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My character name is：Spark，she always so lazy

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The girl was suddenly broken up with, and the way she was told was that the man had sent him an email, which probably meant, I've had a very painful time, I love you very much, and I know you love me very much, but I'm going to leave you, but I will love you forever, and this sudden breakup caused the girl great pain. So as an artist, she found 107 women of different professions to interpret and analyse the letter in various ways, as a way to heal the soul, and participated in the 52nd Venice Biennale in 2007 with a video installation of textual performances.

French artist Sophie Carr's representative work, Take Care of Yourself, takes its name from the last sentence of a break-up letter sent to her by her ex-boyfriend. She thought it was full of hypocrisy and cunning, with a certain amount of concern, but also seemed very superfluous, but Sophie Carr also started to treat herself from this sentence. She sought out 107 women to interpret the breakup letter the girl received after being dumped from the perspective of their respective professions, including a lawyer-dancer, psychiatrist, Olympic athlete, psychologist, tarot card teacher, gender expert, crime expert, writer, and so on, as well as a female parrot.

By various means, each word, phrase nuance and possible meaning was analysed and 107 answers emerged to form a comprehensive reading of the letter. From psychic reactions to scientific research, from fairy tales to divine revelations, from anthropology criminology philosophy to psychiatry, from the perspective of theatre opera soap operas. Its a detailed exploration, of the grieving process of breakups and heartbreaks as well as a critique of the pain caused by the man's use of email as an escapist, and so cruel, way of announcing the breakup.

The artist exhibits the letter by anonymising the hero as Ickes. The French lawyer's reading of the letter concluded that Aix could be sentenced to up to two years in prison. The psychoanalyst tried to find a path to reconciliation. The literalist team members broke down the text in detail, even down to the way punctuation was used. The clothing designer used this to create a blue shirt, a headhunter, as a way of analysing his predecessor's limited ability to do his job. The female parrot treated the letter like food, taking it in her beak and tearing it apart repeatedly. The full-time mother reads this letter while chopping onions, snot and tears smeared on the paper, and so many different ways.

Through the participation of other women, the letter is turned into a bit of fascinating research and a deeply moving experience. In depth, the letter eventually disappeared into the exhibition, and the installation, composed in the form of video, photographs and texts, transformed what was originally a humiliating, private pain into a transcendent social act, and naturally the pain disappeared as well. This almost encyclopaedic library of multifunctional responses makes this work a generous, humanitarian and even liberating one.

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Sophie Calle, Detail from Take Care of Yourself, 2007

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NEW YORK-The Paula Cooper Gallery is pleased to present the first U.S. exhibition of Sophie Calle's Take Care of Yourself, a body of work created for the French Pavilion of the 2007 Venice Biennale. The show will open on 9 April 2009 and will remain on view through May at 534 West 21st Street.

I received an email telling me it was over.
I didn't know how to respond.
It was almost as if it hadn't been meant for me.
It ended with the words, "Take care of yourself."
And so I did.
I asked 107 women (including two made from wood and one with feathers),
chosen for their profession or skills, to interpret this letter.
To analyze it, comment on it, dance it, sing it.
Dissect it. Exhaust it. Understand it for me.
Answer for me.
It was a way of taking the time to break up.
A way of taking care of myself.

In this "tour de force of feminine responses...executed in a wild range of media," Sophie Calle orchestrates a virtual chorus of women's interpretations and assessments of a breakup letter she received in an email. In photographic portraits, textual analysis, and filmed performances, the show presents a seemingly exhaustive compendium with contributions ranging from a clairvoyant's response to a scientific study, a children's fairytale to a Talmudic exegesis, among many others. Examining the conditions and possibilities of human emotions, Take Care of Yourself opens up ideas about love and heartache, gender and intimacy, labor and identity. 107 women (including a parrot) from the realms of anthropology, criminology, philosophy, psychiatry, theater, opera, soap opera and beyond each take on this letter, reading and re-reading it, performing it, transforming it, and pursuing the emotions it contains and elicits.

Since the late 1970s, Sophie Calle has made work that investigates provocative and often controversial methods for confronting her emotional and psychological life. She is well-known for her sleuth-like explorations of human relationships, which led her to follow a stranger in the streets of Venice and document his every move, or to find work as a hotel chambermaid in order to photograph the belongings of the hotel's guests. Calle's work has been shown in international venues including the Institute of Contemporary Art (Boston), the Centre Georges Pompidou (Paris), the Musée d'Art Moderne de la Ville de Paris, the Museum Boymans van Beuningen (Rotterdam), the Tel Aviv Museum of Art, and the Hara Museum of Contemporary Art (Tokyo), among others.

Take Care of Yourself was first presented at the French Pavillion in the 2007 Venice Biennale. It traveled to the Bibliothèque Nationale, Paris (4/1 - 6/7/08) and to DHC/ART, Montréal, Canada (7/4 - 10/19/08). It is scheduled to continue traveling to various international venues, including Sao Paulo, Rio de Janeiro and Salvador de Bahia, Brazil, in 2009 and 2010. In addition, the artist will have one-person exhibitions at the Whitechapel Gallery in London (Oct. 2009), the Palais des Beaux-Arts, Brussels (5/26/09 - 9/13/09) and the DePont Foundation, Tilburg, The Netherlands (1/16/10 - 5/16/10).

A catalogue titled Take Care of Yourself was published by Actes Sud in 2007.

For more information, please contact the gallery: (212) 255-1105 or
info@paulacoopergallery.com

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Paula Cooper Gallery opened in Soho in 1968 and has been based in Chelsea since 1996. Exhibitions focus on conceptual and minimal art, and the gallery frequently hosts performances and special events.

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YouTubeYouTube《Poor Things》2款预告, 视频播放量 75369、弹幕量 62、点赞数 2088、投硬币枚数 86、收藏人数 1284、转发人数 942, 视频作者 Seasaltpearl, 作者简介 美丽的外表需要和优美的旋律相映生辉
优秀的电影和剧需要查漏补缺，相关视频：【中字】石头姐难绷自己丑照，2023威尼斯 大尺度金狮奖影片 -《可怜的东西》(中字) EmmaStone谈 金狮奖最佳影片，Emma Stone 珍惜你的敏感 它很珍贵，石头姐真是格温本温！，“它的每一帧都充满着怪诞美学”-《可怜的东西》 恭喜石头姐二封金球奖影后，剑指奥斯卡影后！，震惊！石头姐也是芭比？！，精神状态：Olivia Rodrigo，一分钟带你看完石头姐的成名之路，霉霉新歌【When Emma Falls In Love】，《关于我死去的cp又开始攻击我那回事》

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This movie's based on a novel by Scottish writer Alasdair Gray, mixing realism, fantasy, and sci-fi vibes, kinda like a revamped Frankenstein tale, set in the late Victorian era（a rua）. It follows Bella (played by Emma Stone), this woman who escapes her abusive husband but tragically kicks the bucket, then gets brought back to life by a scientist. Only twist? Her mind's stuck in childhood, but she's all curious about the unknown. So, she runs off with this wild lawyer, embarking on this self-discovery adventure, trying to shake off society's bias against women and go for equality and sexual freedom. Bella's like the star of the show, super clear on her mission—figuring herself out and the world around her.

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美美哒石头姐最新扣熊秀聊 “Poor Things”| Emma Stone 艾玛斯通_哔哩哔哩_bilibili

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美美哒石头姐最新扣熊秀聊 “Poor Things”| Emma Stone 艾玛斯通, 视频播放量 2686、弹幕量 1、点赞数 49、投硬币枚数 5、收藏人数 50、转发人数 1, 视频作者 VV418518, 作者简介 感谢各位粉粉的三连欣赏喜欢与支持哦，笔芯^_^，相关视频：【中字】石头姐难绷自己丑照，艾玛·斯通和英国人比英音，【复燃】艾玛·斯通最爱的四部电影（Four Favorites with Emma Stone），【中字】艾玛斯通 EmmaStone讲自己在演出时候，因为视力不好，隐形眼镜掉了（大概眼睛太大了），什么都看不到了[允悲]然后当时慌张的样子笑死人了，最后让别人，【话题】艾玛斯通喜欢 K-Pop？！，最新-石头姐和导演Yorgos Lanthimos 默契大挑战 | Emma Stone 艾玛斯通，【Emma Stone】石头姐最新做客鸡毛秀【中英熟肉】聊到当年奥斯卡的大乌龙 还有在各种大明星面前哭的石头姐 呆萌莫名被鸡毛cue到 宣传新电影Cruella，霉霉的last kiss差点把石头姐唱哭🥺…… Taylor Swift Emma Stone，【La La Land】“是的，我们拯救了爵士乐！”，【SNL】敬业女演员在基片里贡献精湛演技