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Organising the casting (selecting) of Actors for all roles in a film

Arranging and conducting interviews and auditions with artists as well as negotiating fees and contracts for the Actors who get the part

Working with the Director and Producer to understand their requirements

have exceptional artistic vision creative skills
have unrring commitment
have a deep passion for filming making
be a strong confident leader
https://www.google.co.uk/search?rlz=1C1GGRV_enGB772&ei=wwsYWvneBMesaYawjbAH&q=what+skills+do+you+need+for+a+director&oq=director+what+skills+do+you+&gs_l=psy-ab.3.0.0i22i30k1l2.3052.7832.0.9497.24.22.2.0.0.0.117.1480.21j1.22.0....0...1c.1.64.psy-ab..0.24.1489...0j0i67k1j0i131k1j0i22i10i30k1j0i13i30k1j33i22i29i30k1j33i21k1.0.W74fZFdnCGE

A film director controls a film's artistic and dramatic aspects and visualises the screenplay (or script) while guiding the technical crew and actors in the fulfilment of that vision
https://www.google.co.uk/search?rlz=1C1GGRV_enGB772&biw=1600&bih=769&ei=8QwYWqmSH4qza8Kso5gH&q=what+does+the+director+do+in+a+production&oq=what+does+the+director+do+in+a+production&gs_l=psy-ab.3..0i7i30k1.4321.4512.0.4783.2.2.0.0.0.0.62.113.2.2.0....0...1c.1.64.psy-ab..0.2.112....0.HoTe9WB3CGY

You need experience of working in TV or film and an in depth understanding of the production of process
https://nationalcareersservice.direct.gov.uk/job-profiles/tv-or-film-director

https://stephenfollows.com/become-film-director/

There Is no route to a film director

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Turning story ideas into profitable films

Putting together a creative and talented cast and crew

Being responsible for all aspects of a film's production

What skills do you need to do this role ?

creativity and vision

presentation and negotiation skills

leadership and management ability

planning and organisational skills

financial skills and the ability to work to a budget

•What does the Producer do in a production?
Producers have overall control on every aspect of a film's production. They bring together and approve the whole production team. Their key responsibility is to create an environment where the talents of the cast and crew can flourish. Producers are accountable for the success of the finished film. They steer the film from beginning to completion and beyond.
•Will I need a qualification?

You don’t need a specific qualification. If you are considering taking a film production course in higher education, the following courses have been rigorously assessed by the film industry and awarded the Creative Skillset Tick for the high standard of education they provide and the degree to which they prepare you for a career in film:

•What’s the best route in to the role?
Top filmmakers work with the same people over and over again. To get started in the Production Office it is worth getting experience as a Production Assistant or Runner. If you can prove that you are reliable, trustworthy and enthusiastic you may progress.

http://creativeskillset.org/job_roles/3077_casting_director

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• The lowdown

Preparing and operating the camera and all its equipment

Working with the Director and Director of Photography to achieve the visual style of the film

Managing other camera department staff and communicating with Actors

http://creativeskillset.org/job_roles/3073_camera_operator

What skills do you need to do this role?

sound theoretical, practical and technical knowledge of cameras.

the ability to frame and compose shots.

the ability to perform camera moves accurately.

interpersonal and communication skills.

the capacity to multi-task and take direction from others.

https://www.google.co.uk/search?rlz=1C1GGRV_enGB773GB773&ei=lRkcWoOwPMr2aNihoegH&q=what+skills+are+needed+to+be+a+camera+operator&oq=what+skicamera+operator&gs_l=psy-ab.3.0.0i7i30k1.16985.17848.0.19063.8.8.0.0.0.0.109.676.7j1.8.0....0...1.1.64.psy-ab..1.7.602...0i13k1j0i8i7i30k1j0i13i30k1j0i8i13i30k1.0.Rq6kfXLauUI

•What does the Camera Operator do in a production?
Camera Operators carry out the Director of Photography’s (DoP) and Director’s instructions for shot composition and development. They are usually the first people to use the camera's eyepiece to assess how all the elements of performance, art direction, lighting, composition and camera movement come together to create the cinematic experience.

•Will I need a qualification?
Like many Camera Operators, you can study for higher level qualifications, although no specific qualifications are required to work in this role.

•What’s the best route in to the role?
You can expect to begin your career as a Camera Trainee or Runner, progressing to 2nd AC and, as you gain more experience, to 1st AC. You will have to continually build upon your experience and competence when operating a variety of cameras in order to achieve the role of Camera Operator.

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• The lowdown

Working closely with the Director to craft the finished film

Working in an edit suite for long hours

Running a team of assistants and trainees on big productions

What skills do you need to do this role?

a good sense of timing and visual awareness

a mixture of practical and creative skills

a high level of attention to detail

the ability to work under pressure and meet tight deadlines

patience and concentration

IT skills

•What does the Editor do in a production?
The Editor works closely with the Director, crafting the daily rushes into a coherent whole. To ensure that the story flows effortlessly from beginning to end, each shot is carefully chosen and edited into a series of scenes, which are in turn assembled to create the finished film.
•Will I need a qualification?
You don’t need a specific qualification. But if you are considering taking a film production course in higher education, the following courses have been rigorously assessed by the film industry and awarded the Creative Skillset Tick for the high standard of education they provide and the degree to which they prepare you for a career in film.

•What’s the best route in to the role?
As a Trainee with at least two years' experience you would have to work as an Assistant in television or on low budget films for a considerable period of time before becoming First Assistant on feature films. Some big budget productions take on Trainees and Second Assistants, and it is important to keep up to date with films in pre-production by reading the trade press.
http://creativeskillset.org/job_roles/2940_editor
https://nationalcareersservice.direct.gov.uk/job-profiles/video-editor

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The lowdown

Animating models or puppets one frame at a time to create a performance and provide the action outlined in the storyboard

What skills do you need:

have strong observational, acting and timing skills

be able to work in a range of stop motion animation techniques, including excellent sculpting skills (if working in clay)

have good communication skills, including in liaising with members of other departments, particularly model making

have good team-working skills

be able to clean up models or puppets and make replacement parts, if required

be able to operate relevant animation and camera equipment

have a good understanding of character development and storytelling

be flexible and adapt to the requirements of different types of production for a variety of media, such as television, films, commercials, etc.

be able to take direction and accept constructive feedback

be able to work without supervision and follow a brief

be able to deliver on schedule, working calmly and efficiently under pressure

show respect for the procedures and requirements of a particular studio or production

have knowledge of the requirements of the relevant health and safety legislation and procedures

What does an Animator (Stop Motion) do?

Stop Motion Animators bring models or puppets to life, animating them one frame at a time to create a performance and provide the action outlined in the storyboard.

They follow a brief from a Director, Animation Director/Supervisor or Studio Director, and may also refer to established characterisation developed by a Director or Key/Senior Animator.

Stop Motion, also called Stop Frame, describes animation that is created by moving models, puppets or any three-dimensional objects frame-by-frame in front of a camera to create the illusion of movement. Other terms used are Model or Puppet Animation, Table Top or 3D, although nowadays 3D usually applies to computer animation.

In character animation, Animators could be ‘cast’ like actors, for their particular talents, such as comedy, dialogue, action, charm, simplicity; or their ability to animate certain types of character; or for their skill at animating inanimate objects. However, they should also be all-rounders with the ability to replicate the animation style that the Senior Animator has set for each particular character.

Depending on the size of the production, they may be involved with pre-production and are likely to collaborate with Model Makers and Riggers to ensure that the models or puppets are prepared for the action that is required.

On smaller productions, they may work alone. On larger projects they may be one of a team and supported by an Assistant Animator. They can be responsible for supervising the work of more junior animators.

Will I need a qualification?

To become a Stop Motion Animator, it will generally help you to have a degree in animation, fine art, sculpture, graphics, illustration, or another related subject.

If you are considering taking an animation or art and design/graphics course in higher education, the following courses have been rigorously assessed by the industry and awarded the Creative Skillset Tick for the high standard of education they provide and the degree to which they prepare you for a creative career:

Animation courses awarded the Creative Skillset Tick

Art and design/CGI/graphics courses awarded the Creative Skillset Tick

Your showreel will need to demonstrate your talent in order to set you apart. The more experience you can gain in a range of stop motion techniques, the more employable you will be. Some studios also want to see evidence of good life drawing. Directors and Producers will be looking for you to have proven ability to develop characters and produce good performances.

What’s the best route in?

To become a Stop Motion Animator, you will need to work your way up from the position of Assistant or Junior Animator. It is very rare that you would be able to gain a job as an Animator straight after graduating.

You could apply to be an Animation Trainee through Trainee Finder, which gives you hands-on experience in the industry and helps you build those all-important contacts that are essential when competing for a job:

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Careers, jobs and skills training in film, TV, VFX, animation and games

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We are investing in the future of the animation, film, TV, VFX and games industries in the United Kingdom. Find training, information, connections and advice on your career in screen.