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This is the house in which the people of 2050 live on the ground floor, converted from a shipping container, with solar panels and signal receivers in every home due to the very high demand for data traffic by humans in 2050.

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Taken in the street below the Athena Building

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At the turn of summer and autumn, the leaves intertwine warm and cool colours, but the red and green colour scheme does not clash but is very eye catching, due to the very natural transition between the colours of the leaves.

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Matsuko grew up without a father's love and is desperate and humble in his pursuit of love. The picture shows Matsuko being abandoned by her boyfriend. The background of the picture is complex and contrasting red and green, representing their twisted love: the man is married, a writer, a rival to Matsuko's ex-husband who committed suicide and had been second best in his writing career. After Matsuko's ex-husband committed suicide, he befriended Matsuko only for the sake of inner fulfillment.The background in this scene is cool, but the light is warm, creating a sense of twilight. It symbolizes the fading love.

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Inside the ward: warm tones, warmth, comfort, tenderness, softness, affection

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Matsuko grew up without a father's love, and her father gave all his love to her frail sister. This scene shows her father taking care of her sister in the hospital ward, and Matsuko alone in the hospital corridor.The tone in the ward is warm, the picture of father is full of compassion, the room feels very warm and gives people a very secure feeling.

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The grass was lush, the bright light was coming from the left, the sky was covered with stars, everything looked beautiful and full of hope, but Matsuko died on this night, in the opposite direction of the light.

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The story takes place in the year 2050, when the world allows people to transform their minds into a mobile device, like a mobile phone today, by which they achieve immortality.

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Harry

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未命名作品 223的副本

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At this time, people were mostly transforming themselves into mobile devices in order to escape death, so the streets were unmanaged and in a state of disrepair.

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未命名作品 222的副本

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未命名作品 222的副本2

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未命名作品 224的副本