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Official ARTEXPRESS website featuring ARTEXPRESS News, Exhibition Dates and artworks

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ARTEXPRESS Virtual has been awarded the 2022 winner of Museums Australasia Multimedia Publication and Design Awards (MAPDA) in the Virtual Exhibition category (Level B). The judges said: 'An extremely impressive achievement, being both a virtual walkthrough and with supporting resources on the website.

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Rona Green is highly regarded for her fantastical figurative prints, paintings, poppets and drawings that explore ideas about the nature of individuality. She has been the recipient of numerous awards for her printmaking including the Geelong Print Prize, Swan Hill Print Acquisitive Award and Silk Cut Award for Linocut Prints Grand Prize. Her work is represented in over 70 public collections including the National Gallery of Australia. Rona is a fancier of Egyptian art, science fiction, B-grade movies, secret societies, tattooing traditions, combat sports, subcultures and the animal kingdom.

PAST EXHIBITIONS
2022 2020 2018 2015

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Rona Green is highly regarded for her fantastical figurative prints, paintings, poppets and drawings that explore ideas about the nature of individuality. She has been the recipient of numerous awards for her printmaking including the Geelong Print Prize, Swan Hill Print Acquisitive Award and Silk Cut Award for Linocut Prints Grand Prize.

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Introduction to printmaking (video) | Khan Academy

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Learn about the main types of printmaking: relief, intaglio and lithography. Did you know that MoMA offers studio courses online? Check out the list of offerings including online courses on collage and painting techniques.

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Printmaking is an artistic process based on the principle of transferring images from a matrix onto another surface, most often paper or fabric. Traditional printmaking techniques include woodcut, etching, engraving, and lithography, while modern artists have expanded available techniques to include screenprinting.

A matrix is essentially a template, and can be made of wood, metal, or glass. The design is created on the matrix by working its flat surface with either tools or chemicals. The matrix is then inked in order to transfer it onto the desired surface. To print from a matrix requires the application of controlled pressure, most often achieved by using a printing press, which creates an even impression of the design when it is printed onto the paper or fabric. (More modern printmaking techniques, such as screenprinting, do not require a press.) The resulting print is often the mirror image of the original design on the matrix. One of the great benefits of printmaking (save for monotype) is that multiple impressions of the same design can be printed from a single matrix.

Learn more about the various printmaking techniques below.

Freyda Spira, Liz Zanis, and the curators of the Department of Drawings and Prints

Rachel Mustalish, Department of Paper Conservation

Paul Lachenauer and Wilson Santiago, Imaging

This project was made possible by the LeRoy Neiman Center for Print Studies at Columbia University.

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Printmaking is an artistic process based on the principle of transferring images from a matrix onto another surface, most often paper or fabric. Traditional printmaking techniques include woodcut, etching, engraving, and lithography, while modern artists have expanded available techniques to include screenprinting. A matrix is essentially a template, and can be made of wood, metal, or glass.

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The Widow II

1922

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https://www.pinterest.com.au/pin/105482816242052999/
Artist's Name: Ardeegan Title of the artwork: Hardraw Force Original lino print. A view of one of England's highest waterfalls. (full view). 2009
https://www.pinterest.com.au/pin/105482816242052999/

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Banksia cobs

1933

TECHNIQUE

woodcut, printed in black ink, from one block

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Bridge from Northshore 1932

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International Print Center New York and The Print Center, Philadelphia have come together to aggregate resources related to print and print culture supporting Black Lives Matter and other social justice causes. This list was born out of the 2020 protests. It is a work in progress. Resources include exhibitions, publications, free/low-cost printing, events, organizations, fundraisers, reading lists, and other initiatives. Please share resources for potential inclusion by emailing contact@ipcny.org. Additionally, you can add a resource directly to the open Google document accessible to all.

ORGANIZATIONS (Websites/Social Media Accounts)

Artist Chen Lok Lee| Chen Lok Lee was a pioneering Asian American artist, printmaker, and educator. Follow @chenlokleeartistmanaged by his daughter on Instagram for a real-time journey of his works.

Printmaking As Resistance | Celebrating printmaking as a form of resistance. Current home of @printmakersagainstracism project

Dox Thrash House | Dox Thrash, a prolific African American printmaker historic home and legacy are threatened. Click to raise funds for this project.

Book/Print Artist/Scholar of Color Collective| Founded in 2019 by book artist and printmaker Tia Blassingame, thiscollective brings scholars of Book History and Print Culture into conversation and collaboration with BIPOC book artists, papermakers, curators, letterpress printers, printmakers to build community, support systems.

PRINTSHOPS

READINGS

EVENTS/EVENT RECORDINGS

PODCASTS

pine | copper | lime's Podcast with Stephanie Santana|PCL, a printmaking podcast invited Stephanie Santana who is a founding member of Black women of Print to discuss her finding art through myspace, taking up printmaking through illustration gigs, historical textile traditions carrying religious and ancestral meaning, creating archives with old family photos, and how becoming a mother affected her practice and the way she sees the passage of time.

OPPORTUNITIES/GRANTS

Not A Monolith Open Call| A forthcoming public art and professional development initiative presented by Facebook Open Arts and We The Culture in partnership with . Not a Monolith aims to amplify a diversity of Black voices and perspectives and show that Black identities are more complex, nuanced, and abundant than their traditional representations. Five NYC-based early-career Black artists will be selected to create two dimensional public artworks for a total of 10 projects across the five boroughs of New York City.

OTHER RESOURCES

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Resources for Social Justice - Print Center New York

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International Print Center New York and The Print Center, Philadelphia have come together to aggregate resources related to print and print culture supporting Black Lives Matter and other social justice causes. This list was born out of the 2020 protests. It is a work in progress.

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About

Fisherton Mill is offering visitors a chance to come back for more with
II Impress, a second exhibition of contemporary printmaking which follows
on from Impress, the gallery's highly successful print show last year.

Showcasing work by a new, and similarly diverse, group of artists, it features work ranging from striking architectural scenes in zinging colours to gentler, more naturalistic animal and flower prints.

Opening times: Monday-Friday 10am-5pm, Saturday 9.30am-5.30pm

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II Impress - an exhibition of contemporary Printmaking

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Fisherton Mill is offering visitors a chance to come back for more withII Impress, a second exhibition of contemporary printmaking which followson from Impress, the gallery's highly successful print show last year. Showcasing work by a new, and similarly diverse, group of artists, it features work ranging from striking architectural scenes in zinging colours to gentler, more naturalistic animal and flower prints.

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Landlocked City at The Center for Contemporary Printmaking | David Krut Projects | Artsy

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Past show featuring works by Stephen Hobbs at David Krut Projects New York, 526 West 26th Street SUITE 816 Jan 10th - Mar 19th 2016

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LIFT: Contemporary Printmaking in the Third Dimension January 30, 2015 - April 19, 2015 | Free

Overview of Exhibition

This exhibition examines the work of established and emerging international contemporary artists who use a variety of strategies to bring a sculptural dimension to printmaking. Some achieve this by using centuries-old methods while others take advantage of cutting-edge digital tools. These include low relief printing or embossing, printing on mold-cast paper forms, post-print cutting, scoring, folding, etc., art installations that use repeated print elements, relief printing through repeated print runs to accumulate layers of material, and printing out imagery that is applied to 3D forms.

Dazed and Confused, 2013
Jonathan Stanish (1983)
Silkscreen glaze and spray paint on ceramic
9 x 24 x 7

Exhibition Notes

The featured artists are Enrique Chagoya, Lesley Dill, Olafur Eliasson, Robert Gober, Red Grooms, Hideki Kimura, Nicola Lopez, Oscar Munoz, Leslie Mutchler, Marilene Oliver, Dieter Roth, Graciela Sacco, and Jonathan Stanish. Organized by the KMA and presented in conjunction with the Printmaking Program, School of Art, University of Tennessee, Knoxville.
Click here for the LIFT catalog

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LIFT: Contemporary Printmaking in the Third Dimension - Knoxville Museum of Art

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LIFT: Contemporary Printmaking in the Third Dimension January 30, 2015 - April 19, 2015 | Free This exhibition examines the work of established and emerging international contemporary artists who use a variety of strategies to bring a sculptural dimension to printmaking. Some achieve this by using centuries-old methods while others take advantage of cutting-edge digital tools.

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Kenji Akagawa Japanese (b. 1940)

Rainbow Talk Medium: Color lithograph on Rives BFK

Year: 1965 Edition : Presentation proof
Signature: Signed, blindstamp/chop
References: Tamarind 31351
Size: 15 x 22 1/2 inches
Description: Inscribed"...for PAPA Bernie" "papa Bernie" Bleha (1939-2018) master printer (co-founder of Gemini G.E.L.)
Stock Number: 51169

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Contemporary Japanese Printmakers | Davidson Galleries | Antique Modern Contemporary Works On Paper

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Rainbow Talk Medium: Color lithograph on Rives BFK Year: 1965 Edition : Presentation proof Signature: Signed, blindstamp/chop References: Tamarind 31351 Size: 15 x 22 1/2 inches Description: Inscribed"...for PAPA Bernie" "papa Bernie" Bleha (1939-2018) master printer (co-founder of Gemini G.E.L.) Stock Number: 51169

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Dan Tirels Monoprinting with 3 types of recycled plastic

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How to Make a Collagraph Print (with Mat Board - Intaglio) without a Press

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This is an interesting example of printmaking made by  BenGoodspeed 

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This is an interesting example of printmaking made by  BenGoodspeed 