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Inspiration: Francis Alys: Prohibited Steps

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Inspiration: Francis Alys: Prohibited Steps

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Inspiration: Francis Alys: Fitzroy Square

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Inspiration: Francis Alys: Fitzroy Square

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Video of a walk around Fitzroy Square, focusing on railings with interesting 'sound music rhythms' and objects and people encountered.

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Animator Ryan Larkin uses an artist's sensibility to illustrate the way people walk. He employs a variety of techniques--line drawing, colour wash, etc.--to catch and reproduce the motion of people afoot. The springing gait of youth, the mincing step of the high-heeled female, the doddering amble of the elderly--all are registered with humour and individuality, to the accompaniment of special sound. Without words. Directed by Ryan Larkin - 1968 | 5 min

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A nostalgic male voice over and atmospheric music drive this narrative about time and death. High contrast, soft focused and textured black and white still images are sequenced as action footage. There are occasional dissolves and zooms, but mostly cut with movement between black and white shapes in opposing parts of the image. Throughout these images shake very slightly to give the feeling of movement.

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The uncompressed version gives stuttering steps. But these seem to be smoothed out with compression for uploading here?

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Walking on a frosty day. Unfortunately there seems to be a bug in the file that renders and exports the original footage as bleached out.

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This is the first clip simulating looking forward with peripheral vision out of focus.

I used the posterise time effect and masking feature to differentiate between forward and peripheral vision. This also altered all the colours to clip the light tones and make everything else more brilliant and saturated over the whole image. I am not sure if this is built in to the time posterisation effect, or due to a bug that then affected all my other videos in this project.

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This second clip simulates looking forward to a very bright future, with peripheral vision out of focus and de-saturated. I think this general idea has potential for further development with better planned base footage.

I used the posterise time and two separate masks to give more differentiation between forward and peripheral vision. This altered only the colours in the focal area to clip the light tones and make everything else more brilliant and saturated. An inverted mask desaturated the peripheral vision.

Again I am not sure if the clipping and colour alteration is built into the time posterisation effect, or due to a bug that then seemed to alter all my subsequent videos in this project.

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Enjoying the autumn leaves and exploring types of line, crack and water shapes along the footpath and road.

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This vertical format with wide angle lens focuses on my feet giving a much more meditative feel.

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'Fragments Walking in Time' explore the fragmented experience of walking along a normal road as recorded with an i-phone.

It started with time experiments comparing SloMo and Hyperlapse clips of my feet, also a series of panorama images moving the phone as I walked - resulting in a series of fragmented still traces on one image.

Then I took my time-based explorations further to look at the fragmented nature of our perceptions of self (reference Lacan) because we can never see ourselves whole except in a mirror.