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we created 3D sculptures out of paper and used colourful lights. i like the curling and shape of the sculpture but i'm not a fan of creating abstract pieces

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i then cut a piece of paper and used my nail to add curves to the strips and taped it to the top of the base to mimic a plant pot

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to create the base i folded a piece of square paper and cut the fold perpendicularly and taped the edges together creating a vase shape

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i then created a base so the sculpture wouldn't fall to make it more interesting i suck strips that folded and warped in on itself.

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imade the bow by folding a piece of paper in two different ways and then pinched the middle and stuck it down. i decied to make a bow because twirl is a synnonm of revolution and twirl made me think of girly things like bows and ribons

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i foled a star and it remined me of my mind map and how spurs were on it and i wanted to make the star able to spin and REVOLVE so i made a stick out of paper and pirsed it through the middle, i then stuck pieses of tap on ether side to keep it from falling off

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i mad some paper lace to go around the bow by folding it in on its self and then cutting out a pattern

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I did photo editing with old photos i had of an old pocket watch i had taken a part. i like the final out come because of the grungy textures and sickly colours but i didn't enjoy the process because of the finickiness of working with a mouse i also found it difficult to find the tools i need but i believe its due to lack of familiarity with the software.

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i stared by using the select tool to select a lock that was in one of my photo i then copped and pasted it onto another page i then duplicated it and mured the layers, creating a chainmail link of locks. i then cut out the middle of another image and moved the chainmail onto the page making sure the chainmail layer was underneath the circle layer. i then set the chainmail layer to overlay and added static onto the circle layer by going into filters then going to noise.

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i wanted to add a shadow to the circle layer so i went into FX and added a drop shadow, lastly i adjusted the colours by clicking on adjustments and playing around with the hue until i was happy with my out come.

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Jamie Reid is an english visual artist that is best known for his work for the punk rock band "the sex pistols". His work is synonymous with punks, anarchist and rebels. his work often went against public opinions such as the sex pistol cover "god save the Queen". In his work he create collages of pop culture icons with saturated colours and often crude message made from cutout words, referred to as a ransom note style. creating a sense of mockery which showed his punky rebellious spirt.

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when looking through magazines i came across pictures of a tart with cream and strawberry with remind me of the quote "let them eat cake" attributed to Merry Antoinette during the french revolution.

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Reid is known for his use of vibrant colours and provocative collages i wanted to use those elements to show how women are sexualised and degraded by using words like DISGRACE and Doll to emphasise the point.

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Initial thoughts on revolution (spinning) 

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Initial thoughts on revolution (spinning) 

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for this mind map i looked at anything the spins or revolves i also looked a synonyms of revolution.

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i wanted to look at the idea of revelation and not a specifice movement. i looked at the loud fighting and riots that come to mind but i also looked at the quieter individual of a revolution like not changing your principle even when those around you have different ones. i liked this more so i stuck with it and got the theme of "being content in madness.

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For this kind map I wanted to look at what madness and content was and how they are antonyms of each other. I liked the idea of a dystopia and I liked the absurdism that content comes with that there is no point and trying to find one is silly so why not live being happy.

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i wanted to look at different iterations of zombies because i think they will be a good symbol of madness due to the idea of losing yourself and not being in control i also wanted to contrast them with a peaceful meadow or field as those are also symbols o being content.

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for my photos i wanted to have a collection of anything with death imagery like skeletons, dead animals, and insects because i would like to have something to help me inform my zombie design. i also have lots of imagery of nature because that will help me create the surroundings and set of my story.

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Another reason Zombie media is so beloved is because of the zombies and how varied they are from being a result from witchcraft to a virus to a fungus taking over your body when you die. This means that even tho they are the same thing zombies may have different attributes giving lots of creative freedom to create a menacing theat to the survivors.

Zombies can also be used as a tool to convey a message, like being a metaphor for greed or to show the dark side of humanity with out a government.

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deciding what the zombies are like is the most important thing in a zombie apocalypse story because they are the rule you as a writer have to abide by, if you tell the reader that the zombies cant climb ladders but in a chase seen they do for plot convenience the reader will feel cheated so its important to keep in mind the rule you've set.

With that in mind i began designing, for the infection to spread the black ooz must enter the body this could be through and open wound, contaminated water, contaminated food or prolonged exposure to the gas produced (this could be by breathing it in, or not wearing eye protection. They actively seek to infect others but inflicting wounds with there ooz soaked claws. if action is taken fast enough amputation is a viable means to stop the infection.

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I wanted two designs, one when the zombies first appeared and one after a few year after meeting Dawn, I wanted to make him look unstable and unhealthy to show his madness

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Emrick was an office worker before the virus appeared he wanted to be a teacher but never got the grades and didn't marry because the economy was too bad, when the virus out break began he was locked in his office block and only left after food ran out during this time his sanity crumbled and despair swallowed him he didn't care if the zombies got him that was until he found a scared little girl. she was completely alone i was a mystery how she survived on her own. they left the city and found a meadow with a tree house and a babbling brook. they settled there learning to forage food and survive off the land creating a safe paradise for the two.

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i wanted him to look more stable so I pushed his shape to be more of a rounded square so gave him more mussel and fat and gave him a beard

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i wanted her design to compliment Emrick's to even though her main shape is a circle there are some square elements

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i wanted to draw some activity the two might do in their daily lives, like reading a book, picking fruit and huddling for warmth during cold nights.

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i wanted to have a concept of what the tree house looked like and what Emricks old office would look like to explore what he's like as a person, i think he would have lots of plants because he would be a very nurturing person, and this would give him some basic knowledge of plants which would make it more likely that he would know how to forage.

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If a zombie were to sneak up on Dawn she wouldn't be fast enough to run away so the best thing to do wound be for her to be in protective gear like thick wellys that wont rip, a waterproof rain coat and tough trousers all of this may slow her down while running but it would keep her safe overall.

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He original wasn't going to be grey but i ended up liking it. his design had to be practical for his environment so i took the season the story was set in into consideration, autumn. His cloths had to be light but still warm.

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As a class we looked at flags and banners and how they hold meaning and represent a cause, i decided to look at the Brazilian flag because it was one of the few flags with out red. i found out that the blue represented the night sky, the yellow rhombus represented gold, the green represented Brazil's plants and foliage and that it had 27 stars to represent all of its states.

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i preferred the colours of the real life doll so i changed the colours

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to modify the flag i decide to create a collage of what the colours represent. i then stared to look at some political problems the country has and i found then it is the 6th leading country in green house gas emitions due to the deforestation of the amazon.

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i had looked at different layouts for my word and different styles i found i preferred the more scratchy writing as it conveyed the out rage for the issue very well.

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AI generated by canva

to create these images i had to type words into a engine and the Ai would create images based off the words.

because Ai can only copy what its seen i think its a good way to get inspiriting for pieces because you can give it a general idea.

but i don't think it such ever be used to create a stand alone image because it isn't your art, it is an amalgamation of others art and you can't pinpoint the artists responsible so i don't think it should be profitable.

i also think for a story telling purpose its not very good because it doesn't matter how many words you use it can never recreate exactly what you are thinking.

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AI generated by canva

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AI generated by canva

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AI generated by canva

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AI generated by canva

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Initial resurch on the zombie apocalypse genre 

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Initial resurch on the zombie apocalypse genre 

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The zombie apocalypse is a beloved trope in all media; movies, books, games, graphic novels, you name it. I often focused on a group of survivors and focused on the effect to the apocalypse. Most have a bleak out look and often have tragic deaths, which is only heightened with the trope of found family. Found family is a very common trope and most well known is a father-daughter relationship, this can be seen in tell tails ‘ The Walking Dead’ and naughty dogs ‘The Last Of Us’ where an older man finds a young girl who is unable to protect herself and essentially adopts her. Tragically this ends with one of the two dying. I think I would like to include this trope but give it a happy twist.

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Jackson Pollock was a revolutionary in the art world putting into question how paint gets put onto a canvas. He would splatter paint onto the canvas and let it drip off the brush capturing the movement of the paint.

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for my response i wanted to think out side the box by using any thing but a paint brush like a popsicle stick and a piece of string. I would first splatter the paint onto the paper and use the stick to scrap the paint around. I found the splattering to be very effective because of the texture it added. to show movement I would flick my wrist. i liked how splattering created a messy look I think it would make a good way to depict madness because of the fluid nature. I would like to incorporate this fluidity into my interpretation of zombies

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At the beginning i was practicing drawing while using a mouse. i started by creating the line art and then on a layer below i coloured it in. i would change the size of the brush to fill in big areas and little details. when using illustrator i worked in layers first putting Down my lines then painting in the colour i kept these on different layers

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if i import an image or drawing i did into illustrator i can colour it but pressing trace image and fiddling with the black and white toggle i can get the line art and i can colour it by working on the layer below.i used the gradient tool to create the transition in the brush strokes.

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i used the tracing tool to make a photo more like a graphic i then used the select tool to change all of a single colour to another.

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then then used the recolour tool to play around with the colours. in the original i purposely used complimentary colours to make the spider stand out and i found it really interesting to see what other complimentary colours looked like i found that the yellow want very affective because the coolers were desaturated creating a muddy sickly colour.

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i stared by drawing my sketch and then i used the shape tool to create an out line for the piece once i placed all the shapes and edited them i used the merge tool.

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out of all the techniques i used i like drawing the most i found i more enjoyable to create a new image then to work off of a photo. i do however, prefer drawing with a mouse because of the control i have.

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for this exercise we had to do something revolutionary, thing the we don't really do so i decided to do some special effects make up on my self i've never done this before and i don't use make up so this was a very different thing for me to experiment with. i first stared by using latex to stick Styrofoam balls to my hand to create a disgusting boil look. i used a make up sponge to give the latex a more textured skin-like look. i wanted it to look like my hand was melting so i created strings of latex to attach in between my fingers i then used ink to dye parts of my had, i focused on the latex parts and joints.

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i really liked how the final out come looked i was really happy with the liquified black tar look and i think i want to explore this more in my project. i think its such a good representation for madness because it is this slippery feeling of losing yourself and all your emotions mixing together creating feelings of anger, joy, sadness and disgust. after doing so many poses the latex in between my index and middle finger began to peel off

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Tony Moore is the illustrator of the walking dead comics and his style perfectly visualises Robert Kirkman's story, the grittiness of the art comes from the splatters and scratchy lines which conveys how terrible the world the characters live in. I also find that the bold shadows and the angular character design is very expressive which is very effective at telling a story. however what makes is so perfect is his skill at visual story telling like the facial expressions, body language and composition.

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while exploring adobe illustrator i went down a rabbit hole of drawing different expressions

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finding the exact colours in the concept art is difficult and the colours you do find are too thick or the wrong texture or they don't go with the others so to just go with the fabric i liked and change the colours in the art. i think these colours work so well is because it follows a split complimentary colour scheme and it has strong contrast; the blue contrasts because of how dark it is and the pink and green work well because they are complimentary. i also think these colours work better because it shows how young she is having bright colours.

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To make the body i created an armature wire base out of wire and coated it in glue soaked muslin cloth, i than coated it in a layer of latex but i didn't like the colour of it so i pealed it off.

after the body was made i could then start work on the head i wanted the doll to have different expression so i made multiple face plates that would come on and off by using small magnets. i wanted the head to be able to come on and off to make putting on her top easier.

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For the cloths i had looked at other clothing patterns and eyeballed the size it didn't mater if they were too big because i wanted that because it would make her look cuter, i could also size it down if i wanted too by stitching the seem which i did with the trousers.

her wig was made of paper and the most finicky to make i originally wanted to use pritt-stick glue to get a flatter effect however it dried to slowly and the hair wouldn't stay where i wanted it to so used hot glue instead. To make sure the wig sat securely on the head i had attached a piece of elastic that would hook under the dolls head to keep it in place.

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I'm very happy with how she came out i like how easy it is to pose her and how the different accessory come together to give her lots of depth. There are things i would have liked to add like her welly boots i didn't have time to make them and i would have liked to. i also would have liked to make the latex work however i don't have enough experience or knowledge to make it look skin like. Lastly i would have liked to make the face plats more complimentary to the head to make the line less noticeable.

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for this week we did a storyboard work shop and i first did a mind map of the stories i could tell i looked at Dawn and what her and Emrick do in a day i also looked at there backstory's i wanted to explore the madness so i chose to storyboard a scene of Emrick having a mental break down, during the quarantine period of the out break.

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i wanted to convey the boredom, isolation and frustration he was feeling through wide shots and closeups, the scene shows Emrick sitting in his room and looking at an empty can of food and throwing it and punching his wall. a story bored is often used by camera people, actors, animators and editors. they are a great tool for organising the story and to save money, any video media can use them such as; movies, tv shows, advertisements and game cut scenes

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For this animation, I used Adobe animate software which is vector-based. to create this I drew out the background in adobe illustrate and imported it to adobe animate I did this with all the things I wanted to move individually. To get the arm to move I position the arms to where I wanted them to be in the keyframes and used the tweeting too to fill in the in-between frames. For this animation I didn't have a plan I was making it up as I went along I think this made me work very, next time I'll have a plan but I don't think I'll be using anymore animation this project

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Trip to Whitechapel and Technicolor Studio

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Trip to Whitechapel and Technicolor Studio

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i was un able to get any images form the Technicolor studio do to it having some sensitive information like film scenes from unreleased movies but was able to get images from the Whitchapel gallery and see some of Peter Kennards work. i was also able to see some amazing street art.

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Peter Kennard is a british photomontage artist, in his work he focuses on themes like greed and war his work often has high contrast gritty texture. his art is so stricking because of the symblois that he uses in his work creating hauntingly surreal works that stay with the viewer.

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Although i saw some really nice works i found it difficult to find any that linked to my project or that was in the style i wanted however i did find inspiration from Kennard for some world building aspects. Kennard often uses gas mask in his art and that made me think about when Emrick and Dawn would where a mask. They would need to scavenge for thing snd then would wear gas masks to not breath in the gas the zombies produce.

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for this work shop we had to cut glass bu scoring it with a scorrer soaked in oil and then pulling it and snapping it with pliers you would then organised the pieces on a clear glass base. my piece was inspired be an orange tree, there wasn't a square glass base so i used a rectangular piece. it s hard to create a round score line and event harder to cut so i would cut the corners of a square piece until it was round-ish, from square to hexagon to octagon. i like the piece but its shape and linups would need more considerating to make it something i would consider for my final piece which is soming posable be would be tedious

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top left- movement drawing

bottom left- 30 minute drawing

top right- 20 minute drawing

bottom right- negative space drawing

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For these I was deciding what lay out I wanted and the pacing of the comic. To show a flashback I mad the outer bit of the border black and I wanted the ending to be really tense so I made sure it would come as a shock when you turn the page

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i worked traditionally sketching and then inking i didn't add the text boxes because i would do that digitally later on

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i added the text boxes and extra shading to add textrue and back the dark bits darker i also adjusted the positioning of some thing.

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Jamie Reid: Punk artist behind Sex Pistols record covers dies at 76 - BBC News

https://www.usaid.gov/climate/country-profiles/brazil#:~:text=Brazil%20is%20the%20world's%206th,species%20may%20alter%20movement%20patterns.

Peter Kennard | British Contemporary Artist

Jackson Pollock - Abstract Art, Poured Works, Action Painting | Britannica

20 of the best horror artists for Halloween inspiration | Creative Bloq

https://www.youtube.com/watch?v=zmqNAyFpL3k

https://www.woodlandtrust.org.uk/visiting-woods/things-to-do/foraging/

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This article was most recently revised and updated by

Marie-Antoinette, in full Marie-Antoinette-Josèphe-Jeanne d'Autriche-Lorraine (Austria-Lorraine), originally German Maria Antonia Josepha Joanna von Österreich-Lothringen, (born November 2, 1755, Vienna, Austria-died October 16, 1793, Paris, France), Austrian queen consort of King Louis XVI of France (1774-93). Her name is associated with the decline in the moral authority of the French monarchy in the closing years of the ancien régime, though her courtly extravagance was but a minor cause of the financial disorders of the French state in that period. Her rejection of reform provoked unrest, and her policy of court resistance to the progress of the French Revolution finally led to the overthrow of the monarchy in August 1792.

Early life and role in the court of Louis XVI

In more than one sense, Marie-Antoinette was a victim of circumstance. In her youth, she was a pawn on the diplomatic chessboard of Europe, as France and Austria attempted to navigate the complex web of allegiances that shaped the continent in the wake of the Seven Years' War. The 11th daughter of Holy Roman Emperor Francis I and Maria Theresa, Marie-Antoinette was just 14 years old when she was married to the dauphin Louis, grandson of France's King Louis XV, on May 16, 1770. The stigma of being a representative of Austria when a connection with Vienna was unpopular in France remained with her throughout her life. She was also unfortunate that the timid, uninspiring Louis proved to be an inattentive husband. By the time he ascended the throne in May 1774, Marie-Antoinette had withdrawn to seek companionship and distraction among a circle of favourites and politically vulnerable companions whom she might have avoided if her private life had been more satisfactory. Her most intimate friend from this time onward was the princesse de Lamballe. It was ultimately her husband's personal weakness and political nullity that forced Marie-Antoinette to play such a prominent political role during the Revolution.

The role that she played in French internal and foreign policy between the accession of Louis XVI and the outbreak of the Revolution has probably been much exaggerated. Her efforts, for example, to secure the return to power of Étienne-François de Choiseul, duc de Choiseul, in 1774 were unsuccessful. The fall of finance minister Anne-Robert-Jacques Turgot in 1776 must be attributed to the hostility of chief royal adviser Jean-Frédéric Phélypeaux, comte de Maurepas, and to the differences that arose between Turgot and foreign minister Charles Gravier, comte de Vergennes, over French participation in the American Revolution rather than to the direct intervention of the queen. Marie-Antoinette was not, at that time, interested in politics except as a way of securing favours for her friends, and her political influence never exceeded that formerly wielded by the royal mistresses of Louis XV.

In foreign policy, she encountered the opposition of both Louis XVI and Vergennes in her efforts to advance Austrian interests, and it is certain that her brother, Emperor Joseph II, was gravely disappointed at her lack of success. Even her indulgence of the persistent requests of her favourites, such as Yolande de Polastron, comtesse de Polignac, did not entail a great drain on the treasury. Her other court expenditures contributed-though to a minor degree-to the huge debt incurred by the French state in the 1770s and '80s.

Louis XVI's inability to consummate their marriage and the queen's resultant childlessness in the 1770s inspired rivals-including the king's own brothers, who stood to inherit the throne if she did not produce a legitimate heir-to circulate slanderous reports of her alleged extramarital affairs. These vilifications culminated in the Affair of the Diamond Necklace (1785), in which the queen was unjustly accused of having formed an immoral relationship with a cardinal. The scandal discredited the monarchy and encouraged the nobles to vigorously oppose (1787-88) all the financial reforms advocated by the king's ministers. This incident was all the more unfortunate for the queen's reputation because, since the birth of her daughter Marie-Thérèse-Charlotte in December 1778 and of the dauphin Louis in October 1781, she led a quieter and more conventional life. Her second son, the future Louis XVII, was born in March 1785.

Though the queen had supported Jacques Necker's return to power at the end of August 1788 and had approved of the concession of double representation to the Third Estate, her unpopularity was at its height when the Estates-General convened at Versailles in May 1789. This was because she was regarded, though without justification, as an associate of the reactionary coterie of the king's brother Charles, comte d'Artois, and because of the aspersions cast on her character by the king's cousin, Louis-Philippe-Joseph, duc d'Orléans. At the end of May she seemed to have intervened little in politics, as she was distracted by the illness of her elder son, who died early in June.

During the crises of 1789 as well as those to come, Marie-Antoinette proved to be stronger and more decisive than her husband. After a crowd stormed the Bastille on July 14, 1789, the queen failed to convince Louis to take refuge with his army at Metz. In August-September, however, she successfully prodded him to resist the attempts of the Revolutionary National Assembly to abolish feudalism and restrict the royal prerogative. As a result, she became the main target of the popular agitators, whose animosity contributed to the legend that, on being told that the people had no bread, she callously remarked, "Let them eat cake!" ("Qu'ils mangent de la brioche!"). In October 1789 popular pressure compelled the royal family to return from Versailles to Paris, where they became hostages of the Revolutionary movement. During this time the queen had been deprived of the company of many of her most intimate friends, as they had emigrated after the fall of the Bastille, but she continued to display great personal courage that sustained the royal family both then and throughout its later disasters.

Because of Louis XVI's irresolution, Marie-Antoinette was to play an increasingly important part in the secret intrigues to liberate the royal family from its virtual captivity in Paris. In May 1790 the queen reached out to the comte de Mirabeau, a prominent member of the National Assembly who hoped to restore the authority of the crown. She never fully trusted Mirabeau, however, and the king refused to contemplate a civil war, which would have been the inevitable result of Mirabeau's initial plans. They called for an escape to the interior of France and an appeal for royalist support in the provinces. After Mirabeau's death in April 1791, the queen turned to émigrés and friends outside France for help. It was with the assistance of the Swedish count Hans Axel von Fersen, French aristocrat Louis Auguste Le Tonnelier de Breteuil, and royalist general François-Claude-Amour de Bouillé that the plans were laid for the flight of the royal family to Montmédy, on the eastern frontier. They arranged for the king and queen to escape from Paris on the night of June 20, but Revolutionary forces apprehended the royal couple at Varennes (June 25) and escorted them back to Paris.

End of the ancien régime and execution

Discredited by the royal family's failed escape, Marie-Antoinette attempted to shore up the rapidly deteriorating position of the crown by opening secret negotiations with the leaders of the constitutional monarchists in the Constituent Assembly, namely Antoine Barnave and Theodore and Alexandre de Lameth. Barnave and the Lameth brothers were anxious to check the progress of republicanism and to bring the Revolution to a close, and they gathered like minds under the banner of the Club of the Feuillants. The basis of their secret understanding with the queen was that, after the constitution had been revised so as to bolster the executive power of the king, it should be loyally accepted and implemented by Louis XVI. In foreign policy the aim of the Feuillants was to persuade the émigrés to return and to prevent Emperor Leopold II (Marie-Antoinette's brother) from being committed to a counterrevolutionary crusade against France.

The queen remained wary of Barnave and the Feuillants, and, although she acquiesced in the king's acceptance of the constitution in September 1791, she warned Leopold II that she was not in favour of either their domestic or foreign policy. Instead, she urged the necessity of an armed congress of the powers to negotiate from strength for the restoration of the royal authority. This duplicity paralyzed the pacific policy of the Feuillants and did not dissuade the émigrés from their more aggressive designs for the restoration of the ancien régime. After France declared war on Austria in April 1792, Marie-Antoinette's continuing intrigues with the Austrians further enraged the French. Popular hatred of the queen provided impetus for the storming of the Tuileries Palace and the overthrow of the monarchy on August 10, 1792.

Marie-Antoinette spent the remainder of her life in Parisian prisons. The princess de Lamballe, who remained loyal to the queen throughout the Revolution, was imprisoned along with her. Lamballe refused to take an oath against the monarchy, and on September 3, 1792, she was delivered to the hands of a Parisian mob; they cut off her head and paraded it on a pike outside Marie-Antoinette's windows. Louis XVI was executed on orders from the National Convention in January 1793, and in August the queen was put in solitary confinement in the Conciergerie. She was brought before the Revolutionary tribunal on October 14, 1793, and was guillotined two days later.
The Editors of Encyclopaedia Britannica
Adam Zeidan.

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Marie-Antoinette | Biography, Death, Cake, French Revolution, & Facts

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Marie-Antoinette, the ill-fated queen of France, scandalized society with her lavish lifestyle during a tumultuous era that ultimately led to her tragic downfall.

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I didn’t realise how much time I’d have left so I quickly made a cover I did it using procreate.