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In No country for old men, the vast, spacious desert is used as an establishing shot. These shots also give a type of feeling towards the audience. It makes them feel alone and isolated, which builds tension because big unknown places intimidates people and makes them feel small.
I took this as inspiration and put it towards my own title sequence. The establishing shots in The bongolo department are at a low angle, looking up at the buildings around. the tall builds almost seem to hang over you which also makes the audience feel small and intimidated. There also arent any people which also makes the audience feel alone and unable to call for help.

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Another prop was used in a unique way. When analysing No country for old men, the main character was introduced without us seeing him. i wanted to do the same and used his name on the ringing phone to introduce him.

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I believe that the ID prop was used in a very intelligent and inventive way. This prop establishes Character in an interesting way because it catches the audience off guard. It introduces a very secretive character and shows us a piece of information, from seeing this we can figure out that he is infact a bin man who is undercover for a government agency. it does all of this without actually saying anything

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Characters in political thrillers are dressed very traditionally. The way they are dressed shows that they are important and own a lot of money.

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Whilst researching original political thriller movies, i recognised common conventions that they all share, one of these were flashy big cars/often jeeps. These props portray loads of money and show that who ever owns this must have a lot to spend. Alot of these political thrillers involve some sort of government agency. It is very traditional to see government celebrities in big black cars when moving around the city.

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Establishing shot: No country for old men

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Establishing shot: No country for old men

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Comparison shots of real and student title sequence:

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Comparison shots of real and student title sequence: