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저기 있는 노란색은 별이고 그 아래에는 

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저기 있는 노란색은 별이고 그 아래에는 도시가 있고 큰 산이 있습니다

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Van Gogh's night sky is a field of roiling energy. Below the exploding stars, the village is a place of quiet order. Connecting earth and sky is the flamelike cypress, a tree traditionally associated with graveyards and mourning. But death was not ominous for van Gogh. "Looking at the stars always makes me dream," he said, "Why, I ask myself, shouldn't the shining dots of the sky be as accessible as the black dots on the map of France? Just as we take the train to get to Tarascon or Rouen, we take death to reach a star."

The artist wrote of his experience to his brother Theo: "This morning I saw the country from my window a long time before sunrise, with nothing but the morning star, which looked very big." This morning star, or Venus, may be the large white star just left of center in The Starry Night. The hamlet, on the other hand, is invented, and the church spire evokes van Gogh's native land, the Netherlands. The painting, like its daytime companion, The Olive Trees, is rooted in imagination and memory. Leaving behind the Impressionist doctrine of truth to nature in favor of restless feeling and intense color, as in this highly charged picture, van Gogh made his work a touchstone for all subsequent Expressionist painting.

The Museum of Modern Art, MoMA Highlights, New York: The Museum of Modern Art, revised 2004, originally published 1999, p. 35

Find out more about The Starry Night at:
mo.ma/starrynight

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The Starry Night - Vincent van Gogh - Google Arts & Culture

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Van Gogh's night sky is a field of roiling energy. Below the exploding stars, the village is a place of quiet order. Connecting earth and sky is the flamel...

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Viva la vida는 프리다 칼로가 그린 마지막 그림으로 알려져 있을 정도로 매우 중요한 예술 작품 입니다. 건강이 악화됏음에도 불구하고 이 작품의 제목은 생명에 대한 천사다. 수박의 선명한 붉은색과 작가가 죽기 8일 전에 남긴 문구 때문에 과일과 그 그림이 흥미진진하게 그려져 있습니다

이 작품을 고른 이유:설명이 인상 깊어서

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Viva la Vida, is a very important artwork, as it is known to be the last painting that Frida Kahlo did. Despite her deteriorated health, the title of this work is a tribute to life. The fruits and the way they are painted are exciting, because of the vibrant red color in the watermelons, and the phrase that the artist wrote eight days before she died.

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Viva la vida - Frida Kahlo - Google Arts & Culture

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Viva la Vida, is a very important artwork, as it is known to be the last painting that Frida Kahlo did. Despite her deteriorated health, the title of this ...

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달이예뻐서

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Van Gogh's night sky is a field of roiling energy. Below the exploding stars, the village is a place of quiet order. Connecting earth and sky is the flamelike cypress, a tree traditionally associated with graveyards and mourning. But death was not ominous for van Gogh. "Looking at the stars always makes me dream," he said, "Why, I ask myself, shouldn't the shining dots of the sky be as accessible as the black dots on the map of France? Just as we take the train to get to Tarascon or Rouen, we take death to reach a star."

The artist wrote of his experience to his brother Theo: "This morning I saw the country from my window a long time before sunrise, with nothing but the morning star, which looked very big." This morning star, or Venus, may be the large white star just left of center in The Starry Night. The hamlet, on the other hand, is invented, and the church spire evokes van Gogh's native land, the Netherlands. The painting, like its daytime companion, The Olive Trees, is rooted in imagination and memory. Leaving behind the Impressionist doctrine of truth to nature in favor of restless feeling and intense color, as in this highly charged picture, van Gogh made his work a touchstone for all subsequent Expressionist painting.

The Museum of Modern Art, MoMA Highlights, New York: The Museum of Modern Art, revised 2004, originally published 1999, p. 35

Find out more about The Starry Night at:
mo.ma/starrynight

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The Starry Night - Vincent van Gogh - Google Arts & Culture

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Van Gogh's night sky is a field of roiling energy. Below the exploding stars, the village is a place of quiet order. Connecting earth and sky is the flamel...

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귀여운 삐약이 조금 무서운 삐약이

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Google 아트 앤 컬처는 Google Cultural Institute와 제휴한 주요 박물관과 자료실 2,000여 곳의 콘텐츠 등 전 세계의 소중한 자료를 온라인으로 제공합니다.

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밤하늘이 예쁘다.

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Van Gogh's night sky is a field of roiling energy. Below the exploding stars, the village is a place of quiet order. Connecting earth and sky is the flamelike cypress, a tree traditionally associated with graveyards and mourning. But death was not ominous for van Gogh. "Looking at the stars always makes me dream," he said, "Why, I ask myself, shouldn't the shining dots of the sky be as accessible as the black dots on the map of France? Just as we take the train to get to Tarascon or Rouen, we take death to reach a star."

The artist wrote of his experience to his brother Theo: "This morning I saw the country from my window a long time before sunrise, with nothing but the morning star, which looked very big." This morning star, or Venus, may be the large white star just left of center in The Starry Night. The hamlet, on the other hand, is invented, and the church spire evokes van Gogh's native land, the Netherlands. The painting, like its daytime companion, The Olive Trees, is rooted in imagination and memory. Leaving behind the Impressionist doctrine of truth to nature in favor of restless feeling and intense color, as in this highly charged picture, van Gogh made his work a touchstone for all subsequent Expressionist painting.

The Museum of Modern Art, MoMA Highlights, New York: The Museum of Modern Art, revised 2004, originally published 1999, p. 35

Find out more about The Starry Night at:
mo.ma/starrynight

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The Starry Night - Vincent van Gogh - Google Arts & Culture

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Van Gogh's night sky is a field of roiling energy. Below the exploding stars, the village is a place of quiet order. Connecting earth and sky is the flamel...

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파란 꽃이 예쁘다

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조선시대 대표적인 여류문인인 신사임당의 작품으로 전하는 화훼초충도이다. 그의 아들 이이李珥(1536~1584)의 문집에 따르면, 사임당은 7세 때 안견 安堅의 작품을 방仿하여 그렸다고 전한다. 특히 길상을 뜻하는 여러 꽃과 벌레 그림 솜씨가 빼어나 전칭작傳稱作도 여러 점 남아있는데, 특유의 섬세한 필선과 선명한 색채로 묘사하는 것이 특징이다. 마지막 두 폭에 적힌 신경申暻(1696~1766)과 오세창吳世昌(1864~1953)의 발문 중에서 '오세창은 붓 솜씨가 지극히 정묘하긴 하지만 웅건한 맛이 없다',' 종이 의 바탕도 오랜 세월을 거쳐 우중한 빛깔이 짙은 것을 보면 참으로 수백 년 전 작품으로 보기 충분하다'라고 평하였다.

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화훼초충도 花卉草蟲圖 - 전 신사임당 - Google Arts & Culture

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조선시대 대표적인 여류문인인 신사임당의 작품으로 전하는 화훼초충도이다. 그의 아들 이이李珥(1536~1584)의 문집에 따르면, 사임당은 7세 때 안견安堅의 작품을 방仿하여 그렸다고 전한다. 특히 길상을 뜻하는 여러 꽃과 벌레 그림 솜씨가 빼어나 전칭작傳稱作도 여러 점 남아있는...

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이 그림이 사무실 같아서 웃겼습니다

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Google 아트 앤 컬처는 Google Cultural Institute와 제휴한 주요 박물관과 자료실 2,000여 곳의 콘텐츠 등 전 세계의 소중한 자료를 온라인으로 제공합니다.

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밤하늘리 멋저서

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Van Gogh's night sky is a field of roiling energy. Below the exploding stars, the village is a place of quiet order. Connecting earth and sky is the flamelike cypress, a tree traditionally associated with graveyards and mourning. But death was not ominous for van Gogh. "Looking at the stars always makes me dream," he said, "Why, I ask myself, shouldn't the shining dots of the sky be as accessible as the black dots on the map of France? Just as we take the train to get to Tarascon or Rouen, we take death to reach a star."

The artist wrote of his experience to his brother Theo: "This morning I saw the country from my window a long time before sunrise, with nothing but the morning star, which looked very big." This morning star, or Venus, may be the large white star just left of center in The Starry Night. The hamlet, on the other hand, is invented, and the church spire evokes van Gogh's native land, the Netherlands. The painting, like its daytime companion, The Olive Trees, is rooted in imagination and memory. Leaving behind the Impressionist doctrine of truth to nature in favor of restless feeling and intense color, as in this highly charged picture, van Gogh made his work a touchstone for all subsequent Expressionist painting.

The Museum of Modern Art, MoMA Highlights, New York: The Museum of Modern Art, revised 2004, originally published 1999, p. 35

Find out more about The Starry Night at:
mo.ma/starrynight

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The Starry Night - Vincent van Gogh - Google Arts & Culture

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Van Gogh's night sky is a field of roiling energy. Below the exploding stars, the village is a place of quiet order. Connecting earth and sky is the flamel...

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비센트 반고흐 작품이다

해바라기가 인상

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Van Gogh's paintings of Sunflowers are among his most famous. He did them in Arles, in the south of France, in 1888 and 1889. Vincent painted a total of five large canvases with sunflowers in a vase, with three shades of yellow 'and nothing else'. In this way, he demonstrated that it was possible to create an image with numerous variations of a single colour, without any loss of eloquence.
The sunflower paintings had a special significance for Van Gogh: they communicated 'gratitude', he wrote. He hung the first two in the room of his friend, the painter Paul Gauguin, who came to live with him for a while in the Yellow House. Gauguin was impressed by the sunflowers, which he thought were 'completely Vincent'. Van Gogh had already painted a new version during his friend's stay and Gauguin later asked for one as a gift, which Vincent was reluctant to give him. He later produced two loose copies, however, one of which is now in the Van Gogh Museum.

박물관을 둘러보고 Art Transfer, Pocket Gallery, Art Selfie 등의 기능을 사용해 보세요.

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Sunflowers - Vincent van Gogh - Google Arts & Culture

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Van Gogh's paintings of Sunflowers are among his most famous. He did them in Arles, in the south of France, in 1888 and 1889. Vincent painted a total of five large canvases with sunflowers in a vase, with three shades of yellow 'and nothing else'.

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밤이 예쁘다.

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Van Gogh's night sky is a field of roiling energy. Below the exploding stars, the village is a place of quiet order. Connecting earth and sky is the flamelike cypress, a tree traditionally associated with graveyards and mourning. But death was not ominous for van Gogh. "Looking at the stars always makes me dream," he said, "Why, I ask myself, shouldn't the shining dots of the sky be as accessible as the black dots on the map of France? Just as we take the train to get to Tarascon or Rouen, we take death to reach a star."

The artist wrote of his experience to his brother Theo: "This morning I saw the country from my window a long time before sunrise, with nothing but the morning star, which looked very big." This morning star, or Venus, may be the large white star just left of center in The Starry Night. The hamlet, on the other hand, is invented, and the church spire evokes van Gogh's native land, the Netherlands. The painting, like its daytime companion, The Olive Trees, is rooted in imagination and memory. Leaving behind the Impressionist doctrine of truth to nature in favor of restless feeling and intense color, as in this highly charged picture, van Gogh made his work a touchstone for all subsequent Expressionist painting.

The Museum of Modern Art, MoMA Highlights, New York: The Museum of Modern Art, revised 2004, originally published 1999, p. 35

Find out more about The Starry Night at:
mo.ma/starrynight

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The Starry Night - Vincent van Gogh - Google Arts & Culture

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Van Gogh's night sky is a field of roiling energy. Below the exploding stars, the village is a place of quiet order. Connecting earth and sky is the flamel...

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연못에서  개구리가 우는 소리가 들리는 

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연못에서 개구리가 우는 소리가 들리는 같아서

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Water Lilies - Claude Monet - Google Arts & Culture

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This painting features a new species of water lily that had been artificially created, giving them striking pink and red blossoms. There are some 250 paintings of water lilies from the later part of Monet’s career. He told many people that he could not stop looking at and painting these remarkable objects.

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달 같기도 하고 별 같기도 하고

달이 반짝반짝 하기도 해서

(좋아하는 점

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Van Gogh's night sky is a field of roiling energy. Below the exploding stars, the village is a place of quiet order. Connecting earth and sky is the flamelike cypress, a tree traditionally associated with graveyards and mourning. But death was not ominous for van Gogh. "Looking at the stars always makes me dream," he said, "Why, I ask myself, shouldn't the shining dots of the sky be as accessible as the black dots on the map of France? Just as we take the train to get to Tarascon or Rouen, we take death to reach a star."

The artist wrote of his experience to his brother Theo: "This morning I saw the country from my window a long time before sunrise, with nothing but the morning star, which looked very big." This morning star, or Venus, may be the large white star just left of center in The Starry Night. The hamlet, on the other hand, is invented, and the church spire evokes van Gogh's native land, the Netherlands. The painting, like its daytime companion, The Olive Trees, is rooted in imagination and memory. Leaving behind the Impressionist doctrine of truth to nature in favor of restless feeling and intense color, as in this highly charged picture, van Gogh made his work a touchstone for all subsequent Expressionist painting.

The Museum of Modern Art, MoMA Highlights, New York: The Museum of Modern Art, revised 2004, originally published 1999, p. 35

Find out more about The Starry Night at:
mo.ma/starrynight

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The Starry Night - Vincent van Gogh - Google Arts & Culture

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Van Gogh's night sky is a field of roiling energy. Below the exploding stars, the village is a place of quiet order. Connecting earth and sky is the flamel...

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밤하늘이 예뻐서

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Van Gogh's night sky is a field of roiling energy. Below the exploding stars, the village is a place of quiet order. Connecting earth and sky is the flamelike cypress, a tree traditionally associated with graveyards and mourning. But death was not ominous for van Gogh. "Looking at the stars always makes me dream," he said, "Why, I ask myself, shouldn't the shining dots of the sky be as accessible as the black dots on the map of France? Just as we take the train to get to Tarascon or Rouen, we take death to reach a star."

The artist wrote of his experience to his brother Theo: "This morning I saw the country from my window a long time before sunrise, with nothing but the morning star, which looked very big." This morning star, or Venus, may be the large white star just left of center in The Starry Night. The hamlet, on the other hand, is invented, and the church spire evokes van Gogh's native land, the Netherlands. The painting, like its daytime companion, The Olive Trees, is rooted in imagination and memory. Leaving behind the Impressionist doctrine of truth to nature in favor of restless feeling and intense color, as in this highly charged picture, van Gogh made his work a touchstone for all subsequent Expressionist painting.

The Museum of Modern Art, MoMA Highlights, New York: The Museum of Modern Art, revised 2004, originally published 1999, p. 35

Find out more about The Starry Night at:
mo.ma/starrynight

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The Starry Night - Vincent van Gogh - Google Arts & Culture

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Van Gogh's night sky is a field of roiling energy. Below the exploding stars, the village is a place of quiet order. Connecting earth and sky is the flamel...

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하얀 발레복을 입음 발레 소녀가 예뻐서요

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Degas regularly went to the Paris opera house, not only as a member of the audience, but as a visitor backstage and in the dance studio, where he introduced by a friend who played in the orchestra. At that time, the opera was still housed in the rue Le Peletier and had not yet moved to the building designed by Garnier which was soon to replace it. From the 1870s until his death, Degas's favourite subjects were ballerinas at work, in rehearsal or at rest, and he tirelessly explored the theme with many variations in posture and gesture.

More than the stage performance and the limelight, it was the training and rehearsals that interested him. Here the class is coming to an end - the pupils are exhausted, they are stretching, twisting to scratch their backs, adjusting their hair or clothes, an earring, or a ribbon, paying little heed to the inflexible teacher, a portrait of Jules Perrot, a real-life ballet master.

Degas closely observed the most spontaneous, natural, ordinary gestures, the pauses when concentration is relaxed and the body slumps after the exhausting effort of practising and the implacable rigour of the class.

The slightly raised viewpoint looking diagonally across the studio accentuates the vanishing perspective of floor boards. Paul Valéry wrote: " Degas is one of the very few painters who gave the ground its true importance. He has some admirable floors". This is all the more appropriate for dancers in that the parquet, which was moistened to prevent slipping, is their main work tool. And the ballet master beats time on the floor with his baton.

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The Ballet Class - Edgar Degas - Google Arts & Culture

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Degas regularly went to the Paris opera house, not only as a member of the audience, but as a visitor backstage and in the dance studio, where he introduce...

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이 그림이 나의 방 같아서 웃겼습니다.

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Van Gogh produced three, almost identical paintings on the theme of his bedroom. The first, in the Van Gogh Museum in Amsterdam, was executed in October 1888, and damaged during a flood that occurred while the painter was in hospital in Arles. Almost a year later, Van Gogh made two copies of it: one, the same size, is now in the Art Institute in Chicago; the other, in the Musée d'Orsay, produced for his family in Holland, is smaller.

In a letter to his brother Theo, Vincent explained what had provoked him to paint such a picture: he wanted to express the tranquillity, and bring out the simplicity of his bedroom using the symbolism of colours. Thus, he described: "the pale, lilac walls, the uneven, faded red of the floor, the chrome-yellow chairs and bed, the pillows and sheet in very pale lime green, the blood-red blanket, the orange-coloured wash stand, the blue wash basin, and the green window", stating "I wanted to express absolute repose with these different colours".

Through these various colours, Van Gogh is referring to Japan, to its crêpe paper and its prints. He explained: "The Japanese lived in very simple interiors, and what great artists have lived in that country".

And although, in the eyes of the Japanese, a bedroom decorated with paintings and furniture would not really seem very simple, for Vincent it was "an empty bedroom with a wooden bed and two chairs". All the same he does achieve a certain sparseness through his composition made up almost entirely of straight lines, and through a rigorous combination of coloured surfaces, which compensate for the instability of the perspective.

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Van Gogh's Bedroom in Arles - Vincent van Gogh - Google Arts & Culture

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Van Gogh produced three, almost identical paintings on the theme of his bedroom. The first, in the Van Gogh Museum in Amsterdam, was executed in October 18...

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이 그림은 아름다운 그림 입니다.

이 그림이 인상깊어서 이 그림을 골라습니다.

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Van Gogh's night sky is a field of roiling energy. Below the exploding stars, the village is a place of quiet order. Connecting earth and sky is the flamelike cypress, a tree traditionally associated with graveyards and mourning. But death was not ominous for van Gogh. "Looking at the stars always makes me dream," he said, "Why, I ask myself, shouldn't the shining dots of the sky be as accessible as the black dots on the map of France? Just as we take the train to get to Tarascon or Rouen, we take death to reach a star."

The artist wrote of his experience to his brother Theo: "This morning I saw the country from my window a long time before sunrise, with nothing but the morning star, which looked very big." This morning star, or Venus, may be the large white star just left of center in The Starry Night. The hamlet, on the other hand, is invented, and the church spire evokes van Gogh's native land, the Netherlands. The painting, like its daytime companion, The Olive Trees, is rooted in imagination and memory. Leaving behind the Impressionist doctrine of truth to nature in favor of restless feeling and intense color, as in this highly charged picture, van Gogh made his work a touchstone for all subsequent Expressionist painting.

The Museum of Modern Art, MoMA Highlights, New York: The Museum of Modern Art, revised 2004, originally published 1999, p. 35

Find out more about The Starry Night at:
mo.ma/starrynight

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The Starry Night - Vincent van Gogh - Google Arts & Culture

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Van Gogh's night sky is a field of roiling energy. Below the exploding stars, the village is a place of quiet order. Connecting earth and sky is the flamel...

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점으로 그려서 멋지다 .

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점으로 그려서 멋지다 .

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In his best-known and largest painting, Georges Seurat depicted people relaxing in a suburban park on an island in the Seine River called La Grande Jatte. The artist worked on the painting in several campaigns, beginning in 1884 with a layer of small horizontal brushstrokes of complementary colors. He later added small dots, also in complementary colors, that appear as solid and luminous forms when seen from a distance.Seurat's use of this highly systematic and "scientific" technique, subsequently called Pointillism, distinguished his art from the more intuitive approach to painting used by the Impressionists. Although Seurat embraced the subject matter of modern life preferred by artists such as Claude Monet and Pierre-Auguste Renoir, he went beyond their concern for capturing the accidental and instantaneous qualities of light in nature. Seurat sought to evoke permanence by recalling the art of the past, especially Egyptian and Greek sculpture and even Italian Renaissance frescoes. As he explained to the French poet Gustave Kahn, "The Panathenaeans of Phidias formed a procession. I want to make modern people, in their essential traits, move about as they do on those friezes, and place them on canvases organized by harmonies of color." Some contemporary critics, however, found his figures to be less a nod to earlier art history than a commentary on the posturing and artificiality of modern Parisian society.Seurat made the final changes to La Grande Jatte in 1889. He restretched the canvas in order to add a painted border of red, orange, and blue dots that provides a visual transition between the interior of the painting and his specially designed white frame.

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A Sunday on La Grande Jatte - Georges Seurat - Google Arts & Culture

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In his best-known and largest painting, Georges Seurat depicted people relaxing in a suburban park on an island in the Seine River called La Grande Jatte. ...

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화산에 있는 용암이 인상 깊었다.

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Katsushika Hokusai is considered one of the greatest artists in Japanese history, and one of the important masters of the Japanese wood-block print. Hokusai's most famous work is the series "Thirty-Six Views of Mount Fuji," created between 1830 and 1832, when the artist was over seventy years of age. This brilliant series actually consists of forty-six views of the well-known mountain: the extra ten scenes were added by Hokusai to the initial thirty-six views. The ingenuity of artistic expression and the astonishing variety of vantage points from which Mount Fuji is viewed are a testament to Hokusai's creativity. Mount Fuji, known as "Fuji-san," is the highest mountain in Japan, with a height of 12,385 feet. Once an active volcano, its last great eruption was in 1707. Well before Hokusai's time, Mount Fuji had been worshipped as a sacred mountain, and in his day it was a destination for pilgrims from all over Japan. While known for his novel and dynamic compositions, Hokusai's greatest strength was undoubtedly his remarkable draftsmanship. As a colorist, he was capable of being both bold and sensitive, and much of his success depended on his judicious combination of exceptional drawing and dazzling color. Here, the mountain is shown with clear skies at its summit and a thunderstorm near its base. The combination of the elegant sloping sides of the volcano and the sharp, jagged lines of lightning at the bottom results in an image of great simplicity and visual force.

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Shower Below the Summit (Sanka hakuu), from the series Thirty-six Views of Mount Fuji (Fugaku sanjurokkei) - Katsushika Hokusai (Japanese, 1760-1849) - Google Arts & Culture

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Katsushika Hokusai is considered one of the greatest artists in Japanese history, and one of the important masters of the Japanese wood-block print. Hokusai's most famous work is the series "Thirty-Six Views of Mount Fuji," created between 1830 and 1832, when the artist was over seventy years of age.

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공원 같은 풍경이 좋아서

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In his best-known and largest painting, Georges Seurat depicted people relaxing in a suburban park on an island in the Seine River called La Grande Jatte. The artist worked on the painting in several campaigns, beginning in 1884 with a layer of small horizontal brushstrokes of complementary colors. He later added small dots, also in complementary colors, that appear as solid and luminous forms when seen from a distance.Seurat's use of this highly systematic and "scientific" technique, subsequently called Pointillism, distinguished his art from the more intuitive approach to painting used by the Impressionists. Although Seurat embraced the subject matter of modern life preferred by artists such as Claude Monet and Pierre-Auguste Renoir, he went beyond their concern for capturing the accidental and instantaneous qualities of light in nature. Seurat sought to evoke permanence by recalling the art of the past, especially Egyptian and Greek sculpture and even Italian Renaissance frescoes. As he explained to the French poet Gustave Kahn, "The Panathenaeans of Phidias formed a procession. I want to make modern people, in their essential traits, move about as they do on those friezes, and place them on canvases organized by harmonies of color." Some contemporary critics, however, found his figures to be less a nod to earlier art history than a commentary on the posturing and artificiality of modern Parisian society.Seurat made the final changes to La Grande Jatte in 1889. He restretched the canvas in order to add a painted border of red, orange, and blue dots that provides a visual transition between the interior of the painting and his specially designed white frame.

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A Sunday on La Grande Jatte - Georges Seurat - Google Arts & Culture

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In his best-known and largest painting, Georges Seurat depicted people relaxing in a suburban park on an island in the Seine River called La Grande Jatte. ...

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나무에 가려진 2층 집이 인상 깊었다.

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"From 1900 to 1916, Gustav Klimt spent several weeks each year on the Attersee in the lakes region of Upper Austria. In the summer of 1908, Klimt and the Flöge family rented Villa Oleander in Kammer near Schörfling, and spent each of their summer months there until 1912. The villa on the lake offered a charming view of Schloss Kammer. The relatively simple fortified castle building from the 17th century is located on one of the peninsulas protruding into the lake. Klimt captured the castle in painting form in five scenes, each painted from different points of view. This castle scene from the summer of 1909 or 1910 was painted by the master artist from the opposite shore of the lake. It is clear that this large painting could not have been created on an unstable rowboat, as the huge canvas would have surely fallen over in the weakest of winds. Klimt did not even allow himself to take any liberties with the reality of a scene. Rather, he tended to place his motifs on the canvas with photo-realistic precision. Therefore, the original sites where his paintings were created can still be precisely determined today. All of Klimt's landscapes are strictly static compositions. Not only are there no people, but changes in climate, such as the wind or rain, were all but banished from later landscapes. The paintings instead house their own artistic worlds that appear to consist only of light and color. Klimt placed special value on the formal composition of his landscapes. Each detail plays an important role. It was no accident that Klimt used the square picture format for nearly all his landscapes. This format is due to the square frame Klimt frequently used when looking for suitable motifs. Many landscapes are unique excerpts as a consequence of this calculated search for motifs, and the horizon and sky often appear as if arbitrarily hidden."

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Schloss Kammer on Lake Attersee III - Gustav Klimt - Google Arts & Culture

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"From 1900 to 1916, Gustav Klimt spent several weeks each year on the Attersee in the lakes region of Upper Austria. In the summer of 1908, Klimt and the Flöge family rented Villa Oleander in Kammer near Schörfling, and spent each of their summer months there until 1912.

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꽃이자라는모습아름답고,예뻣다

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To Van Gogh 's enormous surprise, deep snow lay on the ground when he arrived in Arles. The warm climate had been one of his main reasons for moving to Provence. This sprig of almond blossom - which Vincent painted twice - shows that nature, too, had been surprised by the cold snap. It was because of the weather that Van Gogh had to paint indoors when first in Arles, concentrating particularly on still lives and portraits.

박물관을 둘러보고 Art Transfer, Pocket Gallery, Art Selfie 등의 기능을 사용해 보세요.

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Sprig of flowering almond in a glass - Vincent van Gogh - Google Arts & Culture

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To Van Gogh 's enormous surprise, deep snow lay on the ground when he arrived in Arles. The warm climate had been one of his main reasons for moving to Provence. This sprig of almond blossom - which Vincent painted twice - shows that nature, too, had been surprised by the cold snap.

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이걸 왜골랐냐면 바로 점이특징 이어서 입

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이걸 왜골랐냐면 바로 점이특징 이어서 입니다

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In his best-known and largest painting, Georges Seurat depicted people relaxing in a suburban park on an island in the Seine River called La Grande Jatte. The artist worked on the painting in several campaigns, beginning in 1884 with a layer of small horizontal brushstrokes of complementary colors. He later added small dots, also in complementary colors, that appear as solid and luminous forms when seen from a distance.Seurat's use of this highly systematic and "scientific" technique, subsequently called Pointillism, distinguished his art from the more intuitive approach to painting used by the Impressionists. Although Seurat embraced the subject matter of modern life preferred by artists such as Claude Monet and Pierre-Auguste Renoir, he went beyond their concern for capturing the accidental and instantaneous qualities of light in nature. Seurat sought to evoke permanence by recalling the art of the past, especially Egyptian and Greek sculpture and even Italian Renaissance frescoes. As he explained to the French poet Gustave Kahn, "The Panathenaeans of Phidias formed a procession. I want to make modern people, in their essential traits, move about as they do on those friezes, and place them on canvases organized by harmonies of color." Some contemporary critics, however, found his figures to be less a nod to earlier art history than a commentary on the posturing and artificiality of modern Parisian society.Seurat made the final changes to La Grande Jatte in 1889. He restretched the canvas in order to add a painted border of red, orange, and blue dots that provides a visual transition between the interior of the painting and his specially designed white frame.

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A Sunday on La Grande Jatte - Georges Seurat - Google Arts & Culture

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In his best-known and largest painting, Georges Seurat depicted people relaxing in a suburban park on an island in the Seine River called La Grande Jatte. ...

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건물을향에욕하는게재미있어서마음에들었다 <

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건물을향에욕하는게재미있어서마음에들었다

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Study of Perspective - Hong Kong - Ai Weiwei - Google Arts & Culture

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Google 아트 앤 컬처는 Google Cultural Institute와 제휴한 주요 박물관과 자료실 2,000여 곳의 콘텐츠 등 전 세계의 소중한 자료를 온라인으로 제공합니다.

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빈센트 반 고흐의 작품.

별이 예쁘다.

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Van Gogh's night sky is a field of roiling energy. Below the exploding stars, the village is a place of quiet order. Connecting earth and sky is the flamelike cypress, a tree traditionally associated with graveyards and mourning. But death was not ominous for van Gogh. "Looking at the stars always makes me dream," he said, "Why, I ask myself, shouldn't the shining dots of the sky be as accessible as the black dots on the map of France? Just as we take the train to get to Tarascon or Rouen, we take death to reach a star."

The artist wrote of his experience to his brother Theo: "This morning I saw the country from my window a long time before sunrise, with nothing but the morning star, which looked very big." This morning star, or Venus, may be the large white star just left of center in The Starry Night. The hamlet, on the other hand, is invented, and the church spire evokes van Gogh's native land, the Netherlands. The painting, like its daytime companion, The Olive Trees, is rooted in imagination and memory. Leaving behind the Impressionist doctrine of truth to nature in favor of restless feeling and intense color, as in this highly charged picture, van Gogh made his work a touchstone for all subsequent Expressionist painting.

The Museum of Modern Art, MoMA Highlights, New York: The Museum of Modern Art, revised 2004, originally published 1999, p. 35

Find out more about The Starry Night at:
mo.ma/starrynight

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The Starry Night - Vincent van Gogh - Google Arts & Culture

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Van Gogh's night sky is a field of roiling energy. Below the exploding stars, the village is a place of quiet order. Connecting earth and sky is the flamel...

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환경이 다 멋이 있었다

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Van Gogh's night sky is a field of roiling energy. Below the exploding stars, the village is a place of quiet order. Connecting earth and sky is the flamelike cypress, a tree traditionally associated with graveyards and mourning. But death was not ominous for van Gogh. "Looking at the stars always makes me dream," he said, "Why, I ask myself, shouldn't the shining dots of the sky be as accessible as the black dots on the map of France? Just as we take the train to get to Tarascon or Rouen, we take death to reach a star."

The artist wrote of his experience to his brother Theo: "This morning I saw the country from my window a long time before sunrise, with nothing but the morning star, which looked very big." This morning star, or Venus, may be the large white star just left of center in The Starry Night. The hamlet, on the other hand, is invented, and the church spire evokes van Gogh's native land, the Netherlands. The painting, like its daytime companion, The Olive Trees, is rooted in imagination and memory. Leaving behind the Impressionist doctrine of truth to nature in favor of restless feeling and intense color, as in this highly charged picture, van Gogh made his work a touchstone for all subsequent Expressionist painting.

The Museum of Modern Art, MoMA Highlights, New York: The Museum of Modern Art, revised 2004, originally published 1999, p. 35

Find out more about The Starry Night at:
mo.ma/starrynight

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The Starry Night - Vincent van Gogh - Google Arts & Culture

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Van Gogh's night sky is a field of roiling energy. Below the exploding stars, the village is a place of quiet order. Connecting earth and sky is the flamel...

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집그림이 진짜 시골집 이여서 인상 깊었습니다.

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Turning Road at Montgeroult - Paul Cézanne - Google Arts & Culture

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This is the last painting Cézanne made in the small French village of Montgeroult before returning to his hometown of Aix-en-Provence, where he remained until his death. Cézanne painted the hillside scene from direct observation, as he felt strongly that “pictures painted inside, in the studio, will never be as good.” He also believed that “when out-of-door scenes are represented, the contrasts between the figures and the ground are astounding and the landscape is magnificent.” Indeed, the geometric ochre planes of the buildings—boldly outlined in blue—emerge in focus from the loosely rendered foliage. As the road bends down the hill, it shifts and ultimately is subsumed by the greenery, which is actually composed of a striking array of colors.

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이 그림은 나라가꼬블꼬블 하고

달도 예쁘고 행성이 보인다.

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Van Gogh's night sky is a field of roiling energy. Below the exploding stars, the village is a place of quiet order. Connecting earth and sky is the flamelike cypress, a tree traditionally associated with graveyards and mourning. But death was not ominous for van Gogh. "Looking at the stars always makes me dream," he said, "Why, I ask myself, shouldn't the shining dots of the sky be as accessible as the black dots on the map of France? Just as we take the train to get to Tarascon or Rouen, we take death to reach a star."

The artist wrote of his experience to his brother Theo: "This morning I saw the country from my window a long time before sunrise, with nothing but the morning star, which looked very big." This morning star, or Venus, may be the large white star just left of center in The Starry Night. The hamlet, on the other hand, is invented, and the church spire evokes van Gogh's native land, the Netherlands. The painting, like its daytime companion, The Olive Trees, is rooted in imagination and memory. Leaving behind the Impressionist doctrine of truth to nature in favor of restless feeling and intense color, as in this highly charged picture, van Gogh made his work a touchstone for all subsequent Expressionist painting.

The Museum of Modern Art, MoMA Highlights, New York: The Museum of Modern Art, revised 2004, originally published 1999, p. 35

Find out more about The Starry Night at:
mo.ma/starrynight

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The Starry Night - Vincent van Gogh - Google Arts & Culture

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Van Gogh's night sky is a field of roiling energy. Below the exploding stars, the village is a place of quiet order. Connecting earth and sky is the flamel...

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소녀가 입고 있는 의상이 예쁘다.

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In his second marriage, King Philip IV of Spain, the father of Margarita Teresa (1651-1673), was married to his niece Maria Anna, a daughter of Emperor Ferdinand III. Margarita became engaged to her uncle, the later Emperor Leopold I, at an early age (they wed in 1666). She died in Vienna in 1673, during her seventh pregnancy. The imposing portrait shows the infanta at the age of eight and was sent to the Vienna court as a gift the same year it was painted. For forty years, Velázquez succeeded in defending his leading position at the Spanish court against ambitious rivals. Unlike Rubens, for example, who from the very beginning had secured himself a great degree of independence while in the employ of the Spanish regents in Brussels, Velázquez remained obligated to fulfil the classical duties of a court painter. In the portraits regularly commissioned by members of the royal family, he maintained the traditional gestures and accessories of the court portrait but revolutionised their painterly realisation: the stature of the splendidly dressed child gains unity and three dimensional quality only from a certain distance. The cool, metallic effect of her garment provides a contrast to the delicate skin and is reflected in her blue eyes.In this late work Velázquez achieved a perfect balance between the duty to paint an official portrait and a desire to depict the individual in a lifelike manner. In the 18th century the picture - which was already a fragment of the original - was cut down again to an oval shape. It was restored to its (approximately) original form in 1923. © Cäcilia Bischoff, Masterpieces of the Picture Gallery. A Brief Guide to the Kunsthistorisches Museum, Vienna 2010

박물관을 둘러보고 Art Transfer, Pocket Gallery, Art Selfie 등의 기능을 사용해 보세요.

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Infanta Margarita Teresa in a Blue Dress - Diego Rodriguez de Silva y Velázquez - Google Arts & Culture

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In his second marriage, King Philip IV of Spain, the father of Margarita Teresa (1651-1673), was married to his niece Maria Anna, a daughter of Emperor Ferdinand III. Margarita became engaged to her uncle, the later Emperor Leopold I, at an early age (they wed in 1666).

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https://artsandculture.google.com/asset/turning-road-at-montgeroult/RAHRYVzqFQmM1A?hl=ko

멋진 풀밭 ,또 주황색 집이 인상 깊고, 멋지다.

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Turning Road at Montgeroult - Paul Cézanne - Google Arts & Culture

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This is the last painting Cézanne made in the small French village of Montgeroult before returning to his hometown of Aix-en-Provence, where he remained until his death. Cézanne painted the hillside scene from direct observation, as he felt strongly that “pictures painted inside, in the studio, will never be as good.” He also believed that “when out-of-door scenes are represented, the contrasts between the figures and the ground are astounding and the landscape is magnificent.” Indeed, the geometric ochre planes of the buildings—boldly outlined in blue—emerge in focus from the loosely rendered foliage. As the road bends down the hill, it shifts and ultimately is subsumed by the greenery, which is actually composed of a striking array of colors.

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하늘이 너무 예쁘다

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Van Gogh's night sky is a field of roiling energy. Below the exploding stars, the village is a place of quiet order. Connecting earth and sky is the flamelike cypress, a tree traditionally associated with graveyards and mourning. But death was not ominous for van Gogh. "Looking at the stars always makes me dream," he said, "Why, I ask myself, shouldn't the shining dots of the sky be as accessible as the black dots on the map of France? Just as we take the train to get to Tarascon or Rouen, we take death to reach a star."

The artist wrote of his experience to his brother Theo: "This morning I saw the country from my window a long time before sunrise, with nothing but the morning star, which looked very big." This morning star, or Venus, may be the large white star just left of center in The Starry Night. The hamlet, on the other hand, is invented, and the church spire evokes van Gogh's native land, the Netherlands. The painting, like its daytime companion, The Olive Trees, is rooted in imagination and memory. Leaving behind the Impressionist doctrine of truth to nature in favor of restless feeling and intense color, as in this highly charged picture, van Gogh made his work a touchstone for all subsequent Expressionist painting.

The Museum of Modern Art, MoMA Highlights, New York: The Museum of Modern Art, revised 2004, originally published 1999, p. 35

Find out more about The Starry Night at:
mo.ma/starrynight

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The Starry Night - Vincent van Gogh - Google Arts & Culture

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Van Gogh's night sky is a field of roiling energy. Below the exploding stars, the village is a place of quiet order. Connecting earth and sky is the flamel...

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이그림은 배경이 인상 깊었고 색을 섞으니까 더 예뻤다

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Van Gogh's night sky is a field of roiling energy. Below the exploding stars, the village is a place of quiet order. Connecting earth and sky is the flamelike cypress, a tree traditionally associated with graveyards and mourning. But death was not ominous for van Gogh. "Looking at the stars always makes me dream," he said, "Why, I ask myself, shouldn't the shining dots of the sky be as accessible as the black dots on the map of France? Just as we take the train to get to Tarascon or Rouen, we take death to reach a star."

The artist wrote of his experience to his brother Theo: "This morning I saw the country from my window a long time before sunrise, with nothing but the morning star, which looked very big." This morning star, or Venus, may be the large white star just left of center in The Starry Night. The hamlet, on the other hand, is invented, and the church spire evokes van Gogh's native land, the Netherlands. The painting, like its daytime companion, The Olive Trees, is rooted in imagination and memory. Leaving behind the Impressionist doctrine of truth to nature in favor of restless feeling and intense color, as in this highly charged picture, van Gogh made his work a touchstone for all subsequent Expressionist painting.

The Museum of Modern Art, MoMA Highlights, New York: The Museum of Modern Art, revised 2004, originally published 1999, p. 35

Find out more about The Starry Night at:
mo.ma/starrynight

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The Starry Night - Vincent van Gogh - Google Arts & Culture

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Van Gogh's night sky is a field of roiling energy. Below the exploding stars, the village is a place of quiet order. Connecting earth and sky is the flamel...

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https://artsandculture.google.com/asset/the-starry-night/bgEuwDxel93-Pg?hl=ko

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달과 큰 별들이 인상 깊었다.

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Van Gogh's night sky is a field of roiling energy. Below the exploding stars, the village is a place of quiet order. Connecting earth and sky is the flamelike cypress, a tree traditionally associated with graveyards and mourning. But death was not ominous for van Gogh. "Looking at the stars always makes me dream," he said, "Why, I ask myself, shouldn't the shining dots of the sky be as accessible as the black dots on the map of France? Just as we take the train to get to Tarascon or Rouen, we take death to reach a star."

The artist wrote of his experience to his brother Theo: "This morning I saw the country from my window a long time before sunrise, with nothing but the morning star, which looked very big." This morning star, or Venus, may be the large white star just left of center in The Starry Night. The hamlet, on the other hand, is invented, and the church spire evokes van Gogh's native land, the Netherlands. The painting, like its daytime companion, The Olive Trees, is rooted in imagination and memory. Leaving behind the Impressionist doctrine of truth to nature in favor of restless feeling and intense color, as in this highly charged picture, van Gogh made his work a touchstone for all subsequent Expressionist painting.

The Museum of Modern Art, MoMA Highlights, New York: The Museum of Modern Art, revised 2004, originally published 1999, p. 35

Find out more about The Starry Night at:
mo.ma/starrynight

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The Starry Night - Vincent van Gogh - Google Arts & Culture

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Van Gogh's night sky is a field of roiling energy. Below the exploding stars, the village is a place of quiet order. Connecting earth and sky is the flamel...

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쓰러지는 여자의 모습이 인상깊고, 옛날 옷들이 멋지다.

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Esther before Ahasuerus - Artemisia Gentileschi - Google Arts & Culture

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The most famous woman painter of the seventeenth century, Artemisia worked in Rome, Florence, Venice, and Naples. This painting, among her most ambitious, recounts the story of the Jewish heroine Esther, who appeared before King Ahasuerus to plead for her people, breaking with court etiquette and risking death. She fainted in the king’s presence, but her request found favor. The story is conceived not as a historical recreation but as a contemporary theatrical performance. Initially Artemisia included the detail of a black boy restraining a dog—still partly visible beneath the marble pavement, to the left of Ahasuerus’s knee.

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면적.50.005 제곱미터

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우리 고장의 환경 조사 보고서

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우리 고장의 환경 조사 보고서

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우리고장의 자연환경:비,눈,산

우리고장의 인문환경:아파트,공장,시장,마트

우리고장 사람들의 생활모습:바다에서 물고기를 잡거나 양식장을 만들어 김,미역 등을 기릅니다

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우리 고장 환경 조사 보고서

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우리 고장 환경 조사 보고서

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우리 고장의 토지는 대부분 해안지토양입니다.

주요 하천으로는 황구지천,오산천,발안천,관리천 등 이 있습니다.

산지들은 100미터 이하는 저산성 구름 산지이다.

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1 우리 고장의 자연환경바다

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1 우리 고장의 자연환경

바다가 있다.

들이 많다.

2 우리 고장의 인문환경

종합경기타운이 있다.

수산시장이 있다.

3우리고장 사람들의 생활모습

ㅡ 하는 일, 여가 활동

ㅡ 바다에서 물고기를 잡거나 양식장을 만들어 김, 미역등을 기릅니다.

느낀점 바다가 많은 것을 알게됬습니다.

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우리 고장의 환경 조사 보고서

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우리 고장의 환경 조사 보고서

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1.우리고장의 자연 환경

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1우리고장의 자연환경 산이

산이 있다

작은 들과 하천이 있다

2인문환경 화원초등학교

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1.우리고장의 자연환경

-넓은 들이 있다

-산이 있다

2.우리고장의 인문환경

-아파트가 있다

-도시가 있다

3.우리고장의 사람들이 생활하는 모습

-농사를 짓는다

-아파트에 산다

4.알게 된 점 넓은 들이 있어 도시가 발달하였다

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1.들이 있다

# data[].attributes.headline
우리 고장의 환경 조사 보고서

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우리 고장의 환경 조사 보고서

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우리

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1.우리 고장의 자연 환경 

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1.우리 고장의 자연 환경

•넓은 들이 있다

•작은 산과 하천이 있다

2.우리 고장의 인문 환경

•경기 타운이 있다.

•아파트가 많이 있다.

3.환경에 따른 우리 고장 사람들의 생활 모습

•농사 함

•경기 타운에서 경기를 봄

4.알게 된 점

•

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1우리고장의자연환경

2우리고장에인문환경

종합경기타운이있다

아파트가많다

도시가발달했다

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우리고장의 환경 보고서

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우리고장의 환경 보고서

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1.우리고장의 자연 환경

•들이 있다

•작은산이 있다

2.우리고장의 인문 환경

•논이 있다

•목장이 있다

3.우리고장의 사람들이 하는 생활모습

•벼농사를 한다.

•농촌체험장을 운영 한다

4.알게 된점, 느낌점

•조사하고 생각하느라 힘들었다

•그래도 재밌었다

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우리고장의 환경조사 보고서

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우리고장의 환경조사 보고서

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1.우리고장의 자연환경

우리꽃 식물원에 산이 있다.

2.우리고장의 인문환경

건물.식물원.안에 돌다리

3.우리고장에 사람들의 생활모습

우리꽃 식물원 에서 산책하기

4. 알게된점 느낀점

자연이 우리를 도와준다는 것을 느꼈습니다.

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우리고장 환경 조사  보고서

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우리고장 환경 조사 보고서

1.우리고장의 자연 환경

우리꽃 식물원에 산이 있다

2.우리고장의 인문 환경

건물,식물원 안에 돌다리

3.우리 고장의 생활 모습

우리꽃 식물원에서 산책하기

4.알게된점,느낀점

자연이 우리를 도와준다는 것을 느꼈습니다.

# data[].attributes.attachment_link.description
공간을 검색합니다. 생활을 연결합니다. 장소, 버스, 지하철, 도로 등 모든 공간의 정보를 하나의 검색으로 연결한 새로운 지도를 만나보세요.

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우리고장에 환경 조사 보고서(향남)

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우리고장에 환경 조사 보고서(향남)

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면적.56.32 제곱킬로미터.

인구.404,395명

인구밀도.7,180.31 제곱킬로미터

지역번호.031

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우리 고장의 환경조사 보고서

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우리 고장의 환경조사 보고서

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우리고장의 자연환경은

.여름에 비가 많이내림니다.

.겨울에 눈이많이내리고 비가 적게 냅니다.

.우리고장의 사람들의 모습은 바다가 가까워서 수산물을 싸개 먹을수 있습니다.

또 우리고장은 인문환경이 많습니다.

우리고장의 좋은점

종합경기타운이 있다.

맛있는 밥이많다.

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우리 고장의 환경 조사 보고서(향남)

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우리 고장의 환경 조사 보고서(향남)

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1. 우리 고장의 자연환경

넓은 들이 있다.

작은 산과 하천이 있다.

2. 우리 고장의 인문환경

종합경기타운이 있다.

아파트가 많다.

도시가 발달했다.

3. 환경에 따른 우리 고장 사람들의 생활모습

들에서 농사를 짓는다.

종합경기타운에서 축구경기와 배구경기를 관람한다.

많은 사람들이 도시에 모여 산다.

4. 알게 된 점

우리 고장에는 넓은 들이 있어 도시가 발달하고 사람들이 모여 사는 것을 알게 되었다.

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수업시간에 떠들지맙시다

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수업시간에 떠들지맙시다

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수업시간에 떠들면 선생님 목소리가 않들리고

시끄러워서 불편합니다

수업시간에 떠들지맙시다

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Children talking noisily in an elementary school classroom

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급씩씰에서뛰지않키

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쓰레기 를버려야 합니다.

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쓰레기 를버려야 합니다.

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쓰레기 를함부로 버림면 항경이 오려됀니다.

쓰레기 를함부로 버리면멘 새가남니다.

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쓰레기가있는모습쓰레기가있는모습

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바닥에쓰레기를버리지맙시다

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바닥에쓰레기를버리지맙시다

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쓰레기를버리면지구가오염된다

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급식실에서 시끄럽게 떠들지 말자

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급식실에서 시끄럽게 떠들지 말자

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급식실에서 밥은 별로 않먹고 예기만 하고 가는 에들도 있고

밥 먹으면서 말하면 침 튀기면 더러우니깐 여기는 하지 말자

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복도에서 뛰지 맙시다.

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복도에서 뛰지 맙시다.

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복도에서 뛰면 다를 반한테시끄러워서 피에를입을수있기때문 에입니다.

# data[].attributes.body
친구를 밀지 맙시다 밀면 친구가 아플 수 있기 때문에 밀면 안됩니다

이유는 바로 내가 밀면 똑같이 따라하고 똑같이 벌서기 때문 입니다

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Pushed and knocked down by a friend in the school hallway

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친구가 하지 말라는 것은 하지맙시다.

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친구가 하지 말라는 것은 하지맙시다.

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그럼 친구가 기분 나쁘지 않기 때문입니다.

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학교에서 쓰레기를 버리지 말자

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학교에서 쓰레기를 버리지 말자

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쓰레기를 버리지 말자 쓰레기를 계속 버리면 오염이 된다

쓰레기를 버리지 않으면 바다로 밀고 동물이 아파 하고있고

냄새가 계속 나옴니다

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복도에서 뛰면 걸어가는 사람과 부디쳐서 다칠수도 있습니다

그리고 복도에서는 걸어다녀야 하는 습관 을 길러야 합니다 그래서 서로 기분이 않 좋을수 있기때문에이다

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복도에서 뛰지 말고 걸어다닙시다 걸어다니는 사람과 부딪칠수 있고 다른칠수 있습니다 복도에서 뛰지 말고 걸어다닙시다

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자리을 깨끗이청소합시다

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자리을 깨끗이청소합시다

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청소를 잘하지 않으면 바퀴벌레가 나옵니다.

청소을 제대로 않다면 청소관리사들이 힘듭니다.

그리고 청소을 해서 깨끗해지면 보기 좋습니다.

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바닥에 쓰레기를 왜 버려요??

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바닥에 쓰레기를 왜 버려요??

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바닥에 쓰레기를 버리지 말아요 왜냐하면

쓰레기가 점점 싸여가요

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 床にゴミを捨てないでください

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급식실에서 뛰지 맙시다

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급식실에서 뛰지 맙시다

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급식실에서 뛰면 밥먹는 사람한테 피해를 줄수있고 다칠수도 있습니다

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급식실에서 뛰면 넘어 질 수 있고 미끌어질수 있습니다.

그리고 음식이 쏟아 질수 있습니다.

또 친구와 부딧칠수 있습니다.

그래서 우리는 급식실에서 뛰면 안 됩니다.

# data[].attributes.body
미술시간에 소곤소곤 이야기 하면 좋겠습니다.

미술시간에소곤소곤이야기 하면 집중 잘 되 더 잘 그릴 수 있습니다.

이렇게 조용히 미술을 했으면 좋겠습니다

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쓰레기는 쓰레기통에 버립시다

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쓰레기는 쓰레기통에 버립시다

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쓰레기를쓰레기통에 버리는 습관을 기르면 좋지만

보기도 좋고,깨끗해서 좋습니다. 쓰레기를 잘 버리면

학교도깨끗하고좋지만 학교공기도 좋아져서 기분이좋습니다.

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자리를 청소하자

자리가 더럽게 되면 바퀴벌레가 나옵니다

바퀴벌레가 나오면 징그럽습니다

그러니 청소를 잘 합시다

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학교에 쓰레기를 버리지 말자

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학교에 쓰레기를 버리지 말자

# data[].attributes.body
학교에 쓰레기를 버리지 맙시다. 쓰레기가 떨어져 있으면 기분이 좋지 않고, 냄새도 나고, 벌레도 생길 수 있습니다. 건강에도 좋지 않습니다.

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운동장에 쓰레기가 버려져 있는 모습

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거인의 식탁(푸드마일리지)

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거인의 식탁(푸드마일리지)

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거인의 식탁을 만들어 푸드 마일리지를 계산해서 올려 봅시다.

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넘 맛있겠당

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요즘 지구 환경이 많이 파

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요즘 지구 환경이 많이 파괴되고 있습니다 지구 환경을 위해서 우리가 할 수 있는 일부터 모두 함께 노력해야 합니다.

이제 쓰레기를 바닥에 안 버리고

그리고 물을 많이 쓰지 않고

그리고 또 양치할 때 물을 바로 끌게

그리고 마지막 분리수거 잘하겠습니다.

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지구야 그때 동안 고마워<

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지구야 그때 동안 고마워

이번에는 우리가 이번에는

우리가 지켜볼께

지구 지키는 방법 1. 쓰레기는 분리수거 하기

지구 지키는 방법 2. 나 갈 불 끄고 나가기

지구 지키는 방법 3. 잔반남기지 않기

지구 지키는 방법 4. 잉크 많이 사용하지 않기

지구는 아주 소중합니다

지구가 없으면 우리는 살지 못합니다

그러니 지구를 지킵시다.

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첫째 여러분 쓰레기는 쓰레

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첫째 여러분 쓰레기는 쓰레기통에 버려야 합니다.

쓰레기 때문에 동물들이 다치는 경우가 있습니다.

그래서 쓰레기는 쓰레기통에 버려야 합니다.

둘째 물를앞기시다.