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'Encounters' showcases works made during a shared journey over five months of synergy and creativity.
Hosted by artist Perienne Christian, this Creativity Cafe exhibition includes works on paper, textile art, printmaking and collage.

These works are a dance of collected influence and memory.

‘Nothing you create is ultimately your own, yet all of it is you. Your imagination,  it seems to me, is mostly an accidental dance between collected memory and influence, and is not intrinsic to you, rather it is a construction that awaits spiritual ignition' -Nick Cave

To find out more about The Creativity Cafe and to join, click the link below.

www.periennechristian.co.uk/creativitycafe

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The Table, 2022 Watercolour
@tessanewcomb

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The Protector
75x55cm
Charcoal and pastel on paper
@emmahuxter_art

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St Frideswide at her well
80x60cm
Oil on paper
@emmahuxter_art

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Watching Punch and Judy
84x60cm
Charcoal and pastel on paper
@emmahuxter_art

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Dream
70x50cm
Charcoal on paper
@emmahuxter_art

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Woven in Light
Ink, pigment and pastel on raw canvas
37x28cm
@jennifersteele_art

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Archipelago
Ink, pigment, acrylic and pastel on raw canvas
50x40cm
@jennifersteele_art

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Gone fishing
Ink, pigment and pastel on raw canvas
50x40cm
@jennifersteele_art

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Bloodlands
Ink, pigment and pastel on raw canvas
46x36cm
@jennifersteele_art

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Future work: Heron 19 x 14cm Etching and aquatint 

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The above is a hand coloured etching. I will start this as a new plate in 2023
@alexandrahelm_art
alexandrahelm@yahoo.co.uk

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@alexandrahelm_art
alexandrahelm@yahoo.co.uk

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Swan 10 x 10cm Etching, aquatint, drypoint

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@alexandrahelm_art
alexandrahelm@yahoo.co.uk

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www.instagram.com/vanessamartinelli_art

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Kew Gardens
Giclee prints available (originally  acrylic, inks, pastel and collage) can be any size up to A1,(A1 -£100, A2 £50, A3 £40, A4 £20) or as a A5 greeting cards at £3.50 each or £12 for 4 (It's possible to have a mix of all the different Giclee images).
Postage extra.
@crombieclare
www.clarecrombie.com

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Giclee print cards of some of my paintings and monoprints

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Colograph Cushion
(Text is a quote from Bill Withers’ song “Lean on Me”)

@crombieclare
www.clarecrombie.com

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In the garden
Giclee prints available (originally  acrylic, inks, pastel and collage) can be any size up to A1,(A1 -£100, A2 £50, A3 £40, A4 £20) or as a A5 greeting cards at £3.50 each or £12 for 4 (It's possible to have a mix of all the different Giclee images).
Postage extra.
@crombieclare
@m.fcollective
www.clarecrombie.com
clarecrombie@me.com

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The Banbury Turnip Cutter

Acrylic, pastel, local pigment from River Cherwell, collage.

Giclee prints available
Can be any size up to A1,(A1 -£100, A2 £50, A3 £40, A4 £20) or as a A5 greeting cards at £3.50 each or £12 for 4 (It's possible to have a mix of all the different Giclee images).
Postage extra.
@crombieclare
@m.fcollective
www.clarecrombie.com
clarecrombie@me.com

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Coasters made with batiked papers.

@crombieclare
@m.fcollective
www.clarecrombie.com
clarecrombie@me.com

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@tildelouisecarlsen

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@tildelouisecarlsen

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@tildelouisecarlsen

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How we manage the dark 'Winter Lights'

watercolour and gouache on paper, reproduced as a greetings card, 15 x 15cms .

This is a moment of making something, at a time when growing anything is proving a challenge.

@rebeccabergese
www.rebeccabergese.com

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'Waiting'. Gouache and pencil on cardboard. 15 x 15 cms
It is winter. The birds are silent in the cold air and the land is still. The war continues, and the people of Ukraine, who are no different from us, wait for life to return. When will it?
This is a 'solution' to moments of work done over these months. A card that can be sold to raise some cash for friends in the East.
If anyone would like cards, please contact me :  rebeccabergese@yahoo.co.uk

@rebeccabergese
www.rebeccabergese.com

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Nero's oil on  canvas 40"×40" £250
@katedlaydon

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Coming In 31.5"×2=,5" oil on canvas
@katedlaydon

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Man in Mauve oil on canvas board 12"×16" £150
@katedlaydon

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Vanessa and Cheese Plant 16"x20" oil on canvas    nfs
@katedlaydon

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Red Woman oil on canvas board 20" X24"£150   @katedlaydon

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Figure
Ink and Crayon
A2

@victoriatwizzle

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Man
Charcoal
A2

@victoriatwizzle

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A head 26x36  charcoal and pastel on Indian paper

@victoriatwizzle

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Dog.
watercolour paper and glue
A3

@victoriatwizzle

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Rufus

Lino Print
19x 24 cm

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Perceptive Ball IV, 2022 pastel on prepared paper 42.5 x 30.5 cm

£195

https://vanessalawrencearts.wixsite.com/arts

https://www.instagram.com/vanessalawrencexx/

@vanessalawrencexx

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Aisha Kacie, 2022 pastel on prepared paper 42.5 × 30.5 cm

£195

https://vanessalawrencearts.wixsite.com/arts

@vanessalawrencexx

These drawings grew out of drawing a dance and movement research workshop held at Trinity Laban Conservatoire of Music and Dance. Exploring drawing as documentation and working in an experimental collaborative hub facilitated by  choreographer Attila Andrasi, these works have grown from collaborative live drawings across a ten meter roll of Fabriano paper, to stilled moments in pastel on prepared paper.

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Perceptive Ball II , 2022 pastel on prepared paper 42.5 x 30.5 cm

£195

https://vanessalawrencearts.wixsite.com/arts

@vanessalawrencexx

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Perceptive Ball I , 2022 pastel on prepared paper 42.5 x 30.5 cm

£195

https://vanessalawrencearts.wixsite.com/arts

@vanessalawrencexx

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Vanessa Lawrence

https://vanessalawrencearts.wixsite.com/arts

https://www.instagram.com/vanessalawrencexx/

@vanessalawrencexx

Artist Statement

Vanessa works from observation in response to the worlds of ballet, theatre, fashion, and film. Her dynamic drawings brim with excitement and drama and evoke worlds of illusion and make believe, all seen with a keen and empathetic female gaze.

Vanessa Lawrence is a Brighton based artist and educator. Graduate of the University of Brightin Fine Art MA &  Royal Drawing School Postgraduate Drawing Development Year 2021-22. Recently her work has been selected for VIA Arts Prize 2020 Finalist & FIDA (Fashion Illustration Drawing Award). Finalist 2021, and the Waverton Prize 2022.

Vanessa Lawrence is a Tour Art Prize finalist, selected for the exhibition Figaro at Glyndebourne & In Disguise, October 2022. These works were acquired by  Glyndebourne and can be seen on Art UK database here.

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Reclaiming the Feminine | Woman in Wood: Susanna and the Elders

You can read my text on Reclaiming the Feminine here.
I feel these prints would also make perfect Christmas gifts for strong women...giving courage to continue on a chosen path.
You can read about  Susanna on my website here.

Each print costs CHF 490 - it should convert automatically to GBP when you look at it in the UK.
I'll be in London from 5th - 14th December if anyone wants to meet up - or purchase a print.

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Reclaiming the Feminine | Woman in Wood:

Margaret, Duchess of Argyll (ca. 1931) painted by Gerald Brockhurst (1890 – 1978)

Reductive wood block print, hand printed without a press. I used a sample of her signature to write “Margaret” © Sibylle Laubscher, 2022

@sibyllelaubscher

www.sibyllelaubscher.ch

Margaret (1912 – 1993) was the only child of an American self-made millionaire. She was pregnant at 15 and had a secret abortion in London. Margaret was presented at court and was known as the debutante of the year. When she married Charles Francis Sweeny in 1933 Norman Hartnell made her wedding dress and traffic in Knightsbridge was blocked for three hours – Margaret was always to be associated with glamour and elegance. She had three children with Sweeny. In 1943 Margaret survived a near fatal fall down a lift shaft. After her divorce she married Ian Douglas Campbell, 11th Duke of Argyll, whose castle she restored with her money. The Duke was addicted to alcohol, gambling and prescription drugs, was violently and emotionally abusive. He accused Margaret of infidelity and used a set of photographs as proof. The Duchess counter-petitioned the divorce. Margaret was condemned by the judge for having “disgusting sexual activities”... "Her attitude to the sanctity of marriage was what moderns would call 'enlightened' but which in plain language was wholly immoral." Many of the men the Duchess was alleged to have slept with were homosexual; she was unwilling to divulge this as sexual acts between men were illegal in the United Kingdom at the time. Her extravagant lifestyle and ill-considered investments left her largely penniless by the time she died.

You can read my text on Reclaiming the Feminine here.
I feel these prints would also make perfect Christmas gifts for strong women...giving courage to continue on a chosen path.
You can about Margaret on my website here
Each print costs CHF 490 - it should convert automatically to GBP when you look at it in the UK.
I'll be in London from 5th - 14th December if anyone wants to meet up - or purchase a print.

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Reclaiming the Feminine | Woman in Wood

Margaret, Countess of Blessington (1822) painted by Sir Thomas Lawrence (1769 – 1830)

Reductive wood block print, hand printed without a press. © Sibylle Laubscher, 2022

@sibyllelaubscher

www.sibyllelaubscher.ch

Margaret (1789 – 1849) was an Irish novelist, journalist and literary hostess who knew and wrote a book about Lord Byron, and also enjoyed the company of Hans Christian Andersen and Charles Dickens. She was distinguished for her generosity and extravagant tastes and spent many years living in Europe, settling for the main in Naples. On returning to England she lived in Kensington, where the Royal Albert Hall stands today. Her home became a centre of attraction for all that was distinguished in literature, learning, art, science and fashion – giving her rich pickings for her job as gossip columnist for Dickens’ Daily News. However, after her partner, Count D’Orsay sold the house to escape creditors, so Margaret joined him in Paris where she died. It was discovered that her heart was three times the normal size.

You can read my text on Reclaiming the Feminine here.
I feel these prints would also make perfect Christmas gifts for strong women...giving courage to continue on a chosen path.
You can Margaret on my website here.
Each print costs CHF 490 - it should convert automatically to GBP when you look at it in the UK.
I'll be in London from 5th - 14th December if anyone wants to meet up - or purchase a print.

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Reclaiming the Feminine | Woman in Wood: Giovanna Baccalli

Giovanna (1753 – 1801) was born in Venice and the principal ballerina at the Kings Theatre, Haymarket with an acclaimed career. She was the mistress of John Sackville, 3rd Duke of Dorset with whom she had a son. After they split her son remained with his father, but died in 1796.

Reductive wood block print, hand printed without a press. © Sibylle Laubscher, 2022

@sibyllelaubscher

www.sibyllelaubscher.ch

You can read my text on Reclaiming the Feminine here.
I feel these prints would also make perfect Christmas gifts for strong women...giving courage to continue on a chosen path.
You can Giovanna on my website here.
Each print costs CHF 490 - it should convert automatically to GBP when you look at it in the UK.
I'll be in London from 5th - 14th December if anyone wants to meet up - or purchase a print.