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O'Keeffe in 1918, photograph by Alfred Stieglitz, who she would later marry. https://en.wikipedia.org/wiki/Georgia_O%27Keeffe

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Georgia Totto O'Keeffe was born on November 15, 1887, the second of seven children and she grew up on a farm near Sun Prairie, Wisconsin. She is one of, if not the most famous female artists of all time. She was an abstract painter, model, and drawer. She studied at the Art Institute of Chicago and the Art Students League in New York.

https://www.okeeffemuseum.org/about-georgia-okeeffe/

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https://www.youtube.com/watch?v=4KQeu_mTYTQ

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How to see more and care less: The art of Georgia O'Keeffe - Iseult Gillespie

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Georgia O'Keeffe "No. 2-Special", 1915 charcoal om Fabriano laid paper

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Georgia O'Keeffe "No. 2-Special", 1915 charcoal om Fabriano laid paper

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Georgia O'Keeffe "No. 7 Special", 1915 charcoal on Fabriano laid paper

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Georgia O'Keeffe "No. 7 Special", 1915 charcoal on Fabriano laid paper

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Georgia O'Keeffe "No. 5 Special", 1915 charcoal on Fabriano laid paper.

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Georgia O'Keeffe "No. 5 Special", 1915 charcoal on Fabriano laid paper.

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The Significance of the Charcoal Drawings

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The Significance of the Charcoal Drawings

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The significance of the Georgia O'Keeffe's Charcoal Drawings was that it was her first time exploring Abstraction in her work. During this time she was an art teacher in Taxes. The other significant thing that came from her charcoal drawings was that it led to her meeting the man she would marry, Alfred Stieglitz.

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Like a lot of female artists at the time there is always a tie to a man in the art world. Georgia O'Keeffe's tie to the art world was Alfred Stieglitz. Alfred Stieglitz was one of the pioneers of Photography. The way that Georgia O'Keeffe met Stieglitz was through her charcoal drawings which fascinated him. One of O'Keeffe's friends convinced her to send these drawings to Stieglitz and a he became amazed by the drawings and had to meet her. Alfred Stieglitz was already married when he met Georgia O'Keeffe so he divorced and things went from there. They fell in love and O'Keeffe became a large subject in Stieglitz's photography. During this time period female artists were not very well known or given any recognition but O'Keeffe's relationship with Stieglitz helped her to become more known throughout the world.
https://iphf.org/inductees/alfred-stieglitz/

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"Georgia O'Keeffe", 1918. Georgia O'Keeffe moved to New York to be with Stieglitz and this was one of the hundreds of nude photo's that he took of her during there time together. These photos were what O'Keeffe was more known for at the time.

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Family Friendly version of Georgia O'Keeffe's history.

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Family Friendly version of Georgia O'Keeffe's history.

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https://www.youtube.com/watch?v=C3iKpM0H6Ek

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Georgia O'Keeffe: A Brief History (School Friendly)

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Georgia O'Keeffe's Skyscraper and Building Phase

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Georgia O'Keeffe's Skyscraper and Building Phase

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During her marriage to Alfred Stiglitz they lived in New York city which was a major change for O'Keeffe who grew up in a small town in Wisconsin and taught in a small town in Texas. With her new surroundings she went through a skyscraper and building painting phase and painted many famous buildings in New York City. There are around 30 of this type of painting. https://www.arkansasonline.com/news/2018/jun/17/georgia-on-my-mind-20180617/

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https://www.dailyartmagazine.com/georgia-okeeffes-new-york/

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Georgia O'Keeffe, "The Shelton with Sunspots", N.Y., 1926

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https://www.dailyartmagazine.com/georgia-okeeffes-new-york/

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Georgia O'Keeffe, "East River No. 1", 1927

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Georgia O'Keeffe, "East River No. 1", 1927

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https://www.dailyartmagazine.com/georgia-okeeffes-new-york/

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Interview And Short Documentary With Georgia O'Keeffe When She Was Nearly 90 Years Old

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Interview And Short Documentary With Georgia O'Keeffe When She Was Nearly 90 Years Old

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https://www.youtube.com/watch?v=v71awD38Qy4

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Georgia O'Keeffe talking about her life and work

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This video shows and describes the inspiration of her next art phase and most famous phase, the time she spent in New Mexico. This video highlights the importance of O'Keeffe's home and landscape that had a major inspiration on her work from then on. It took her 10 years to get the rights to her home that she loved. The home has since been converted into a museum dedicated to her. https://www.youtube.com/watch?v=7AOEDMAPZBs

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The next phase of subject matter that Georgia O'Keeffe went to was her abstract flower phase. This phase is one type of painting she is known for. She went back and forth between this flowers and her next phase leading up to her death. A rumor or myth associated with her flower phase was that the flowers were actually vaginas. O'Keeffe has dismissed this rumor on many occasions.
https://www.artdependence.com/articles/the-symbolism-of-flowers-in-the-art-of-georgia-o-keeffe/

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https://www.phaidon.com/agenda/art/articles/2014/february/05/what-do-you-see-in-georgia-okeeffes-flowers/

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Georgia O'Keeffe, Hibiscus with Plumeria (1939)

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https://www.artdependence.com/articles/the-symbolism-of-flowers-in-the-art-of-georgia-o-keeffe/

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https://www.georgiaokeeffe.net/red-canna.jsp

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Georgia O’Keeffe, My Front Yard, Summer, 1941

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The final stage of Georgia O'Keeffe's art journey was once she moved to New Mexico. The First time that O'Keeffe visited and fell in love with New Mexico was 1929. It wasn't until 3 years after her husband Alfred Stieglitz had passed away that she moved to Abiquiú New Mexico. She had started painting the dry colorful landscape before this time, but once she moved there is when she really started to crank out the bones and colorful land. She once said “It’s my private mountain. It belongs to me. God told me if I painted it enough, I could have it.” her referring to the Pedernal Mountain that she could she from studio at Ghost Ranch. This mountain was part of many of the paintings she made up until her death March 6, 1986 at the age of 98. This is the place she would remain till her death and be her final resting place. Georgia O'Keeffe had her ashes were scattered atop Pedernal mountain to make her connection with it eternal.

https://www.okeeffemuseum.org/support/pedernal-society/

https://www.okeeffemuseum.org/installation/okeeffes-new-mexico/#:~:text=In%20the%20summer%20of%201929,%2C%20forms%2C%20and%20compositional%20strategies.

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Black Mesa Landscape, New Mexico / Out Back of Marie's II, 1930

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https://tammytourguide.wordpress.com/2016/07/28/georgia-okeeffe-in-new-mexico-and-new-york/

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Georgia O'Keeffe, Ram's Head, White Hollyhock-Hills (Ram's Head and White Hollyhock, New Mexico)(1935)

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https://news.artnet.com/art-world/georgia-okeeffe-3-things-to-know-1925403

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Georgia O’Keeffe, "From the Faraway, Nearby", 1937

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https://www.theguardian.com/artanddesign/2016/jul/01/georgia-okeeffe-tate-modern-exhibition-wild-beauty

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Georgia O'Keeffe, Cow's Skull: Red, White, and Blue (1931)

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Cow's Skull: Red, White, and Blue (1931)

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Cow's Skull: Red, White, and Blue (1931)

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https://www.metmuseum.org/art/collection/search/488694