# data[].attributes.attachment_caption
Having traded his crown for a wizard's hat, without trading his crown.

# data[].attributes.body
Brother to Antonio

Overthrown by Antonio

Reads a lot, uses magic

Has a spirit servant named Ariel

Wants revenge on Antonio for obvious reasons

Is now a wizard

# data[].attributes.attachment_caption
A lord needs a subject, even if it's just a magical spirit that generates no tax revenue

# data[].attributes.body
Servant to Antonio

Was originally imprisoned in a tree, but freed by Prospero and is indebted to him

Wants freedom, but is pretty loyal anyways

Invisible, except to Prospero

Appears as a harpy later to convince the nobles they are being punished for mistreating Prospero

# data[].attributes.attachment_caption
For someone who's been in "exile" with her father since the age of 3, she sure has nice hair in my "imagination"

# data[].attributes.body
Daughter of Prospero

Wanted him to calm the storm that would shipwreck Antonio, Alonso, and others

Falls in love with Ferdinand

# data[].attributes.attachment_caption
Overthrew his brother, then got shipwrecked in a perfect moment of karmic backlash. He deserves this bad haircut too.

# data[].attributes.body
New Duke of Milan

Brother to Prospero

Overthrew Prospero

Tried to convince Sebastian to kill Alonso to become the King of Naples but gets thwarted by Ariel

# data[].attributes.headline
Ferdinand - Fantastic Filler / Romance Side Plot

# data[].attributes.subject
Ferdinand - Fantastic Filler / Romance Side Plot

# data[].attributes.body
Son of Alonso

Part of the shipwreck crew, but swam ashore by himself.

Falls in love with Miranda

Gets marriage blocked by Prospero (who's secretly fine with it and lets it happen later)

Becomes a slave to Prospero due to magic but tolerates it because of Miranda.

# data[].attributes.body
Worked with Antonio to help him overthrow Prospero

Part of the shipwreck crew

Has a really goofy servant named Stephano

Is almost murdered in his magic-induced sleep by Sebastian

Thinks Ferdinand drowned

# data[].attributes.body
Son of a witch who formerly resided on the island

Was an honorary family member of Prospero and Miranda until he got caught trying to do some unspeakable things to Miranda

Became a slave as a result of attempt to do aforementioned things

By the power of alcohol, is convinced Stephano is a god who can kill Prospero and be a better master, so serves him.

# data[].attributes.body
Supposed to be a butler, but seems to be more into drinking

Is friends with Trinculo but likes Caliban because Caliban thinks he's a god.

Shares a little of his wine with Caliban which convinces Caliban that he's a god.

Is convinced to try and kill Prospero but is thwarted surprisingly easily... twice.

# data[].attributes.body
A silly jester who swam ashore after the shipwreck

Is friends with Stephano BUT doesn't like how Stephano likes Caliban more.

Got drunk from Stephano's wine

Ended up giving away the party's location and got them chased away by spirits manifested as hunting dogs. Great job, Assassin Trinculo!

# data[].attributes.body
Advisor to Alonso

Part of the shipwreck crew

Knows that the others make fun of him

Actually gave Prospero some magic books and nice clothes before Prospero was exiled!

Tries to instill optimism in Alonso in regards to Ferdinand

Overall a swell, enjoyable fellow

# data[].attributes.body
A past resident of the island who left it in a sorry state

Gave birth to Caliban

Trapped the wonderful spirit Ariel

Overall does NOT seem like a swell, enjoyable fellow

Got nuked by Prospero

# data[].attributes.body
Power is a tool built from capability and perspective, wielded by knowledge. A strong, capable man with a blind perspective cannot utilize his power well to make educated decisions, but if one is not capable of the most basic things not even the most well-rounded perspective can empower them, and even if one boasts great perspective and outstanding capability it amounts to naught if they don't possess the knowledge to properly utilize them.

# data[].attributes.body
Knowledge is the hand that wields the tool that is power; Without knowledge, power has nearly no worth. But without power, knowledge can very easily be defeated as evidenced by Caliban being enslaved by Prospero despite knowing more at least in regards to the island.

# data[].attributes.body
A kind man with little strength or title will, at some point, hold more power than a man with insurmountable strength and the most prestigious title but not a drop of kindness.

One's connections have no small influence on their power.

This is proven by Stephano instantly recruiting Caliban with just some wine and a smile. Prospero could easily vaporize Stephano, even Caliban could likely decimate Stephano, but Stephano was kind to Caliban by sharing his wine and made himself seem worthy of Caliban's work by simply not being afraid of the storm. Caliban, upon receiving a taste of Stephano's wine, announced his thoughts on Stephano. "That's a brave god and bears celestial liquor. I will kneel to him" (Shakespeare, 2.2.121-122). No demonstration of rank was necessary, and the display of power was meager at best but Caliban chose to serve Stephano anyways.

# data[].attributes.body
Without ample context or knowledge, one's perspective can easily be altered. This is not unlike writing upon a clean slate, provided the person does not have an already established bias.

This is demonstrated by Ferdinand managing to get Miranda to accept his marriage "proposal" within 6 minutes of legitimate introductions being exchanged. He simply convinced Miranda that she is absolutely amazing and that he is an incredible specimen (the likes of which Miranda has never seen before, as she has never seen a male within the same general stage of life) that marriage to would bring great benefits. Of course, Miranda thinks this to be an excellent offer (A guy AND royalty status on top of royalty status she doesn't know about? That's anywhere from triple to quintuple benefits!) and agrees, saying "I am your wife if you will marry me" (Shakespeare 3.1.100).