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Ambient light is the lighting which is used in movies, most notably in horror films which somewhat sets the mood for the film

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Director of the grips and focuses on the lighting effects used.
Positions:17

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People who work who as lighting and rigging technicians in film industry.
Position:18

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The set of people or person who edits the film so that useless or unnecessary parts are cut out of the film and left to the directors edition
Position:20

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A person who designs the costumes in a film, play, or television show/series.
Position:10

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Composes the score in a film that is to be played during different scenes
Position:7

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is the chief over the camera crews working on a film, television production or other live action piece and is responsible for making artistic and technical decisions related to the image.
Position:3

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The lead that captures the image on film/digital file.
Position: 9

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The source of funding for the movie and the ultimate advocate for the investors and the intended audience.
Position: 1

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Responsible for every artistic decision in making the film and for getting the best performance from the actors and the other creative leads.
Position: 6

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Production managers include the job of organizing production schedules and other requirements.
Position: 4

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The first artist to translate the script into visual form. He or she creates storyboards that serve as the film's first draft.
Position: 11

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A person in the crew who is responsible for various aspects for production.
Position: 16

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A person responsible for the financial and managerial aspects of making a movie.
Position: 2

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a supplementary light used in photography or filming that does not change the character of the main light and is used chiefly to lighten shadows.

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a fast pace film that has less frames so that the film can actually move faster

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The terms fade-out (also called fade to black) and fade-in are used to describe a transition to and from a blank image.

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a long shot that is taken so far away that shows the scene or where the setting in which the film takes place in (Camera

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The shot is so tight that only a detail of the subject, such as someone's eyes, can be seen.  when the juxtaposition of shots in a sequence, usually in a scene of dialogue, starts with medium or long shots, for example, and ends with close-ups. (Camera)

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An exploitation film is a film which attempts to succeed financially by exploiting current trends, niche genres, or lurid content

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It is generally a long or extreme-long shot at the beginning of a scene indicating where, and sometimes when, the remainder of the scene takes place. (Camera)

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a shot were a camera is at placed on a dolly and is placed on rails so that it can follow an actor in a scene (Camera)

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is a gradual transition from one image to another.

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the distance between the nearest and the furthest objects that give an image judged to be in focus in a camera. (Camera)

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a style or technique of cinematography and staging with great depth of field, using relatively wide-angle lenses and small lens apertures to render in sharpfocus near and distant planes simultaneously. (Camera)

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The story depicted on screen, as opposed to the story on real time that is the screen narrative. (Story)

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A basic guideline regarding the on- screen spacial relationship between two characters in a scene.

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A small amount of text that states to clarify a thought for , or designed with a form of dramatic effect.

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A one sentence summary of a script. (Marketing, pre-roduction

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A big-budgeted motion picture which is expected to generate significant revenue for its producing studio.

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The technique of changing the focal length of zoom lens, giving the illusion of moving closer. (camera)

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A type of film transition where one shot replaces another shot by travelling from ones side of the frame to another. (Editing

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A display screen with a width to height ratio; greater than 4:3 and typical ratio of 16:9

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The clothing worn by actors in cinema or the department that handles the clothing. (Visual Appeal, Costume

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A type of shot that focuses on two people or sujects. (Camera, Shot)

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A series of cinimatic techniques used to make a scene look as if the scene took place in the night

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A short silent film, about 20 minutes. Comical film. (Genre)

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Cut is what the director yells to stop the scene either because it didn't come out well enough or for a stunt double to come into the film scene

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A three- legged instrument that supports, stabilizes and elevates a camera. (Camera)

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A credit sequence is a sequence that shows the actors, director, etc. (names of everyone in the film)

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A piece of prose, typically the step between scene cards and first draft of the screenplay. (pre-production)

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A shot where the camera moves alongside the object its recording.

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The crane shot is a shot that is taken by a camera that is usually places on a crane that follows the actor from above (Camera)

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A technique in which the camera stays in a fixed position but rotates up/down in a vertical plane. (Camera)

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A stand in which snacks or food is placed out for the actors, directors, etc.

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A process of color cinematography using synchronize monochrome films, each of a different color, to produce a movie in color. (Post- production, Editing)

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A motion picture, especially a cartoon or comedy, of 10 to 12 minutes' duration and contained on one reel of film: popular especially in the era of silent films.

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A filmed "version" of a particular shot or "setup".
(Camera, Visual aspect)

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Something that appears in front of the camera in cinema films

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A secondary plot in a play, novel, or similar work. (Story)

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A camera angle in which the camera is zoomed in on the actors face or on an object (Camera)

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The highest most intensified point in a film

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A type of projector that projected films simultaneously

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A scene by scene roughly drawn visual outline of the plot of a script. (pre-production, story, visual aid)

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A cinematographic technique where by the camera is repetitively stopped and started, to give animation figures movement.

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A type of filmic organization in which the parts relate to each other through a series of casually related events taking place in time and space.

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A lightweight mounting for a moving camera that keeps it steady for filming when handheld or moving. (Camera)

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The method of creating, promoting, and exploiting stars in Hollywood films. (Marketing)

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The art of making a motion picture film

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The process through which the plot conveys or withholds story information. The narration can be more or less restricted to character knowledge and more or less deep in presenting characters' mental perceptions and thoughts.

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A script written speculatively, without being hired or commissioned, on the hope that it can be sold. (Marketing)

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The music of the film. (audio aspect)

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The process of making the shot slower so it emphasizes the scene or action. (Editing)

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A lens series used for wide shot pictures which would be used for future films
(Camera)

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What the camera sees. (Camera)

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A segment of a film that summarizes a topic or compresses a passage of time into brief symbolic or typical images. Frequent dissolves, fades, superimpositions, and wipes are used to link the images in a montage sequence.

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Any place, either n a studio or on location place, where filming takes place. (Visual Aid, Production)

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The script of the entire movie, including the director and actor's role in it. (Production)

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An approach to editing deceloped by the Soviet filmmakers of the 1920s; it emphasizes dynamic, often discontinuous, relationships between shots and the juxtaposition of images to create ideas not present in either shot by otself

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The films original music written to accompany the film.

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The date the movie is presented to the audience. (Marketing)

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Point of view, the camera is placed so as to seem as if the camera is in the eyes of a character. (Shot, Camera)

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A visual representation of the movie in an enlarged paper format. (Marketing).

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is a form of french film that incorporates improvisation with the use of truth or highlight subjects hidden behind crude reality

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computer generated image that is used to create a scene that is impossible or nearly impossible to recreate in real life

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the traditional form of animation where each frame of a scene is drawn by hand

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the camera movement is the amount of movement that a camera has during a shot, sometimes used to intensify a scene (Camera)

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is the angle in which the camera is taking its shot of the take (Camera

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a schedule created by the assistant director that is issued to the cast and crew of a film production to inform them of where and when they should report for a particular day of filming

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a long movable pole that has a microphone or camera on one end

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denotes a very popular or successful, usually big budget productio

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a light source placed behind an actor, object, or scene to create a highlight that separates the subject from the background

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a low budget movie especially one made for use as a companion to the main attraction in a double feature

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a film maker whose personal influence and artistic control over a movie are so great that the film maker is regarded as author of the film

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Aspect Ratio describes the width and height of a cinema or televisions screen the size which a film has been shot and should be projected

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All of the elements placed in front of the camera to be photographed: the setting and props, lighting, costume, and makeup, and figure behavior.

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A framing in which the scale of the object shown is of moderate size; a human figure seen from the waist up would fill most of the screen.

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A continuity cut that splices two different views of the same action together at the same moment in the movement, making it seem to continue uninterrupted.

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A framing in which the scale of the object is shown is small; a standing human figure would appear nearly the height of the screen.

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A shaped piece of transparent material (usually glass) with either or both sides curved to gather and focus light rays. Most camera and projector lenses place a series of lenses within a metal tube to form a compound lens.

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In the three-point lighting system, the brightest illumination coming into the scene.

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The use of the camera operator's body as a camera support, either holding it by hand or using a harness.

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The use of the edges of the film frame to select and to compose what will be available on screen.

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A single image on the strip of film. When a series of frames is projected onto a screen in quick succession, an illusion of movement is created

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An alteration of story order in which the plot presentation moves forward to future events and then returns to the present.

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A piece of glass or gelatin placed in front of the camera or printer lens to alter the quality or quantity of light striking the film in the aperture

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An unexpected event that occurs as the story progresses forward. (Story)

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The basic structure of the story. (Story)

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To describe your story, script, or property with or without visual aid, in hopes it will be bought. (Marketing)

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What the audience sees when a stationary camera pivots back and forth or up and down. (Shot, Camera)