# data[].attributes.body
𝙻𝚊 𝚍𝚊𝚗𝚣𝚊 𝚜𝚎 𝚙𝚞𝚎𝚍𝚎 𝚌𝚕𝚊𝚜𝚒𝚏𝚒𝚌𝚊𝚛 𝚎𝚗 𝚍𝚊𝚗𝚣𝚊 𝚖𝚊𝚢𝚘𝚛 𝚘 𝚍𝚎 𝚌𝚘𝚖𝚙𝚎𝚝𝚎𝚗𝚌𝚒𝚊, 𝚕𝚕𝚊𝚖𝚊𝚍𝚘 𝙰𝚝𝚒𝚙𝚊𝚗𝚊𝚌𝚞𝚢; 𝚍𝚊𝚗𝚣𝚊 𝚖𝚎𝚗𝚘𝚛 𝚘 𝚀𝚘𝚕𝚕𝚊 𝚊𝚕𝚟𝚊 𝚚𝚞𝚎 𝚜𝚎 𝚋𝚊𝚒𝚕𝚊 𝚙𝚘𝚛 𝚕𝚊𝚜 𝚗𝚘𝚌𝚑𝚎𝚜.

𝙰𝚜𝚒𝚖𝚒𝚜𝚖𝚘, 𝚕𝚊𝚜 𝚎𝚡𝚙𝚛𝚎𝚜𝚒𝚘𝚗𝚎𝚜 𝚌𝚘𝚛𝚎𝚘𝚐𝚛𝚊́𝚏𝚒𝚌𝚊𝚜 𝚚𝚞𝚎 𝚋𝚊𝚒𝚕𝚊𝚗 𝚎𝚜𝚝𝚘𝚜 𝚍𝚊𝚗𝚣𝚊𝚗𝚝𝚎𝚜 𝚜𝚘𝚗: 𝚗𝚊𝚌𝚒𝚖𝚒𝚎𝚗𝚝𝚘 𝚙𝚊𝚜𝚊𝚌𝚊𝚕𝚕𝚎, 𝚍𝚊𝚗𝚣𝚊 𝚖𝚊𝚢𝚘𝚛, 𝚚𝚘𝚕𝚕𝚊 𝚊𝚕𝚟𝚊, 𝚣𝚊𝚙𝚊𝚝𝚒́𝚗 𝚙𝚊𝚜𝚌𝚞𝚊𝚜, 𝚗𝚊𝚟𝚒𝚍𝚊𝚍 𝚢 𝚎𝚗 𝚕𝚘𝚜 𝚌𝚊𝚗𝚝𝚘𝚜: 𝚙𝚊𝚜𝚌𝚞𝚊𝚜, 𝚟𝚎𝚛𝚜𝚘𝚜, 𝚊𝚢𝚊𝚙𝚊𝚖𝚙𝚊 𝚢 𝚑𝚞𝚊𝚢𝚗𝚘𝚜.

# data[].attributes.body
𝙴𝚜 𝚞𝚗𝚊 𝚖𝚊𝚗𝚒𝚏𝚎𝚜𝚝𝚊𝚌𝚒𝚘́𝚗 𝚢 𝚎𝚡𝚙𝚛𝚎𝚜𝚒𝚘́𝚗 𝚌𝚞𝚕𝚝𝚞𝚛𝚊𝚕 𝚢 𝚝𝚛𝚊𝚍𝚒𝚌𝚒𝚘𝚗𝚊𝚕 𝚚𝚞𝚎 𝚊 𝚝𝚛𝚊𝚟𝚎́𝚜 𝚍𝚎𝚕 𝚋𝚊𝚒𝚕𝚎 𝚢 𝚌𝚊𝚗𝚝𝚘 𝚎𝚡𝚙𝚛𝚎𝚜𝚊𝚗 𝚕𝚊𝚜 𝚑𝚊𝚋𝚒𝚕𝚒𝚍𝚊𝚍𝚎𝚜, 𝚌𝚘𝚜𝚝𝚞𝚖𝚋𝚛𝚎𝚜 𝚍𝚎𝚕 𝚑𝚘𝚖𝚋𝚛𝚎 𝚊𝚗𝚍𝚒𝚗𝚘 𝚌𝚘𝚗 𝚞𝚗 𝚌𝚊𝚛𝚊́𝚌𝚝𝚎𝚛 "𝚂𝚊𝚌𝚛𝚊 - 𝚛𝚒𝚝𝚞𝚊𝚕" 𝚑𝚊𝚌𝚒𝚊 𝚕𝚊𝚜 𝚍𝚒𝚟𝚒𝚗𝚒𝚍𝚊𝚍𝚎𝚜 𝚊𝚗𝚍𝚒𝚗𝚊𝚜: 𝚌𝚎𝚛𝚛𝚘𝚜 (𝚊𝚙𝚞𝚜 - 𝚆𝚊𝚖𝚊𝚗𝚒), 𝚝𝚒𝚎𝚛𝚛𝚊 (𝚖𝚊𝚖𝚊𝚙𝚊𝚌𝚑𝚊), 𝚊𝚜𝚝𝚛𝚘𝚜 (𝚒𝚗𝚝𝚒, 𝚚𝚞𝚒𝚕𝚕𝚊, 𝚚𝚘𝚢𝚕𝚕𝚞𝚛) 𝚢 𝚑𝚊𝚌𝚎𝚛𝚎𝚜 𝚍𝚎𝚕 𝚌𝚊𝚖𝚙𝚘 𝚌𝚘𝚖𝚘 𝚎𝚕 𝚝𝚛𝚊𝚋𝚊𝚓𝚘 𝚍𝚎 𝚕𝚊 𝚌𝚘𝚖𝚞𝚗𝚒𝚍𝚊𝚍 𝚢 𝚏𝚒𝚎𝚜𝚝𝚊𝚜 𝚛𝚎𝚕𝚒𝚐𝚒𝚘𝚜𝚊𝚜.

# data[].attributes.body
𝙴𝚕 𝚟𝚎𝚜𝚝𝚞𝚊𝚛𝚒𝚘 𝚎𝚜𝚝𝚊́ 𝚌𝚘𝚗𝚏𝚘𝚛𝚖𝚊𝚍𝚘 𝚙𝚘𝚛 𝚙𝚕𝚞𝚖𝚊𝚓𝚎, 𝚜𝚘𝚖𝚋𝚛𝚎𝚛𝚘, 𝚙𝚎𝚕𝚞𝚌𝚊, 𝚙𝚎𝚌𝚑𝚎𝚛𝚊, 𝚌𝚊𝚖𝚒𝚜𝚎𝚝𝚊, 𝚌𝚊𝚜𝚊𝚌𝚊, 𝚏𝚊𝚓𝚊, 𝚙𝚊𝚗𝚝𝚊𝚕𝚘́𝚗, 𝚖𝚊𝚗𝚐𝚊𝚜, 𝚌𝚊𝚕𝚌𝚎𝚝𝚒𝚗𝚎𝚜, 𝚣𝚊𝚙𝚊𝚝𝚒𝚕𝚕𝚊𝚜, 𝚙𝚊𝚗̃𝚞𝚎𝚕𝚘𝚜, 𝚐𝚞𝚊𝚗𝚝𝚎𝚜 𝚢 𝚙𝚘𝚛 𝚜𝚞𝚙𝚞𝚎𝚜𝚝𝚘 𝚝𝚒𝚓𝚎𝚛𝚊𝚜, 𝚎𝚕 𝚌𝚞𝚊𝚕 𝚎𝚜𝚝𝚊́ 𝚌𝚘𝚗𝚜𝚝𝚒𝚝𝚞𝚒𝚍𝚘 𝚙𝚘𝚛 𝚞𝚗𝚊 𝚝𝚒𝚓𝚎𝚛𝚊 𝚑𝚎𝚖𝚋𝚛𝚊 𝚢 𝚘𝚝𝚛𝚊 𝚖𝚊𝚌𝚑𝚘.

# data[].attributes.body
𝙻𝚊 𝚍𝚊𝚗𝚣𝚊 𝚜𝚎 𝚎𝚓𝚎𝚌𝚞𝚝𝚊 𝚎𝚗 𝚌𝚞𝚊𝚍𝚛𝚒𝚕𝚕𝚊𝚜 𝚢 𝚌𝚊𝚍𝚊 𝚞𝚗𝚊 𝚍𝚎 𝚎𝚕𝚕𝚊𝚜 𝚏𝚘𝚛𝚖𝚊𝚍𝚊 𝚙𝚘𝚛 𝚞𝚗 𝚋𝚊𝚒𝚕𝚊𝚛𝚒́𝚗, 𝚞𝚗 𝚊𝚛𝚙𝚒𝚜𝚝𝚊 𝚢 𝚞𝚗 𝚟𝚒𝚘𝚕𝚒𝚗𝚒𝚜𝚝𝚊, 𝚍𝚘𝚗𝚍𝚎 𝚛𝚎𝚙𝚛𝚎𝚜𝚎𝚗𝚝𝚊 𝚊 𝚞𝚗𝚊 𝚌𝚘𝚖𝚞𝚗𝚒𝚍𝚊𝚍 𝚘 𝚞𝚗 𝚙𝚞𝚎𝚋𝚕𝚘 𝚍𝚎𝚝𝚎𝚛𝚖𝚒𝚗𝚊𝚍𝚘.

# data[].attributes.headline
ＬＵＧＡＲＥＳ ＤＯＮＤＥ ＳＥ ＢＡＩＬＡ

# data[].attributes.subject
ＬＵＧＡＲＥＳ ＤＯＮＤＥ ＳＥ ＢＡＩＬＡ

# data[].attributes.body
D𝚊𝚗𝚣𝚊 𝚘𝚛𝚒𝚐𝚒𝚗𝚊𝚛𝚒𝚊 𝚍𝚎 𝚕𝚊 𝚛𝚎𝚐𝚒𝚘́𝚗 𝚌𝚑𝚊𝚗𝚔𝚊 𝚎𝚗 𝚎𝚕 𝙿𝚎𝚛𝚞́, 𝚚𝚞𝚎 𝚙𝚘𝚜𝚝𝚎𝚛𝚒𝚘𝚛𝚖𝚎𝚗𝚝𝚎 𝚏𝚞𝚎 𝚍𝚒𝚏𝚞𝚗𝚍𝚒𝚍𝚊 𝚊 𝚕𝚊𝚜 𝚛𝚎𝚐𝚒𝚘𝚗𝚎𝚜 𝚍𝚎 𝙷𝚞𝚊𝚗𝚌𝚊𝚟𝚎𝚕𝚒𝚌𝚊, 𝙰𝚢𝚊𝚌𝚞𝚌𝚑𝚘 𝚢 𝙰𝚙𝚞𝚛𝚒́𝚖𝚊𝚌.

# data[].attributes.body
𝙻𝚊 𝚍𝚊𝚗𝚣𝚊 𝚍𝚎 𝚝𝚒𝚓𝚎𝚛𝚊𝚜 𝚜𝚎 𝚟𝚒𝚎𝚗𝚎 𝚒𝚗𝚝𝚎𝚛𝚙𝚛𝚎𝚝𝚊𝚗𝚍𝚘 𝚝𝚛𝚊𝚍𝚒𝚌𝚒𝚘𝚗𝚊𝚕𝚖𝚎𝚗𝚝𝚎 𝚙𝚘𝚛 𝚕𝚘𝚜 𝚙𝚘𝚋𝚕𝚊𝚍𝚘𝚛𝚎𝚜 𝚢 𝚕𝚊𝚜 𝚌𝚘𝚖𝚞𝚗𝚒𝚍𝚊𝚍𝚎𝚜 𝚚𝚞𝚎𝚌𝚑𝚞𝚊𝚜 𝚍𝚎𝚕 𝚜𝚞𝚛 𝚍𝚎 𝚌𝚘𝚛𝚍𝚒𝚕𝚕𝚎𝚛𝚊 𝚊𝚗𝚍𝚒𝚗𝚊 𝚌𝚎𝚗𝚝𝚛𝚊𝚕 𝚍𝚎𝚕 𝙿𝚎𝚛𝚞́ 𝚢, 𝚍𝚎𝚜𝚍𝚎 𝚑𝚊𝚌𝚎 𝚊𝚕𝚐𝚞́𝚗 𝚝𝚒𝚎𝚖𝚙𝚘, 𝚙𝚘𝚛 𝚙𝚘𝚋𝚕𝚊𝚌𝚒𝚘𝚗𝚎𝚜 𝚍𝚎 𝚕𝚊𝚜 𝚣𝚘𝚗𝚊𝚜 𝚞𝚛𝚋𝚊𝚗𝚊𝚜 𝚍𝚎𝚕 𝚙𝚊𝚒́𝚜. Este es un homenaje a las montañas protectoras o apus que cuidan del pueblo. Por ello, su ejecución va acompañada de un colorido vestuario.