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Taxon occurrence data for the FungalRoot database

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Citation
Soudzilovskaia N A, Vaessen S, Barcelo M, He J, Rahimlou S, Abarenkov K, Brundrett M C, Gomes S, Merckx V, Martinez-Suz L, Tedersoo L. Taxon occurrence data for the FungalRoot database. PlutoF. Occurrence dataset https://doi.org/10.15468/a7ujmj accessed via GBIF.org on 2022-04-15.

Description The FungalRoot database accumulates information about plant mycorrhizal status and root colonization intensity, The database was assembled based on previously published reviews, local databases and a large number of yet neglected case studies and recent studies published in nine globally most important languages. The database enables to distinguish between reports of a presence of a particular mycorrhizal type, and reports where the plants were checked for all existing mycorrhizal types. In addition, our database provides information about the locality, ecosystem type, soil chemical data, and the method of mycorrhizal assessment that enable users to build more specific, local reference databases. The database contains 36,303 species by site observations for 14,870 plant species.

Taxonomic Coverages

Geographic Coverages

Bibliographic Citations

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Taxon occurrence data for the FungalRoot database

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The FungalRoot database accumulates information about plant mycorrhizal status and root colonization intensity, The database was assembled based on previously published reviews, local databases and a large number of yet neglected case studies and recent studies published in nine globally most important languages.

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Evolution of Collective landscaping with clay and moss 

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Evolution of Collective landscaping with clay and moss 

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Hands like feet, spirits, demingods ancestories, weather creating mini songlines, transforming, forming the map…..

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A dab of colour Collective landscaping  

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A dab of colour Collective landscaping  

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Starting to link human systems with earth systems….Starting to merge and mutate ideas…

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Funded by Fonds Darstellende Künste as part of Neustart Kultur: #TakeHeart. Realized by the Bündnis internationaler Produktionshäuser, the Netzwerk freier Theater and the flausen+bundesnetzwerk.

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Can we combine?

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Gut-Inspired

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Sustenance - Material / Vessel / Heritage - Habitat - Interface - Platform / Support

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Application design tbc…. Storying in beads and stitches 

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Application design tbc…. Storying in beads and stitches 

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Subconscious Mandalas in the fighting ring Day 2

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Subconscious Mandalas in the fighting ring Day 2

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https://docs.google.com/document/d/1i_3YTBjHe2mgvtSuttQCYzV-8VRBBrzUOAe02MF0iH8/edit

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The time it takes to Collect Harvest for tea…. 

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The time it takes to Collect Harvest for tea…. 

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It took 30 mins to collect the leaves from the small branches. These long simple processes help me experience time in another way. It can be relaxing having such a clear soft focus. Do I need to wash again and dry again? To clean the leaves?

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Left overs from the Mistletoe that I cannot identify. That also bring up disgust. Dirt, infection, disease, maggots. Messy spreading uncontrollable, mysterious. If they were outside what service would they provide. I think everything in nature has a service…. Nothing is in isolation……

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And there it reveals itself A Druid Staff 

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And there it reveals itself A Druid Staff 

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I didn’t know what to do with this dying mistletoe. It was starting to annoy me -the mess that it was making in my room, so I came closer to it and started to crack of the branches. The mistletoe has knuckles and each knuckle snaps in a very satisfying way. I wanted to get down to the root, to the architecture of the first sprouting of the mistletoe, And as I finished I revealed the structure that appeared to me as a Druids Staff. a magical Staff that enabled the druid to summon and control animals or cast spells. I always wanted to create such a staff but it always felt a little too esoteric. However, the nature in which this has appeared feels much more organic, fun and theatrical. And who knows maybe the mistletoe still has something to tell me.

What can I do now with this Druids Staff? A talking stick, adorned? and appreciated….

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The passage of time and the importance of watching it 

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The passage of time and the importance of watching it 

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I gave time to the mistletoe, watching it withering as it’s host no longer provided nourishment. Yes it’s dropping branches and berries and made a wild mess of my bedroom. What to do with you now? Did I do enough with you?

How will I make tea from these leaves? Or a tincture?
https://simplybeyondherbs.com/mistletoe-tincture-for-anxiety-and-stress-relief/

And then, there it it! My Druids Staff!

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"when are you wild at home"? Can you say how you are identifying with wildness and what your definition of wild is? If it relates purely to the human realm?

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Question to Rosalind and Moss: how would you convey to others that we are nature? 

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Question to Rosalind and Moss: how would you convey to others that we are nature? 

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first thoughts on food as survival .aac by Rosalind Masson

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first thoughts on food as survival .aac by Rosalind Masson

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Stream first thoughts on food as survival .aac by Rosalind Masson on desktop and mobile. Play over 265 million tracks for free on SoundCloud.

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Spontaneous mask making with psylliums husk mix and Rosalind Holgate Smith

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Nature Interspecies Meds by Moss Beynon Juckes

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Thought I’d rummage around SoundCloud and found these- added you both…

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Nature Interspecies Meds by Moss Beynon Juckes

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Becoming Sensor for a Planthropocene pt. I-III. Natasha Myers, Ayelen Liberona & Allison Cameron by Statens Konstråd

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https://soundcloud.app.goo.gl/rSEGwJdxG2KWhDddA

By:
Statens Konstrad

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Part I. Let the trees lead (or, Seeds for a Planthroposcene) Text and voice: Natasha Myers Field recordings and composition: Ayelen Liberona and Natasha Myers Editing and Production: Yuval Sagiv Recording: Geoffrey Siskind Part II: Becoming Sensor in Sentient Worlds (2016) Field recordings and Composition: Ayelen Liberona & Natasha Myers Part III: Sounding Out an Urban Oak Savannah (2017) Field recordings: Allison Cameron, Ayelen Liberona & Natasha Myers Composition: Allison Cameron These field recordings were made in the Spring of 2016 at the eastern edges of High Park, Toronto's 400-acre pleasure park, just where a major throughfare cuts through an ancient oak savannah. These lands are the sacred hunting and foraging lands of the Wendat, the Anishinaabe Nations and the Haudenosaunee Confederacy. For more information see Toronto's Indigenous Land Stewardship Circle (http://indigenouslandstewardshipTO.ca). Becoming Sensor (http://becomingsensor.com) is a research-creation collaboration focused on the work of detuning settler stories about these lands, and tuning in to the sentience of the land and its many relations.

License: all-rights-reserved

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Becoming Sensor for a Planthropocene pt. I-III. Natasha Myers, Ayelen Liberona & Allison Cameron by Statens Konstråd

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language into sensation .aac by Rosalind Masson

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https://soundcloud.app.goo.gl/YBYmS

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language into sensation .aac by Rosalind Masson

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Stream language into sensation .aac by Rosalind Masson on desktop and mobile. Play over 265 million tracks for free on SoundCloud.

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Dear Rosalind, I still see my works as offerings - especially the ones I created since 2015 or so. I conceive them as gifts or means of connection. Examples are a jukebox full of calypso songs dedicated to caribbean cities (this became the centerpiece for many parties and social gatherings); a space full of hammocks, lullabies and stories for people to rest in and reflect on our place in nature and time; a toolkit of hand yoga positions to support your wellbeing and that of the planet; and currently, a music album to enjoy as you please. In artmakinh I struggled with the expectations of the effect of the work on the viewer. At some point I started to think of it more as a dialogue, and myself more like a channel and facilitator through the works O create. An offering is what they feel like to me. And now I enjoy simply creating / facilitating an experience of connection or reflection through joy, relaxation or whatever the work/topic calls for.

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Dear Rosalind, I still see my works as offerings - especially the ones I created since 2015 or so. I conceive them as gifts or means of connection. Examples are a jukebox full of calypso songs dedicated to caribbean cities (this became the centerpiece for many parties and social gatherings); a space full of hammocks, lullabies and stories for people to rest in and reflect on our place in nature and time; a toolkit of hand yoga positions to support your wellbeing and that of the planet; and currently, a music album to enjoy as you please. In artmakinh I struggled with the expectations of the effect of the work on the viewer. At some point I started to think of it more as a dialogue, and myself more like a channel and facilitator through the works O create. An offering is what they feel like to me. And now I enjoy simply creating / facilitating an experience of connection or reflection through joy, relaxation or whatever the work/topic calls for.

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Excited to learn from Kersey Lawrence wildlife and Cybertracker!! April 30-1st

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Learn to follow tracks through landscapes with the purpose of finding and observing the animal(s) that made them -while remaining undetected. Trailing builds knowledge of wildlife and local landscapes, confidence to follow trails in difficult conditions, heightened awareness and stealth, and an ability to move quietly through field and forest in small groups.

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Where the Misteltoe grows….

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Ever since that Vision Quest I kept mistletoe and parasites at the back of my mind, after the resent storm I found this beast and collected them. Things I discovered:
To the ancient Druids of Britain it was a sacred symbol with both magical powers and medicinal properties.These ancient people believed mistletoe could cure diseases, make animals and humans more fertile, provide protection from witches, and bring good luck. In fact, mistletoe was so sacred to the Druids that if two enemies met beneath a tree on which it was growing, they would lay down their weapons, exchange greetings, and observe a truce until the following day

A botanical anomaly, it is the only complete plant considered a true parasite for it often kills the hardwood tree it infests. There is even a legend regarding this.

In Brittany, it is called “herbe de la croix”, or herb of the cross. According to the legend, the wood of this plant was used for the Christ Cross, afterwards being reduced to a parasite. In the fourteenth century it was called “lignum crucis,” or wood of the cross.
https://pss.uvm.edu/ppp/articles/mistlmyths.html

European mistletoe has been used for centuries in traditional medicine for a variety of conditions, including seizures, headaches, and menopause symptoms. Today, European mistletoe is promoted as a treatment for cancer. In Europe, European mistletoe extracts that are given by injection are sold as prescription drugs.

This is quite a plant! Considering its a parasite- seems pretty useful: https://www.indigo-herbs.co.uk/natural-health-guide/benefits/mistletoe

Cancer- infertility- blood pressure-AIDS

MAGIK MEDICINE on the doorsteps….MAYBE i will make some tea for my period pains and tendency towards high bld pressure 🍀

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How is embodied movement influencing my research for Rosalind 

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How is embodied movement influencing my research for Rosalind 

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I think I have less and less interest in dancing with forms that I wear like a costume. Like ballet ballet. I have more more interest in discovering the stories that are hidden inside the body and a kind of inherent desire for my body to find the dance that is in relation to my experience. That is in relation to my ancestors, or to my current environment, that its forms and codes are flexible, and that my perception can be acute and aware of the present, that there is a response ability And a flexible interaction with what is currently happening. Rather than ignoring my pains or my aging process or my valuable experiences, those are the places where I wish to be heard, and that often these places are the hardest to listen to and yet are the richest sources of information. And all this information is subjective- it’s also of course my mum most of the time universal in one way or another,.

When I connect to the inner world of my being, I remain open, truly open to a present reality and at the same time ofree a bridge, Offer myself as a bridge, me a form, just one form of  many That has a particular energy that can connect to what has been called in the energetic world of the other spirit world or the animist reality. Yes I do see it as a reclamation of the body. I’ll recreate recreate a regulation reclamation of my inner sensorial experiences, giving the value to these experiences is a political act to me. That the that the inner experience was cut off  and I’m in a very long process team of re kindling the connection to the inner space with the material reality. Paragraph I believe that my body has also been viewed in an objective destructive way often feeling as though I could to be consumed or exploited. Working with the inner ear or inner landscape reconnect me to a sense of value self value, connected value to myself my  environment, other beings. This is absolutely necessary for me to live and be alive and fully appreciate what is life.

Things become important.

Things become necessary to care about.A healthy attachment becomes renewed, attachment is completely under scrutiny, however a healthy attachment is absolutely necessary to any relationship, without that understanding, we run the risk of losing what is the most important to us.

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I wanted to spend some time with my son and I thought it would be nice to involve him in to my embodying practices.

So I invited him to do the body map of exercise. He lay on the floor and you around his body he stood up, and looked at his size, I told him he could do anything on there that he wanted his feelings where he is what he knows about his body. He quite quickly went to go and get his body anatomy book And started filling in all by him self exactly what he wanted to draw and also after 10 minutes pause and a bit of premenstrual friction between us, I suggested he write what I am feeling as in what is he feeling? And so we went over the feelings we can have as human beings in English for the first time I think and he managed to express things that I didn’t hear him say before like he gets angry and then frustrated when I don’t listen, or he gets jealous when he sees me playing with our new flatmate who is nine. I got a lot more out of the body map that I expected and the fact that he was so interested in it was very exciting.

He even decided to write in the body parts himself.

Have a look

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Answering the question: when am I wild at home?

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Answering the question: when am I wild at home?

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I'm wild at home when I'm open to the hearts of my loved ones. Open to the subtle changes in my mood and the weather. The wildness of play and interaction for the pleasure of interaction. Wild in the love for my 8 month baby with my mouth all over her body. Wildly fearful of the loss of love. A constant reminder that I don't know my partner's heart and perhaps never will. A  fear and feelings dumbed down (and sometimes amplified) in their wildness by domestication. Sometimes emotions cannot shift due to the heavy stone walls which block the light and air. When I trust my wild self I connect to the quotes below. The rest: the walls, the doors, the windows, the furniture are a shell through which to explore nothing less than my wildest self.

Express yourself completely
Then keep quiet
Be like the forces of nature:
When it blows there is only wind;
When it rains there is only rain;
When the clouds pass the sun shines through.

If you open yourself to the Tao
You are at one with the Tao
And you can embody it completely
If you open yourself to insight
You are at one with insight
And you can use it completely.
If you open yourself to loss
You are at one with loss and can accept it completely.
Open yourself to the Tao, then trust you natural responses; and everything will fall in to place.

Lao Tzu

Look: the trees exist; the houses we dwell in stand there stalwartly. Only we pass by it all, like a rush of air. And everything conspires to keep quiet about us, half out of shame perhaps, half out of some secret hope.

I would like to sing someone to sleep, to sit beside someone and be there. I would like to rock you and sing softly and go with you to and from sleep. I would like to be the one in the house who knew: The night was cold. And I would like to listen in and listen out into you, into the world, into the woods. The clocks shout to one another striking, and one sees to the bottom of time. And down below one last, strange man walks by and rouses a strange dog. And after that comes silence. I have laid my eyes upon you wide; and they hold you gently and let you go when something stirs in the dark.

Rainer Maria Rilke

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Dear Ela, you once told me you think of your work as being an offering. I found this very profound. Can you tell me how arrived at this thought and if it's still true of your work today? 

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Dear Ela, you once told me you think of your work as being an offering. I found this very profound. Can you tell me how arrived at this thought and if it's still true of your work today? 

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Dear Moss, I was always amazed by your multi-disciplinary  practice. Today you mentioned embodied movement and your journey in first being aware of it as a concept and now experiencing it. Can you tell me how this is influencing your current research? 

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Dear Moss, I was always amazed by your multi-disciplinary  practice. Today you mentioned embodied movement and your journey in first being aware of it as a concept and now experiencing it. Can you tell me how this is influencing your current research? 

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Ela’s tree meditation with the Balsa tree

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Funded by Fonds Darstellende Künste as part of Neustart Kultur: #TakeHeart. Realized by the Bündnis internationaler Produktionshäuser, the Netzwerk freier Theater and the flausen+bundesnetzwerk.

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My question to the group is… When are you wild at home?

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My question to the group is… When are you wild at home?

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I like this question because I was thinking ….I wake up in the morning and my hair is a mess and it’s all over the place, is that wild? Is it wild to burn a pan 😝? Is it when my nails get too long and it’s at the moment before I cut them; they rub up against the floor or a lover? When I’m roaming around the flat and the heating has been on and I feel like suffocating - so I open all the windows and let the wind blow through loading a new inspiration into my square room? Is the rubbish intrinsically wild- a mess, dirty….

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Breathing exercise: Interspecies Cellular Respiration 

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Breathing exercise: Interspecies Cellular Respiration 

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Score from Dance North Residency 2021 by Chell Young 

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Study one. December in Somerset UK England on blue anchor beach. Yeah your average winter day -very cold. Frequent dog walkers and CAFE attenders passed by. We had some bystander audience. The exceptional thing about this day was the sunset and the offing with one boat.

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Me as Other in the Living Field of Experience 

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Me as Other in the Living Field of Experience 

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Intersubjectivity, multiple subjectivities, the multiplicity of sensing subjects- intersubjective phenomena.

Every form one perceives….is an experiencing form

What are the ways to become more receptive to an animist world of experiencing forms?

A game- close your eyes in the middle of a forest, turn four times in the direction of your choice. Walk slowly and open your senses to the other beings around you. Can you anticipate their presence? Is it just dark? What does your skin do, where do you cross the line of your own discomfort, what senses must you then trust afterwards?

How to get lost to find new pathways of perception

Getting out of the Human and finding ways to perceive the more-than-human matrix of sensations and sensibilities.

Wild Nature- I am starting to think that maybe I have never ever ever really experienced WILD NATURE and yet it is a craving deep in my guts, the knowing that I am also animal. I also need the wind, the dirt and the perspectives of a storm. Watching cats jumping in shock of cucumbers, the domesticated reactions of a former wild creature- what are my domesticated wild reactions? Birthing Fucking Grieving Shitting- sure but the subtle ones - seeing a shadow as a monster….

The Winged-carry the immediate  knowledge of what is unfolding …it is only by watching them that one that one can be kept apprised of climate changes in the offing…lammergeier condors

I will learn more about the Shoe Bill as a being I’d like to embody. I will research bird perception and see if I can learn something from them.

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Lucas Nagel introduced me to https://visionssuche.net/ in late January 2022 a group of 6 people met in order to make this quest in Potsdam Sanssouci Park.

This way of "talking" with nature or life is or was present in many cultures and in also a kind of shamanic work. It is used as a part of the process in the "Visionssuche / visionquest". This work is inspired by the Uma-Institut (www.umainstitut.net) and the Eschwege-Institut (www.eschwege-institut.de) with which I am connected and is based on my (Lucas Nagel) experiences in working in rituals and projects with different groups and persons as a freelance transformation in natura-Coach and trainer in nature and wilderness."

So we gathered together and ate some lunch and then we began to share with each other what we wanted or what our question was for the circle and for the vision quest that we were about to go on. We also handed the magic burning sage around the circle passing it over our body as a another portal towards this vision quest. There were several natural objects placed carefully on a green circular fabric with a candle in the middle. We could choose one of these objects and describe what fascinated us about the object and why we chose it. Mine was a small piece of branch with a round bobble on it and then another piece of branch sticking out of the bobble.

I was informed that this was the reaction of tree to the parasite mistletoe. And we had a discussion about how absurd the object was and how it looked like for me a comic bird and episode and absurd broken but funny head of a bird with a beak. this is what I wanted from nature I wanted to regain the sense of absurd and the sense of comical that I find is endearing in the natural world this kind of lack of perfection. The bouba goddess. This kind of natural trust and light sense of support from the natural world

The fact that it was called the parasite parasite alarmed me because of the question that I had about relationships that I wanted to discover in nature and on this walk. My alarm was to do with the idea, I suppose of a parasitic relationship. Modern psychology or rather let’s say popular psychology is often very quick to summarise a persons psychological disposition.

For example it has become a trend of late to call a relationship toxic or people as narcissistic or quickly define them as ADHD for example. This really concerns me because I find it completely individualistic as if negating  the fact that humans have any dependency on anybody else, so if someone was considered toxic they can just be cut off like a dead branch. I have given a lot of time to this and often I find the criteria of the sane brain quite peculiar , rigid but also ethereal. What is the perfect brain? The perfect balanced way of being, exhisting, balancing, regulating, perceiving

I went on my mission perceiving nature following my desire being attracted by certain crippled trees or gashes in the trunk that looked evolved but vulvic  replaced multiple coloured fungi and new arrangements I hugged a tree I followed the molehills into an open field, I lay on the floor to see if I could hear the little footprints underneath the Earth. But before long I was I was interrupted by human presence wondering if I had been if I had fallen second or fainted.

I continued to be open does this ivy kill this tree? Does that mean this is a parasitic relationship? Is the tree getting anything from the Ivy? For the tree looks like it is having a caress a hug. Our tree is parasitic of the Earth? Or babies parasitic of their mother host? Am I parasitic. Is it only because I kill you I kill the host, and that is what makes me a parasite. What is this relation to dying that Nature says we need. Why do I have to judge these different relationships. Because as a human we avoid trying to be hurt.

I found a cluster of trees and blindfolded myself to see if I could perceive them and their distance to me, before I should bang into them.

I felt a sense of fear and the sense of apprehension.

It was just darkness. I was disappointed with my lack of connection. Of my lack of connection to my third eye? to my intuition.

All these things that we want to work on these days. but soon I realised that my feet sensed more sense to how the Earth elevated at the roots of the tree and my fingers sensed more they sensed how the earth thickened and crackled under my skin crackled under my skin under my skin. And the sky illuminated in my eyes even though they were closed.

I knew exactly where I  for the whole journey except in this moment when I open my eyes again. My whole body was disorientated and I temporarily forgot which direction was home. Suddenly a whole New World opened where I realised I was lost but somehow found, now I was free to wonder where ever my desire, spirit, wish, energy, excitement Would lead me and that’s what I did. Knowing that I had to go home on time and be punctual.

The the fern fern invited me and I found a piece of branch that was jutting out that I could massage myself on like a dog looking at the time wishing to extend a time I found my orientation towards home and started to make my way in that direction. I had no answer to my question only more space for observation and less determination to find the answer.

I rushed back over a little hill and suddenly I saw a pile of cut down branches Mollie Green fungus, piles elegantly and just behind them the first blossom. We had talked about that in our circle. Beyond this the blossom I heard a woodpecker. Five woodpeckers percussive and playful. The woodpecker takes me to my childhood in Australia and symbolised or gave me direction towards my first relationships to understand what’s happening in my current one. Beautiful orange wood Peckers… I rushed back to close the ⭕️