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After this trial and learning, I found that I can have very few skills, and I always make a lot of mistakes when making pure data, which makes me feel very confused. But after a long time of learning and watching many tutorials on youtube, I finally feel that I have mastered some skills. And when I looked up the related production materials, I found that the technology nowadays is advancing very fast, which opened my eyes and made me understand that there are many things to consider behind a small interactive device.

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I placed the bubble sound in separate sections to better show people interacting with the device, which makes the bubble sound according to people's body movements.

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I duplicated the sound of waves and the sound of the ocean floor onto the track and overlapped the sounds with a fade-in and fade-out effect to highlight the sound of the waves and the sound of the water rustling on the beach, making the sound more comfortable and relevant to the theme.

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Then I mirrored part of the wave and bubble sound, but gave up on this tuning because of the poor results.

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I then had a quote from my recording of the sound of the waves, intercepted the clip and did a fade in.

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Change the sound effects to add depth.

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Secondly, I introduced the sound recorded at the bottom of the sea and did a fade-in process so that there would not be a more complex sound and to make the sound at the bottom of the sea smaller and highlight the bubbles and other sounds.

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I removed some of the noise, leaving the bubble sound, and cut it short from time to time, taking only a portion of the bubble sound.

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I slowed down the sound to better reflect the feeling of leisure and not rushing, and then lowered the pitch, because some of the previous sounds were a bit harsh, and the lower pitch would be more comfortable.

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I combined pure data test1 with my recording, but after auditioning I didn't feel it quite matched the effect I wanted to convey, so I didn't choose to use this as my final audio effect.

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This is the second sound I made, a bubble sound. After the last one, I found that I needed to make a sound that would fit perfectly with the theme of the device, so I searched for tutorials and made this sound so that it would fit with the device.

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I like to wander slowly along the coastline alone, smelling the faint salty smell, blowing the sea breeze, look at the people coming and going on the beach, listen to the sound of the waves at night ...... such a time, I will put those trivial things behind me, ignore them, the mood will gradually improve.

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From it, you can hear the sound of water, water bubbles, waves, fish, silent and dark, so that you can feel the feeling of being wrapped.

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The sound of the waves will always be present, drawing attention to the exhibition and giving people a very visual sense of the purpose and theme of the project.
Regarding the sounds I recorded, I found that seeing the ocean not only relaxes us, but also makes us feel happy and become happier. Scientists have found that the sound of the ocean stimulates the prefrontal lobe of the brain and helps improve emotional health! In addition, the body absorbs the negative ions released by the waves, allowing the body to absorb more oxygen and regulate serotonin. Serotonin is a substance that controls anxiety and creates a sense of peace and calm, so watching the ocean makes people feel happy ...... So I recorded about the sound of the waves.

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I built an example of a real-time recording where participants could swing their bodies as they wished, making them feel like they were in the ocean. When bubbles are created, there is this sound, which makes the participants feel more engaged, and then the sound of the waves follows.

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Regarding the sound of this data, I have done many tests and found that I could not connect the feeling of the ocean to the feeling of relaxation.

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Using the immersive audio design offered by the perfect NEXO ID Series loudspeaker, these speakers are concealed in the metal truss work overhead. These ultra-compact cabinets are only 300 mm wide and offer 120°x60° HF coverage for horizontal and vertical installation. Four ID24s are used in the main room, and a total of four NEXO NXAMP4x1 amplifiers are used to power the system.

Speaker locations are evenly distributed throughout the venue for even and consistent SPL coverage without the need to play each cabinet loudly. A central row of cabinets delayed to the wall cabinets: stereo crossover.

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Using motion sensing devices as people walk by, Modulo Pi's powerful media server solution Modulo Kinetic's 2 devices are used for performance encoding, mapping and performance control. 2 Barco 6,500 lumen HD laser projectors located on the wall provide visual effects. The sensing devices produce projections based on people's movements and speed. The bubble projection on the wall can be generated based on people's movements, such as waving their arms, to increase the sense of interaction with the audience.

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This Optoma projector strikes a good balance between price and performance. It has 3,800 lumens of brightness and a 22,000:1 dynamic contrast ratio, making it best suited for use in dim or dark environments. Setup and adjustment is relatively simple thanks to the lens' 1.1x optical zoom and vertical keystone distortion correction (no levels). Its 10-watt built-in speaker is suitable for individual use in small to medium-sized rooms, but projects over a longer distance, so it's great for very tight spaces like alleyways. This projector is also very portable. Two Optoma Projectors can be used to project on two opposite walls, which enhances the audience experience even more.

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I plan to make an exploration of the ocean that will make the audience feel open-minded, purify their hearts and experience the beauty of nature. My audience is at the service of everyone, and this interactive installation responds to the audience's movements and gestures. The changing graphics are generated according to the audience's movements, like bubbles in seawater, and accompanied by the sound of the ocean, giving the audience the illusion of being in the ocean.

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I set the location to an alleyway on Little Lonsdale St near where I live in Flagstaff, because there are a lot of people crossing there from work in the evening, and everyone is in a hurry, so I wanted an installation that would allow them to relax.I chose to position it in the alley because it has the most amazing acoustics, position the art installation there, it can be an exhibition, you can wave your arms at night, you can see the visual response on the wall, and I think it's a great experience.

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I looked up some related interactive installations and I found inspiration from three similar projects, but most of them are not displayed on the wall by capturing people's movements through motion sensors. But they are all about the ocean and their works also give a sense of heft that makes people unconsciously concerned about the ecological and oceanic issues nowadays.

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The Art of Listening: Under Water is a site-specific sound work for public spaces by artist Jana Winderen, an immersive 22 audio channel installation presenting Park Rotunda for the first time in a minimalist setting in Collins, bringing awareness to the increasingly fragile ecosystem of the ocean and the environmental concerns of Miami's waterfront communities.

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The Art of Listening: Under Water, a public site-specific sound composition by artist Jana Winderen, was developed to be exhibited during Art Basel in Miami Beach 2019. The immersive 22 audio-channel installation was first presented within the minimalist setting of the Collins Park Rotunda, bringing awareness to the ocean's increasingly fragile ecosystem and to the environmental concerns of Miami's seaside community.

Winderen uses sounds recorded in the city's harbour area, as well as the Barents Sea and the Tropical Oceans to expose the constant underwater presence of human-created sound today. All local sounds were recorded just days before the artwork was installed to reduce the artist's carbon footprint travelling between Oslo and Miami Beach.

Made with long-time collaborator Tony Myatt, Winderen's second site-specific commission for the Manufacturer presents visitors with a symphony of oceanic sounds. The installation provides visitors with a unique opportunity to listen closely to the ocean's inhabitants in an immersive and meditative environment and to reflect upon the ways in which human activity interferes with underwater life.

Every movement that we make in one place will have an impact more broadly across the world.

jana winderen

Norwegian sound artist Jana Winderen (b. 1965) takes her audience on immersive sensory journeys through the natural environment. By revealing the small and most inaccessible sounds of nature, the artist appeals to listeners' emotions, hoping to gain their interest in and respect for our complex world, while raising ecological awareness.

Winderen graduated from the Fine Art programme at Goldsmiths, University of London and has a background in mathematics, chemistry and fish ecology from the University of Oslo. Since 1992, sound has been at the core of her artistic practice, leading her to travel across Europe, Asia and the Americas to record audio environments and ecosystems hard for humans to access physically and aurally.

Winderen's sound work has been performed in major institutions and public spaces worldwide including: Munch Museum, Oslo; Thailand International Art Biennale, Krabi; Dubrovnik Museum of Modern Art; Le Fresnoy: Studio national des arts contemporains; the US Embassy in Oslo, among others. Winderen was the recipient of the Golden Nica, Prix Ars Electronica for Digital Musics & Sound Art in 2011. Her work is published by the London-based record label Touch.

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Jana Winderen, The Art of Listening: Under Water

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The Art of Listening: Under Water, a public site-specific sound composition by artist Jana Winderen, was developed to be exhibited during Art Basel in Miami Beach 2019. The immersive 22 audio-channel installation was first presented within the minimalist setting of the Collins Park Rotunda, bringing awareness to the ocean's increasingly fragile ecosystem and to the environmental concerns of Miami's seaside community.

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Underwater" comes at a time when Miami is facing growing problems related to the climate crisis, and the artist encourages people to close their eyes and hear more details of the space with their eyes closed. In doing so, the artist conveys the presence of coral reefs and calls for the preservation of the natural ecosystem.

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Water World: In Miami, an Immersive Art Installation Summons Sounds of the Sea

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The Collins Park Rotunda across from the Bass Museum in Miami Beach is rumbling with the engines of a Norwegian marine research vessel. It’s a few days before the opening of Art Basel, and sound ar…

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Winderen worked with Tony Myatt to create seven soundscape installations that take visitors to the deep sea with hydrophone recordings of underwater spaces around the world. As you walk through the tunnel, the lights and sounds change, creating the sensation of diving into different parts of the ocean.

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Every year, nearly seven miles of New York City's streets are cleared of traffic so that residents and visitors can enjoy the city's " most valuable public space." Participants in the Summer Streets program can walk, skate, bike, dance, or do whatever they want down the vehicle-free streets, and there are several planned activities along the route for the hundreds of thousands of people who show up for the three consecutive Saturdays in August.

A major draw for the program is the installation in the Park Avenue Tunnel. Last year was the first time that the Tunnel was opened to foot traffic for Raphael Lozano-Hemmer's Voice Tunnel installation. This year, Jana Winderen's DIVE sound art installation promises an experience unlike any you've had on land.

Winderen worked with Tony Myatt to create the seven-block soundscape installation that transports visitors to the deep ocean with hydrophone recordings of underwater spaces around the world in countries including Greenland, Iceland, Norway, Russia, Canada, and Thailand. As you pass through the tunnel, the lights and sounds change to create the feeling of diving into different parts of the sea.

Artnet visited the installation recently and shared their experiences online. Sarah Cascone writes, "Despite the noise pollution caused by irreverent New Yorkers, if one paused to soak in the atmosphere, it did become transformative." To experience the DIVE installation for yourself, head to the Tunnel on Aug. 9 or Aug. 16 between 7 a.m. and 12:30 p.m. For more info, head to the Summer Streets website here.

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Experience Life at the Bottom of the Ocean With An Immersive Installation in New York's Park Avenue Tunnel

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Every year, nearly seven miles of New York City's streets are cleared of traffic so that residents and visitors can enjoy the city's " most valuable public space."

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The image of the installation will be projected on the wall and the projector will be installed above to prevent people from walking around to break him. There will be two projectors projecting on two walls facing each other, and when people walk by, the sensing device will then produce the projection according to the movement and speed of the person. All wires will be hidden on the side of the wall to prevent danger and also to protect the device.The sound will need to be a big sound, because the alley is relatively empty, the loud volume can lead the audience to be more integrated and add better effect to the interactive device.