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I went to one of the stoops by my dorm and took a moment to absorb its surroundings. I consider its historical significance and thought about the people who have come before me, their stories, and how their experiences resonate with my own . I reflect on my personal connection to this space, recalling moments I have been here in the past. The age of location intertwines with the broader narratives of the place, creating a tapestry of meaning.

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In my improv to ‘Persuasive,’ I tried to capture the vibrant yet seductive tone the song gave off. The fusion of Dochii’s beats and SZA’s vocals inspired all the movements within my improvisation.

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The Introduction of the book challenges traditional performance spaces. By utilizing these non-traditional venues, choreographers redefine dance culture by creating movement that directly relates to one's surroundings.

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The text also delves into how performing in alternative spaces enhances audience engagement. When dance is presented in unconventional spaces it forces viewers to reconsider their usual expectations for watching a particular performance.

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After viewing the clips, Butoh is shown to be an extremely expressive vulnerable artistry. In this form of art dancers focus on prompts or topics rather than specific choreography. The videos explain how the entire artistry is based on the sensation of embodying a particular prompt or topic rather than trying to replicate it. Butoh dancers have a very particular look with pale skin and specific costuming, they are very distinguishable in Japanese culture.

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Something that is important to me is communication. This is so important to me because communication is something that is crucial to connecting with others and relaying your inner feelings and emotions. It enables effective collaborations allowing me to work closer to common goals. Overall, communication is something that helps me navigate through life.

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After experimenting with Butoh dance in my own time, I noticed a shift in how I would execute movement. It brought out a different quality that was more authentically true to my body and to what I’m exhibiting.

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To honor this spot, I create a small ritual that feels meaningful to me. I choose pick a flower representing my journey to the stoop. I find a quiet moment to sit in stillness, holding the object while I express gratitude for the memories associated with this place. Afterward, I place the object in the ground or nearby, marking the spot with intention.

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Once the ritual is complete, I think about how to document the experience. I decide to take photographs of the space, capturing both the broader environment and the specific location where I placed my object. I also bring awareness to my thoughts and feelings during the ritual noting the significance of the spot and the history it holds. This visual documentation preserves the essence of the experience.

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With the documentation ready, I consider how to share it with others. I choose to post some of the pics I collect over time. This sharing becomes a way to connect and engage with others, inviting them to explore their own relationships with significant spaces.

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In "On-Site," Stephan Koplowitz emphasizes the importance of site-specific performance and the intricacies that play into it. Specifically having to do with logistical considerations such as permissions, permits, and insurance. Based on this, a key takeaway that was revealed to me is the importance of creating a legal framework for your vision.

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After discussing this with one of my classmates she showed me things from a different perspective that I thought was worth sharing. She made me realize that having a legal framework is not only important for the success of the project, but the respect and awareness of the environment and the regulations that come with it.

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In Boston, public performance is governed through city regulations along with local ordinances. Choreographers are often required to obtain a permit based on the situation. Key considerations include ensuring public safety, managing noise levels, and respecting the rights of nearby resident

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During my 10-15 minutes of movement practice, I workshopped Echoes of Space, getting a deeper understanding of what I would want for my choreography. I created some natural movements incorporating pedestrian-like postures and gestures. It was refreshing to actually physicalize my idea and gave me a better grasp of intention.

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Although I wasn't there for the in-person discussion, Stephen Kaplowitz's introduction and the chapter on "Permissions, Permits, and Insurance," emphasizes the critical role of legal and logistical preparations in successful event planning. He outlines the various types of permits required for different events and the importance of obtaining appropriate insurance. This chapter serves as a practical guide, highlighting that thorough planning in these areas can prevent potential legal issues and ensure a smoother execution of events.

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Lemon’s piece delves into the intricacies of communication and its impact on interpersonal relationships. It explores how nuanced language and non-verbal cues shape our interactions, highlighting the importance of clarity and empathy in effective communication.

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The creator explains how misunderstandings often stem from assumptions, urging readers to engage actively and listen deeply to foster stronger connections. Overall, Lemon advocates for a mindful approach to communication to bridge gaps and enhance understanding.

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I went back home this weekend and walked through a forest at dawn. The air was cool and fresh, the ground soft with moss. The light filtered through the trees in patches, and the sound of a nearby stream was a gentle background hum. I started by grounding my feet, stretching slowly, then letting my body move instinctively with the landscape—arms sweeping like branches in the wind, feet adapting to the uneven earth, sometimes flowing into a lunge or a leap as if mimicking the agility of a forest creature. The environment was a drastic change from the city where I live back at school, giving me an out-of-mind euphoric feeling.

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The practice of standing still involves holding a stationary position for an extended period, focusing on deep breathing, and being fully aware of your body. This simple yet powerful exercise helped me improve balance, strength, and posture while calming my mind. By standing still, I can felt more grounded and present, allowing a sense of connection to the earth. This practice tests patience and concentration, and over time, it can reduce stress, increase focus, and bring a sense of clarity. It's a way to cultivate inner stillness, helping you to quiet the mind and connect more deeply with the moment.

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Reflecting on this practice I found that I do this more often than I think. I realize often when I am out in nature I fiddle with different plants and often sit and soak in the scenery. This is typically followed by a picture to capture the moment. I do this way more often than not which made me think of the ritual I made in week 5.

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Walking through the forest that morning felt like stepping into a different world—one where time slowed down and everything seemed to align with the natural rhythm of life. It was as if the forest invited me to become part of it, blending my movements with the flow of the landscape. The stillness of the trees, the soft earth beneath my feet, and the soothing sound of the stream brought a deep sense of peace. It was a reminder of how grounding and reconnecting with nature can offer a clarity that’s often lost in daily distractions.

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Anouk Van Dijk's work emphasizes the present moment, focusing on how we react to external stimuli and how perception shapes our interactions. Through layered movements and raw vulnerability, van Dijk encourages both dancers and audiences to explore deeper human experiences. Her pieces challenge traditional dance, turning it into a powerful tool for self-reflection and emotional exploration.

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For this practice, I chose my bed as the environment. The softness and comfort of the bed invited a sense of relaxation and surrender, creating a space to explore both grounded and fluid movement. I started by lying on my back, focusing on the sensation of the mattress supporting me, allowing my body to sink gently into the surface. I move into slow, deliberate stretches, feeling how the soft surface allows me to extend and release tension. Then, I engage in a sequence of slow, movements, allowing my arms and legs to flow like waves across the bed, embracing the softness beneath me while also pushing against the resistance of the surface. The confined space of the bed offers a feeling of comfort but also prompts me to notice how I navigate within such boundaries.

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The scores on the front and back cover likely reflect the physical and conceptual practices that guide the work of iLanding. This practice focuses on the way bodies interact with environments, often drawing from the natural world and human interaction with it while integrating technology into the practice of movement.