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[PRODUCTION]Scene 1 Posters (Location 1)

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[PRODUCTION]Scene 1 Posters (Location 1)

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I helped mount the track onto the tripods as well as holding the tripods securely for a safe and pristine take with no shaking.

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Assisted with setting up equipment (c-stands and light)

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Assisted in holding camera. Also took a c-stand home and brought it back to set the next day.

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Had used a clapper to mark scenes within location 1 as well as location 2

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I had marked the shot here as well as moving equipment and props (mainly at the table area in front of the sofas)

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Luckily the weather was fine today, quite hot. Had to move the equipment across Peel Park. Assisted in the transportation with transporting camera. Had trolleys to help move larger amounts of equipment.

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Assisted with sound as PA. Was taller than Tia so I could hold the mic high up above the actors without the boom pole or microphone getting in the shot. Was a lot of hard work as we had to hold it for entire shots after a couple of takes, it felt like a workout.

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Equipment and props as well as food was transported in a shopping trolley as well as another trolley from New Adelphi building.

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We had a little break as this was known to be our most intense shoot day as we had missed filming a couple of scenes on due schedule. The weather was very unpredictable, cast and crew were quite cold as it was windy.

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Designed and printed out the leaflets, had to use duct tape to stick them down as the wind was quite harsh and was blowing the props away. We also had to use the double sided duct tap on the cloth as well.

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A bible prop was added last minute. It worked out great as an addition to the table.

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This was the props to the dream sequence scene. Similar to Scene 1 for continuity purposes, but we changed it up so that it didn't look right. Flipped the laptop over, apertures were placed in the tipped over cups.

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The budget was used to get pizza for the cast and crew. Everyone's energy was replenished and we had a positive mindset, ready to finish off the few shots we had left.

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We had used some jam biscuits as props, so no one could eat them (yet).

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The owner of the location we had rented out had put out tea for us, we took advantage of this and used it as props for the actors to use, even though Ocea had helped to bring in her own tea cups.

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Used Pinterest to find quotes as well as a style choice for what the aesthetic of the booklets would be.

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Wanted the posters to be professional and deliver a 'work ethic' vibe. Also decided to print off the typical workplace safety poster that you see in all workplaces.

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Designing the posters, ready to be printed off.

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Maxwell Building posters, inspiration for scene 1

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Maxwell Building posters, inspiration for scene 1

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"preparing the location shooting scene, props, transportation, and food for crew breaks are all details I call logistics. All the details of the logistics need to be pre-planned and brought up in the pre-production meeting."  Cartwright, S. (1996).  Pre-production Planning for Video Film and Multimedia. (1st ed.). Boston : Focal Press.

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The essentials of pre-production and how every decision we make can influence the future of the production, labelled as 'logistics'. It is essential to creating the director's vision.

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"Frequent location site changes, alternation between day and night shoots, and the generally long hours of feature film production require that the crew be picked with great care." Cleve, B. (2018). Film production management: how to budget, organize and successfully shoot your film. (4th ed.). Routledge.

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It is a commitment to show up on set and give your best performance. Actors aren't the only essential assets to film production, but massively those who work behind it as a team to ensure safety and efficient film creation.

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"The concept is the unifying principle that creates coherence in the visual identity of the film. Designers may hit on the concept on first reading the script or may need to research different aspects until they uncover something that makes sense." Barnwell, J. (2008). The fundamentals of film-making. Lausanne.

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Designing props that replicate the whole image of the movie. Using props to have continuity in the stylistic choices of a film, such as making the props designed to fit the aesthetic of the locations or current mood of a scene.