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- When it came to location, we decided to use the Queen Elizabeth Olympic Park, as it would be a nice backdrop for the shots. Some scenes required a lift, and so we shot those inside the lift in our college.

- When it comes to costumes, it was very minimal. For example, my character of a spy, only needed to be wearing a white shirt, a black tie, a black jacket, black jeans and some black shoes. We went for a smart casual look, as he was supposed to be leaving his workplace, and so not in his uniform. The assassins were not required to wear extreme outfits either, and so we bought two large black hoodies from Primark, big enough to cover their faces, much like an assassin.

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- Of the four members in our group, (Scott, Mehak, Meryem + Shaheda), Only two of volunteered to be a character in the title sequence. I played the main character who was a spy, and Mehak played an assassin. However we needed another assassin, and so i asked my friend SPencer to take part, in which he said yes.

- I feel as hough, because none of the characters had to say any speech, the acting was destined to be good either way. However, some more emphasis could be put in, as it shows there was a lack of it in the rough cut.

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When it came to lighting, we were both lucky and unfortunate. We were lucky because the title sequence in which we had come up with, was set entirely in the daytime, meaning we would only need to use daylight. This took care of the problem of having to borrow lighting equipment, and carry it around London whilst filming

However, what we didn't take into account is the daylight saving hours we get in December. We began filming and after a couple of hours, it began to get dark, making it extremely hard to get the shots we wanted

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Although we had used a lot of different types of shots, we did not use them all. For example we used;
- Close up
- Medium Shot
- Long Shot
- Establishing shot
- Low angle shot

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- Unfortunately, none of us are great at using filming cameras, however we did our best with the skills we had. It was not of movie standard, as you can tell when watching. An example of this is when we panned, moving the camera from one side of the 'room' to the other side of the 'room'. This caused the quality of the work to go down, as still shots would have been a far better alternative.

- An example of good camera work would be the chasing scene we filmed, whereby the camera followed two characters, me and Spencer, as they run down a pathway

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The success of the Title sequence as a whole

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The success of the Title sequence as a whole

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- The order of the shots we took, does make sense in my eyes. It is capable of showing the ideas behind the title sequence, and what the rest of the movie is supposedly about.

- We had an original plan of the order in which we would shoot and place the shots, however we did not stick to it. WE had a couple of shots that went to plan, but when it came to the day of shooting, further ideas arose, meaning we had to change the shot list