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My big takeaway from both panels is that no two movies are the same. No set works the same way, no writer has the same process, and I think that is what allows the artistic aspect of making movies to really flow.

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I really didn't understand a lot of the fuss over the producer credit. I imagine anyone fighting over that name tag is probably making a lot of money regardless, but it was an interesting industry-squabble to learn about.

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I liked hearing Ghram talk about working with Martine Scorsese and how experimental they were working on Hugo.

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"There is a finite amount of money..." is not something I expected to hear from people in Hollywood.

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Brad Pitt must be a busy dude.

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I liked hearing about the writers' personal processes and approach to writing. Goes to show that even the best in the business have to wrestle with their own creativity, but what matters is that they work persevere through the writers' block.

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I find it interesting that writers go on their own journey of basically creating problems from scratch for their characters to go experience. It's a hard process to imagine because all of our problems are naturally-occurring.

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Something I picked up on hearing all of the panelists talk, I think that they all share one goal of getting a message across. They all share a level of patience and care for their projects that shows that they really want to say something with their films.

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I think it is a real talent to compress real stories that span over years, sometimes decades into a 2-2.5hr film.

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I enjoyed hearing Aaron talk about the different takeaways that people got from The Social Network. I think it goes to show the subjectivity of art as a whole and speaks to the value of personal perspective.

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The attention to detail that goes into crafting a script, a character arc, or a movie in general is extensive and genuinely impressive.

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I LOVED hearing the reasons that some of the writers picked up particular projects because of specific, niche connections they had to the stories they wanted to tell.

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It is refreshing to hear people that deal in movies actually talk and be excited about storytelling as an art form

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I find the producer-director dynamic fascinating. I figured they worked closely together, but the way the producers on the panel are talking about their directors, they truly sound like they're talking about they're friend who just so happens to be a co-worker.

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The amount of vision and foresight required to be a producer is pretty daunting.

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I admire the dedication to one's craft. Dedicating years of your life to a project that runs into consistent road blocks or takes longer to get off the ground than you expect is no east feat.

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Pretty cool how so many people are able to work together to create art

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Just hearing these people talk about the amount of coordination required makes me wanna take a nap

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Did you guys know that the budget for 'Moneyball' (~$50M) was roughly almost as much as the Oakland Athletics' payroll in 2001 adjusted for inflation (~$58M)?