tricolour palettes, Monochrome, dulled pallets with low saturation like in the matrix or you, the living, as well as jewel tone palette in the film "In the mood for love". There are also pastel and neon tones used to evoke various moods and vibes

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Colour correction is used to make the video colours look more accurately to real life. Tweaking colour and brightness when necessary. Colour grading is a level up, changing colours to evoke a certain mood. This helps to get the desired colour even if the original footage did not have it. Both are vital skills as an editor and have their own time and place to be used in a video.

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By colour correcting, it ensures that the film is visually consistent and creatively stunning for audiences. Different colour palettes can be used to evoke and display various moods/ ideas to the film. These include:

1. Hyper multi-colourful which saturates the environment, making it more vibrant and immersive

2. Limited colour palette. Draws to that colour as compared to the rest of the film

3. Selected saturation palette. By doing so, those colours become even more striking which draws audience’s attention to that subject

4. Monochrome colour palette. Choose one colour for the film so that create a strong central colour and emotion that can be seen throughout the entire film

5. Complementary colour palette. This is done by picking two colours that are opposite in the colour wheel. It creates high colour contrast. Example: Yellow and Purple or Red and Green

6. Triadic colour scheme. Stereotypically colourful. Not overbearing and memorable

7. Neon palette. Black with neon glows. Harsh, unnatural and uncaring, like the plot

8. Pastel colour palette. Neutral and relaxed. Popular with Wes Anderson’s works. Unique colours that still is considered soft

9. Muted palette. Popular in post-apocalyptic films to show dullness, death and sadness

10. Jewel colour palette. Beautiful, subtle yet bold

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Colour correction is used to make footages much more natural as well as consistent. It usually involves balancing the white balance, exposure, contrast, and overall colour so things like skin tones look believable and different shots match each other. The goal isn’t to make the image stylish or dramatic, but simply to make it look “right,” as if you were seeing the scene in real life. Colour grading is about mood and style, while colour correction is about accuracy and consistency.

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In this lesson I learnt that colour correction itself ensures the natural look of the footage and making it look more accurate, this is done by adjusting tweaks like white baancng temperature exposure, saturation and brightness. Colour gradng however, is to achieve a specific mood and feel for the scene or whole movie. For instance, in the block buster movies, the colour padlette uses more of the orange and blue tones to closely display the skin colour for humans. and for post apocoplyptic films, they give it a muted look by dialing down the saturation of the colours. These are many more iterations of how to color grade but the main focus on it is to create a mood and engage your audience by adding more effect here and there by introducing one colour more than the other.

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Colour correction and colour grading are both essential steps in post-production, but they serve distinct roles. Colour correction fixes and balances colours so that all shots look natural and consistent. This helps make the footage look professional and visually accurate. Colour grading adds creative colours and styles to the footage. This helps set the mood, highlight emotions, and make the story more engaging and visually appealing.

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Colour correction and colour grading are both important processes that serve different purposes. Colour correction is the process of adjusting colours in footage to ensure the colour in different shots is consistent. Colour grading is the process of selecting specific colour palettes to use in films in order to stylise the footage and enhance storytelling by creating specific moods and tones to match a scenes ambience, atmosphere, and emotions.

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Colour correction is about fixing the footage to look more natural and consistent. This is usually done first before colour grading. You fix the white balance, exposure and contrast. This creates consistency because it makes th eshots look like they were filmed at the same time.

Colour grading is about creating a mood, style or emotion. This is done after colour correcting. You could create a cinematic look but darkening the bold colours.. or set emotional tone like cold or nostagic by darkening the blues and greens. You can push colour intentionally to create this effect.

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colour correction is the process of adjusting the colours such that it appears natural and consistent throughout the whole shot. It requires adjusting white balance, exposure, saturation colour temperature etc

Color grading is the process of tuning the colours intentionally to achieve a certain mood or atmosphere in the shot. It helps to make a scene more fitting to the story and creates a relatively surreal environment in the shots

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Colour correction focuses on fixing the colours in footage so they appear natural and accurate. This process ensures the image looks right at a basic level by adjusting elements such as white balance, color temperature, brightness, exposure, and saturation using correction tools.

Colour grading, on the other hand, is a more creative process. It involves intentionally modifying colours and contrast to shape the mood or emotional tone of a shot. By using specific colour palettes and stylistic adjustments, grading gives a scene a distinct look and feel rather than simply making it look realistic.

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Colour correction is the process of fixing and balancing footage so it looks natural and consistent across all shots. It involves adjusting exposure, white balance, contrast, and colour levels to ensure that shots match each other and meet technical or broadcast standards.

Colour grading, on the other hand, is a more creative process that comes after colour correction. It is used to stylise the footage by applying specific colour tones or palettes to create a certain mood, atmosphere, or visual identity, helping to support the story and emotions of the video.

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Colour correction is to ensure that the footages used are natural and consistent. It focuses on balancing the colours while also correcting the exposure of the footages. It also allows them to editors to match the footages to the previous footage so it stitches together seamlessly. Colour grading, in my understanding, refers to a form of style editing. It’s more of an artistic choice to bring the footage or scene alive. It makes the audience feel a certain way and focus on certain things with colour grading. Faded and washed out colours are often used to depict vintage and retro vibes as they feel nostalgic like old photos. While deep and muted colours are often used to create a moody or dark atmosphere. Adding a blues, green or grey tones have been proven effective for horror or mystery movies. Colour correction is needed to ensure the shots progress smoothly, while colour grading plays a big part in setting the atmosphere of the movie.

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Colour correction ensures shot-to-shot consistency and that the levels are within Broadcast Standards. On the other hand, colour grading is used to stylize the footage by creating specific tones and mood, matching a scene's ambiance, atmosphere and emotions.

Different colour palettes:

1.Hypercolourful/ highly saturated colour palettes. It is used to amplify colours beyond their natural states to create a vivid, surreal or hyper-realistic aesthetic. This hence can be used to grab attention, evoke specific emotions, set intense moods, or create a distinct visual identity.

2.With limited colour palettes, we can save colours. Saving certain colours for certain moments can make it more important and have more of an impact.

3.Selected saturation palette that uses colours sparingly that when the shot choses one colour, it can draw the audiences attention to that area with the colour.

4.Monochrome palette means choosing a colour and sticking with it. It create a strong mood, unity, and focus, guiding audience emotion and enhancing storytelling by simplifying visuals and highlighting texture

5.Complementary colour scheme (take one colour and its opposite colour on the colour wheel). It can create high contrast, visual energy and mood, making subjects pop and scenes feel dynamic or emotionally charged

6.Triadic and tetradic colour scheme. It creates high-impact atmospheres which can offer more complexity than complementary schemes.

7.Neon colour palette has been on a rise in the 21st century and allows for bold energy. It gives a harsh and unnatural look which can help with storytelling.

8.Pastel colour palette gives a relaxed feeling and storybook quality.

9.Muted palette good for post-apocalyptic films or to show mundanity.

10.Jewel-toned look is rich, subtle and gorgeous without looking manufactured.

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Colour correction and colour grading are both important but have different purposes. Colour correction is about fixing and balancing footage by adjusting black, white, gamma, and saturation so shots match and meet broadcast standards. Colour grading is more creative and is used to change the mood and style of the video.

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Colour correction is used to ensure visual consistency across shots while making sure colours look natural and match from one scene to another. On the other hand, colour grading is a creative process that stylises the footage to achieve a specific mood, tone or visual identity. Filmmakers often work with a controlled and limited colour palette to deliberately guide the audience’s attention.

For instance, an actor may be dressed in a bright red outfit to stand out against a muted or neutral background which draws the viewer’s eye instantly. Conversely, if the intention is to reduce focus on a character, the colours can be matched closely with the surrounding environment. Through intentional colour stylisation, filmmakers enhance storytelling by subtly directing the audience’s gaze and shaping how a scene is perceived emotionally and visually.

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Colour correction in films is used to adjust the colours in the footage, generally to make it more natural, less saturated and more appealing to viewers, however many directors use this as way to invoke emotion and flow of a movie, from using overly saturated monotone colours to show chaos and uncomfortability to muted greyish looks to show dullness and more sombre tone to using colours to separate the main cast to the rest

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Colour grading helps fix the colour of the film by changing its exposure, hues, contrasts, tints and saturation. Being able to do colour grading effectively helps you create certain moods or compliments with the plot of the film, especially with colour theory being involved.

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this video opened my eyes to how colour grading is used to enhance storytelling and emotions. it plays a role in setting the mood, highlighting themes and making scenes more memorable. this is different from colour correcting as colour correction is used when there are unwanted colours, used to make the shot look more natural and consistent.

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Colour Correction fixes a footage back to it's natural colours which makes it look accurate and should be consistent.

Colour Grading changes the colours of a footage so as to set a specific tone or mood amplyfying a scene's ambience

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Colour grading and colour correction are similar processes in editing, however, they differ in the intent and the methods. While colour grading is more focused on conveying the filmakers' intent when it comes to the atmostphere or style, in order to fit the intended ambiance and effect of the film, Colour correction is more to ensure that the colour stays consistent across the films, making things look more natural and in some cases also giving the film an overall lean towards the theme, however not as stylistic or intentional as colour grading.

Colour grading varies widely in style, from pastel aesthetics to monotone, to black&white with specific parts coloured, and all of them serve different purposes in the film, with them generraly enhancing the film in conjunction with the other parts of the film. Saturation, exposure, tints, and hues also are part of the process, as filmmakers might elect to set the saturation different for varying effects, or to draw attention to particular parts of the film, and a variety of other purposes

Experts/experienced filmmakrs are able to use these methods to deepen the experience of the film, as viewers are induced to look deeper into the film or be more immersed in the film through unique stylisation methods.

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colour correction is the adjustment of colours in footage to appear more natural and consistent. colour grading is the adjustment of colours or the application of colour palettes to invoke certain themes or emotions

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Orange Teal Hollywood Blockbuster look is commonly used as it looks best on human skin. Over time, triatic and tetratic colour schemes were used more. But more does not necessarily mean better as many films used less colours to bring prominence to them and give those colours a stronger feel.

Focusing on specific lightness or saturations can produce a stunning cinematic effect by itself. This can be seen notably in films thaf focuses on neon colours. Neon colours mostly fit into the aesthetics of monochromatic compositions. However, the lack of gentleness brought by this effect creates a harsh and unnatural feel to the footage. This fits very well in films that have violent and uncaring plots.

The pastel aesthetics give a relaxed feeling to the film. Odd colours that are not typically used, greatly aid in making the visuals of a film standout, though it is difficult.

By suppressing the colour palette and averting from the colour red, we get the muted colour palette which can be used to give the film a very desaturated look. This style goes with post-apocalyptic scenes, or general cold, serious, unforgiving aesthetic to films.

A darker yet very saturated style of the standard colour palette is known as the jewel palette. It brings forth a rich, gorgeous, and supple look, yet still a natural look. This can be used in scenes where nobles are included in. Yet, it can be used to make certain scenes in films very symbolic or giving strength to them because the colours are very prominent. It emphasises on the colours which can give more emotion to the scene, like how green can be associated with disgust or irony and red represent anger. Stronger, more prominent colours mean more emotion or symbolism.

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Colour correction is important to keep the consistency of the theme and feeling throughout the film. Colour grading is also just as important as different saturations, tones, hues, and etc. evokes a feeling among the viewers. A monochromatic film may give off a serious and dark vibe while a pastel film gives out a chill and bright mood in the film

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Colour correction is white balance, it fixes the colour. The colour needs to be corrected due to some lighting and other things that were present during filming.

Colour grading is creating mood with filters and different colours.

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Colour correction is used to correct the difference in colour when filming to make it more natural looking by adjusting the balance, exposure and removing unwanted colours. While colour grading is changing the colour completely to make the film look different.

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Color correction involves adjusting footage to achieve a natural and consistent look. This includes fixing exposure, white balance, contrast, and matching shots to ensure uniformity. It's about making the footage look technically accurate and realistic.

Color grading, on the other hand, is the creative process of enhancing the visual style and mood of a scene. It involves manipulating colors to create a specific atmosphere or emotional impact, such as giving a film a warm, vintage feel or a cold, dramatic tone.

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Colour correction is great at correcting the differences in colour when filming but it also brings another layer of complexity when its being mindfully added into film with a plethora of styles and aesthetics such as the dual tone/ neon/ monochrome palletes. These help emphasize specfic aspects that the director wants to bring out to his audience.

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Color correction fixes the footage, making it look natural and consistent by adjusting balance, exposure, and removing unwanted colors. It's the technical clean-up.

Color grading then styles the image, adding creative flair and setting the mood. This is artistic as it enhances storytelling, applying specific looks or emotions to the footage after it's been corrected.

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Colour correction helps create consistency within the shots as the colour might change due to the changing sunlight. While colour grading are used to help change the feel of the scene. colour grading can help make vibrant green vegetation look browner to give a more dusty old western vibe

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Color correction is the correcting of colours to footage so that it looks accurate. This is done by adjusting the temperature, tint, saturation, exposure etc.

Color grading is different as the colours are changed to capture a certain feeling and mood.

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colour correction fixes the colour of the footage by adjusting the exposure, hues, saturations, contrast and tints. for colour grading it can give different emotions for a film and stylise it as well

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colour grading sets the mood and atmosphere, and can define the film's own unique style

colour correction fixes exposure, hues, saturation, contrasts, making the show look more natural .

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Colour correction can be used in films to create a certain impression on the viewer, like making the film more colourful to make it feel more joyful or making it less colourful to make it feel colder. Use of colour can be varied to make certain colours feel more impactful than others

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Colour correction sets the tone for many things in a film such as emotions, environments, costumes etc. Good uses of colour correction helps stylize a film to give it a unique feel for viewers. My facourite example of colour correction is in baby driver by edgar wright.

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Colour corrections is making sure the colours look smooth and nice as a whole while colour grading is playing with the colours to see which colours matches with which. Good use of colours doesnt mean more uses of different colours, but the balance between the colours been chosen. The different combinations of colours can be used to express different emotions and feelings in that particular scene.

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colour correction 'fixes' the exposure, hues, saturation, contrasts and warmth of the footage whereas colour grading stylizes the footage to invoke certain emotions in viewers. for example, orange and yellow may be used to replace green to give the footage a dusty and old feel. contrasting palettes are used to highlight certain emotions like red for caution and green for envy. pastel palettes are used to give the film a more soft and gentle feel while muted colour palettes, the less saturated version of pastel colours, makes the film more mundane and serious. on the other hand, the jewelled colour palette creates a vibrant and lively atmosphere, where colours are more saturated to make scenes feel more emotional and highlight the emotion or irony in a scene

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Colour correction is to adjust the colour, contrast and exposure of the film footage so that it appears natural and unprocessed, such that it looks like what the human eye sees in real life.

Colour grading is to stylize the colour scheme of the footage, emphasising the visual tone, ambience and atmosphere of the film, therefore making it more cinematic.

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Colour-correction is important for ensuring the colours between shots are consistent and accurate, fitting broadcast standards through adjusting levels, while colour-grading is important for stylising the look of the shots, allowing the shots to convey a certain emotion or mood, serve as symbolism or strengthen the atmosphere, making it iconic at times.

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Colour correction is ensuring it is accurate and consistent across all shots by adjusting black, white, saturation etc. to make things look more natural.

Colour grading is giving a different look and vibe to match the emotions and atmosphere using color palettes to convey different emotions and moods.

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Color correction is the process of ensuring accuracy and consistency across all shots by adjusting black, white, gamma, and saturation levels.

Color grading is the process of giving the footage a more stylistic look to match a scene's ambience, atmosphere, and emotions. This can be done by using different color palettes and color schemes to portray various moods.

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Colour correction ensures that the colours of the shots remains consistent, while colour grading are used to stylise the footage.

Usually, a specific and limited colour palette is picked to bring attention to something. For example, an actor could be wearing bright red to stand them out from the muted colours in the background, or to remove focus off a character, you can give them similar colours as the background. Colour stylisation affects storytelling and helps to lull audience's eyes to where in the footage that they are intended to see.

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Color correction is used to make sure that the color levels remain consistent throughout the entire film by adjusting the black, white, gamma, and saturation levels.

Color grading is mainly used for stylization, where colors are altered to set moods or go for a certain aesthetic.

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Colour correction refers to fixing colours of the footage so that it looks accurate by adjusting the temperature, white balance, saturation, brightness and exposure.

Colour grading is different as it refers to the editing of colours creatively to set a mood or feeling for the scene.

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Colour correction is to fix any technical issues or inconsistences in any footage; By adjusting black, white levels, exposure, contrast, and white balances. It makes footages look more accurate and realistic.

However, colour grading is used to stylize and evoke different mood and emotions by using a wide range of different colour palettes which help establish a specific look or mood in a footage.

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Colour correction refers to editing colour of the footage by adjusting black, white, gamma, and saturation levels for shot-to-shot consistency and ensure the levels are within broadcast standards

Colour grading refers to editing the colour of specific parts of or of the entire footage to create a specific tone or mood as well as the scene’s ambience, atmosphere and emotions through the colour palette of the scene.

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Colour correction ensures colours across all shots are consistent by adjusting the black, white, gamma and saturation levels. colour grading adds emotion to the film through various colours.

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Colour correction fixes the natural colours of footage, making it look accurate by adjusting things like temperature, white balance, saturation, brightness, and exposure.

Colour grading, on the other hand, is about changing colours creatively to set a mood or style. It often uses specific palettes and contrasts to give a scene a unique look and feel.

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color correction is referring to correcting colors of footage so that it looks correct by default. this can be done by adjusting the temperature or the white balance of the footage, or using color correctors to adjust saturation, brightness, exposure.

color grading is very different as it involves playing with the colors and adjusting them to make the picture have a certain feeling. this purposely adjusts colors to a very different contrast, following color palletes in order to achieve a certain look for a scene.