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The final sequence of this video is pretty much identical to how i visualise this scene playing out. The sky will be grey and dead and the focus will be entirely on the couple with background showing the sharp drop off of the cliffs. The grass would be emerald green and the dirt would be dark brown.

The large influence of this is mainly the costumes that they are wearing. The brides veil will hang down onto the floor yet will be bring white.

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Forestry Films - Wedding Videography and Wedding Photography

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Gorgeous Elopement Wedding Video on Big Sur Point 16 Cliff  -  You Will Cry 100%

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The vision i have for this scene is to truly make the audience feel as if they are seated in front of this and are apart of the intense discussion. I will use a 50mm lens to capture this for a real eye perspective. The sun will be situated overhead showering light onto them. They will both be clearly visible in the frame. The colour temperature will be 5700 kelvin to really drain life out of the surroundings. The sun will not be in frame but hanging over head of the actors. We are hoping for a slightly cloudy day  however if it is clear than that will be fine too.

Costume Design/Make up

pinkie's design would be a classic black and white suit (with a bow). His shirt will be untucked to show they have been running to the location. The males hair will be on his forehead as if to signify how crazy this situation is.

Rose will be wearing a small wedding dress. Unlike Pinkie she will look more presentable to represent that she is more innocent in this ideal and that pinkie is proposing the idea to her. She will look angelic compared to her spouse that will appear more craze like.

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My first reading of the script as a DOP allowed me to understand the location required to film. The location is an exterior wide, open and well lit by the edge of a cliff. The area will be open with a sea side town in the exterior. There will be no trees just flat land.

The second reading was for what i need to request from the director. Costumes and make up will need to be told to me. So i can understand how they will fit in the frame. If they just had a wedding i assume it is a wedding dress and suit but affirmation from the director would be necessary.

The document above shows what my vision of the story will play out and how the shots will be stylised. As seen the colour grading is lifeless to symbolise the dark act they are going to do. The focus and tension is on the gun for most of the scene to really question the characters if they are going to go ahead and do this.

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The location i have chosen is HORDLE CLIFFS located in the new forest as i believe this best matches the description from the script. Permission therefore would need to be obtained to gain this location but once permission is granted a scout and recce would be due. The cliffs spread wide and drop down to a sandy beach. The wide open space will allow there to be alot of light which will both be helpful and a problem depending on the humidity of the weather. Permission to film here will be granted from the council of Milton. as well as the new forest. Fees maybe applied.

The location recce, there are some logistical advantages and disadvantages of the site however with a risk assessment this could be settled with the council.

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The camera i will be aiming to use  to film scene 47 is the Sony FS7. The camera can equip 4k imaging and flexibility to be used both manually or by stabilizing devices, in turn this would give me the freedom to film different types of shots.
Setting up the Sony FS7, I will load my SD card with the saved settings on it that will be:
Viewfinder: MLUT (ON)
Shutter: 1/50th & 25fps.
Shooting Mode: CineEI
Scan Mode: Normal
Video Format: 1920 25p
Codec: XAVC-I
Category: LUT
LUT Select: p1
Colour Space: SGamu3C
SDI & Internal: MLUT (OFF)
SDI2: MLUT (ON)
HDMI: MLUT (ON)

Metabones adapter will need to be taken from the loan store in order to use CANON fit EF mount system. The lenses that it would allow me to acquire and that i will is 24mm, 35mm, 50mm and the 85mm samyang lenses.

PROPS

A prominent prop involved within the scene is the revolver. This prop will be on screen for a majority of the scene as it used for pinkie proposition to rose. The fake prop revolver i imagine will be modern and dark. This would potray the horrible and sinister event that is about to be unfolded.

LIGHTING

The location will be exterior and this is handy with the sun and all but it comes with its own set of problems.To prevent this from causing a problem a lighting kit will be used or at least will be at hand for use. The lighting kit that is going to be used is Kino flo with c stands. The use of Kino flo outdoors will be great for recreating lighting outdoors as they can be tungsten and daylight with the use of gels and converters.

ND FILTERS

If we were to increase the Aperature have a few ND filters at hand. Ideal ND filters to use would be grad ND filers that would reduce the colour/luminosity of the colour to match the ground. Polarized filters would also be beneficial to reduce the light reflection of any shiny surfaces both on the actors and the prop that they are holding.

TRIPOD

In order to keep my camera steady during static shots a tripod would be beneficial. The flexibility to change the height of the shots and also pan/tilt shots would also be great. The tripod would be mostly used for master shots of the scene to capture all of the scene in one.

DOLLY

A dolly shot would be necessary to undertake and track with the actors. This would provide a smooth and cinematic style to the scene. Setting up tracks would be simple and being able to move with the actors would immerse the audience more into the story.

BUDGET OF EQUIPMENT

SONY FS7 - £146.40 WEEKEND RATE RENT INC TRIPOD
https://fatllama.com/rentals/london/hire-sony-fs7-camera-kit--canon-2470mm-28-tripod-mic-5-4k--03497046
METABONE ADAPTER - £89
KINO LIGHT -
WALLY DOLLY - £50 DAILY RATE RENT
ND FILTERS - £40 EACH
PROPS - £40