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Natural lighting, as if in actual room. Visibility is high, whilst maintaining cozyness (amber light) and naturalism through the use of lamps. Lights pointing upwards also means they don't shine in people's eyes (as they're in bed) and they can see the pictures on the wall with an unusual shadow.

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The lights are very precisely positioned, with a clear intention. The set and light work perfectly together, allowing the text to be legible and have the beautiful shadows of the scissors.

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Since our piece is immersive, I like the idea of having specific light for small objects, that the audience can read and see these, but the areas outside the box are darker.

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Sound will really depend on the nature of the performance, especially in terms of audience logistics. Regardless, I think it will be key to have subtle speakers throughout the space, hidden from audience view. (This might change depending on intention, and it might not be necessary if we provide the audience with headphones)

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Start at gluttony, go through each room and end in the centre where they are told what their decisions were. Each room would be structured different and allow for a different form of interaction between performer(performance) and audience. Colour scheme each room with set and lighting to represent each sin

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Subject to change but an idea for colour scheme, need to add in more the idea of absence.

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You may need to zoom in to see the measurements of rooms.