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y del hombre macho.

¡Las carcajadas nos harían llorar!

¡Me daría el gusto de violarle a él!

premio a la infidelidad!

que ellos llaman "nuestra libertad"...

Si yo fuera mujer...

Si yo fuera mujer...

¡Yo me tendría que querer!

¡que las tome él!

Y, ahora que lo sabes...

premio a la infidelidad!

que ellos llaman "nuestra libertad"...

Si yo fuera mujer...

¡Yo me tendría que querer!

y del hombre macho...

Si yo fuera mujer...

Si yo fuera mujer...

Si yo fuera mujer...

Submitted by Metodius on Mon, 28/05/2018 - 16:55

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y del hombre macho. ¡Las carcajadas nos harían llorar! ¡Me daría el gusto de violarle a él! premio a la infidelidad! que ellos llaman "nuestra libertad"... Si yo fuera mujer... Si yo fuera mujer... ¡Yo me tendría que querer! ¡que las tome él! Y, ahora que lo sabes... premio a la infidelidad!

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Aleks Syntek - Si Yo Fuera Mujer (Cover Audio) ft. Patxi Andión

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Reseña mujeres perfectas

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Storyline

Joanna Eberhart, a wildly successful president of a TV Network, after a series of shocking events, suffers a nervous breakdown and is moved by her milquetoast of a husband, Walter, from Manhattan to the chic, upper-class, and very modern planned community of Stepford, Connecticut. Once there, she makes good friends with the acerbic Bobbie Markowitz, a Jewish writer who's also a recovering alcoholic. Together they find out, much to their growing stupor and-then horror, that all the housewives in town are strangely blissful and, somehow... doomed. What is going on behind the closed doors of the Stepford Men's Association and the Stepford Day Spa? Why is everything perfect here? Will it be too late for Joanna and Bobbie when they finally find out? Written by Miguel Cane <stepford@yahoo.com>

Taglines:

Are you a Stepford wife? Are you a Stepford husband? Couple, ask yourselves: Would you move to Stepford?

Did You Know?

Goofs

A dark clothed crew member (cloaked?) raising an arm is visible in a reflection just before Matthew backs into a panel. See more "

Quotes

[first lines]
Helen Devlin : Ladies and gentlemen, I would now like to introduce a legend in our industry. She's the most successful president in the history of our network and for the past five years has kept us at the very top of the ratings.
See more "

Crazy Credits

The opening credits are presented in a cursive script font rather than regular block letters. The letters alternate "flashing" on and off, mimicing machine lights. See more "

Soundtracks

A Fifth of Beethoven
Written and Performed by Walter Murphy
Courtesy of Thomas J. Valentino Inc.
See more "

User Reviews

Details

Release Date:

11 June 2004 (USA)

Also Known As:

The Stepford Wives

Box Office

Budget:

$90,000,000 (estimated)

Opening Weekend USA:

$21,406,781, 13 June 2004

Cumulative Worldwide Gross:

$103,370,127

Company Credits

Technical Specs

See full technical specs "

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Joanna Eberhart, a wildly successful president of a TV Network, after a series of shocking events, suffers a nervous breakdown and is moved by her milquetoast of a husband, Walter, from Manhattan to the chic, upper-class, and very modern planned community of Stepford, Connecticut.

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Ubicación de monumento historico que representa a una mujer

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Directed by Paul Feig. With Melissa McCarthy, Kristen Wiig, Kate McKinnon, Leslie Jones. Following a ghost invasion of Manhattan, paranormal enthusiasts Erin Gilbert and Abby Yates, nuclear engineer Jillian Holtzmann, and subway worker Patty Tolan band together to stop the otherworldly threat.

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TOY STORY 4 y el FEMINISMO | TODO explicado

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El realizador franco-polaco ha sido nominado en 12 categorías de los premios más importantes del cine francés pocos días después de que se conociera una nueva acusación de violación en su contra

Nacida en Marruecos pero criada en Vic, la escritora publica el manifiesto feminista 'Siempre han hablado por nosotras'

Cargos del PP, con Pablo Casado a la cabeza, y de Ciudadanos loan a la presidenta por ir sin velo y la convierten en símbolo de "igualdad" y de "libertad"

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El realizador franco-polaco ha sido nominado en 12 categorías de los premios más importantes del cine francés pocos días después de que se conociera una nueva acusación de violación en su contra Nacida en Marruecos pero criada en Vic, la escritora publica el manifiesto feminista 'Siempre han hablado por nosotras' Cargos del PP, con Pablo Casado a la cabeza, y de Ciudadanos loan a la presidenta por ir sin velo y la convierten en símbolo de "igualdad" y de "libertad"

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Nominated for 1 Oscar. Another 12 wins & 72 nominations. See more awards "

Storyline

While the Parr family has accepted its collective calling as superheroes, the fact remains that their special heroism is still illegal. After they are arrested after unsuccessfully trying to stop the Underminer, their future seems bleak. However, the wealthy Deavor siblings of Devtech offer new hope with a bold project to rehabilitate the public image and legal status of Supers, with Elastigirl being assigned on point to be the shining example. Now having agreed for now to stay at home to care of the kids, Mr. Incredible finds domestic life a daunting challenge, especially with baby Jack-Jack's newly emerged powers making him almost impossible to manage. However, Elastigirl soon has her own concerns dealing with the menace of a new supervillain, Screenslaver, who is wreaking havoc with his mind control abilities. Now, Elastigirl must solve the mystery of this enemy, who has malevolent designs on the world with the Parr family and friends key targets of this evil. Written by Kenneth Chisholm (kchishol@rogers.com)

Details

Release Date:

15 June 2018 (USA)

Also Known As:

The Incredibles 2

Box Office

Budget:

$200,000,000 (estimated)

Opening Weekend USA:

$182,687,905, 17 June 2018

Cumulative Worldwide Gross:

$1,242,805,359

Company Credits

Technical Specs

See full technical specs "

Did You Know?

Trivia

The third Disney's computer-animated film to have the female main antagonist, after Tangled (2010) and Zootopia (2016). See more "

Goofs

Jack-Jack is inspired to attack the raccoon after he sees criminals on TV wearing masks, yet he and his family wear similar masks when under cover, so he should be used to them. See more "

Quotes

Dashiell 'Dash' Parr : Did we do something wrong?
: Yes.
: No. We didn't do anything wrong.
: Superheroes are illegal, whether it's fair or not, that's the law.
: The law should be fair. What are we teaching our kids.
: To respect the law.
: Even if the law is disrespectful?
See more "

Crazy Credits

The Walt Disney Pictures opening logo is in the Incredibles' 60s artwork, has the city of Metroville in the background, and has the castle display the Incredibles symbol (seen when the logo fades out). See more "

Alternate Versions

International editions (such as the one shown in the Philippines) feature different graphics that, although visually different from the North America edition, retain the universal meaning. The title of Jack-Jack's storybook was changed from "Doozles are Dozing" to multiple letter Zs. Dash's math book loses the title "New Math for Life" and is replaced by a math equation. See more "

Soundtracks

Suspense
From the motion picture The St. Louis Bank Robbery (1959)
Written by Bernardo Segall
Courtesy of Ivy Video
See more "

User Reviews

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Directed by Brad Bird. With Craig T. Nelson, Holly Hunter, Sarah Vowell, Huck Milner. The Incredibles hero family takes on a new mission, which involves a change in family roles: Bob Parr (Mr Incredible) must manage the house while his wife Helen (Elastigirl) goes out to save the world.

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"El feminismo no es mujeres contra hombres. El machismo es ideología", por Marta Flich

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Núria Pompeia, la primera autora de cómic feminista

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Núria Pompeia, nacida en Barcelona unos días después de la proclamación de la Segunda República, no sólo es dibujante y periodista, sino también una pionera del movimiento de liberación de la mujer en un contexto completamente adverso: los años 70 en España.

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Bárbara de Regil, Actress: Tiempos Felices. Bárbara de Regil is an actress and writer, known for Tiempos Felices (2014), Rosario Tijeras 2 (2018) and El secreto de Victoria.

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BIOGRAFÍAS e HISTORIA UNIVERSAL,ARGENTINA y de la CIENCIA

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El Feminismo:Historia de su Origen y Desarrollo del Movimiento

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“Historia del feminismo: desde sus orígenes hasta las olas modernas. Conceptos clave, autoras fundamentales y la lucha por los derechos civiles.

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A comic artist known as Rasenth wants to set the record straight on sexism.

Rasenth, a 25-year-old based in Japan, has created a comic showing how sexism is hurtful to everyone -- and reminding us that we can only overcome it by working together.

Rasenth created the comic this summer, after student Elliot Rodger killed six people and injured 13 others in a spree allegedly in retribution against women who had rejected his romantic and sexual advances. Rodger's attitude towards women brought to light an online culture of misogyny blaming women for men's unhappiness -- when it may be that sexism is the ultimate culprit.

"I was angered by the Elliot Rodger incident and how he was aggravated by his hatred towards women," Rasenth told The Huffington Post in an email. "The comments he made about women, I thought, were very common complaints lodged against women that people say and think everyday and yet these feelings led up to murder. I just wanted people to notice how our unconscious double standards are hurting ourselves and each other."

Check out the full, amazing comic below.

BEFORE YOU GO

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This Comic Perfectly Captures How Feminism Helps Everyone

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A comic artist known as Rasenth wants to set the record straight on sexism. Rasenth, a 25-year-old based in Japan, has created a comic showing how sexism is hurtful to everyone -- and reminding us that we can only overcome it by working together.

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Beyonce - If I Were A Boy Şarkı Sözleri

If I were a boy even just for a day
I'd roll out of bed in the morning
And throw on what I wanted and go
Drink beer with the guys
And chase after girls
I'd kick it with who I wanted
And I'd never get confronted for it
'Cause they stick up for me

{Chorus}
If I were a boy
I think I could understand
How it feels to love a girl
I swear I'd be a better man
I'd listen to her
'Cause I know how it hurts
When you lose the one you wanted
'Cause he's taking you for granted
And everything you had got destroyed

{Verse}
If I were a boy
I would turn off my phone
Tell everyone it's broken
So they'd think that I was sleeping alone
I'd put myself first
And make the rules as I go
'Cause I know that she'd be faithful
Waiting for me to come home
To come home...

{Chorus}
If I were a boy
I think I could understand
How it feels to love a girl
I swear I'd be a better man
I'd listen to her
'Cause I know how it hurts
When you lose the one you wanted (wanted)
'Cause he's taking you for granted (granted)
And everything you had got destroyed

{Bridge}
It's a little too late for you to come back
Say it's just a mistake
Think I'd forgive you like that
If you thought I would wait for you
You thought wrong

{Chorus }
But you're just a boy
You don't understand
Yeah you don't understand, oh
How it feels to love a girl
Someday you wish you were a better man
You don't listen to her
You don't care how it hurts
Until you lose the one you wanted
'Cause you're taking her for granted
And everything you had got destroyed
But you're just a boy!

Yüklenme Tarihi: 19 Eylül 2014 - 01:27

Beyonce - If I Were a Boy (Canlı Performans)

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Beyonce - If I Were A Boy (Canlı Performans)

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If I were a boy even just for a day I'd roll out of bed in the morning And throw on what I wanted and go Drink beer with the guys And chase after girls I'd kick it with who I wanted And I'd never get confronted for it 'Cause

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Katy Perry - I Kissed A Girl (Official Music Video)

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Cuando el FEMINISMO deja fuera a algunas mujeres

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She blogs about leaving fundamentalist and evangelical religion, her experience with the Christian Patriarchy and Quiverfull movements, the problems with the "purity culture," the intricacies of conservative and religious right politics, and the importance of feminism.

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One of Hollywood's most dazzling leading actresses, Salma Hayek was born on September 2, 1966, in the oil boomtown of Coatzacoalcos, Mexico. Hayek has freely admitted that she and her brother, Sami, were spoiled rotten by her well-to-do businessman father, Sami Hayek Dominguez, and her opera-singing mother, Diana Jiménez Medina. Her father is of ... See full bio "

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Salma Hayek, Actress: Frida. One of Hollywood's most dazzling leading actresses, Salma Hayek was born on September 2, 1966, in the oil boomtown of Coatzacoalcos, Mexico. Hayek has freely admitted that she and her brother, Sami, were spoiled rotten by her well-to-do businessman father, Sami Hayek Dominguez, and her opera-singing mother, Diana Jiménez Medina.

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Hoy es el Día Internacional de la Mujer. No estoy de acuerdo con que el segundo gran misterio del universo -según Doc Brown en 'Regreso al futuro II' - tenga un día para celebrar lo que es. Todos los días deberían ser suyos. En mi opinión lo merecen mucho más que nosotros, que ya hemos demostrado de lo que somos capaces, implantando un heteropatriarcado que en algunos lugares del planeta es prácticamente imposible de derribar.

Para celebrar dicho día, vamos con un listado de esos que siempre crean controversia porque todos creen que es el suyo. Las 17 mejores películas cuyas historias giran alrededor de mujeres. Curiosamente, el cine clásico está lleno de ellas, siendo películas mucho más actuales ahora de lo que lo fueron en el momento de su estreno.

Como siempre, ni están todas las que son, ni son todas las que están. Para eso necesitaríamos otra web. Por supuesto, se trata de un top personal, único e intransferible. Muchos de los personajes más fascinantes de la historia del cine son femeninos, como demuestran estos 17 grandes títulos, que me llevan a pensar: qué bonito sería un mundo sin etiquetas.

'Thelma & Louise' (íd., Ridley Scott, 1991)

Probablemente la última gran película dirigida por Ridley Scott. La escritora Callie Khouri se estrenaría con este libreto y ganaría un muy merecido Oscar, luego no se prodigaría demasiado. Impresionantes interpretaciones de la pareja protagonista, y muy atinada visión del mundo masculino en general. Glorioso final.
Crítica de 'Thelma y Louise' en Espinof
'Johnny Guitar' (íd., Nicholas Ray, 1954)

Obra cumbre del género western, con uno de sus mejores personajes femeninos, a cargo de una impresionante Joan Crawford. Personaje imitado hasta la saciedad y nunca igualado siquiera. El diálogo de la secuencia de arriba lo dice absolutamente todo.

'Aliens, el regreso' ('Aliens', James Cameron, 1986)

James Cameron cogiendo el testigo dejado por Ridley Scott, y aprobando con nota alta. Uno de los aciertos de esta magistral secuela es precisamente haber cedido todo el protagonismo a Sigourney Weaver, que borda a su Ripley, como líder imbatible en la lucha contra los aliens.
Todas las películas de 'Alien' ordenadas de peor a mejor
'La heredera' ('The Heiress', William Wyler, 1949)

Impresionante melodrama que hizo ganar a Olivia de Havilland su segundo Oscar. El intento de seducción de una joven rica heredera por parte de su vividor ( Montgomery Clift). La utilización de los decorados, como metáfora del ánimo psicológico del personaje central, es toda una lección de cine. Inolvidable final con el gilipollas del hombre aporreando la puerta.

'Elle' (íd., Paul Verhoeven, 2016)

Para el que firma la obra maestra de Paul Verhoeven, caminando con absoluta seguridad por terrenos pantanosos. Llega establecer un impensable diálogo entre violador y víctima, yendo más allá de lo que muchas mentes son capaces de aceptar. Provocadora y muy inteligente. Isabelle Huppert está inmensa.
Crítica de 'Elle' en Espinof
'Sin remisión' ('Caged', John Cromwell, 1950)

Un film excepcional que ofrecía una visión diferente a la de los films carcelarios protagonizados por hombres. Con una soberbia Eleanor Parker, nominada al Oscar por su labor, un film muy duro y nada complaciente.

'Las horas' ('The Hours', Stephen Daldry, 2002)

Una inspiradora y fascinante historia de tres mujeres separadas en el tiempo, pero con muchas cosas en común. Impresionante trabajo actoral no sólo de las actrices, y Oscar para Nicole Kidman cuando no estaba tan preocupada por su aspecto físico.

'La calumnia' ('The Children`s Hour', William Wyler, 1961)

Impactante y atrevida película para la época. William Wyler hizo el remake de una de sus películas, 'Esos tres' ('These Three', 1936), para poder incluir el elemento lésbico que en los años treinta la censura no le permitió. Inolvidables Shirley MacLaine y Audrey Hepburn como mujeres enamoradas, y terrible visión del mundo infantil a través del horripilante personaje de la niña.

'Mad Max: Furia en la carretera' ('Mad Max. Fury Road', George Miller, 2015)

El reinicio/continuación del mítico Mad Max sorprendió no sólo por la estupenda buena forma de George Miller a la hora de hacer secuencias de acción, sino por la incursión de una personaje femenino de los que dejan huella: Imperator Furiosa, vestida realmente por el excelente trabajo de Charlize Theron. Muchos piden desde entonces que tenga su propia película.
Crítica de 'Mad Max: furia en la carretera' en Espinof
'La mujer pirata' ('Anne of the Indies', Jacques Tourneur, 1951)

Una de las obras maestras del (sub)género de piratas, al que el gran Jacques Tourneur aportó bastante. Jean Peters tuvo la oportunidad de competir con el resto de personajes del cine de aventuras coetáneos, superándolos en todos los aspectos.
Crítica de 'La mujer pirata' en Espinof
'El color púrpura' ('The Color Purple', Steven Spielberg, 1985)

A Steven Spielberg no se le perdonó el hacer un hit taquillero protagonizado sólo por actores negros, y se lo pagaron no nominándole al Oscar como mejor director, aunque su película recibió once nominaciones, de las cuales se hizo con... nada. Todo un récord para un muy emotivo film que es la mayor carta de amor a John Ford que Spielberg haya hecho nunca.
Crítica de 'El color púrpura' en Espinof
'7 mujeres' ('7 Women', John Ford, 1966)

Para la última película del gran John Ford, éste, que casi siempre hice cine con hombre, necesitó únicamente mujeres para los roles protagonistas, que en realidad son ocho. Toda una declaración de principios para alguien que gustaba de despistar con su ideología. Impecable trabajo de todas las actrices. Una pena que Katharine Hepburn, la más feminista de todas las actrices, rechazase un papel.

'Cielo negro' (Manuel Mur Oti, 1951)

Perteneciente a la mejor época de nuestro cine, una durísima historia de Manuel Mur Oti -como casi todas las que dirigió-, que narra la historia de una mujer trabajadora que tiene que pedir para su madre enferma mientras cae enamorada de un compañero de trabajo algo peculiar.

'La doncella' ('Ah-ga-ssi', Park Chan-wook, 2016)

Una de las mejores películas del 2016, el regreso a terrenos espinosos por parte de Park Chan-wook. A pesar de algunas secuencias sexuales un poco ridículas, un film intenso y fascinante que tiende a tratarnos -a los hombres- como lo que somos: idiotas.
Crítica de 'La doncella' en Espinof
'Mujeres' ('The Women', George Cukor, 1939)

Probablemente la película más significativa del título, ya que George Cukor -el director que mejor dirigió a las actrices- sirvió en bandeja la prueba definitiva de que ellas no nos necesitan. Ni un sólo personaje masculino en una obra maestra llena de ingenio, humor y dramatismo. Del remake es mejor no hablar.
Crítica de 'Mujeres' en Espinof
'La sirena del Mississippi' ('La sirène du Mississipi', François Truffaut, 1969)

Un insigne crítico de nuestro país decía que ésta es una de las pocas películas que demostraban que el amor existe. La razón, en la propia película, una absoluta maravilla que mezcla "film noir" y "love story" con la típica mano de François Truffaut, probablemente el que que mejor conocía el universo femenino. Impresionante Catherine Deneuve en la que para mí es su mejor interpretación.
Crítica de 'La sirena del Mississippi' en Espinof
'Carol' (íd., Todd Haynes, 2015)

La mejor película de Todd Haynes, una obra maestra que aspira más allá de la perfección, a hablar de nosotros, de la vida. Impagable feeling entre Rooney Mara y Cate Blanchett en las interpretaciones de sus vidas. Un final tan lógico como sorprendente por el momento justo elegido por Haynes para cerrar el plano.
Crítica de 'Carol' en Espinof
Hasta aquí mi lista. ¿Cuáles son las mejores películas feministas que has visto?

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Las 17 mejores películas feministas de todos los tiempos

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Hoy es el Día Internacional de la Mujer. No estoy de acuerdo con que el segundo gran misterio del universo -según Doc Brown en 'Regreso al futuro II' - tenga un día para celebrar lo que es. Todos los días deberían ser suyos.

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Star Wars: The Rise of Skywalker (also known as Star Wars: Episode IX - The Rise of Skywalker) is a 2019 American epic space opera film produced, co-written, and directed by J. J. Abrams. It is the third installment of the sequel trilogy, following The Force Awakens (2015) and The Last Jedi (2017), and the final episode of the nine-part " Skywalker saga". It was produced by Lucasfilm and Abrams's production company Bad Robot Productions and was distributed by Walt Disney Studios Motion Pictures. The film's ensemble cast includes Carrie Fisher, Mark Hamill, Adam Driver, Daisy Ridley, John Boyega, Oscar Isaac, Anthony Daniels, Kelly Marie Tran, Naomi Ackie, Domhnall Gleeson, Richard E. Grant, Lupita Nyong'o, Keri Russell, Joonas Suotamo, Ian McDiarmid, and Billy Dee Williams. It features the second posthumous film performance by Fisher, who died in 2016 and appears through the use of unused footage from The Force Awakens.

The Rise of Skywalker follows Rey, Finn, and Poe Dameron as they lead the Resistance's final stand against Kylo Ren and the First Order, who are now aided by the return of the deceased galactic emperor, Palpatine. After the new trilogy was announced following Disney's acquisition of Lucasfilm in 2012, it was originally reported that The Last Jedi director Rian Johnson would write the script for Episode IX. In August 2015, Colin Trevorrow was hired to direct and to write a script with his collaborator Derek Connolly; both ultimately retained story credit with Abrams and Chris Terrio. In September 2017, Trevorrow left the project following creative differences with producer Kathleen Kennedy, and Abrams returned as director. Principal photography began in August 2018 at Pinewood Studios in England and wrapped in February 2019. Post-production was completed on November 24, 2019. With an estimated budget of $275 million, it is one of the most expensive films ever made.

The Rise of Skywalker had its world premiere in Los Angeles on December 16, 2019, and was theatrically released in the United States on December 20, 2019. It received mixed reviews from critics, who praised the acting, action sequences, musical score and visual effects, but criticized the plot, pacing, and perceived departures from the themes and plot of The Last Jedi. It has grossed over $1 billion worldwide, making it the eighth-highest-grossing film of 2019, and the 35th highest-grossing film of all time. The film received three nominations at the 92nd Academy Awards ( Best Original Score, Best Visual Effects, and Best Sound Editing) as well as three at the 73rd British Academy Film Awards (also Best Special Visual Effects, Best Original Music, and Best Sound).

Following a threat of revenge by the revived Emperor Palpatine, Kylo Ren obtains a Sith wayfinder, leading him to the uncharted planet Exegol. There, he finds Palpatine, who reveals that he created Snoke as a puppet to control the First Order and lure Kylo to the dark side. Palpatine unveils the Final Order - a secret armada of Star Destroyers - and tells Kylo to find and kill Rey, who is continuing her Jedi training under Resistance leader Leia Organa. Finn and Poe Dameron deliver intel from a spy that Palpatine is on Exegol; Rey has learned from Luke Skywalker's notes that a Sith wayfinder can lead them there. Rey, Finn, Poe, Chewbacca, , and depart in the Millennium Falcon to Pasaana, where Luke's search for Exegol ended.

On Pasaana, the group encounters Lando Calrissian, who points them to the wayfinder's last suspected location. Kylo learns where Rey is through their Force bond and travels there with his warrior subordinates, the Knights of Ren. Rey and the others discover the remains of a Jedi hunter named Ochi, his ship, and a dagger inscribed with Sith text, which C-3PO's programming forbids him from interpreting. Sensing that Kylo is nearby, Rey goes to confront him. The First Order captures the Falcon, Chewbacca, and the dagger; attempting to save Chewbacca, Rey accidentally destroys a First Order transport with Force lightning. Presuming that Chewbacca has been killed, the group escapes on Ochi's ship.

Poe suggests traveling to Kijimi to have the Sith text extracted from C-3PO's memory; the process reveals coordinates to a wayfinder. Rey senses that Chewbacca is alive, and the group mounts a rescue mission. While Kylo searches for Rey, the group infiltrates his Star Destroyer with the help of Zorii Bliss, an old acquaintance of Poe's. Rey recovers the dagger and has visions of her parents being killed with it. Kylo informs her that she is Palpatine's granddaughter; the Sith Lord had ordered Ochi to recover Rey as a child, but her parents hid her on Jakku to protect her. General Hux saves Poe, Finn, and Chewbacca from execution, revealing himself as the spy. He permits the group to escape on the Falcon, but is discovered and executed.

The group arrives on Kef Bir, where Rey locates the wayfinder on the remains of the second Death Star; upon touching the artifact, she has a vision of herself as a Sith. Having tracked them, Kylo destroys Rey's wayfinder and duels her. Dying, Leia calls to Kylo through the Force, distracting him as Rey impales him. Sensing Leia's death, Rey heals Kylo and takes his ship to exile herself on Ahch-To. There, Luke's Force spirit encourages Rey to face Palpatine and gives her Leia's lightsaber. Rey leaves for Exegol in Luke's X-wing fighter, using the wayfinder from Kylo's ship. Meanwhile, Kylo converses with a memory of his father, Han Solo; he throws away his lightsaber and reclaims his identity as Ben Solo. Palpatine has one of his superlaser-equipped Star Destroyers obliterate Kijimi.

Upon the group's return to the Resistance base, R2-D2 receives a signal from Rey. The Resistance follows Rey's coordinates to Exegol, where she confronts Palpatine; he demands she kill him to transfer his spirit into her. Lando brings reinforcements from across the galaxy to join the battle. Ben overpowers the Knights of Ren and joins Rey, but Palpatine drains the pair's power to rejuvenate himself. He attacks the Resistance fleet with Force lightning and incapacitates Ben. Weakened, Rey hears the voices of past Jedi, who lend her their strength. Palpatine attacks her with his lightning, but Rey deflects it using the Skywalker lightsabers, killing him and herself. Ben uses the Force to revive her at the cost of his own life; Rey kisses Ben before he dies. The Resistance destroys Palpatine's command ship, leaving the armada trapped over Exegol. As people across the galaxy rise up against the First Order, the Resistance returns to their base to celebrate.

After the celebration, Rey visits Luke's abandoned childhood home on Tatooine and buries the Skywalker lightsabers, having built her own. A passerby asks her name; as the spirits of Luke and Leia watch, she replies, "Rey Skywalker."

Carrie Fisher as Leia Organa, the Force-sensitive leading general of the Resistance, widow of Han Solo, mother to Ben Solo, Luke Skywalker's twin sister and Darth Vader / Anakin Skywalker's daughter. Fisher, who died in late 2016, appears through the use of repurposed unreleased footage from The Force Awakens. As a result of her passing, Fisher was not present in most of the film's marketing materials or merchandise.

Mark Hamill as Luke Skywalker, the last Jedi Master, Leia Organa's twin brother, Darth Vader / Anakin Skywalker's son and maternal uncle of Kylo Ren who became one with the Force in The Last Jedi.

Adam Driver as Ben Solo / Kylo Ren, the Supreme Leader of the First Order. Born as Ben Solo, he is the son of Leia Organa and Han Solo, the nephew of Luke Skywalker and grandson of Anakin Skywalker / Darth Vader.

Daisy Ridley as Rey a former scavenger from Jakku, a member of the Resistance, the last Jedi, apprentice of Luke Skywalker and Leia Organa, and Palpatine's granddaughter. She adopts the surname Skywalker at the end of the film to honor her mentors.

John Boyega as Finn, a member of the Resistance and a former stormtrooper (FN-2187) who defected from the First Order.

Oscar Isaac as Poe Dameron, a high-ranking X-wing fighter pilot and commander of the Resistance who later inherits the rank of General from Leia.

Anthony Daniels as C-3PO, a humanoid protocol droid in the service of General Leia Organa. Daniels is the only actor to have appeared in all of the episodic films in the series.

Naomi Ackie as Jannah, a former Stormtrooper of the First Order living on the planet Kef Bir, who aids the Resistance.

Domhnall Gleeson as General Hux, the First Order's second-in-command, who nonetheless gives information to the Resistance because of his dislike for Kylo Ren.

Richard E. Grant as Allegiant General Pryde, a high-ranking general in the First Order, who also previously served in the Galactic Empire.

Lupita Nyong'o as Maz Kanata, a former space pirate and ally of the Resistance.

Joonas Suotamo as Chewbacca, a Wookiee and first mate of the Millennium Falcon and longtime friend of Han Solo.

Kelly Marie Tran as Rose Tico, a mechanic in the Resistance who befriended Finn and joined him and his allies in The Last Jedi.

Ian McDiarmid as Palpatine / Darth Sidious, the dark lord of the Sith and former emperor of the galaxy who was killed by the redeemed Anakin Skywalker in Return of the Jedi. Having returned via "unnatural" Force abilities, he is revealed to be Rey's paternal grandfather.

Billy Dee Williams as Lando Calrissian, a veteran of the Rebel Alliance, the original owner of the Millennium Falcon and an old friend of Chewbacca, Leia, Luke and Han. Williams returns to the Star Wars franchise onscreen for the first time since Return of the Jedi.

Billie Lourd, Greg Grunberg, and Harrison Ford reprise their roles as Lieutenant Kaydel Ko Connix, Temmin "Snap" Wexley, and Han Solo, respectively; Ford was uncredited for his role. Additionally, Dominic Monaghan portrays Resistance trooper Beaumont Kin, and Shirley Henderson voices Babu Frik in multiple languages. Hassan Taj and Lee Towersey perform the role of R2-D2, replacing Jimmy Vee, who had played the role in the previous two films, whilst Ben Burtt returns as the vocals of R2-D2, Chewbacca, Lightsabers, and the breaths of Darth Vader. Dave Chapman and Brian Herring return as the puppeteers of BB-8. Director J. J. Abrams also provides the voice for D-O. Nick Kellington returns as the creature performance of Klaud. Martin Wilde, Anton Simpson-Tidy, Lukaz Leong, Tom Rodgers, Joe Kennard, and Ashley Beck appear as the Knights of Ren. Amanda Lawrence reprises her role as Commander Larma D'Acy, while Vinette Robinson plays her wife, Pilot Wrobie Tyce. Amir El-Masry appears as Commander Trach.

Jodie Comer and Billy Howle briefly appear as Rey's mother and father, respectively. Mike Quinn and Kipsang Rotich return as the performer and voice of Nien Nunb, respectively. Denis Lawson and Warwick Davis briefly reprise their roles as Wedge Antilles, a veteran of the Rebel Alliance; and Wicket W. Warrick, the leader of the Ewoks, respectively. Tom Wilton and screenwriter Chris Terrio briefly appear as the performer and voice for Aftab Ackbar, the son of Admiral Ackbar, respectively. Composer John Williams cameos as Oma Tres, a Kijimi bartender, and Lin-Manuel Miranda cameos as a Resistance trooper. Kevin Smith and Jeff Garlin both have cameos. Actors making reprisal vocal cameos include James Earl Jones as Darth Vader, Andy Serkis as Snoke, and the voices of Jedi Past with Ewan McGregor and Alec Guinness as Obi-Wan Kenobi (the latter via digitally altered archive audio), Hayden Christensen as Anakin Skywalker, Ashley Eckstein as Ahsoka Tano, Freddie Prinze Jr. as Kanan Jarrus, Olivia d'Abo as Luminara Unduli, Frank Oz as Yoda, Liam Neeson as Qui-Gon Jinn, Jennifer Hale as Aayla Secura, Samuel L. Jackson as Mace Windu, and Angelique Perrin as Adi Gallia. Ed Sheeran, Dhani Harrison, Nigel Godrich, J.D Dillard, and Dave Hearn cameo as stormtroopers.

In October 2012, Star Wars creator George Lucas sold his production company Lucasfilm, and with it the Star Wars franchise, to The Walt Disney Company. Disney subsequently announced the Star Wars sequel trilogy. In June 2014, it was announced that Rian Johnson, writer and director of The Last Jedi, would write a story treatment for Episode IX. In August 2015, Colin Trevorrow was announced as the director of the film; he was to write the script with frequent collaborator Derek Connolly. In April 2017, Johnson stated that he was not involved in writing the film. In February 2016, Disney chief executive officer Bob Iger confirmed that pre-production on Episode IX had begun. Carrie Fisher died in December 2016. Her brother Todd later said, "She was going to be the big payoff in the final film. She was going to be the last Jedi, so to speak."

In late April 2017, Disney announced that the film would be released on May 24, 2019. A month later, filming was expected to begin in January 2018, but this was later pushed back to August. In August 2017, it was announced that Jack Thorne would rewrite the script. On September 5, 2017, Lucasfilm stated that Trevorrow had left the production following creative differences. The Hollywood Reporter reported that his working relationship with Kathleen Kennedy had become unmanageable after failing to deliver a satisfactory script, despite writing several drafts. Johnson was rumored as the top choice to replace Trevorrow as director, but stated "it was never in the plan for me to direct Episode IX." The next day, it was announced that J. J. Abrams, the director of The Force Awakens, would return to direct the film, and that the film's release date would be moved to December 20, 2019. The story team met with George Lucas before writing the new script, which Abrams co-wrote with Chris Terrio; Trevorrow and Connolly retain story credits. The story was rewritten to some extent before filming was completed. The film was produced by Abrams's company Bad Robot Productions, Kathleen Kennedy, and Michelle Rejwan.

Before filming, Episode IX was initially given the working title Black Diamond, which was then changed to TrIXie, most likely to insert the roman numeral "IX" within the working title. The title, The Rise of Skywalker, was announced at April 2019's Star Wars Celebration in Chicago.

Carrie Fisher, who played Leia Organa, died on December 27, 2016. and Reuters reported that she had been planned for a key role in Episode IX. In January 2017, Lucasfilm stated that there were no plans to digitally generate Fisher's performance as they had for . The following April, Fisher's brother Todd revealed that Fisher's daughter, Billie Lourd, had granted Disney the rights to use recent footage of Fisher. However, a week later, Kathleen Kennedy stated that Fisher would not appear in the film. In July 2018, J. J. Abrams announced that unused footage of Fisher from The Force Awakens would be used to help complete the story. In flashback scenes, digital de-aging was used for the appearance of Luke but not Leia.

In July 2018, Keri Russell was in talks to play a part with some "action-heavy fight scenes", and it was confirmed that Billy Dee Williams would return as Lando Calrissian, onscreen for the first time since 1983's Return of the Jedi-marking one of the longest intervals between portrayals of a character by the same actor in American film history. At the end of July, Russell was confirmed to have been cast, and there was an announcement of returning and additional new cast members. In late August, Deadline Hollywood announced that Dominic Monaghan and Matt Smith had been cast in unspecified roles, but Smith later denied his involvement. Greg Grunberg reprises his role as Temmin "Snap" Wexley. Jimmy Vee stated on Twitter that he would be reprising the role of R2-D2, but in the final film the droid was credited to Hassan Taj and Lee Towersey. Brian Herring returns to puppeteer .

At Star Wars Celebration in April 2019, it was revealed via the film's teaser trailer that Ian McDiarmid would return to portray Palpatine. Since the event was held after principal photography wrapped, Abrams was thrilled that news of McDiarmid on the set never leaked. Kathleen Kennedy said they decided to reveal Palpatine's return ahead of the film's release because "many of the characters that are playing a significant role in the story, the fans know. They don't know how this story is going to unfold, but they know who they are. It's not like Baby Yoda," the surprise popular character from The Mandalorian.

Principal photography began on August 1, 2018, at Pinewood Studios in Buckinghamshire, England. Filming also took place in Wadi Rum, Jordan. Oscar Isaac stated that Abrams was allowing more improvised acting than in the previous two films. Due to the tight schedule, some editing took place on set. Principal photography wrapped on February 15, 2019. Footage from the film was shown at The Walt Disney Company's annual shareholders meeting on March 7, 2019. Reshoots took place at Bad Robot Productions between late September and mid-October.

The visual effects were created by Industrial Light & Magic and supervised by Roger Guyett. The film finished post-production on November 25, 2019. After Boyega accidentally left a copy of the script in his hotel room, it was listed on eBay for around £65. A Disney employee identified the script as authentic and purchased it from the seller for an undisclosed sum.

Lucasfilm honored Riley Howell, a student and Star Wars fan who heroically died at the University of North Carolina at Charlotte shooting in April 2019, by naming a Jedi after him in its book Star Wars: The Rise of Skywalker - The Visual Dictionary. The book credits "Ri-Lee Howell" with collecting "many of the earliest accounts of exploration and codifications of The Force."

On January 10, 2018, it was confirmed that John Williams would return to compose and conduct The Rise of Skywalker. The next month, Williams announced that it would be the last Star Wars film for which he would compose the score. In August 2019, it was revealed that Williams had written about 35 of an expected 135 minutes of music for the film, which according to Williams's brother Don, would incorporate all of the major themes of the Skywalker saga. Scoring began in July 2019 with Williams and William Ross conducting and orchestrating the sessions over the course of six months. Walt Disney Records released the soundtrack album digitally on December 18, 2019, with a physical release following on December 20.

Though Abrams stayed silent about many details of the film, he expressed his hopes that audiences would be "satisfied." He headed a panel dedicated to the film on April 12, 2019, during Star Wars Celebration in Chicago, Illinois, where the film's title was revealed via the first trailer, and new images were shown. The trailer was viewed 111 million times in the first 24 hours of its release, which was 20 million more views than the teaser for The Last Jedi and more than double that of The Force Awakens.

A publishing campaign titled " Journey to Star Wars: The Rise of Skywalker" was announced on May 4, 2019 (Star Wars Day). It includes the novel Resistance Reborn, set between The Last Jedi and The Rise of Skywalker, and various other titles. Additionally, the story events of the Disneyland themed area Star Wars: Galaxy's Edge precede the film, including the Millennium Falcon: Smugglers Run motion simulator, which features Chewbacca. On August 24, a new poster and "sizzle reel" was released at D23; the latter was released to the public two days later. The footage includes a montage of the Skywalker saga so far, as well as several new shots from the film. The final trailer was released on October 21, 2019 during Monday Night Football.

In December 2019, the video game Fortnite Battle Royale released several cosmetics featuring character skins for Rey, Finn, a Sith Trooper, Kylo Ren, and Zorii Bliss along with a TIE Fighter glider, a Millennium Falcon glider (which was given to players for free from the Winterfest Event), four emotes, and a two free banners. On December 14, Fortnite's publisher Epic Games released a preview of the film on an in-game theater screen as a live event. At the end of the event, a message from Palpatine (like the one mentioned in the film's opening crawl) was heard. To coincide with the release of the film, a trailer for the forthcoming video game, Lego Star Wars: The Skywalker Saga was released on the same day.

The film was originally planned to be released on May 24, 2019, in the United States before being pushed back to December 20. It had its world premiere in Los Angeles on December 16. Unlike most studio films, Disney reportedly did not hold test screenings for The Rise of Skywalker, instead only showing it to Abrams' friends and family, as well as a terminally ill fan.

A shot near the end of the film, featuring two female Resistance members kissing, was cut in Dubai and Singapore.

The film will be available on Disney+ in 2020.

As of February 4, 2020, Star Wars: The Rise of Skywalker has grossed $507.8 million in the United States and Canada, and $551 million in other territories, for a worldwide total of $1.059 billion.

Pre-sale tickets went on sale on October 21, 2019 and the film sold more tickets in their first hour of availability on Atom Tickets than the previous record-holder for ticket sales, Avengers: Endgame. It became Atom Tickets' second-best first-day seller of all-time behind Endgame, selling more than twice the number of tickets as The Last Jedi sold in that same timeframe, while Fandango reported it outsold all previous Star Wars films. Box office tracking had The Rise of Skywalker grossing around $205 million in its opening weekend, though some firms predicted a debut closer to $175 million. The film made $89.6 million on its first day, including $40 million from Thursday night previews, the sixth-highest opening day of all-time. It went on to debut to $177.4 million, which was the third-highest opening ever for a December release and the 12th-best all-time, and it was also noted that Saturday (which saw a 47 percent drop from Friday's gross) was the busiest shopping day of the year, likely affecting ticket sales. However, Deadline Hollywood did write that "we can't ignore" the less than stellar audience exit scores, which could affect the film's legs moving forward. The film made $32 million on Christmas Day, the second-best total ever for the holiday after The Force Awakens' $49.3 million in 2015. It went on to have a five-day total of $135.2 million, including $72.4 million for the weekend. In its third weekend the film made $34.5 million, remaining in first, before being dethroned in its fourth weekend by newcomer .

Worldwide the film was projected to gross around $450 million in its opening weekend, including $250 million from 52 international territories. It made $59.1 million from its first day of international release in 46 countries. The biggest markets were the United Kingdom ($8.3 million), Germany ($7.2 million), France ($5.3 million) and Australia ($4.3 million). In China, where Star Wars has never been a big draw and each Disney installment opened to diminishing amounts, the film made just $1.6 million (RMB11.6 million) through its first day. It went on to open to $198 million from overseas countries and $373.5 million worldwide, coming in below projections and 47 percent lower than The Last Jedi's total. Its biggest opening totals remained the UK ($26.8 million), Germany ($21.8 million), France ($15.2 million), Japan ($14.6 million), Australia ($12.6 million), and China ($12.1 million).

Review aggregator Rotten Tomatoes reported an approval rating of 52% based on 472 reviews, with an average rating of 6.17/10. The website's critics consensus reads: " Star Wars: The Rise of Skywalker suffers from a frustrating lack of imagination, but concludes this beloved saga with fan-focused devotion." On Metacritic, the film has a weighted average score of 53 out of 100, based on 60 critics, indicating "mixed or average reviews".

Todd McCarthy of The Hollywood Reporter praised the visual effects, but criticized the storytelling, writing, "A plot like this, featuring so many characters, locations and story dynamics, can by nature be confusing; so relentless is the pileup of incident that, at a certain point, one can be excused for checking out on the particulars of what's going on at a given moment and why, in favor of just going along for the amusement park ride." For , A. A. Dowd gave the film a C+, writing that the film "is so freighted with obligation that it almost groans under the weight, flashing a weak smile as it vaguely approximates the appearance of a zippy good time". The BBC's Nicholas Barber wrote that "the film is well acted, it looks so good that there is bound to be a fabulous tie-in coffee-table book of concept art, and it has a positive message about never giving up hope. But the main feeling it instills in the viewer is a renewed respect for the imagination of Lucas. The Rise of Skywalker has been lovingly crafted by a host of talented people, and yet the best they can do is pay tribute to everything he did several decades ago."

Richard Roeper, reviewing for the Chicago Sun-Times, gave the film three stars out of four, stating, " The Rise of Skywalker rarely comes close to touching greatness, but it's a solid, visually dazzling and warmhearted victory for the Force of quality filmmaking." Owen Gleiberman of praised the film as "the most elegant, emotionally rounded, and gratifying Star Wars adventure since the glory days of and The Empire Strikes Back", but added that "given the last eight films, the bar isn't that high". Michael Phillips for Chicago Tribune wrote that " The Rise of Skywalker does the job. It wraps up the trio of trilogies begun in 1977 in a confident, soothingly predictable way, doing all that is cinematically possible to avoid poking the bear otherwise known as tradition-minded quadrants of the Star Wars fan base."

Scott Mendelson for described the film as "possibly worse than any prior Star Wars 'episode'. It ends a legendary franchise with a thud while denying this new trilogy its artistic reason for existence." He said the main problem "isn't just that it absolutely walks back a number of potent reveals and plot threads from the last movie, but rather that the 142-minute movie spends almost its entire running time retconning its predecessor and adding painfully conventional 'plot twists' and patronizing reversals in the name of mollifying the fans who merely want to be reminded of the first three movies." Similarly, Justin Chang of the Los Angeles Times felt the film "nakedly offers itself up in the spirit of a Last Jedi corrective, a return to storytelling basics, a nearly 2½-hour compendium of everything that made you fall in love with Star Wars in the first place. The more accurate way to describe it, I think, is as an epic failure of nerve. This Rise feels more like a retreat, a return to a zone of emotional and thematic safety from a filmmaker with a gift for packaging nostalgia as subversion."

Writing for The New Yorker, Richard Brody found the film to come short of others in the franchise, stating: "The faults of Star Wars: The Rise of Skywalker are those of the franchise over all, distilled and magnified because the film's director, J. J. Abrams, is mainly a distiller and a magnifier, and brings virtually no originality to it. His earnest and righteously grandiose direction evokes, as few movies do, a craving for Michael Bay at the controls." Mick LaSalle of the San Francisco Chronicle disliked the film, writing in his review: "The audience is reacting, not with honest feeling, but more like one of Pavlov's dogs. Here's a truth that must be kept in mental balance with the warm rush of the movie's final minutes: For about 75 percent of its running time, The Rise Of Skywalker is a disappointment. Still, for all the movie's faults, it's likely that most people will consider The Rise of Skywalker and accept the trade: Sit through a so-so 110 minutes to get to a strong half hour."

Whereas Kelly Marie Tran had around 10 minutes of screentime in The Last Jedi, she appears for about a minute in The Rise of Skywalker. The reduced role was interpreted by some critics as a concession to fans who disliked her character; Tran had been a target of online harassment following the release of The Last Jedi. In , Alissa Wilkinson wrote that "it's hard not to think that choice is designed to avoid further angering those fans who harbor a racist vendetta against a movie that dares to cast an Asian woman in a co-starring role". Screenwriter Chris Terrio said Tran had reduced screentime because of the difficulty of including the late Carrie Fisher in scenes.

According to CinemaScore, American audiences gave the film an average grade of "B+" on an A+ to F scale; by comparison, The Force Awakens and The Last Jedi each earned an "A" score and all three of the prequels an "A-". On PostTrak, audiences gave the film an average 4 out of 5 stars, with 70 percent saying they would definitely recommend it; parents and children under 12 years old (who made up 16 percent of opening night attendance) gave it a full five out of five stars. Men (who made up 67 percent of the audience) gave the film an overall positive score of 80 percent while women (33 percent) gave it an 84 percent. RelishMix, which tracks social media posts and online presence, "noticed a divided reaction to Skywalker online, though it leaned slightly positive".

Months prior to the film's trailer release, it was review bombed on Rotten Tomatoes to the point where the "Want to See" percentage went down as far as 5 percent within a day, with many of them focusing on lingering negativity towards The Last Jedi. Similar bombing with Captain Marvel caused Rotten Tomatoes to completely remove the "Want to See" feature after temporarily changing it to a number.

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Star Wars: The Rise of Skywalker (also known as Star Wars: Episode IX - The Rise of Skywalker ) is a 2019 American epic space opera film produced, co-written, and directed by J. J. Abrams. It is the third installment of the sequel trilogy, following The Force Awakens (2015) and The Last Jedi (2017), and the final episode of the nine-part " Skywalker saga".

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El feminismo es autodestructivo y destruye a las mujeres

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El feminismo defiende una causa con la que, teniendo un mínimo de sentido común, es muy fácil estar de acuerdo: lograr la igualdad de derechos entre hombres y mujeres. Partiendo de esta base sí, soy feminista, pero de un tiempo a esta parte he dejado de identificarme con un enfoque que parece adueñarse de este movimiento.

Y no me refiero al radicalismo, los radicales mueven el mundo, si no en señalar al hombre, solo por ser hombre, como el enemigo a batir. Como si todos los hombres fueran iguales. Como si hubiera dos personas iguales en este mundo.

Bajo la sombra del patriarcado

A grandes rasgos el patriarcado se define como un sistema social en el que existe un desequilibrio de poder a favor del hombre. La muestra más representativa quizá es la lista Forbes, encabezada y prácticamente protagonizada solo por hombres. En general ellos ocupan puestos de mayor responsabilidad y muchas mujeres siguen encargándose de las tareas del hogar a pesar de trabajar también fuera de casa.

El reparto tradicional de roles, aunque cada vez es más difuso, sigue presente. "El sistema" nos mantiene atrapados en diferentes papeles según nuestro género, pero lo que me cuestiono es si operan siempre a favor del hombre.

La presión que soporta un hombre que se queda sin trabajo, que no ve posibilidades de futuro, y siente que no puede cumplir con el compromiso de sacar adelante a su familia, deja secuelas para siempre. Es algo que no se dice, pero en nuestra sociedad, un hombre se sigue valorando como hombre en función de la riqueza que es capaz de crear. Una carga pesada y asfixiante para muchos, a la que ahora hay que sumarle la de ser considerados privilegiados opresores, sin importar lo penosas que puedan llegar a ser sus circunstancias.

Problemas invisibles para hombres invisibles

Consultando algunos datos del INE (Instituto Nacional de Estadística) empiezo a dudar seriamente de que este sistema patriarcal sea el paraíso del género masculino.

En 2015 se suicidaron 2680 hombres, frente a 922 mujeres. Un 74% más. Entre sus causas, percepción de fracaso respecto al rol de masculinidad, desigualdad económica o desestructuración familiar. El mismo año se contabilizaron 60 mujeres asesinadas a manos de sus parejas o exparejas, dentro de un total de 285 homicidios, de los que fueron víctimas 164 hombres y 121 mujeres.

Resulta algo confuso pensar que en un sistema en el que se fomenta que el hombre mate por machismo, en un solo año, frente a 60 crímenes de violencia de género hayan muerto 164 hombres asesinados y 2680 hayan preferido matarse a sí mismos.

¿Podría considerarse como un problema social de género el suicidio masculino? Continuando con los datos del INE de 2015 respecto a defunciones encontramos otros ejemplos, como que murieron de sida 633 personas (513 hombres - 120 mujeres) y que las defunciones por trastornos mentales debidos al uso de alcohol ascendieron a un total de 278 personas, de las cuales 246 eran hombres y 32 mujeres.

Respecto a las condiciones de vida según el último informe de 2012 (recogido por centros asistenciales) de las 22.938 personas usuarias de sus instalaciones, un 80,3% eran hombres. La principal causa de su ingreso fue la pérdida de trabajo. Las personas sin hogar son en su gran mayoría hombres, y en un 51% han sido sido víctimas de algún delito o agresión. Extraños privilegios.

¿Discriminación laboral? Según muestra el informe anual de accidentes de trabajo en España (2015) un año más se repiten datos: la incidencia de accidentes de trabajo fue el doble en los hombres y si hablamos de accidentes de trabajo mortales, la cifra asciende a 14 veces mayor en hombres que en mujeres.

¿Es la desigualdad siempre una cuestión de género?

Siguiendo con los datos del INE (2014), en el trabajo a tiempo completo, el salario más frecuente por hora de las mujeres (14,6 euros) se queda en el 89,6% del salario por hora de los hombres (16,2 euros). Al considerar la jornada a tiempo parcial, el porcentaje anterior alcanza un valor del 90,7%.

La brecha salarial existe, pero cuando Jennifer Lawrence se queja de la desigualdad salarial porque cobra 46 millones de dólares por una película y el actor mejor pagado se embolsa 56 millones, ¿cómo es posible que sintamos que hay más desigualdad con nuestros compañeros de trabajo o nuestros vecinos, que entre ella y nosotras?

La desigualdad entre ciudadanos tiene muchas caras. La clase social, el lugar de nacimiento, el color de la piel, la orientación sexual... Niños y ancianos también son víctimas de agresiones y homicidios pero, a pesar de ser dos de los colectivos más vulnerables, sus problemas no tienen apenas visibilidad.

Para comprobarlo os animo a recabar los datos que les afectan, en google o en el INE, y después cotejar la dificultad para recopilarlos en comparación con el fácil acceso que tenemos a la información estadística sobre violencia de género. Además en el maltrato infantil o a ancianos no queda registrado el sexo del agresor.

En 2015 murieron por homicidio 20 menores de 14 años (8 niños y 12 niñas), aunque esta cifra nunca podemos tomarla como exacta ya que según la OMS las muertes debidas al maltrato infantil se suelen atribuir a caídas, quemaduras, ahogamientos y otras causas. En el mundo cada año son asesinados unos 41.000 menores de 15 años.

Por otra parte, 1 de cada 10 personas mayores ha sufrido malos tratos en el último mes, pudiendo ser los más afectados los que están ingresados en instituciones. ¿Tenemos que pensar, siguiendo la misma lógica que se aplica con la violencia de género, que todos los padres y madres son asesinos? ¿o que todos los cuidadores (en su mayor parte cuidadoras) de ancianos son maltratadores?

Pagando justos por pecadores

Cuando un hombre viola o mata a una mujer y criminalizamos a todo el género masculino, en realidad estamos restándole culpa al auténtico violador o asesino. Parece que el problema no es ya que él sea un ser humano despreciable, es que es un hombre y como tal no se podía esperar otra cosa.

En cuanto a lo peor del sistema patriarcal contra el que queremos combatir, ¿Acaso las mujeres no formamos parte? ¿Somos todas seres de luz que pasamos por la vida sin dejar una mala huella? ¿No tienen ninguna responsabilidad las madres en la educación de sus hijos?

Uno de los temas actuales más polémicos y que está causando protestas feministas es el de la gestación subrogada, por considerarla explotación de mujeres. Dejando al margen esta argumentación (con la que estoy totalmente de acuerdo), ¿quién explota a quién? ¿Cuántas mujeres han recurrido o están dispuestas a recurrir a un vientre de alquiler porque no pueden tener hijos? ¿Son entonces las mujeres explotadoras de mujeres?

Quizá es que simplemente todos, hombres y mujeres, podemos ser víctimas y/o verdugos, pero al igual que nosotras no estamos dispuestas a tolerar que nos insulten o nos discriminen, ¿por qué tienen que aguantar los hombres que se les trate como opresores, maltratadores, asesinos o violadores en potencia solo por su sexo? ¿Qué clase de igualdad es esa?

Cada mañana cuando veo el barco de pescadores que pasa en frente de mi casa, todavía de noche, con frío, lluvia o calor, me pregunto por qué las mujeres no reclamamos cuotas para salir a pescar, o para ir a la guerra (cuando es por obligación) o para bajar a la mina.

Estamos llenos de contradicciones. Podemos aceptarlas y trabajar juntos, mujeres y hombres, para construir una sociedad mejor o seguir fomentando el odio entre nosotros... Aunque va a ser muy difícil, por no decir imposible, luchar contra las injusticias y la desigualdad enfrentados en ese odio.

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Soy mujer, soy feminista, y no, mi lucha no es contra los hombres

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El feminismo defiende una causa con la que, teniendo un mínimo de sentido común, es muy fácil estar de acuerdo: lograr la igualdad de derechos entre hombres y mujeres. Partiendo de esta base sí, soy feminista, pero de un tiempo a esta parte he dejado de identificarme con un enfoque que parece adueñarse de este movimiento.