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Pixar's Nelson “Rey” Bohol was part of Inside Out, Monsters University, Brave, WALL-E, Ratatouille, Cars, and Finding Nemo. He graduated Architecture at Manuel L.

Nelson Bohol is a Filipino animator and visual development artist known for his work with Pixar Animation Studios. His journey into animation began in the Philippines, where he nurtured his passion for art and storytelling. Bohol studied architecture at the University of Santo Tomas in Manila, but his interest in animation led him to pursue a different path.

Bohol initially worked as an architect before moving to the United States. In the U.S., he started working in various artistic roles before landing a job at Pixar. His architectural background gave him a unique perspective in animation, allowing him to design intricate and detailed environments for animated films.

His big break in the international animation scene came when he joined Pixar. At Pixar, he worked on numerous blockbuster films, contributing his talent to the visual development and design of environments. Bohol's work is noted for its attention to detail and creativity, often inspired by his experiences and heritage.

Some of his most famous works include his contributions to films like "Finding Nemo" and "The Incredibles". He was responsible for designing many of the iconic underwater environments in Finding Nemo and worked on various sets and environments in The Incredibles. More recently, he contributed to films like "Coco" and "Luca", where his work continued to shine in creating culturally rich and visually stunning settings.

Bohol's success in the international animation scene is a testament to his skill, creativity, and the influence of his cultural background on his work.

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Ruben Azama Aquino is a prominent American animator, best known for his work at Walt Disney Animation Studios. Born in Okinawa, Japan, and raised in the U.S., Aquino studied at the University of Pennsylvania before beginning his animation career. He joined Disney in the early 1980s during a period of resurgence for the studio, quickly becoming known for his talent in character animation.

Aquino contributed to several iconic Disney films, bringing to life memorable characters like Maurice in Beauty and the Beast (1991), Ursula in The Little Mermaid (1989), Simba in The Lion King (1994), and Chief Powhatan in Pocahontas (1995). His ability to create diverse and expressive characters made him a key figure in Disney's Renaissance era, a time when the studio produced many of its most beloved and successful animated films.

After a distinguished career, Aquino retired from Disney, leaving behind a legacy of animated characters that continue to be celebrated by audiences worldwide. His work remains a testament to his skill and creativity in the world of animation.

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Armand Serrano is a well-known Filipino-American visual development artist and production designer who has made significant contributions to the animation industry. Born in Manila, Philippines, Serrano studied architecture at the University of Santo Tomas before transitioning into animation. His architectural background heavily influenced his approach to visual development, giving his work a distinctive and detailed style.

Serrano began his career in animation in the Philippines before moving to the United States, where he joined Walt Disney Animation Studios. Over the years, he worked on several major animated films, including Mulan (1998), Lilo & Stitch (2002), and Big Hero 6 (2014). His expertise in environment design helped create the unique and immersive worlds seen in these films.

In addition to his work with Disney, Serrano also worked with other top studios like Sony Pictures Animation, where he contributed to projects like Surf's Up (2007) and Hotel Transylvania (2012). His work in visual development and production design has earned him recognition as one of the leading artists in the animation industry.

Serrano continues to be active in the animation community, sharing his knowledge through workshops and lectures worldwide. His contributions to both Disney and Sony Pictures have left a lasting impact on the visual style and storytelling of modern animated films.