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"You're one of the few who put up with me. That's why I think it's so strange you're a fireman, it just doesn't seem right for you, somehow."
He felt his body divide itself into a hotness and a coldness, a softness and a hardness, a trembling and a not trembling, the two halves grinding one upon the other.

Montag’s identity crisis begins during his conversations with Clarisse. We immediately sense conflict between his desire to be a dutiful member of society and his inner belief that something is wrong.

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“Nobody listens any more. I can’t talk to the walls because they’re yelling at me. I can’t talk to my wife; she listens to the walls. I just want someone to hear what I have to say. And maybe if I talk lone enough, it’ll make sense. And I want you to teach me to understand what I read.”

For Montag, books are more about communication than anything else. That’s why it wasn’t enough for him to read them on his own, why he insisted that his wife do it with him and later, realizing she was inadequate, that he finds a teacher.

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the television provides citizens relaxable time however which also caused the citizens to loss their personality.

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The 1950s witnessed the rise and expansion of television.
Bradbury was worried that the bombardment of digital sensations could ultimately substitute for critical thinking.

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the application of scientific knowledge for practical purposes, especially in industry

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The mechanical hound is supposed to be without personality and attacks only what it is programmed to attack.
Yet it threatens Montag when he possesses a secret stash of books.

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" While a four-inch hollow steel needle plunged down... the Hound to inject massive jolts of morphine or procaine."

Descriptive language:
The adjectives "hollow" "massive"
Verbs: "Plunged" " Inject" "tossed"

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* Professor Faber made a listening-in device. (Page 117)
* “‘Proof of my terrible cowardice. I’ve lived alone so many years, throwing images on walls with my imagination. Fiddling with electronics, radio-transmission, has been my hobby. My cowardice is such a passion, complementing the revolutionary spirit that lives in its shadow, I was forced to design this.’ He picked up a small green-metal object no larger than a .22 bullet.”
* Techniques:
- Diction “Terrible cowardice”
- Personification “complementing the revolutionary spirit that lives in its shadow”
- High modality “forced”
* Professor Faber is extremely regretful for that he did not have the courage to fight with the society, which is expressed by the diction “terrible cowardice”. However, he also wanted to do something for the society therefore described his desire as “complementing the revolutionary spirit that lives in its shadow”, the word revolutionary suggested his sense of desire.

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The Mechanical Hound slept but did not sleep, lived but did not live in its gently humming, gently vibrating, softly illuminated kennel back in a dark corner of the firehouse. (page 35)

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QUOTES
TECHNIQUES
ANALYSIS