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Will you and your classmates be able to escape?

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1. ÉDITEUR DU SITE

Vous êtes actuellement connecté au site " e-didier.fr " (ci-après " le Site ").
Le site est édité par la société Editions Didier, S.N.C au capital de 3 404 000 euros, enregistrée au Registre du Commerce et des Sociétés de Paris sous le numéro RC Paris B 313042541

Siège social : Editions Didier - 13 rue de l'Odéon - 75006 PARIS - FRANCE
Numéro de téléphone : 01 44 41 31 31
Adresse e-mail : contact@editions-didier.fr
Pas de vente, ni de spécimen disponibles au siège
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2. DIRECTEUR DE PUBLICATION ET RESPONSABLE DE RÉDACTION

Madame Véronique HUBLOT-PIERRE

3. HÉBERGEMENT DU SITE

L'hébergement du Site est assuré par la Société Hachette Livre, Département Informatique Groupe Livre (DSI), 10 allée Latécoère, 78140 Vélizy (Téléphone 01.30.66 20.06)

4. ILLUSTRATIONS

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Attention

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1. ÉDITEUR DU SITE

Vous êtes actuellement connecté au site " e-didier.fr " (ci-après " le Site ").
Le site est édité par la société Editions Didier, S.N.C au capital de 3 404 000 euros, enregistrée au Registre du Commerce et des Sociétés de Paris sous le numéro RC Paris B 313042541

Siège social : Editions Didier - 13 rue de l'Odéon - 75006 PARIS - FRANCE
Numéro de téléphone : 01 44 41 31 31
Adresse e-mail : contact@editions-didier.fr
Pas de vente, ni de spécimen disponibles au siège
Numéro TVA intracommunautaire : FR 19313042541

2. DIRECTEUR DE PUBLICATION ET RESPONSABLE DE RÉDACTION

Madame Véronique HUBLOT-PIERRE

3. HÉBERGEMENT DU SITE

L'hébergement du Site est assuré par la Société Hachette Livre, Département Informatique Groupe Livre (DSI), 10 allée Latécoère, 78140 Vélizy (Téléphone 01.30.66 20.06)

4. ILLUSTRATIONS

Hanss/Adobe Stock

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Vous êtes actuellement connecté au site " e-didier.fr " (ci-après " le Site ").Le site est édité par la société Editions Didier, S.N.C au capital de 3 404 000 euros, enregistrée au Registre du Commerce et des Sociétés de Paris sous le numéro RC Paris B 313042541 Siège social :

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1. ÉDITEUR DU SITE

Vous êtes actuellement connecté au site " e-didier.fr " (ci-après " le Site ").
Le site est édité par la société Editions Didier, S.N.C au capital de 3 404 000 euros, enregistrée au Registre du Commerce et des Sociétés de Paris sous le numéro RC Paris B 313042541

Siège social : Editions Didier - 13 rue de l'Odéon - 75006 PARIS - FRANCE
Numéro de téléphone : 01 44 41 31 31
Adresse e-mail : contact@editions-didier.fr
Pas de vente, ni de spécimen disponibles au siège
Numéro TVA intracommunautaire : FR 19313042541

2. DIRECTEUR DE PUBLICATION ET RESPONSABLE DE RÉDACTION

Madame Véronique HUBLOT-PIERRE

3. HÉBERGEMENT DU SITE

L'hébergement du Site est assuré par la Société Hachette Livre, Département Informatique Groupe Livre (DSI), 10 allée Latécoère, 78140 Vélizy (Téléphone 01.30.66 20.06)

4. ILLUSTRATIONS

Hanss/Adobe Stock

1. ÉDITEUR DU SITE

Vous êtes actuellement connecté au site " e-didier.fr " (ci-après " le Site ").
Le site est édité par la société Editions Didier, S.N.C au capital de 3 404 000 euros, enregistrée au Registre du Commerce et des Sociétés de Paris sous le numéro RC Paris B 313042541

Siège social : Editions Didier - 13 rue de l'Odéon - 75006 PARIS - FRANCE
Numéro de téléphone : 01 44 41 31 31
Adresse e-mail : contact@editions-didier.fr
Pas de vente, ni de spécimen disponibles au siège
Numéro TVA intracommunautaire : FR 19313042541

2. DIRECTEUR DE PUBLICATION ET RESPONSABLE DE RÉDACTION

Madame Véronique HUBLOT-PIERRE

3. HÉBERGEMENT DU SITE

L'hébergement du Site est assuré par la Société Hachette Livre, Département Informatique Groupe Livre (DSI), 10 allée Latécoère, 78140 Vélizy (Téléphone 01.30.66 20.06)

4. ILLUSTRATIONS

Hanss/Adobe Stock

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Vous êtes actuellement connecté au site " e-didier.fr " (ci-après " le Site ").Le site est édité par la société Editions Didier, S.N.C au capital de 3 404 000 euros, enregistrée au Registre du Commerce et des Sociétés de Paris sous le numéro RC Paris B 313042541 Siège social :

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.. a digital self image

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1. ÉDITEUR DU SITE

Vous êtes actuellement connecté au site " e-didier.fr " (ci-après " le Site ").
Le site est édité par la société Editions Didier, S.N.C au capital de 3 404 000 euros, enregistrée au Registre du Commerce et des Sociétés de Paris sous le numéro RC Paris B 313042541

Siège social : Editions Didier - 13 rue de l'Odéon - 75006 PARIS - FRANCE
Numéro de téléphone : 01 44 41 31 31
Adresse e-mail : contact@editions-didier.fr
Pas de vente, ni de spécimen disponibles au siège
Numéro TVA intracommunautaire : FR 19313042541

2. DIRECTEUR DE PUBLICATION ET RESPONSABLE DE RÉDACTION

Madame Véronique HUBLOT-PIERRE

3. HÉBERGEMENT DU SITE

L'hébergement du Site est assuré par la Société Hachette Livre, Département Informatique Groupe Livre (DSI), 10 allée Latécoère, 78140 Vélizy (Téléphone 01.30.66 20.06)

4. ILLUSTRATIONS

Hanss/Adobe Stock

1. ÉDITEUR DU SITE

Vous êtes actuellement connecté au site " e-didier.fr " (ci-après " le Site ").
Le site est édité par la société Editions Didier, S.N.C au capital de 3 404 000 euros, enregistrée au Registre du Commerce et des Sociétés de Paris sous le numéro RC Paris B 313042541

Siège social : Editions Didier - 13 rue de l'Odéon - 75006 PARIS - FRANCE
Numéro de téléphone : 01 44 41 31 31
Adresse e-mail : contact@editions-didier.fr
Pas de vente, ni de spécimen disponibles au siège
Numéro TVA intracommunautaire : FR 19313042541

2. DIRECTEUR DE PUBLICATION ET RESPONSABLE DE RÉDACTION

Madame Véronique HUBLOT-PIERRE

3. HÉBERGEMENT DU SITE

L'hébergement du Site est assuré par la Société Hachette Livre, Département Informatique Groupe Livre (DSI), 10 allée Latécoère, 78140 Vélizy (Téléphone 01.30.66 20.06)

4. ILLUSTRATIONS

Hanss/Adobe Stock

# data[].attributes.attachment_link.description
Vous êtes actuellement connecté au site " e-didier.fr " (ci-après " le Site ").Le site est édité par la société Editions Didier, S.N.C au capital de 3 404 000 euros, enregistrée au Registre du Commerce et des Sociétés de Paris sous le numéro RC Paris B 313042541 Siège social :

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His Epic Message Will Make You Want to Save the World | Short Film Showcase

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Aretha Franklin - Respect (Official Lyric Video)

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Following up with our explanation about verbs, in this article I will address this topic that has proven to be quite challenging for English students, verb tenses. Besides showing the action or state of being in the sentence, the verb also indicates the time this action took place.

There are some languages (Thai for example), where the verb has basically one form, no matter if the sentence is about the past, the present, or the future, the verb is the same. In these cases, extra words - Tomorrow, yesterday, now and so forth - indicate the time. This is not the case in English. In this language, six different verb tenses express time, and each of these tenses places the action or the state of being at a point in time.

Making it simple

The three simple tenses are present, past and future. Each of the simple tenses has two forms, one is the plain tense. It doesn't have a special name and are just called present, past or future . What do they do? They show actions or states of being at a point in time, but it doesn't always specify a specific moment. The other form is called progressive . It shows actions or a state of being that is in progress .

Present Tense

Progressive:

Past Tense

Simple past:

Past progressive:

Future Tense

As its name says, future tense talks about what has not happened yet. This simple tense is the only one that always needs helping verbs to convey meaning, even for its plain version. Simple future verb tenses are formed with the structure will + (root form of the verb). However, the is a second way to demonstrate that something will happen in a later point in time, by using going to. Let's see some examples:

How to use them correctly

What's the difference between each pair of simple tense forms? Really, not that much. People often interchange these forms without creating any problems. However, there are some differences that need to be considered.

Present and present progressive

The simple present tense may be used for things that are generally true at the present time but are not necessarily happening right now. Ex.

Past and past progressive

The difference between the plain past tense and the past progressive tense is pretty much the same as in the present tense. The single-word form often shows what happened in the past more generally, whilst the progressive form may indicate an action or state of being is happening on a regular basis.

Future and future progressive

You won't find much difference between these two. The progressive gives you slightly more of a sense of being in the middle of things. For example:

The actor's actions in the sentence above may be a little bit more immediate than

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Understanding Verb Tenses in English - English Teacher Howard!

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Following up with our explanation about verbs, in this article I will address this topic that has proven to be quite challenging for English students, verb tenses. Besides showing the action or state of being in the sentence, the verb also indicates the time this action took place.

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Le futur à la forme affirmativeComme on peut le voir, c’est beaucoup plus simple en anglais qu’en français ! La conjugaison du verbe reste identique à toutes les personnes : on a ‘will + verb’ à toutes les personnes, et il n’y a pas de -S à la troisième personne comme dans le cas du présent simpl…

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Get Up Stand Up (Official Fan Video 'Legend 30th') - Bob Marley

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Write your text
Record it
Send it to the radio team!

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Découvrez les créations radiophoniques de la cité scolaire Paul Arène de Sisteron

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In a Dark Castle | Ambience and Fantasy Music | Inside of a castle where a dark sorcerer lives

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The radio speaks to you and asks you questions. Are you ready to answer them?
- How can we answer these questions, in groups? Share with the class.

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IFST053 Identity - Introduction of the radio show ©

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introduction à l'analyse de document audio/vidéo

WHAT is it?

WHEN was it made?
WHEN does it take place?

WHO has made it?
WHO is it about?
WHO WAS it made for?

WHERE is it from?
WHERE does it take place?

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who am i?
what's my dream?

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Declare your location as a hotspot for Wonder and learning! Add Wonder Hotspot GET YOUR WONDER DAILY Subscribe to Wonderopolis and receive the Wonder of the Day® via email Join the Buzz Don't miss our special deals, gifts and promotions. Be the first to know!

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I am ...
You are ...

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It's been a while since I posted so I thought I'd offer you a little gift for being so patient with me.

I love using Fast Finishers activities ( the book is a bit of a giveaway!!) and here are some FF tasks that will boost the mood of your students!!

Mood Boosters for Fast finishers is a collection of autonomous activities you can download, cut out and leave in a box at the front of the class, students who finish an activity can come and collect one of these cards and keep themselves busy AND boost their wellbeing while the rest of the class continue with the original task.

Hope you find them useful 🙂

enjoying sharing learning

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It's been a while since I posted so I thought I'd offer you a little gift for being so patient with me. I love using Fast Finishers activities (the book is a bit of a giveaway!!) and here are some FF tasks that will boost the mood of your students!!

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Spoiler alert: If you're not familiar with the Steinbeck novella, Of Mice and Men, then do so now!

Reasons to study it in English class:

It's short - only about 30,000 words which is around one hundred pages

2. It touches a universal theme that is so important to teens - Friendship. We started our unit by writing a definition of friendship and discussing the responsibilities of friendship. At this age friends are the most important group for many kids, more influential than family, so they really warmed to this theme.

3. The end is AMAZING! We were lucky enough to watch a theatre version, ( Geneva Amateur Dramatics society) at the end half the class were in tears, and even more touching - so was the actor who played George.

4. The main reason I enjoyed studying this text so much with a class was the texts I received all weekend as students finished reading the book - which wasn't obligatory as we were going to see the play "This book is amazing Miss", "Thank you for presenting us this book", "I'll never forget this story", "you made me cry last night Miss".

The accents and American slang was a challenge for the students ( in fact the language meant the book was banned in several US states), however the students soon got into the language, and by the second half were whizzing along.

So, if you're looking for a way to introduce English literature into your language class then I highly recommend Of Mice and Men.

enjoying sharing learning

This entry was posted in LeLe and tagged Literature, TEFL literature. Bookmark the permalink.

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Of Mice & Men: What would you do for a friend?

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Spoiler alert: If you're not familiar with the Steinbeck novella, Of Mice and Men, then do so now! Reasons to study it in English class: It's short - only about 30,000 words which is around one hundred pages 2. It touches a universal theme that is so important to teens - Friendship.

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Regular verbs have an established pattern through all their tenses. Usually, the only thing you have to do to form one is add -ed  at the end of the word and that’s it.

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I study
You studied
He has studied

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WHAT YOU SHOULD BE ABLE TO DO WITH THE IRREGULAR VERBS

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WHAT YOU SHOULD BE ABLE TO DO WITH THE IRREGULAR VERBS

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infinitive - preterit - past participate - present participate

define in English -  translate to French

give an exemple

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The thing with irregular verbs is that there isn’t a rule you can learn for them. And there are over 170 irregular verbs in English.
The only solution:

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Memorize them

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Welcome to Macmillan Education Customer Support

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respect that someone deserves

<< I do say propers in the song," said Aretha. "I got it from the Detroit street. It was common street slang in the 1960s.

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maybe they will maybe they won't we'll just to wait and see

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Janis Joplin - Mercedes Benz with lyrics

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Irregular Verb Rap Song Stick, Stuck, Stuck by Fluency MC ORIGINAL VERSION with Lyrics

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Verbes irréguliers anglais : test de rapidité

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Trouvez le plus rapidement 10 verbes irréguliers anglais et essayez de battre les 2 millions de personnes qui ont déjà joué.

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Apprendre l'anglais > Cours & exercices d'anglais > Exercices d'anglais > test d'anglais n°98963 : Nuances dans l'emploi du futur - cours

1. EMPLOI DU FUTUR SIMPLE will + infinitif sans to
This test will raise grammar difficulties.

Ce test posera des difficultés grammaticales.

He will be sixty next month.

Il aura soixante ans le mois prochain.

On a déjà entendu la fameuse phrase :

Will you marry me ? ... Yes I will (futur emphatique).

Voulez-vous m'épouser ? ... Oui je le veux.

You can rely on me, I will pick you up at the station on time.

Vous pouvez compter sur moi ,je viendrai vous prendre à l'heure à la gare.

Dans ce cas on trouvera : to think, to reckon (estimer, calculer), to suspect, to estimate, to hope mais aussi, to be convinced, to be sure, etc et des expressions comme : in my opinion, my belief is (ma conviction est), I hold the view (à mon avis), my guess is that (d'après moi).

I am sure, he will give up soon his deplorable behaviour.

Je suis convaincu qu'il abandonnera bientôt son déplorable comportement.

On trouvera entre autres verbes to hate, to like, to enjoy, to be tired, to be glad etc.

I will be glad to buy another American book by John Grisham.

Je serai heureuse d'acheter un autre livre américain de John Grisham.

If you say that swearword again, I will punish you.

Si tu dis à nouveau ce gros mot, je te punirai.

Are you going to tidy your desk ? I won't do it.

Vas-tu ranger ton bureau ? Je refuse de le faire.

I will attend this conference if I have enough time.

J'irai à cette conférence si j'ai assez de temps.

I have just finished my homework, so I will come with you for a walk.

Je viens de finir mon travail, aussi vais-je venir avec vous me promener.

Attention à cette dernière phrase : je vais n'est pas traduit par going to. Elle décide sur le moment de venir se promener (voir plus loin l'emploi de going to)
Remarque :
Let me know the latest news of your accident when I am on holiday.

Faites-moi savoir les dernières nouvelles de votre accident quand je serai en vacances.
Par contre
When will we pay a visit to my mother ?

Quand rendrons-nous visite à ma mère ?

I wonder when he will buy his new laptop.

Je me demande quand il achètera son nouveau portable.

On emploie going to pour :

The new manager is going to suggest another way of running this factory.

Le directeur va suggérer une autre façon d'administrer cette usine.

On fait une simple hypothèse sur ce qui va se passer à partir d' indices, d'observations faites sur le moment.

There is an awful storm outside, our tiny tree is going to be uprooted.

Il y a une terrible tempête, notre minuscule arbre va être déraciné.

On emploie le présent pour :

Hurry up, let's go to the cinema. The thriller begins at 8.3o sharp.

Dépêche-toi, allons au cinéma. Le thriller commence à huit heures précises.

- Pour évoquer des projets personnels fixés suivant un calendrier, un emploi du temps.

Congratulation on your new job, so you begin as a bank officer next month.

Félicitations pour votre nouveau travail, ainsi, vous allez commencer comme cadre de banque le mois prochain.
4. EMPLOI DU PRESENT PROGRESSIF (present continuous)
Il serait possible d'employer going to mais son emploi laisserait un doute sur la réalisation du projet.

I can't come with you this evening, I am watching an amazing English film.

Je ne peux pas venir avec vous ce soir, je vais regarder un incroyable film anglais.
5. EMPLOI DU FUTUR PROGRESSIF (future continuous) will + be + verbe - ing
By this time next month, I will be swimming in the Caribbean sea.

Le mois prochain, à cette époque-ci, je nagerai dans la mer des Caraïbes.

Will you be coming with us for a walk ? (ici le ton est assez neutre et poli).

Viendrez-vous avec nous vous promener ?

Will you come with the group for a walk ? = Invitation, sollicitation.

Will you correct my exercises ? Yes I will = acceptation sans ambiguïté.

Are you coming with the group for a walk ? = demande des intentions du sujet. Veut-il venir ou ne pas venir ?

Will you be coming with the group for a walk ? = demande polie, plus discrète, sur un ton assez neutre.

Ici il n'est pas question de durée malgré le futur progressif.

Bon Courage pour les exercices

Fin de l'exercice d'anglais "Nuances dans l'emploi du futur - cours"
Un exercice d'anglais gratuit pour apprendre l'anglais.
Tous les exercices | Plus de cours et d'exercices d'anglais sur le même thème : Futur

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Les nuances analysées de l'emploi du futur Les structures uniquement envisagées dans cet exposé seront : a) Futur simple : will + infinitif sans tob) Going to + infinitifc) Présent simpled) Présent progressife) Futur progressif (future continuous) A - On portera l'attention sur l'utilisat...

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50 FUTURE CONTINUOUS TENSE TIME EXPRESSIONS FUTURE ACTIVITIES -SBS TV A

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Created with Hot Potatoes by Half-Baked Software, registered to LAURENT CAMUS.

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Trapped in the Tower of London Flashcards | Quizlet

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Start studying Trapped in the Tower of London. Learn vocabulary, terms and more with flashcards, games and other study tools.

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D                           G        D

Oh Lord, won't you buy me a Mercedes Benz?

D                                              A7

My friends all drive Porsches, and I must make amends.

       D                        G            D

Worked hard all my lifetime, no help from my friends,

       D                        A7       D

So oh! Lord, won't you buy me a Mercedes Benz?

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D                           G        D

Oh Lord, won't you buy me a Mercedes Benz?

D                                              A7

My friends all drive Porsches, and I must make amends.

       D                        G            D

Worked hard all my lifetime, no help from my friends,

       D                        A7       D

So oh! Lord, won't you buy me a Mercedes Benz?

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The Best British Classical | Britten, Delius, Elgar, Holst, Vaughan Williams, Walton and more

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PROS
- same age
- respect the same rules
- both boys
CONs
- different personalities
- different eye colours
- one smaller than the other
or one taller than the other?

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PRESENT orally an article from the Universal Declaration of the Human Rights:

READ it

EXPLAIN it

COMMENT it

GIVE AN EXAMPLE of a situation in which a person would suffer from the absence of this right AND how this right could change their situation or make it evolve

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Alfa Mist - Structuralism (2019) [Full Album]

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twenty one pilots: Stressed Out [OFFICIAL VIDEO]

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Apprendre l'anglais > Cours & exercices d'anglais > Exercices d'anglais > test d'anglais n°36855 : 200 verbes irréguliers et audio - cours

Nous connaissons tous : TO BE - WAS/WERE - BEEN
Mais connaissez-vous les autres ? Je remercie chaleureusement Hugh et Shirley, qui ont eu la gentillesse d'enregistrer ces bandes sonores pour les membres du site.

Bande-son 1

Bande-son 2

Bande-son 3

Bande-son 4

Bande-son 5

EXERCICE
En fonction de la phrase et de vos connaissances, mettez le verbe à la forme qui convient.

Fin de l'exercice d'anglais "200 verbes irréguliers et audio - cours"
Un exercice d'anglais gratuit pour apprendre l'anglais.
Tous les exercices | Plus de cours et d'exercices d'anglais sur le même thème : | Verbes irréguliers

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Nous connaissons tous : TO BE - WAS/WERE - BEENMais connaissez-vous les autres ?Je remercie chaleureusement Hugh et Shirley, qui ont eu la gentillesse d'enregistrer ces bandes sonores pour les membres du site.Bande-son 1 InfinitifPrétéritParticipe passéTraductionInfinitifPrétéritParticipe passéTr...

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Whose book is it?
It is Tom's book.
It's Tom's.

Whose boots are these?
These are my kids' boots.
They're my kids'.

Where are you going tonight?
I'm going to the Simpsons' house.
To the Simpsons'.

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Pour compléter ma leçon sur les possessifs en anglais, parlons maintenant du cas possessif, avec le fameux 'S que l'on voit en anglais après les noms, pour marquer la possession. Nous appelons cela le génitif en anglais.

Génitif... ′S

L'apostrophe S est une autre manière d'exprimer la possession. Commençons avec deux exemples :
Quand je dis :
Mark′s house is a small but beautiful place. Je parle de la maison de Mark, c'est la sienne.

Deuxième exemple :
This is Gemma′s car. C'est la voiture de Gemma.

Utiliser ainsi l'apostrophe S est une manière plus rapide que de dire "This is the car of Gemma".

Je pense que vous avez déjà vu ces fameux ′S...

La grande question...

Si vous êtes comme nos élèves de la formation débutant de l'espace membres AnglaisCours Club, vous vous demandez sûrement quand est-ce qu'il faut mettre uniquement un apostrophe, et quand est-ce qu'il faut mettre apostrophe S.

Voyons un nouvel exemple :
These are the pupils′ books. Ce sont les livres des élèves. Ici, vous remarquez que l'on n'a mis que l'apostrophe, pas le S.

La règle à retenir

1) Au singulier, nous mettrons toujours le S après l'apostrophe.
2) Quand un pluriel se termine par S (comme presque tous les pluriels), nous mettrons simplement l'apostrophe pour signifier la possession.
3) Quand un pluriel ne se termine PAS par S, nous mettrons l'apostrophe S :
Par exemple, men est le pluriel de .
Women est le pluriel de woman.
Children est le pluriel de child.
Dans ces cas, nous garderons le S après l'apostrophe.
Dans une phrase, cela donne :
These are the men′s toilets. Ce sont les toilettes des hommes.

Quelques infos pour aller plus loin

→ Notez que l'on ne met jamais THE devant les noms PROPRES en apostrophe S.
Sur les deux exemples au début de cette leçon, nous n'avons pas dit "The Mark's house", ni "The Gemma′s car", mais simplement Mark′s house, Gemma′s car.

→ Pour éviter la répétition d'un nom après le génitif, nous pouvons tout simplement l'enlever. Par exemple :
Is this Mark's car ? => No, it's Gemma's. Ici nous comprenons que c'est la voiture de Gemma. Il n'est pas nécessaire de dire "No it's Gemma's car".

Pour parler de l'endroit où quelqu'un vit ( his place, her place = chez lui, chez elle), nous n'avons pas besoin de mettre le mot "place". Je peux dire " I'm at Gemma's". Cela signifie " I'm at Gemma's place". Je suis chez Gemma.

Pour un récapitulatif des points essentiels de la grammaire anglaise, rendez-vous ici.

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'S et la possession - Le génitif - AnglaisCours Club

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Pour compléter ma leçon sur les possessifs en anglais, parlons maintenant du cas possessif, avec le fameux 'S que l'on voit en anglais après les noms, pour marquer la possession. Nous appelons cela le génitif en anglais. L'apostrophe S est une autre manière d'exprimer la possession.

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AS HUMANS BEINGS ARE NOT EQUAL, THEY NEED EQUAL RIGHTS

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WWF International Earth Hour 2022 Official Video

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Stop Wildlife Crime: The Series - Tigers (Video 3) | WWF

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The WWF is the largest environmental protection organisation in the world. Trust in its green projects is almost limitless. Founded in 1961, it is the most influential lobby group for the environment in the world, thanks largely to its excellent contacts in both the political and industrial spheres.

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Although humans have rights
They must ask for their rights to be applied

Each one has to call for respect for human rights to be properly taken into account.

the CHORUS is repeated all through the song
the VERSES are different each time

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WWF, the world's biggest environmental organisation, is under fire. On 23 June 2011, the German TV station ARD broadcast a documentary highlighting WWF's cozy relationship with distinctly unsustainable companies like the genetically modified giant Monsanto and the rainforest destroying palm oil company Wilmar.

This week Global Witness published a report criticising WWF's Global Forest and Trade Network.

The only surprising thing is that it has taken so long for the WWF scandal to become public. The title of this post, "Bears feeding on toxic corporate waste," is borrowed from an email that was circulated anonymously back in April 2003 ( posted in full, for a little light relief, below). Sooner or later, the WWF scandal had to go public.

Today's post is part 1 of the WWF scandal. It looks at the ARD documentary. Part 2 (coming soon) will look at the Global Witness report investigating WWF's abysmal failure to rein in the logging industry.

The ARD documentary, "Der Pakt mit dem Panda", was produced by Wilfried Huismann, a prize winning investigative journalist. It is posted below and can be viewed on ARD's website (in German).

WWF - Silence of the Pandas von pandasilence

The film produced shock waves in Germany. But rather than facing up to the fact that these are serious criticisms, WWF Germany responded defensively, producing a " fact check" page on its website and a series of interviews with staff of WWF Germany who, surprise, surprise, tell us that they are doing everything they can to save the planet.

The film focusses in on WWF's cozy relationships with corporate eco-nasties. Here are two particularly egregious examples, from the palm oil sector in Indonesia and the soy industry in Argentina.

In Indonesia, WWF has a partnership with Wilmar, a company that has converted vast areas of rainforest to monoculture oil palm plantations. WWF is quick to point out that its Memorandum of Understanding with Wilmar is to protect high conservation value forest and that it receives no money from Wilmar under this MoU. But as Nordin, who works with WALHI (Friends of the Earth Indonesia), points out in the film, WWF is in effect helping to greenwash an environmental disgrace:

"WWF says that you can produce palm oil in a sustainable way. Look around. How can that be sustainable? Nothing regrows here. The partnership with Wilmar improves the image of the firm, not their practices. I have no evidence that WWF is corrupt but it helps the industry to expand further."

Predictably, Wilmar mentions the MoU in its 2007 Corporate Social Responsibility report as an example of how it implements its policies:

Wilmar upholds a policy of enhancing and maintaining flora and fauna species, and uses a flexible menu of conservation practices to protect natural habitats that are found to be rich in biodiversity.

There are two toe-curlingly embarrassing interviews in the documentary with WWF staff. In the first, a WWF Indonesia employee explains that she doesn't really know what's happening on the ground in the Wilmar plantation where Huismann filmed. In the second, Dörte Bieler, WWF Germany's manager for "sustainable biomass", is interviewed at an industry conference. No other NGOs took part in the conference. She tells Huismann that

"Our work is science-based. We always conduct a study before we have an opinion... And with this science-based evidence we have been able to achieve some things."

But she is unable to point to a single thing that WWF has achieved through its cooperation with corporations. What's important for WWF, according to Bieler, is that the NGO is "not just ridiculed, but accepted as a competent discussion partner."

In Argentina, Huismann looks at WWF's relationship with soy companies. The film includes an interview with Dr Hector Laurence,[*] the personification of the WWF scandal. In a World Business Council for Sustainable Development brochure he is quoted as saying,

"I am surprised to find that some people consider that if NGOs work with business they risk loosing [sic] objectivity. Efficient and transparent collaboration between these sectors is precisely the way to overcome this prejudice."

We shouldn't be surprised by this, since Laurence's career included being head of a conservation organisation called Fundación Vida Silvestre Argentina (WWF's associate in Argentina), President of the Argentinean Asociation of Agrobusiness; and Vice-president of Pioneer Overseas Corporation, part of Dupont.

Laurence's position on pesticides and GM soy is identical to that of the agribusinesses who have planted millions of hectares of GM soy in Argentina, Paraguay and Brazil.

WWF's response to the interview with Hector Laurence is particularly odious:

Hector Laurence was never with WWF, instead he worked with the associated partner organisation Fundación Vida Silvestre Argentina (FVSA) until 2008.

In fact, the panda is very cuddly with FVSA. WWF's website, under the headline "WWF-Argentina: Our solutions", states that

Together, [WWF and FVSA] held joint campaigns, arrange global actions and receive financial backup for executing programs and projects.

The layout of FVSA's website design is very similar to a previous WWF layout (WWF's website has since been re-designed). FVSA's url even includes the magic letters wwf and panda.org:

WWF was one of the founders of the Round Table on Responsible Soy. But the issue of genetically modified soy is not part of RTRS discussions. Members of the RTRS can use as much GM soy as they wish. WWF denies that it promotes GM crops, arguing that it remains in the Round Table on Responsible Soy in order to reduce the amount of GM soy planted. But the reality, whether WWF likes it or not, is that its presence in the RTRS is lending legitimacy to RTRS and thus to GM soy, monocultures and agribusiness. WWF knows this - it's been pointed out to them many times.

Jason Clay of WWF-US [*] declined Huisman's request for an interview. Instead the documentary included a 2010 presentation that Clay gave to the Global Harvest Initiative, an agribusiness lobbying initiative set up by Archer Daniels Midland, DuPont, John Deere and Monsanto. Among GHI's consultative partners are Conservation International, The Nature Conservancy and WWF. "We need to freeze the footprint of agriculture," Clay says in his presentation. He explains that WWF is suggesting seven or eight things we need to work on to achieve this. "One is genetics, we have got to produce more with less," he says, sounding just like an GM agribusiness lobbyist.

"It takes 15 years, at least and maybe longer as we go along, to bring a genetically engineered product to market. If we don't start today, we're already at 2025. The clock is ticking. We need to get moving. There is a sense of urgency."

WWF's response? "WWF Germany disagrees." But the programme is not about WWF Germany. It is about WWF. And WWF admitted to the Süddeutsche newspaper that it has accepted money from Monsanto. Meanwhile, Jason Clay is not a paper pusher in some neglected outpost of the WWF empire. He is Senior Vice President for Market Transformation at WWF-US.

Not everything in Huismann documentary hits the target. A handful of WWF's rebuttals appear plausible. But that does not make WWF's response either acceptable or adequate. The documentary raises important issues about WWF's cozy relationship with massive, destructive corporations. That WWF is not even interested in an intelligent and open discussion of these issues, let alone changing the way it works with destructive corporations, is a disgrace.

UPDATE and APOLOGY - 30 July 2011: I have deleted the descriptions of Hector Laurence and Jason Clay. Thanks to everyone who pointed out that the way these people look has nothing to do with the argument. I apologise for causing any offense to anyone and promise not to do that again.

Here, for the record, is Jason Clay's presentation in full to the Global Harvest Initiative:

Return to text: Laurence ^^; Clay ^^.

Date: Thu, 3 Apr 2003 06:04:32 -0800 (PST)
From: Panda Person
Subject: Bears feeding on toxic corporate waste
Leading ecologists call for an 'Urgent Global Coalition to save the Panda'
Grass roots environmental groups around the world must unite to save the Giant Panda (Wufwuf martinensis) from imminent extinction, say some of the world's top ecological experts. The Giant Panda's habitat (most of which is found near Gland, Switzerland) is being invaded by rapacious multinational companies intent on gaining control of this crucial environmental area. Recent reports indicate that the Giant Panda's territory is now completely surrounded and heavily infiltrated by mining, logging, chemical and drug corporations.

Some scientists believe that, because of the ecological impacts caused by these companies, only a few Giant Pandas are likely to remain within a few years. As their native habitat has been destroyed, the bears have increasingly become dependent on scraps of food found at the corporations' waste dumps. This change of diet causes Pandas to become bloated and listless, and also impairs their sight and hearing.

The Giant Panda's population has actually been increasing in recent years, and the beasts have been seen roaming in areas where they have never previously been encountered. This has caused problems in itself. One leading bear expert has said that "The Pandas seem disorientated, lost. They've been stumbling around and trampling all over the habitat of other species. They're constantly hungry and have eaten all the food needed by other, smaller, bears. Giant Pandas are lovable creatures in the right place but, to be honest, they've become a real pest. Ideally, they should be rounded up and put back into National Parks, where they will be less of a danger to themselves and others. Some people now feel that, if the rogue bears can't be got rid of in any other way, then we may have to start shooting them."

Increasingly, the Pandas are finding themselves in mortal battles with other species of bear. One renowned ecologist has reported that "The Giant Panda's favourite tactic is to use its horribly distended size simply to crush other smaller bears to death. In some cases, the Pandas rip out the brains of the other bears and eat them. Very few smaller bears have been able to defend themselves so far, and mostly they just have to run away and hide. However, these kinds of 'bear against bear' clashes are likely to become more frequent and more bloody."

Many scientists now believe that the Giant Panda's recent population explosion will inevitably be followed by an equally dramatic, and possibly terminal, population crash. One expert (who wished to remain anonymous for fear of reprisals) has said that "The Pandas appear to have lost the ability to feed themselves with fresh food in their own natural habitat. If the corporations decide to stop leaving their waste around for the bears to eat, as they eventually will, then the Panda population will plummet. This is the kind of phenomenon observed in some small-brained creatures such as lemmings, but never before with species that are supposedly as intelligent as Giant Pandas."

Other sub-species of the Panda around the world are equally threatened. The population of the South African Panda, for example, is being held in captivity by the country's two largest plantation companies, one of which is a world leader in the development of genetically modified 'Frankenstein trees'. Some observers believe that it is only a matter of time before the companies slay the South African Pandas for their precious skins, which corporate executives value highly for use as camouflage when hunting down local environmentalists. Others believe that sinister experiments are underway in which the captive bears are also being genetically modified such that, in future, they would become dependent on leaves from the company's bio-engineered eucalyptus trees.

In Canada and Sweden, some of the most controversial logging companies have been seen feeding the local Pandas. There is widespread speculation that the food is either laced with poison or possibly with a strong tranquillising drug which will render the Pandas helpless and immobile. Canadian corporate executives regularly force captive Pandas to perform humiliating and degrading dances at international events, just for the sake of public entertainment.

In Australia, the huge Vino Tinto mining company has bought the entire local population of Pandas. It has been reported that Tinto has also been feeding the Australian Pandas with huge quantities of food spiked with a highly addictive drug, and has set the doped animals to work in guarding the company's mines.

In the US, corporate executives have successfully disguised themselves as Pandas in order to infiltrate the local population of bears. Some local observers see this as part of a cunning long-term plan to ensure that future generations of Pandas never learn from their parents how to use either their teeth or claws.

Ecologists believe that these problems are part of a worldwide pattern. However, the fate of other Panda sub-species is not entirely known. A spokeswoman for the newly formed 'Save the Panda Coalition' said "We suspect that Pandas from Japan to Brazil, and Germany to Indonesia may have already been captured by multinational corporations, and are being forced-fed with contaminated food. We urgently need more research on this by local experts."

Summing up the tragic situation, a bear expert has said that "Some Pandas seem to have escaped the clutches of the big industrialists but, really, there's nowhere else for them to go. They will probably just die of starvation. We need a global effort to get the corporations out of the Giant Panda's habitat, and to free all the sub-species now being held in captivity. This has to be a top priority for the world environment and conservation movement. Any genetically modified and mutant Pandas will probably have to be destroyed, along with those that have become totally dependent on corporate waste, but this is a price worth paying if it helps to protect the species as a whole."

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WWF scandal (part 1): Bears feeding on toxic corporate waste

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WWF, the world's biggest environmental organisation, is under fire. On 23 June 2011, the German TV station ARD broadcast a documentary highlighting WWF's cozy relationship with distinctly unsustainable companies like the genetically modified giant Monsanto and the rainforest destroying palm oil company Wilmar. This week Global Witness published a report criticising WWF's Global Forest and Trade Network.

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A quick guide to the silence of the pandas documentary

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An astonishing disregard of normal journalism practice is the basis of the allegations in Pandaleaks and related documentaries

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Tom WAITS
John LURIE
Roberto BENIGNI

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Down by Law (1986) ORIGINAL TRAILER [HD 1080p]

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"I killed 'hay' man"

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"I Scream, You Scream, We All Scream for Ice Cream"

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I Scream, You Scream, We All Scream for Ice Cream

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click PLAY > Source 5 > Mirror 2

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- How does the guest speak about herself?
- Does she give you a very precise description of what is special, uncommon, about her? Would you recognise her in the street thanks to her description?
- Would you speak about yourself in the same way?
- What is she talking about, in the end?

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1. ÉDITEUR DU SITE

Vous êtes actuellement connecté au site " e-didier.fr " (ci-après " le Site ").
Le site est édité par la société Editions Didier, S.N.C au capital de 3 404 000 euros, enregistrée au Registre du Commerce et des Sociétés de Paris sous le numéro RC Paris B 313042541

Siège social : Editions Didier - 13 rue de l'Odéon - 75006 PARIS - FRANCE
Numéro de téléphone : 01 44 41 31 31
Adresse e-mail : contact@editions-didier.fr
Pas de vente, ni de spécimen disponibles au siège
Numéro TVA intracommunautaire : FR 19313042541

2. DIRECTEUR DE PUBLICATION ET RESPONSABLE DE RÉDACTION

Madame Véronique HUBLOT-PIERRE

3. HÉBERGEMENT DU SITE

L'hébergement du Site est assuré par la Société Hachette Livre, Département Informatique Groupe Livre (DSI), 10 allée Latécoère, 78140 Vélizy (Téléphone 01.30.66 20.06)

4. ILLUSTRATIONS

Hanss/Adobe Stock

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Vous êtes actuellement connecté au site " e-didier.fr " (ci-après " le Site ").Le site est édité par la société Editions Didier, S.N.C au capital de 3 404 000 euros, enregistrée au Registre du Commerce et des Sociétés de Paris sous le numéro RC Paris B 313042541 Siège social :

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write the plan of the elements/arguments presented in the document, in the chronological order

PART 1
- element 1
- element 2

PART 2
- element 3
- element 4

etc

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le réz0.pointé de MisterG

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Cette application requiert JavaScript pour fonctionner correctement. Veuillez activer JavaScript et recharger la page. réz0.pointé - que de bonnes réz0ns de se pointer Obtenez votre compte personnel gratuit

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CGI Animated Short Film HD "Jinxy Jenkins & Lucky Lou" by Mike Bidinger & Michelle Kwon | CGMeetup

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Kayo Chingonyi talking about rhythm and identity

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IDENTITY .. what is it?

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1. ÉDITEUR DU SITE

Vous êtes actuellement connecté au site " e-didier.fr " (ci-après " le Site ").
Le site est édité par la société Editions Didier, S.N.C au capital de 3 404 000 euros, enregistrée au Registre du Commerce et des Sociétés de Paris sous le numéro RC Paris B 313042541

Siège social : Editions Didier - 13 rue de l'Odéon - 75006 PARIS - FRANCE
Numéro de téléphone : 01 44 41 31 31
Adresse e-mail : contact@editions-didier.fr
Pas de vente, ni de spécimen disponibles au siège
Numéro TVA intracommunautaire : FR 19313042541

2. DIRECTEUR DE PUBLICATION ET RESPONSABLE DE RÉDACTION

Madame Véronique HUBLOT-PIERRE

3. HÉBERGEMENT DU SITE

L'hébergement du Site est assuré par la Société Hachette Livre, Département Informatique Groupe Livre (DSI), 10 allée Latécoère, 78140 Vélizy (Téléphone 01.30.66 20.06)

4. ILLUSTRATIONS

Hanss/Adobe Stock

# data[].attributes.attachment_link.description
Vous êtes actuellement connecté au site " e-didier.fr " (ci-après " le Site ").Le site est édité par la société Editions Didier, S.N.C au capital de 3 404 000 euros, enregistrée au Registre du Commerce et des Sociétés de Paris sous le numéro RC Paris B 313042541 Siège social :

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naturalized
citizen
subject: person, body, patient
mania: obsession
queue: waiting line
harsh: hard, difficult, painful
critics
catchy: attractive; interesting
tune: song, melody
shorten
wholesale
lesser standard
bitter herb

may/might <> can/could

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1. ÉDITEUR DU SITE

Vous êtes actuellement connecté au site " e-didier.fr " (ci-après " le Site ").
Le site est édité par la société Editions Didier, S.N.C au capital de 3 404 000 euros, enregistrée au Registre du Commerce et des Sociétés de Paris sous le numéro RC Paris B 313042541

Siège social : Editions Didier - 13 rue de l'Odéon - 75006 PARIS - FRANCE
Numéro de téléphone : 01 44 41 31 31
Adresse e-mail : contact@editions-didier.fr
Pas de vente, ni de spécimen disponibles au siège
Numéro TVA intracommunautaire : FR 19313042541

2. DIRECTEUR DE PUBLICATION ET RESPONSABLE DE RÉDACTION

Madame Véronique HUBLOT-PIERRE

3. HÉBERGEMENT DU SITE

L'hébergement du Site est assuré par la Société Hachette Livre, Département Informatique Groupe Livre (DSI), 10 allée Latécoère, 78140 Vélizy (Téléphone 01.30.66 20.06)

4. ILLUSTRATIONS

Hanss/Adobe Stock

1. ÉDITEUR DU SITE

Vous êtes actuellement connecté au site " e-didier.fr " (ci-après " le Site ").
Le site est édité par la société Editions Didier, S.N.C au capital de 3 404 000 euros, enregistrée au Registre du Commerce et des Sociétés de Paris sous le numéro RC Paris B 313042541

Siège social : Editions Didier - 13 rue de l'Odéon - 75006 PARIS - FRANCE
Numéro de téléphone : 01 44 41 31 31
Adresse e-mail : contact@editions-didier.fr
Pas de vente, ni de spécimen disponibles au siège
Numéro TVA intracommunautaire : FR 19313042541

2. DIRECTEUR DE PUBLICATION ET RESPONSABLE DE RÉDACTION

Madame Véronique HUBLOT-PIERRE

3. HÉBERGEMENT DU SITE

L'hébergement du Site est assuré par la Société Hachette Livre, Département Informatique Groupe Livre (DSI), 10 allée Latécoère, 78140 Vélizy (Téléphone 01.30.66 20.06)

4. ILLUSTRATIONS

Hanss/Adobe Stock

# data[].attributes.attachment_link.description
Vous êtes actuellement connecté au site " e-didier.fr " (ci-après " le Site ").Le site est édité par la société Editions Didier, S.N.C au capital de 3 404 000 euros, enregistrée au Registre du Commerce et des Sociétés de Paris sous le numéro RC Paris B 313042541 Siège social :

# data[].attributes.attachment_link.readable_text
1. ÉDITEUR DU SITE

Vous êtes actuellement connecté au site " e-didier.fr " (ci-après " le Site ").
Le site est édité par la société Editions Didier, S.N.C au capital de 3 404 000 euros, enregistrée au Registre du Commerce et des Sociétés de Paris sous le numéro RC Paris B 313042541

Siège social : Editions Didier - 13 rue de l'Odéon - 75006 PARIS - FRANCE
Numéro de téléphone : 01 44 41 31 31
Adresse e-mail : contact@editions-didier.fr
Pas de vente, ni de spécimen disponibles au siège
Numéro TVA intracommunautaire : FR 19313042541

2. DIRECTEUR DE PUBLICATION ET RESPONSABLE DE RÉDACTION

Madame Véronique HUBLOT-PIERRE

3. HÉBERGEMENT DU SITE

L'hébergement du Site est assuré par la Société Hachette Livre, Département Informatique Groupe Livre (DSI), 10 allée Latécoère, 78140 Vélizy (Téléphone 01.30.66 20.06)

4. ILLUSTRATIONS

Hanss/Adobe Stock

# data[].attributes.attachment_link.description
Vous êtes actuellement connecté au site " e-didier.fr " (ci-après " le Site ").Le site est édité par la société Editions Didier, S.N.C au capital de 3 404 000 euros, enregistrée au Registre du Commerce et des Sociétés de Paris sous le numéro RC Paris B 313042541 Siège social :

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Saul Williams (The Pledge of Resistance)

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For Kayo Chingonyi, identity is something we might trade for safety, for a place to stay.
For Saul Williams, identities are opposed to each other.
Is identity worth fighting for? fighting for?
Would you fight for yours, and face war? or surrender, for a earlier state of peace?

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Saul Williams - Not In Our Name (The Pledge of Resistance)

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Not in Our Name - National Anti-War Effort (2002-2007)

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We believe that as people living in the United States it is our responsibility to resist the injustices done by our government, in our names Not in our name will you wage endless warthere can be no more deathsno more transfusions of blood for oil Not in our name will

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Saul Williams make us feeling WE exists, as a group, as a general identity of people sharing the same goals/values/fight.
Any time, WE has a sens of gathering, it also holds a distinction with the rest, a division. This is called TO DISCRIMINATE, to make a difference. In other words, identity UNIFIES and DIVIDES at the same time.

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R.E.M. - Losing My Religion (Official HD Music Video)