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Pound to euro rates seem to have settled around the current level, with today's range of 1.1328-1.1344 indicative of the stagnation we've seen on the pair of late.
Pound loses value against the euro after an eventful weekend

The pound saw its value dip following events over the weekend, with the ensuing fallout from the European election results likely to dominate headlines over the coming days.

The markets may have already factored in UK Prime Minister Theresa May's announcement of her resignation timeline on Friday, but the decimation for the UK's two main political parties in the European elections, is unlikely to have been fully factored into the current market value on GBP/EUR.

Pound to euro forecast

In truth, the pound has been fairly resilient throughout these major political events, holding its value against the euro with only a small sell-off following the final votes being counted over the weekend. Whether this trend continues is now the key question for investors, but recent history indicates GBP should continue to find a level of support around the current levels.

The markets have remained range-bound over a prolonged period with the pound finding plenty of support around the 1.13 level but has failed to make any significant and more importantly sustainable inroads above 1.15, since the breakdown in cross-party Brexit talks.

British politics weigh on pound to euro rate

With the Conservatives party having to enter a leadership contest and Brexit talks once again at an impasse, the uncertainty which has engulfed the UK economy and restricted the pound, is likely to continue in the foreseeable future.

Talk of another general election and even a possible second referendum add another facet to proceedings, so clients hoping for a return to the recent highs of 1.16/1.17 against the EUR may be left disappointed, unless of course there is a major shift in market conditions.

If you are looking to exchange either pounds or euros and would like to learn more on the factors affecting current exchange rates, please feel free to contact me directly using the form below.

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GBP under pressure as Brexit progress stalls - Pound Sterling Forecast

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Pound to euro rates seem to have settled around the current level, with today's range of 1.1328-1.1344 indicative of the stagnation we've seen on the pair of late. Pound loses value against the euro after an eventful weekend The pound saw its value dip following events over the weekend, with the ensuing fallout from the ...

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Brexit may mean buying your favourite brand could cost you more. Here’s why.

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Lifestyle ES Magazine

The British fashion industry relies on international trade, thrives on a global pool of talent - and has made no secret of its desire to remain in the EU. So how is it preparing as we enter the final countdown to Brexit? Lucy Tobin investigates

B

ritain's fashion industry didn't vote for Brexit: 90 per cent of designers told the British Fashion Council they were voting remain.

But with less than seven months to go before the UK formally cuts its ties with the European Union, this £28 billion sector has to get three very different looks ready to future-proof business.

Richard Lim, chief executive of analyst Retail Economics, outlines the potential scenarios: 'Hard Brexit - where existing trade deals disappear, and designers, retailers and manufacturers would have to pay to trade with the EU - would mean clothing and footwear tariffs of about 11 per cent, or just over £1 billion more each year.' A second option is a free trade agreement, 'but we don't know what kind of strings will be attached - it's hard for businesses to plan'. Third, the UK could remain part of the customs union, but that seems unlikely given that Theresa May has already rejected this path.

'Whatever happens, the price of a pair of jeans will, in all likeliness, go up after Brexit,' says Lim. 'It's tariffs, and an exodus of [European] shop staff, designers, warehouse staff, delivery drivers... As we "take control of our borders", the pool of available staff is likely to shrink, meaning an inflationary impact on wages. It's likely to be massively disruptive.'

The UK imports almost £10 billion worth of clothes and shoes from Europe each year; more than 10,000 European staff work in the British fashion industry. It has become a microcosm of UK Plc's struggle to deal with the referendum result.

Katharine Hamnett has sold thousands of her 'CANCEL BREXIT' T-shirts and has released a new version, 'FASHION HATES BREXIT'. She is campaigning for a second referendum, but has a contingency plan, too. She has set up her own Italian company, near Venice, 'to handle production and logistics, so we don't get snarled up in complicated Brexit red tape and import and export problems for our manufacturing and shipments'.

'It's terrifying that we know so little about "the deal" - the fashion industry works so far in advance, and it feels like we are in a blackout room and having to use a crystal ball to find our way out,' says Frances Card, fashion consultant and former Matchesfashion.com COO. Her concern is echoed by Clare Hornby of ME+EM, whose Breton T-shirts are loved by the Duchess of Cambridge. Meanwhile, photographer Nick Knight is unequivocal. 'The overwhelming evidence and general agreement on all sides now is that this country and its communities will be considerably worse off both economically and culturally if we leave the EU,' he says.

It's not all bad. The Brexit-fuelled crash in the value of the pound has seen surging numbers of Chinese, Arab and American fashion tourists chucking cash at the West End's fanciest tills. But higher sales may not be enough to offset rising foreign manufacturing costs and an influx of shoppers may be balanced by an outflux of international talent from the industry. José Neves, founder of luxury online platform Farfetch, put it like this at last year's Web Summit in Lisbon: 'We have 25 different nationalities in our London office. If [Brexit] jeopardises that, it'll be a major loss.' Writer and consultant Nick Vinson points out, 'Many great "British" designers are European and proud of it': Mary Katrantzou is Greek, Simone Rocha is Irish, Peter Pilotto is Austrian-Italian.

Loud and clear: Katharine Hamnett's T-shirt

Stephanie Phair, chair of the British Fashion Council, says that 'making sure young people from all around the world have access to creative education and skills to protect our home-grown talent pipeline' is a post-Brexit priority. 'It's extremely important that we remain open and accessible to international talent,' she adds. The BFC helps run the fashion arm of the Home Office's Tier 1 visa scheme, giving 2,000 top designers from outside the EU fast-tracked visas. 'In light of Brexit, this is something that is incredibly important.'

Stylist Tamara Cincik set up Fashion Roundtable to make sure the industry's concerns were heard. 'Fishing makes £1.4 billion for the UK economy, fashion almost £30 billion, but we only hear about cod,' she says. 'I know of two long-established London brands, one in accessories, one in women's and menswear, moving to Portugal, and a large fash-tech business looking to relocate its logistics to Italy. With a hard Brexit or no deal, swathes of fashion firms expect to leave,' she adds.

Universities claim the talent drain isn't happening yet. The London College of Fashion says its proportion of EU applicants hasn't dropped over the past year. The college's head, professor Frances Corner, is a rare positive voice: 'Brexit gives us an opportunity to ask what sort of fashionable future we want. Ideas and thoughts can't be tied down to national boundaries, they will always break through,' she says. But she mourns the end of EU funding, and potentially of the Erasmus scheme, which enables students and staff to work elsewhere in Europe.

The International Trade Secretary, Liam Fox, has said that Brexit is 'an unprecedented opportunity to create a trading environment that delivers for our country, our businesses and our citizens'. And it's true that Brexit isn't a wardrobe disaster for every London company in the fashion industry. Vote Leave's push for the return of 'made in Britain' is already bearing fruit in the unlikely location of Haringey. At a dazzling white workshop in Zone 2, Jenny Holloway runs Fashion Enter, where 107 stitchers, cutters and designers manufacture womenswear for Marks & Spencer, Asos, Matthew Williamson and Preen, among others. Since the referendum, she's had Tesco and Arcadia come knocking. 'Brexit, and the chaos in Turkey, mean manufacturing is drifting back to the UK,' Holloway says.

The in-crowd: right, designers Sid Bryan and Cozette McCreery express support for the remain campaign during one of their label's catwalk shows in 2016 /

'We can go from idea to delivery in three weeks.' However, some 80 per cent of her stitchers are Eastern European. 'When [the Brexit vote] first happened, two went home immediately - they felt unloved and unwanted. We used to have skilled workers from Bulgaria, Romania and Poland knocking on the door every week - that's stopped completely.'

UK makers also need something to make their clothes from - and there aren't any cotton fields in Seven Sisters. Three quarters of materials used in the UK are imported. If there is no deal, UK manufacturers will be subject to a bewildering array of tariffs.

'Manufacturers will face reams of paperwork for each component part,' Anna Tobin, at Ready for Brexit, explains. 'Plus there are possible technical barriers to trade - if a country decides a British clothing firm's standards aren't high enough, it could be barred. Then there's the possible port queues delaying shipments, new VAT rules that mean importers will have to pay their 20 per cent upfront, and potential delays at immigration for foreign buyers.

'Business that's done unthinkingly now - shipping in cloth from Italian mills, sourcing components from China, Turkey and India, transporting finished clothes and models over to Paris or Milan for the shows, and product lines into stores in Europe - will entail many more additional steps. It will be a logistical nightmare.'

Spaniard Álvaro González makes the sandals of his eponymous shoe brand in Florence, sells them in his Marylebone shop plus wholesale worldwide via Matchesfashion.com, Mr Porter and Browns Fashion, all based in London. 'Delivery for SS19 is just before [Brexit day] but our next collection, which we are designing now, is a concern - we have no way of knowing how we can sell and deliver it. We wholesale in euros, and sell in our store and via e-commerce in pounds. Our margins are at risk with exchange rate fluctuations.'

Stephen Sidkin, fashion law partner at Fox Williams whose clients include La Perla and Orla Kiely, believes the industry is not well prepared: 'Many fashion firms are adopting the ostrich position - which could prove painful.' But he admits they have no choice. 'By next week, many brands will have decided what individual pieces from their SS19 collections to manufacture - but unless they are paying in sterling, how can they know where exchange rates will be when payment for overseas manufacturing becomes due? Or what customs duties will be payable both into the UK and into the EU?'

All of which means that experts are worried about London losing its reputation as a global fashion capital. Last month, Superdry founder Julian Dunkerton gave £1m to the People's Vote campaign for a second referendum. Frances Card, meanwhile, adds: 'We came back from a major exodus of designers and top models at London Fashion Week around a decade ago - it was hard to do. The threat of [Brexit's] potential loss cuts through all aspects of our industry - disaster for our stores, businesses and carefully nurtured brands, and the freedom to move everything and everyone easily across borders. Don't let's lose our place again.'

Illustrations by Michelle Thompson

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How will Brexit impact the UK fashion industry?

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The British fashion industry relies on international trade, thrives on a global pool of talent - and has made no secret of its desire to remain in the EU. So how is it preparing as we enter the final countdown to Brexit? Lucy Tobin investigates

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We want to lead the change towards a more sustainable fashion future.

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In 2010, H&M for the first time launches a full fashion collection made from sustainable materials.

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's profits fell 20 per cent in the third quarter of 2018, despite the Swedish brand recording a 9 per cent increase in sales, helped by a 32 per cent rise in online sales.

Revenue rose to SEK 64.800m (£5.59m) despite sales decreasing by 8 per cent in the US, French, Italian and Belgian markets because of "the implementation of new logistics systems", costing around SEK 400m.

H&M has invested heavily in making its online and in-store offerings more seamless, in an effort to compete with online retailers like and .

We'll tell you what's true. You can form your own view.

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The group has seen profits shrink and struggled to shift stock in recent years due to competition from both those brands, as well as high-street rivals such as Primark.

However, the company reassured investors on Thursday that it would not need to cut costs to move unsold clothing in spite of the quarterly dip in profit, and shares in H&M rose more than 11 per cent.

The fashion company's CEO, Karl-Johan Persson, said: "The rapid changes in the fashion industry are continuing and the H&M group is in an exciting transitional period. Our transformation work has contributed to a gradual improvement in sales development with increased market share in most markets during the third quarter, particularly in Germany, Sweden, Eastern Europe, Russia and China.

"In the US, France, Italy and Belgium, however, store sales were negatively impacted by the problems that arose when we introduced new logistics systems in these markets. The new logistics systems are an essential part of our work to make our supply chain faster, more flexible and more efficient, and to continue the integration of stores and online."

As of May this year, H&M had 4,801 stores in 69 countries and is looking to expand its reach even further.

In its nine-month report, the company announced that Uruguay will become a new store market in Autumn 2018 and that contemporary fashion brand COS (part of the H&M group) will launch online in China in Autumn 2018 as well.

The fashion brand has also recently launched new brand Afound both in stores and online in Sweden.

Meanwhile, the retailer is revamping its Swedish stores after being criticised for its cluttered environment. The company created a pilot store in Stockholm with a smaller range of clothes on show and an airier design, which features invitation-only events and where customers can order coffees while they shop.

H&M was recently accused of failing to pay the garment workers who supply its high-street stores a fair "living wage" .

The Clean Clothes Campaign (CCC) said the group had failed to meet a commitment it made in 2013 to ensure its suppliers would pay a living wage to around 850,000 textile workers by 2018.

However, the Swedish company said it had reached at least 600 factories and 930,000 garment workers with its fair living wage strategy.

A spokeswoman for H&M said: "There is no universally agreed level for living wages, and wage levels should be defined and set by parties on the labour market through fair negotiations between employers and workers representatives, not by Western brands."
Additional reporting by newswires

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H&M profits drop as retailer pours money into in-store and online improvements

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H&M's profits fell 20 per cent in the third quarter of 2018, despite the Swedish brand recording a 9 per cent increase in sales, helped by a 32 per cent rise in online sales.

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UK April retail sales fell below expectations due to choosing Easter weekend recreational activities over shopping and the distorted timing of the run-up to Easter, according to the latest monthly Retail Sales Monitor from the British Retail Consortium (BRC) and KPMG.

The sales monitor revealed that total April retail sales increased by 4.1% year-on-year, compared to a 3.1% decrease in April 2018. Like-for-like sales increased by 3.7% from April 2018, with the 2-year average like-for-like change at -0.3% per annum.

Non-food in-store total like-for-likes sales declined 1.7% and 1.8% for the three months to April. Online average growth was 4.1% for the three months to April and 6.2% year-on-year. Food sales increased 1.7% in like-for-likes and 2.8% year-on-year for the three months to April, hitting below the 12-month total average growth of 3%.

The news follows reports that Easter spending, in the UK, was predicted to rise by 0.5% to £1.7bn in 2019.

BRC chief executive Helen Dickinson OBE said: "Retail sales were below expectation this month as the sunshine over the Easter weekend persuaded many to pursue recreational, rather than retail, activities. Department stores, as well as clothing and footwear shops, were harder hit by the warmer weather, while food-to-go fared much better from it.

"Online accounted for a little under 30% of all non-food sales and we expect this proportion to continue to rise. Nonetheless, the pace of growth has slowed over the course of the year despite the investment that many stores have made in their digital offering.

"Retailers are continuing to invest in technology across both physical and online activities as they seek to meet changing consumer behaviours, however some of such spending is being held back by the plethora of Government-imposed business costs bearing down on the industry. Government should review these costs - and in particular reduce the burden of Business Rates - if they wish to see retail maintain its place as the main provider of highly valued, flexible jobs in communities up and down the country."

Easter proves favourable for UK food sector April retail sales

KPMG UK retail partner Paul Martin said: "Retailers reaped the rewards of Easter and more favourable weather in April, with like for like sale up 3.7% year-on-year. However, we must remain mindful of the distortion caused by Easter's timing.

"Looking at sub-categories, food retailers were clear winners as families came together for festive feasts and even braved their first picnic or barbecue of the year. The long weekend also helped children's toys and furniture sales, as parents looked to keep youngsters entertained as they returned to home and garden improvements.

"April may have eased the strain on retailers somewhat, but we can't overlook the fact that the new tax year also presents retailers with additional costs ranging from increased minimum wages to additional pension contributions. The task of balancing sales and a profitable margin remains crucial, especially given the widespread promotional activity currently."

IGD CEO food & drink sector performance Susan Barratt said: "Outstanding Easter weather helped to deliver a good month for food and grocery sales. Combining March and April, to iron out the shifting date of Easter, reveals 2.1% sales growth compared with the same time last year, 3.2% when including Food-to-go.

"The sales mix at Easter is evolving rapidly with 28% of shoppers now seeking healthier alternatives to regular chocolate eggs, and for the main celebratory meal, chicken is now more popular than lamb amongst younger shoppers whereas 22% of under 24s planned to serve at least one vegetarian or vegan course."

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April retail sales dampen as Easter activities supersede spending

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UK April retail sales fell below expectations due to choosing Easter weekend recreational activities over shopping and the distorted timing of the run-up to Easter, according to the latest monthly Retail Sales Monitor from the British Retail Consortium (BRC) and KPMG.

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Danish photographer Rasmus Weng Karlsen lenses his wife and muse - journalist Annelise Hartmann Eskesen - in the lush Botanical Garden in Copenhagen.

PHOTO: RASMUS WENG KARLSEN

STYLING: ELLEN PÅLSSON NORBERG

"Rasmus' way of just chilling, holding my hand through Copenhagen and seeing what the day brings. That's my favourite thing to do."

Annelise Hartmann Eskesen and Rasmus Weng Karlsen first crossed paths riding their bikes on the streets of Copenhagen. When they properly met at bar, they started dating, and after only three weeks together, they travelled to New York.

Now it's been three years and they've got married, had a baby and bought a summer house together. On this day, they're in the historic green house Botanisk Have in central Copenhagen - Annelise in H&M's latest capsule collection of premium essentials and Rasmus behind the lens.

H&M Premium Essentials are available online and in selected stores from 14 March.

THE TEAM

PHOTO Rasmus Weng Karlsen

MODEL Annelise Hartmann Eskesen

STYLING Ellen Pålsson Norberg

HAIR & MAKEUP Veronica Aldrin | MIKAs Looks

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Into the Green: Premium pieces to desire

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Danish photographer Rasmus Weng Karlsen lenses his wife and muse - journalist Annelise Hartmann Eskesen - in the lush Botanical Garden in Copenhagen. PHOTO: RASMUS WENG KARLSEN STYLING: ELLEN PÅLSSON NORBERG "Rasmus' way of just chilling, holding my hand through Copenhagen and seeing what the day brings. That's my favourite thing to do."

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The "Pronounced and powerful" color trends for fall/winter 2019/20 highlighted by the Pantone Color Institute were easy to spot on the runways at New York Fashion Week that concluded last week. Collections of designers presenting during the 7-day event reflected "an emergence of confidence" through a bold visceral palette of colors. "This color palette reflects our wide acceptance of color and combinations suggest that we are hungry for liberation and want to realize our own individualized, unique identities," said Pantone in a message on it's website.

According to Pantone, the color palette for New York Fashion Week is 'recognizable, but tweaked for the winter season'. FashionUnited selected some looks that were found on the fall/winter '19 catwalks in New York representing the color trends from Pantone. From deep red, bright pink and orange to light brown, take a look at the full color chart.
Photos: Pantone Color Institute AW19 © Pantone
Chili Pepper PANTONE 19-1557

A vivid red hue, the color creates drama and excitement, and stimulates the senses, according Pantone. The hard to miss color could be spotted in women's suits shown in the collection of Helmut Lang and Theory. The hue naturally associated with romantic evening wear could be seen on the catwalk by Hellessy, Self-Portrait, Tadashi Shoji and Kaimin.
Photos: Hellessy, Tadashi Shoji, Kaimin, Badgley Mischka AW19 © Catwalkpictures.com
Biking Red PANTONE 19-1650

Another shade of red, Pantone describes this hue as a deep red as "adventurous, strong and powerful." The color was spotted in several collections during the catwalk shows including Cushnie, Tom Ford and Oscar de la Renta in the rich fabric velvet. Longchamp presented the color in short leather vests, Marc Jacobs in a checkered jacket with voluminous A-line silhouette, and Coach in a selection of suits.

Sally LaPointe presented six catwalk looks head to toe in Biking Red using multiple fabrics creating a contrast. The material used alters how the color will come across on the catwalk, for example, one of the models in the designer's show wore a winter coat over a shiny satin jumpsuit. Another donned shimmering sequin trousers with bow tie combined with a fuzzy knit sweater creating different effects using the same color.
Photos: Cushnie, Tom Ford, Sally LaPointe (2x), Coach, Oscar de la Renta AW19 © Catwalkpictures.com
Cream de Pêche PANTONE 12-1110

Crème de Pêche, the softest shade of the fall/winter '19 palette, contradicts the overall color scheme's theme of boldness, being described as "speaking of softness and ease," by Pantone. This refreshing shade could be seen on dresses during Lanyu, Pamella Roland and Bibhu Mohapatra shows, as well as in Boss' presentation of men's suits.
Photos: Lanyu, Pamella Roland, Bibhu Mohapatra (2x), Boss AW19 © Catwalkpictures.com
Peach Pink PANTONE 15-1530

'Warm and flattering, Peach Pink imparts a healthy glow,' according to Pantone. This color was frequently seen in the spring / summer 2019 collections of Prada, Rochas, Peter Pilotto and Roksanda. According to Pantone, this color remains relevant in autumn as well. Although it is not the most seen color on the fall / winter 2019 NYFW collections, the runway that most convincingly illustrate this color were presented by Marc Jacobs.
Photos: Marc Jacobs SS19 © Catwalkpictures.com
Rocky Road Pantone 19-1234

The darkest color of the palette is Rocky Road. On the runways, Marc Gong demonstrates this earthy tone with dark brown leather and cowboy hats, while Brock Collection presented the hue using tweed.
Photos: Marc Gong (2x) en Brock Collection AW19 © Catwalkpictures.com
Fruit Dove Pantone 17-1926

The extravagant tone of Fruit Dove is hard to ignore. Brandon Maxwell presented a memorable pink outfit with cinched waist, consisting of a top with a cape-effect shoulder and high-waisted trousers. Boss' men's collection showed a suit, turtleneck and trousers in a bright pink. Rachel Comey, Reconstruct Collective and Sies Marjan featured Fruit Dove combined with the bright orange from this color palette, Orange Tiger. This color could also be seen on the runways of Carolina Herrera, Christian Cowan, Prabal Gurung, Hellesy, Anna Sui and Adeam.
Photos: Brandon Maxwell, Boss, Rachel Comey, Sies Marjan, Reconstruct Collective, Caroline Herrera AW19 © Catwalkpictures.com
Sugar Almond Pantone 18-1155

Described by Pantone as a "is a sweetened shade of brown," Sugar Almond is the lightest shade of brown in the pallete. This burnt brown shade could be easily spotted on dresses from Michael Kors and Cynthia Rowley. The brand of the Chinese designer Wang Tao, Taoray Wang, who made his ready-to-wear debut with the 'Eternity' collection, presented tailored blazers with 80's inspired shoulders in the hue. We also saw Sugar Almond in the collections of Oscar de la Renta, Jonathan Cohen, Korea Concept, Ulla Johnson and Son Jung Wang.
Foto's: Michael Kors (2x), Cynthia Rowley, Taoray Wang AW19 © Catwalkpictures.com
Dark Cheddar Pantone 15-1150

Yellow is another color sticking around from the previous season's color trends. According to Pantone, we are going to see a deeper yellow with a hint of orange this autumn. We spotted Dark Cheddar on the catwalks of Taoray Wang, Self Portrait and Priscavera.
Photos: Self Portrait (2x), Taoray Wang (2x) AW19 © Catwalkpictures.com
Galaxy Blue Pantone 19-4055

Inspired by outer space, this mid-blue tint Galaxy Blue is seen in the new autumn collections of Christian Siriano, Tibi and Sies Marjan.
Photos: Christian Siriano (2x), Tibi en Sies Marjan AW19 © Catwalkpictures.com
Bluestone Pantone 18-4217

The lightest blue of the trend palette is the soothing shade of Bluestone. The cool shade could be seen in the collections of Chiara Boni La Petite Robe and Son Jung Wan in velvet, and Jonathan Simkhai in a padded short coat. American designer Marc Jacobs presents Bluestone in a max--length cape coat and an extravagant feather dress.
Photos: Chiara Boni La Petite Robe, Son Jung Wan, Marc Jacobs (2x), Jonathan Simkhai AW19 © Catwalkpictures.com
Orange Tiger Pantone 16-1358

"Orange Tiger imparts fearless energy," says Pantone. We spotted the color in multiple collections including Carolina Herrera, Hogen McLaughin, John John, Son Jung Wan, Sies Marjan and Reconstruct Collective. Orange was also represented earlier this month during New York Fashion Week Men's colections by Landlord, Palomo Spain and Todd Snyder.
Photos: Carolina Herrera (2x) en Hogen McLaughin AW19 © Catwalkpictures.com
Eden, Pantone 19-6050

This regal shade is "a stately forest green that plays on tradition," according to Pantone. Eden could be spotted in the evening dresses from Badgley Mischka.
Photos: Badgley Mischka (2x) AW19 © Catwalkpictures.com
Pantone's classics color palette for autumn/winter 2019/20 consists of Vanilla Custard (a cream), Evening Blue (very dark blue), Paloma (a timeless light gray color) and Guacamole (green).
This article was originally published on FashionUnited.NL, edited and translated by Kelly Press. Main image: Marc Jacobs SS19, Catwalkpictures.com

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Spotted on the Catwalk: Key Colors at New York Fashion Week AW19

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The "Pronounced and powerful" color trends for fall/winter 2019/20 highlighted by the Pantone Color Institute were easy to spot on the runways at New York Fashion Week that concluded last week. Collections of designers presenting during the 7-day event reflected "an emergence of confidence" through a bold visceral palette of colors.

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Our sizes were custom developed by the Petite Studio design team to ﬁt the petite frame. Our size chart is unique to Petite studio and should give you the best petite ﬁt available anywhere. This size chart will help you pick your size.

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AW19/20 London Fashion Week Festival-Trend breakdown - The Design Shrimp

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London Fashion Week Festival is back from 20th - 23rd September at the official BFC London Fashion Week Show Space, The Store X, 180 Strand. This is the only event that gives you access to the industry to experience the best of British and international fashion including a showcase of Designer and Trend catwalks shows, designer shopping and industry talks.